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Firmament","2023-12-13T07:27:50.679Z","2026-01-13T11:44:04.891Z","2026-01-13T11:44:04.926Z",418264477,"b6a2d5b1-6042-4c1e-b5ee-399544e8fc90",{"_uid":105,"component":106,"propDateEnd":107,"propCategory":108,"propIsOnline":37,"propDateStart":21,"propMainContent":109,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":377,"propDateAndTimeOfOpening":393},"be450536-86c8-46b7-a4d3-645f965ed834","Page_Detailseite_Event","2024-01-16 20:00","sound performance",[110],{"_uid":111,"component":112,"propCredits":113,"propEntryInMainContent":126},"e75588ea-c04e-499e-bb95-53ef06a93c30","Component_PageDetails_MainContent",{"type":114,"content":115},"doc",[116,122],{"type":117,"content":118},"paragraph",[119],{"text":120,"type":121},"Concept: Shilla Strelka, Elisabeth Falkensteiner ","text",{"type":117,"content":123},[124],{"text":125,"type":121},"Photo JaT: Milica Balubdzic",[127,135,144,150,162,168,185],{"_uid":128,"component":129,"propImage":130,"propAltText":21,"propCaption":21},"80e32029-c0e2-4169-8797-717dc1d055f7","Component_Nested_Image",{"id":131,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":132,"copyright":21,"fieldtype":133,"meta_data":134,"is_private":21,"is_external_url":37},13665184,"https://a.storyblok.com/f/98682/640x480/09ec79747a/firmament.jpg","asset",{},{"_uid":136,"component":137,"propRichtext":138},"d8952b42-5653-4354-afbe-589728065846","Component_Nested_Richtext",{"type":114,"content":139},[140],{"type":117,"content":141},[142],{"text":143,"type":121},"Firmament is the midst of the waters that divides the waters above from the waters below. It is the past of the traveler that he did not know he had: the foreignness of what you no longer are or no longer possess lies in wait for you in foreign, unpossessed places.",{"_uid":145,"component":129,"propImage":146,"propAltText":21,"propCaption":21},"3619e61f-db89-40a5-8cf3-75f6d291bb66",{"id":147,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":148,"copyright":21,"fieldtype":133,"meta_data":149,"is_private":21,"is_external_url":37},13535796,"https://a.storyblok.com/f/98682/3809x3809/47ca1e4fcc/skelton-2020-1.jpg",{},{"_uid":151,"component":137,"propRichtext":152},"e5940139-d22a-4320-a285-9f4e53debe7b",{"type":114,"content":153},[154,158],{"type":117,"content":155},[156],{"text":157,"type":121},"Richard Skelton is an English musician. Over the past seventeen years and over 50 albums & EPs, he has developed a signature sound, often comprised of strings, piano and other acoustic instrumentation. Since 2013 he has increasingly buried these organic sources in layers of detritus and static. The process, as he articulates it, is to use signal-degradation as a means of reflecting the processes of decay and transformation in the natural world. His music has been placed alongside giants of experimental music, such as Brian Eno, Harold Budd, Stars Of The Lid, William Basinski. A DIY advocate, most of his music has been self-released, either via Sustain-Release (2005-2011) or Corbel Stone Press (2009+). ",{"type":117,"content":159},[160],{"text":161,"type":121},"Renown for his expressive and innovative use of acoustic instruments, his much-imitated treatment of strings — at once visceral and haunting — began in 2007 on the album ‘Box of Birch’, and was later developed on his trio of ground-breaking recordings, ‘Marking Time’ (2008), ‘Landings’ (2009) and ‘Verse of Birds’ (2011). His work has been lauded by Gramophone, Mojo, Q, Record Collector and The Quietus, among others, and in 2011 he was featured on the cover of The Wire magazine. In 2013 he was shortlisted for a Paul Hamlyn Foundation Award, and in 2014 he was a finalist for the Arts Foundation Award for Experimental Music.",{"_uid":163,"component":129,"propImage":164,"propAltText":21,"propCaption":21},"2a9a56a2-df23-4eb5-9ab9-a1c97bbd9c71",{"id":165,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":166,"copyright":21,"fieldtype":133,"meta_data":167,"is_private":21,"is_external_url":37},13536024,"https://a.storyblok.com/f/98682/975x1471/2363a20191/jung-kohlberger-c-milicabalubdzic-kopie.jpg",{},{"_uid":169,"component":137,"propRichtext":170},"6def2066-ee49-4cce-aec4-0292a57ec87d",{"type":114,"content":171},[172,181],{"type":117,"content":173},[174,179],{"text":175,"type":121,"marks":176},"Jung An Tagen",[177],{"type":178},"italic",{"text":180,"type":121}," invites us to reflect on the diffuse but persistent term ‘experimental’ not as deviation from aesthetic orthodoxy, but as the design and implementation of compositional systems that offer unpredictable results; ‘electronic’ as an annulment of the previous instrumental tradition, and as a simultaneous reversion towards aesthetic openness; as the fragmentation of a theoretical or mythical musical syntax by obsessive repetition, sequential motivic mutations, aleatoric arrays, pareidolic illusions and moiré effects; ‘electronic’ as the ultimate split, dehumanisation, mechanic strangeness.",{"type":117,"content":182},[183],{"text":184,"type":121},"Backed up by 2 decades of discographic activity under diverse pseudonyms and multiple collaborations on labels such as Editions Mego and Diagonal, Stefan Juster performs tirelessly at Festivals like Unsound or Sonic Acts, researching the boundaries of techno and dissociative computer music. Testing strategies of physical disorientation and forceful sonic phenomena, encouraging minds and bodies to calculate and intuit their own place in spacetime. It’s addictive music. Music in constant explosion. ",{"_uid":186,"component":137,"propRichtext":187},"f29d092f-443e-4546-a111-706ee3f2070e",{"type":114,"content":188},[189,376],{"type":117,"content":190},[191],{"text":192,"type":121,"marks":193},"More about the series Sonic Specters",[194],{"type":195,"attrs":196},"link",{"href":197,"uuid":198,"anchor":34,"target":199,"linktype":200,"story":201},"/explore/sonic-specters-between-nostalgia-and-anticipation","a0ef9b8d-9ece-4e8c-8b34-61117b543976","_self","story",{"name":202,"created_at":203,"published_at":204,"updated_at":205,"id":206,"uuid":198,"content":207,"slug":367,"full_slug":368,"sort_by_date":34,"position":369,"tag_list":370,"is_startpage":37,"parent_id":371,"meta_data":34,"group_id":372,"first_published_at":373,"release_id":34,"lang":41,"path":34,"alternates":374,"default_full_slug":34,"translated_slugs":34,"_stopResolving":375},"Sonic Specters. Between Nostalgia and Anticipation","2023-09-19T11:43:22.428Z","2025-12-16T12:38:03.024Z","2025-12-16T12:38:03.050Z",372961541,{"_uid":208,"component":209,"propCategory":210,"propMainContent":211,"propHeaderInformation":311},"5373ccd0-1036-440a-9c5c-a3aed89cdd1a","Page_Detailseite_Explore","news",[212],{"_uid":213,"component":112,"propCredits":214,"propEntryInMainContent":224},"65787406-b8f7-495c-9825-1ef5bad041c8",{"type":114,"content":215},[216,220],{"type":117,"content":217},[218],{"text":219,"type":121},"The sound performance series Sonic Specters is the first part of the program centering on AIL’s new topic: Haunted – Persistence of the Past.",{"type":117,"content":221},[222],{"text":223,"type":121},"Graphic Image: Lion Sauterleute",[225,249,255,263,284],{"_uid":226,"component":137,"propRichtext":227},"d7fcce5f-9f26-4eb8-aa17-2c1bbacc2de7",{"type":114,"content":228},[229,239],{"type":117,"attrs":230,"content":231},{"textAlign":34},[232,234,237],{"text":233,"type":121},"Eerie atmospheres and flickering sound traces created by past audio sources and the coming times – for each event of the new series ",{"text":202,"type":121,"marks":235},[236],{"type":178},{"text":238,"type":121}," two musicians track down what has ceased to exist and what is yet to come. ",{"type":117,"attrs":240,"content":241},{"textAlign":34},[242],{"text":243,"type":121,"marks":244},"Oscillating between melancholic nostalgia and euphoric anticipation, linear concepts of time and space will be called into question. 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The past remains an effective virtuality while the possibility of the future is already present in the virtual sphere. In this sense, we reject a deterministic and automated future, rendering it speculative. Technologies are capable of creating multiple virtualities in time and space. Technologies consequently collapse temporal and spatial dimensions. The future becomes a powerful and haunting experience: a virtuality that pervades the present, shapes expectations and drives cultural production.",{"_uid":264,"component":137,"propRichtext":265},"6091a3d0-38f6-45e3-abd7-6c92dc92375f",{"type":114,"content":266},[267,276],{"type":117,"attrs":268,"content":269},{"textAlign":34},[270,274],{"text":271,"type":121,"marks":272},"Sonic Specters",[273],{"type":178},{"text":275,"type":121}," is concerned neither with resurrecting real events from the past nor with celebrating reactionary and romantic notions of nostalgia. 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