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","2023-09-18T08:51:45.379Z","2025-12-16T12:41:57.433Z","2025-12-16T12:42:02.834Z",372081327,"fcd4f949-8775-48db-94a8-8e102dac3d2e",{"_uid":105,"component":106,"propCategory":107,"propMainContent":108,"propHeaderInformation":1223},"1f3ae13d-e783-40d3-abec-3130420d7236","Page_Detailseite_Explore","news",[109],{"_uid":110,"component":111,"propCredits":112,"propEntryInMainContent":117},"6b1bd01f-45bf-4ddc-aeba-26acb8c9b57c","Component_PageDetails_MainContent",{"type":113,"content":114},"doc",[115],{"type":116},"paragraph",[118,146,154,315,531,553,599,627,764,920,1066,1087,1112,1129,1151,1162,1185],{"_uid":119,"component":120,"propRichtext":121},"eeb58cc7-4c30-4445-b00f-1cf57b762eb0","Component_Nested_Richtext",{"type":113,"content":122},[123,134],{"type":116,"attrs":124,"content":125},{"textAlign":34},[126],{"text":127,"type":128,"marks":129},"Das Nachdenken über die Zukunft birgt vielversprechende wie erdrückende Prognosen. Wie können wir dabei diffusen Ungewissheiten begegnen? Welche Konsequenz ziehen wir für unsere Gegenwart und welche Rolle spielen Forschung und Technologie darin? Welche Instrumente können künstlerische Praktiken beisteuern, um die Herausforderungen zu bewältigen, denen unsere Gesellschaft gegenübersteht? ","text",[130],{"type":131,"attrs":132},"textStyle",{"color":133},"rgb(0, 0, 0)",{"type":116,"attrs":135,"content":136},{"textAlign":34},[137],{"text":138,"type":128,"marks":139},"Wie können wir Zukunft anwenden? ",[140,142],{"type":131,"attrs":141},{"color":133},{"type":143,"attrs":144},"styled",{"class":145},"h3",{"_uid":147,"component":120,"propRichtext":148},"85e4f890-1651-47d6-bf84-77c749195eae",{"type":113,"content":149},[150],{"type":116,"content":151},[152],{"text":153,"type":128},"Im folgenden Semester und im nächsten Jahr zeigt das AIL vielfältige Projekte, die Frage nach den Beziehungen von Zeitlichkeiten ist dabei ein Ankerpunkt im Programm. Das Verhältnis von Gestern, Heute und Morgen wird im Konkreten und Manifesten erforscht, sowie im Ephemeren oder Unsichtbaren ermittelt. Wir untersuchen Aspekte, die sich in Materialien festsetzen oder sich in freien Aggregatzuständen befinden.",{"_uid":155,"component":120,"propRichtext":156},"3e163ea4-1632-43c2-bb39-39a7a9a1932a",{"type":113,"content":157},[158,166,311,313],{"type":116,"attrs":159,"content":160},{"textAlign":34},[161],{"text":162,"type":128,"marks":163},"Neues Topic: Haunted – Persistence of the Past ",[164],{"type":143,"attrs":165},{"class":145},{"type":116,"attrs":167,"content":168},{"textAlign":34},[169,171,309],{"text":170,"type":128},"Neben Präsentationen universitärer künstlerischer Forschungsprojekte, externen Kooperationen und diversen Veranstaltungsformaten setzt das AIL eigene thematische Schwerpunkte. Startschuss hierzu war die umfangreiche Kooperation ",{"text":172,"type":128,"marks":173},"Decolonizing Technology",[174],{"type":175,"attrs":176},"link",{"href":177,"uuid":178,"anchor":34,"target":179,"linktype":180,"story":181},"/explore/decolonizing-technology","08681223-0146-4ad4-8a67-52eebf7cecd0","_self","story",{"name":172,"created_at":182,"published_at":183,"updated_at":184,"id":185,"uuid":178,"content":186,"slug":300,"full_slug":301,"sort_by_date":34,"position":302,"tag_list":303,"is_startpage":37,"parent_id":304,"meta_data":34,"group_id":305,"first_published_at":306,"release_id":34,"lang":41,"path":34,"alternates":307,"default_full_slug":34,"translated_slugs":34,"_stopResolving":308},"2022-09-16T06:38:32.827Z","2025-12-16T14:15:18.601Z","2025-12-16T14:15:18.617Z",189919575,{"_uid":187,"component":188,"propCategory":189,"propCurration":190,"propMainContent":228,"propHeaderInformation":284},"0c55c50b-7c05-4ab4-b395-83aa5764dfaa","Page_Detailseite_Stack","topic",[191,198,203,208,213,218,223],{"_uid":192,"component":193,"content_entry":194},"ec5865f6-8fd4-40dc-8621-43afe5a22214","Component_Stack_Link",{"id":195,"url":21,"linktype":180,"fieldtype":196,"cached_url":197},"608036d1-0426-4006-9b85-09decef661c2","multilink","explore/in-conversation-with-clemens-apprich",{"_uid":199,"component":193,"content_entry":200},"2d7064e7-a094-49c0-9961-26e29d6a79b7",{"id":201,"url":21,"linktype":180,"fieldtype":196,"cached_url":202},"3f831e02-df6e-46e9-bc71-b97da477f39d","explore/exhibition-view-fabric-of-dreams-towards-a-technodiversity",{"_uid":204,"component":193,"content_entry":205},"d8b38a21-4aad-4f61-afdc-93cdcdb7d86c",{"id":206,"url":21,"linktype":180,"fieldtype":196,"cached_url":207},"3e9029d7-ab5d-4ac9-901e-597148689cda","explore/the-rage-of-data",{"_uid":209,"component":193,"content_entry":210},"ac2eac6c-747d-43d1-8db7-72c23d37d1b3",{"id":211,"url":21,"linktype":180,"fieldtype":196,"cached_url":212},"8cd034b5-c870-4d3a-8859-7351d383a1c4","explore/the-trouble-with-visibility",{"_uid":214,"component":193,"content_entry":215},"6da8dfd0-c282-4805-81f5-d052963b1f91",{"id":216,"url":21,"linktype":180,"fieldtype":196,"cached_url":217},"6ce6e974-355a-4f3e-95be-70bacf3323fd","program/loose-threads",{"_uid":219,"component":193,"content_entry":220},"edc4bf82-0395-47a2-85b1-d7bc4e8b5331",{"id":221,"url":21,"linktype":180,"fieldtype":196,"cached_url":222},"a2a74e6b-f4a6-4172-b791-d0b651a04b79","program/loose-threads-weaving-sounds",{"_uid":224,"component":193,"content_entry":225},"6364d3d4-6368-4abe-8a51-f6e90cfa3ccb",{"id":226,"url":21,"linktype":180,"fieldtype":196,"cached_url":227},"25a67dfe-335a-4b8f-9e50-ce886020abf1","program/the-ecstasy-of-noise",[229,246,254,271],{"_uid":230,"component":120,"propRichtext":231},"6efb7118-2a94-46f2-b512-e15b7a432cbf",{"type":113,"content":232},[233,241],{"type":116,"attrs":234,"content":235},{"textAlign":34},[236],{"text":237,"type":128,"marks":238},"‘And this might be an opening for us: if we think about technologies as being a part of us, as reflections of ourselves, then we can finally engage with them properly.",[239],{"type":143,"attrs":240},{"class":145},{"type":116,"attrs":242,"content":243},{"textAlign":34},[244],{"text":245,"type":128},"At the heart of machine learning, which mostly catches our eye in the form of algorithmic recommender systems, is the simple logic of sifting through big chunks of data and turning them into information. This requires a particular logic or pattern that reflects our social behavior. After all, it is not the technologies that are male and white but the ideas they are fed. ",{"_uid":247,"component":120,"propRichtext":248},"1f7a0569-fa22-4ecf-8b6b-0476947e1ca1",{"type":113,"content":249},[250],{"type":116,"content":251},[252],{"text":253,"type":128},"[…] algorithms learn from our data and therefore adopt everything that is part of it, including our racist, sexist, classist and ableist prejudices as well as heteronormative concepts. We are thus confronted with self-fulfilling prophecies, which are then relabeled as objective decision-making processes.’*",{"_uid":255,"component":120,"propRichtext":256},"1fec342c-33d9-4c00-a6c1-c0ca9795cdeb",{"type":113,"content":257},[258,265],{"type":259,"content":260},"blockquote",[261],{"type":116,"content":262},[263],{"text":264,"type":128},"Together with the department of Media Theory, we present lectures, talks and performances, mainly from the field of digital cultures, circling around the topic of ‘Decolonizing Technology’",{"type":259,"content":266},[267],{"type":116,"content":268},[269],{"text":270,"type":128}," With Wendy Chun, Nishant Shah, Hito Steyerl, Ramon Amaro, Tiara Roxanne, Katharina Klappheck, Mary Maggic, Tung-Hui Hu",{"_uid":272,"component":120,"propRichtext":273},"0764d9a0-d316-4b89-9bda-ddcf7b8702ff",{"type":113,"content":274},[275],{"type":259,"content":276},[277],{"type":116,"content":278},[279],{"text":280,"type":128,"marks":281},"*Excerpts from the Interview with Clemens Apprich, head of the Department of Media Theory, find the whole Interview below ",[282],{"type":283},"italic",[285],{"_uid":286,"component":287,"propColor":288,"propSubheadline":292,"propPreviewImage":293,"propPreviewVideo":295,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":296,"propMetadescription":21,"propDescriptionShort":299},"36fbaf06-8a50-474f-9406-6c031d36c58a","Component_HeaderInformation",{"_uid":289,"color":290,"plugin":291},"8542d844-9414-4301-a5dc-0c9112e09651","#e78ae3","native-color-picker","What does it mean to decolonize technology, and how can it be that technology generates a colonizing practice in the first place?",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":294},"asset",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":294},{"type":113,"content":297},[298],{"type":116},"‘Obviously, no technological innovation will be able to solve our social problems.’ (from our Interview with Clemens Apprich)","decolonizing-technology","explore/decolonizing-technology",-390,[],29265108,"d0deaa88-c0e6-4c29-992c-c29ccdae7216","2022-09-16T06:58:28.000Z",[],true,{"text":310,"type":128}," unter der Leitung von Elisabeth Falkensteiner und Clemens Apprich (Abteilung für Medientheorie) ab Herbst 2022 bis Sommer 2023.",{"type":116,"attrs":312},{"textAlign":34},{"type":116,"attrs":314},{"textAlign":34},{"_uid":316,"component":120,"propRichtext":317},"deaa1029-d121-40ed-afc8-6d90cb2c0c96",{"type":113,"content":318},[319,324,332,337],{"type":116,"attrs":320,"content":321},{"textAlign":34},[322],{"text":323,"type":128},"Im Oktober 2023 läuten wir nun das nächste ‘AIL Topic’ ein:",{"type":116,"attrs":325,"content":326},{"textAlign":34},[327],{"text":328,"type":128,"marks":329},"Unter dem Titel Haunted – Persistence of the Past, widmen wir uns dem Geisterhaften und stellen die Frage, was uns im Hier und Jetzt heimsucht. ",[330],{"type":143,"attrs":331},{"class":145},{"type":116,"attrs":333,"content":334},{"textAlign":34},[335],{"text":336,"type":128},"Welche Vergangenheiten verfolgen uns? Welche Zukünfte können wir imaginieren? Worauf greifen wir zurück, um das Jetzt sowie Bevorstehendes zu verstehen? Ist Zukunft berechenbar? Und kann Künstliche Intelligenz Zukunft?",{"type":116,"attrs":338,"content":339},{"textAlign":34},[340,342,346,348,523,525,529],{"text":341,"type":128},"Initialzündung von ",{"text":343,"type":128,"marks":344},"Haunted – Persistence of the Past",[345],{"type":283},{"text":347,"type":128}," ist im Oktober 2023 die Soundperformance-Reihe ",{"text":349,"type":128,"marks":350},"Sonic Specters. Between Nostalgia and Anticipation",[351],{"type":175,"attrs":352},{"href":353,"uuid":354,"anchor":34,"target":179,"linktype":180,"story":355},"/explore/sonic-specters-between-nostalgia-and-anticipation","a0ef9b8d-9ece-4e8c-8b34-61117b543976",{"name":349,"created_at":356,"published_at":357,"updated_at":358,"id":359,"uuid":354,"content":360,"slug":516,"full_slug":517,"sort_by_date":34,"position":518,"tag_list":519,"is_startpage":37,"parent_id":304,"meta_data":34,"group_id":520,"first_published_at":521,"release_id":34,"lang":41,"path":34,"alternates":522,"default_full_slug":34,"translated_slugs":34,"_stopResolving":308},"2023-09-19T11:43:22.428Z","2025-12-16T12:38:03.024Z","2025-12-16T12:38:03.050Z",372961541,{"_uid":361,"component":106,"propCategory":107,"propMainContent":362,"propHeaderInformation":461},"5373ccd0-1036-440a-9c5c-a3aed89cdd1a",[363],{"_uid":364,"component":111,"propCredits":365,"propEntryInMainContent":375},"65787406-b8f7-495c-9825-1ef5bad041c8",{"type":113,"content":366},[367,371],{"type":116,"content":368},[369],{"text":370,"type":128},"The sound performance series Sonic Specters is the first part of the program centering on AIL’s new topic: Haunted – Persistence of the Past.",{"type":116,"content":372},[373],{"text":374,"type":128},"Graphic Image: Lion Sauterleute",[376,398,405,413,434],{"_uid":377,"component":120,"propRichtext":378},"d7fcce5f-9f26-4eb8-aa17-2c1bbacc2de7",{"type":113,"content":379},[380,390],{"type":116,"attrs":381,"content":382},{"textAlign":34},[383,385,388],{"text":384,"type":128},"Eerie atmospheres and flickering sound traces created by past audio sources and the coming times – for each event of the new series ",{"text":349,"type":128,"marks":386},[387],{"type":283},{"text":389,"type":128}," two musicians track down what has ceased to exist and what is yet to come. ",{"type":116,"attrs":391,"content":392},{"textAlign":34},[393],{"text":394,"type":128,"marks":395},"Oscillating between melancholic nostalgia and euphoric anticipation, linear concepts of time and space will be called into question. Does the past haunt the present and the future?",[396],{"type":143,"attrs":397},{"class":145},{"_uid":399,"component":400,"propImage":401,"propAltText":21,"propCaption":21},"dfd91397-487f-4326-985d-c42e57e8444d","Component_Nested_Image",{"id":402,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":403,"copyright":21,"fieldtype":294,"meta_data":404,"is_external_url":37},11148349,"https://a.storyblok.com/f/98682/1373x2283/227225677f/shape_03.jpg",{},{"_uid":406,"component":120,"propRichtext":407},"575ca545-bafd-48f3-bf59-f116250b1cc5",{"type":113,"content":408},[409],{"type":116,"content":410},[411],{"text":412,"type":128},"Cultural philosopher Mark Fisher elaborated on Jacques Derrida's concept of hauntology, and paid particular attention to the question of time. In his theory, phenomena and forces act from a distance while the absence of existence is immanent to being: it is a legacy, a trace of what has been and what will be. The past remains an effective virtuality while the possibility of the future is already present in the virtual sphere. In this sense, we reject a deterministic and automated future, rendering it speculative. Technologies are capable of creating multiple virtualities in time and space. Technologies consequently collapse temporal and spatial dimensions. The future becomes a powerful and haunting experience: a virtuality that pervades the present, shapes expectations and drives cultural production.",{"_uid":414,"component":120,"propRichtext":415},"6091a3d0-38f6-45e3-abd7-6c92dc92375f",{"type":113,"content":416},[417,426],{"type":116,"attrs":418,"content":419},{"textAlign":34},[420,424],{"text":421,"type":128,"marks":422},"Sonic Specters",[423],{"type":283},{"text":425,"type":128}," is concerned neither with resurrecting real events from the past nor with celebrating reactionary and romantic notions of nostalgia. Rather, its focus lies on lost futures, those that never materialized and remain specters. ",{"type":116,"attrs":427,"content":428},{"textAlign":34},[429],{"text":430,"type":128,"marks":431},"In searching for those specters, we tap into areas of unfulfilled potential and circumvent repetitive behavior patterns.",[432],{"type":143,"attrs":433},{"class":145},{"_uid":435,"component":120,"propRichtext":436},"bbff88db-6cbc-4973-94fe-e3a2a4fcbd53",{"type":113,"content":437},[438,446,451,456],{"type":116,"attrs":439,"content":440},{"textAlign":34},[441],{"text":442,"type":128,"marks":443},"Program 2023: ",[444],{"type":143,"attrs":445},{"class":145},{"type":116,"attrs":447,"content":448},{"textAlign":34},[449],{"text":450,"type":128},"4 Oct 2023, 19:00 with KMRU and Inou Ki Endo & Misonica (DJ-set)",{"type":116,"attrs":452,"content":453},{"textAlign":34},[454],{"text":455,"type":128},"8 Nov, 19:00 with Perila and Afrodeo",{"type":116,"attrs":457,"content":458},{"textAlign":34},[459],{"text":460,"type":128},"15 Dec, 19:00 with Katatonic Silentio and dieb13",[462],{"_uid":463,"component":287,"propColor":464,"propSubheadline":467,"propPreviewImage":468,"propPreviewVideo":472,"propMakeTextWhite":37,"propDescriptionLong":474,"propMetaInformation":475,"propMetadescription":21,"propDescriptionShort":515},"7ab327cf-02b1-4d1d-8dd5-e30c5934b3d8",{"_uid":465,"color":466,"plugin":291},"1936c4c9-62bb-4e68-8527-1e292c3031ac","#e733e7","New Series of Sound Performances, starting October 2023 ",{"id":469,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":470,"copyright":21,"fieldtype":294,"meta_data":471,"is_external_url":37},10884126,"https://a.storyblok.com/f/98682/500x788/d4b567fe4d/shape_haunted.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":294,"meta_data":473},{},"\n\n\n",{"type":113,"content":476},[477,481],{"type":116,"content":478},[479],{"text":480,"type":128},"Dates: ",{"type":116,"content":482},[483,490,492,499,500,507,508],{"text":484,"type":128,"marks":485},"4 Oct, KMRU, Misonica, Inou Ki Endo",[486],{"type":175,"attrs":487},{"href":488,"uuid":489,"anchor":34,"target":179,"linktype":180},"/program/sonic-specters-01","95920c52-fb12-455c-96df-1e6f2d9cb0de",{"type":491},"hard_break",{"text":493,"type":128,"marks":494},"8 Nov, Perila, Afrodeo",[495],{"type":175,"attrs":496},{"href":497,"uuid":498,"anchor":34,"target":179,"linktype":180},"/program/sonic-specters-02","c169b61c-6b64-427b-8882-86aa87f22689",{"type":491},{"text":501,"type":128,"marks":502},"15 Dec, Katatonic Silentio, dieb13",[503],{"type":175,"attrs":504},{"href":505,"uuid":506,"anchor":34,"target":179,"linktype":180},"/program/sonic-specters-03","e1785bb1-4194-4440-ab1b-d9ffc0b4fb51",{"type":491},{"text":509,"type":128,"marks":510},"16 Jan, Richard Skelton and Jung an Tagen",[511],{"type":175,"attrs":512},{"href":513,"uuid":514,"anchor":34,"target":179,"linktype":180},"/program/sonic-specters-04","b6a2d5b1-6042-4c1e-b5ee-399544e8fc90","A cooperation with Struma+Iodine, curated by Shilla Strelka and Elisabeth Falkensteiner \n","sonic-specters-between-nostalgia-and-anticipation","explore/sonic-specters-between-nostalgia-and-anticipation",-730,[],"cefa2d76-de47-4a50-91d2-2d596224d2bd","2023-09-19T11:53:43.255Z",[],{"text":524,"type":128}," in Kooperation mit struma+iodine. Die eingeladenen Performer*innen machen sich mit unheimlich und futuristisch anmutenden Klängen auf die Suche nach Spuren vergangener sowie bevorstehender Zeiten. Die Soundreihe beschwört keine real erlebte Vergangenheit herauf und zelebriert keine Nostalgie, sondern macht sich auf die Suche nach den ",{"text":526,"type":128,"marks":527},"verlorenen Zukünften",[528],{"type":283},{"text":530,"type":128}," (Mark Fisher) und entzieht sich ewig rückwärtsgewandten Schleifen.",{"_uid":532,"component":120,"propRichtext":533},"7264838b-f65a-4bf5-a512-d9606ef366d4",{"type":113,"content":534},[535],{"type":259,"content":536},[537,541,545,549],{"type":116,"content":538},[539],{"text":540,"type":128},"Kommende Termine:",{"type":116,"content":542},[543],{"text":544,"type":128},"04. Oktober, 19:00 mit KMRU und Inou Ki Endo & Misonica (DJ-Set)",{"type":116,"content":546},[547],{"text":548,"type":128},"8. November, 19:00 mit Perila und Afrodeo",{"type":116,"content":550},[551],{"text":552,"type":128},"15. Dezember, 19:00 mit Katatonic Silentio und dieb13",{"_uid":554,"component":120,"propRichtext":555},"46f434d5-1a89-405d-96d0-d24cf22f4081",{"type":113,"content":556},[557,592],{"type":116,"content":558},[559,564,574,579,587],{"text":560,"type":128,"marks":561},"In Kooperation mit ",[562],{"type":131,"attrs":563},{"color":133},{"text":565,"type":128,"marks":566},"Wien Modern",[567,571,572],{"type":175,"attrs":568},{"href":569,"uuid":34,"anchor":34,"target":179,"linktype":570},"https://www.wienmodern.at/2023-phantom-voltage-en-2478","url",{"type":283},{"type":131,"attrs":573},{"color":133},{"text":575,"type":128,"marks":576}," präsentiert das AIL im November außerdem das Stück ",[577],{"type":131,"attrs":578},{"color":133},{"text":580,"type":128,"marks":581},"Phantom Voltage, ",[582,584,585],{"type":583},"bold",{"type":283},{"type":131,"attrs":586},{"color":133},{"text":588,"type":128,"marks":589},"in dem das Unsichtbare noch einmal ganz anders erfahrbar gemacht wird. Aus elektromagnetischen Feldern werden Steuerspannungen extrahiert, die wiederum Video, Ton und Licht neu modulieren.",[590],{"type":131,"attrs":591},{"color":133},{"type":116,"content":593},[594],{"text":595,"type":128,"marks":596},"2024 wird dieses Thema in einer weiteren Performance-Reihe vertieft.",[597],{"type":131,"attrs":598},{"color":133},{"_uid":600,"component":120,"propRichtext":601},"1591da1b-b8eb-457e-a35e-7ebee7f0ffe8",{"type":113,"content":602},[603,611,622],{"type":116,"attrs":604,"content":605},{"textAlign":34},[606],{"text":607,"type":128,"marks":608},"Künstlerische Forschung im AIL: Sensing Living Systems ",[609],{"type":143,"attrs":610},{"class":145},{"type":116,"attrs":612,"content":613},{"textAlign":34},[614,616,620],{"text":615,"type":128},"Das PEEK-Forschungsprojekt ",{"text":617,"type":128,"marks":618},"Sensing Living Systems",[619],{"type":283},{"text":621,"type":128}," erforscht menschliches Systembewusstsein und befragt, wie direkte Sinneserfahrungen mittels künstlerischer Inszenierung olfaktorischer, auditiver und haptischer Kunstwerke und Reize zu diesem Bewusstsein beitragen können. ",{"type":116,"attrs":623,"content":624},{"textAlign":34},[625],{"text":626,"type":128},"Das Ergebnis der kunstbasierten Forschung, bei der Künstler*innen mit Systemwissenschaftler*innen am AIL zusammenarbeiten, soll eine multisensorische Szenografie sein, die eine verkörperte Lernerfahrung für vielfältige Nutzer*innen ermöglicht. ",{"_uid":628,"component":120,"propRichtext":629},"6561c9e5-977d-48b2-a140-ecca73dd06e0",{"type":113,"content":630},[631,642,763],{"type":116,"content":632},[633,635,640],{"text":634,"type":128},"Als interdisziplinäre Plattform arbeitet das AIL seit seiner Gründung 2014 an den Übergängen von Kunst, Wissenschaft und Forschung. ",{"text":636,"type":128,"marks":637},"Es unterstützt die Realisierung von Projekten, die das  Zusammenspiel der Fachgebiete sichtbar machen. ",[638],{"type":131,"attrs":639},{"color":21},{"text":641,"type":128},"Das Erleben, Verstehen, Lernen und Verlernen sowie das Neudenken von Zusammenhängen und Wechselwirkungen ist dabei eine zentrale Kompetenz, mit der das AIL als flexibler, offener Raum geführt wird. ",{"type":116,"content":643},[644,646,649,651,761],{"text":645,"type":128},"Mit seinem ersten eigenen künstlerischen Forschungsprojekt unter der Leitung von Alexandra Graupner, in Kollaboration mit dem Künstlerduo MUELLER-DIVJAK  (Jeanette Mueller & Paul Divjak), beschreitet das AIL neue Wege, wobei Fachwissen neu gebündelt und eingesetzt wird. In regelmäßigen Abständen wird das Team um ",{"text":617,"type":128,"marks":647},[648],{"type":283},{"text":650,"type":128}," Einblicke in die Prozesse und Ergebnisse des Forschungsprojektes geben. Gestartet wird mit einem Workshop im Rahmen der diesjährigen ",{"text":652,"type":128,"marks":653},"Researchers’ Night",[654],{"type":175,"attrs":655},{"href":656,"uuid":657,"anchor":34,"target":179,"linktype":180,"story":658},"/explore/sensing_living_systems_workshop","a7566172-6dba-484e-9e40-fe9a1ae23cc3",{"name":659,"created_at":660,"published_at":661,"updated_at":662,"id":663,"uuid":657,"content":664,"slug":754,"full_slug":755,"sort_by_date":34,"position":756,"tag_list":757,"is_startpage":37,"parent_id":304,"meta_data":34,"group_id":758,"first_published_at":759,"release_id":34,"lang":41,"path":34,"alternates":760,"default_full_slug":34,"translated_slugs":34,"_stopResolving":308},"IT'S ALL ABOUT THE WHOLE! / ES GEHT UMS GANZE!","2023-08-28T10:12:16.500Z","2025-12-16T12:41:56.902Z","2025-12-16T12:41:58.126Z",361016147,{"_uid":665,"component":106,"propCategory":107,"propMainContent":666,"propHeaderInformation":721},"272313e8-bc8c-4261-b6c8-8f12bdd70bdc",[667],{"_uid":668,"component":111,"propCredits":669,"propEntryInMainContent":672},"07b3a02c-796d-4468-8af7-62f2709ee4de",{"type":113,"content":670},[671],{"type":116},[673],{"_uid":674,"component":120,"propRichtext":675},"b48cecb7-4d64-4333-93da-918a5c3762bb",{"type":113,"content":676},[677,685,702,711],{"type":116,"attrs":678,"content":679},{"textAlign":34},[680],{"text":681,"type":128,"marks":682}," 29 Sep, 15:00–00:00",[683],{"type":143,"attrs":684},{"class":145},{"type":116,"attrs":686,"content":687},{"textAlign":34},[688,693,697],{"text":689,"type":128,"marks":690},"European Researchers Night ",[691],{"type":143,"attrs":692},{"class":145},{"type":491,"marks":694},[695],{"type":143,"attrs":696},{"class":145},{"text":698,"type":128,"marks":699},"University of Applied Arts / Flux2, Vorder Zollamtstr. 7 ",[700],{"type":143,"attrs":701},{"class":145},{"type":116,"attrs":703,"content":704},{"textAlign":34},[705,707],{"text":706,"type":128},"Alexandra Graupner, Jeanette Müller and Paul Divjak give first insights into their artistic research (“Sensing Living Systems”) through the interactive workshop / station ",{"text":708,"type":128,"marks":709},"IT'S ALL ABOUT THE WHOLE! /  ES GEHT UMS GANZE!",[710],{"type":283},{"type":116,"attrs":712,"content":713},{"textAlign":34},[714,716,719],{"text":715,"type":128},"The Peek-project ",{"text":617,"type":128,"marks":717},[718],{"type":283},{"text":720,"type":128},", based at AIL, brings together artists and systems scientists to create and explore multi-sensory scenographies that can help to better understand and resonate with living systems and raise systems awareness. ",[722],{"_uid":723,"component":287,"propColor":724,"propSubheadline":727,"propPreviewImage":728,"propPreviewVideo":730,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":732,"propMetadescription":752,"propDescriptionShort":753},"eb668365-17e4-4138-8f88-4045e4ad2b54",{"_uid":725,"color":726,"plugin":291},"501b5c8e-0996-4c6f-8158-a5d0f6aa3c5b","#de95d7","Workshop and first insights into the artistic research project Sensing Living Systems with Alexandra Graupner, Jeanette Müller and Paul Divjak",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":294,"meta_data":729},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":294,"meta_data":731},{},{"type":113,"content":733},[734,744],{"type":116,"content":735},[736,738],{"text":737,"type":128},"About ",{"text":617,"type":128,"marks":739},[740],{"type":175,"attrs":741},{"href":742,"uuid":743,"anchor":34,"target":179,"linktype":180},"/explore/sensing-living-systems","db6e4bdc-cba7-4734-b146-4b2a8beed01e",{"type":116,"content":745},[746],{"text":747,"type":128,"marks":748},"Researchers Night",[749],{"type":175,"attrs":750},{"href":751,"uuid":34,"anchor":34,"target":179,"linktype":570},"https://www.researchersnight.eu/es-geht-ums-ganze","Sensing Living Systems, Artistic Research, FWF","As part of European Researchers Night at Vordere Zollamtstr. 7","sensing_living_systems_workshop","explore/sensing_living_systems_workshop",-710,[],"af602941-ce3f-4820-9e87-7051237212eb","2023-08-28T10:18:01.875Z",[],{"text":762,"type":128}," am 29. September. ",{"type":116},{"_uid":765,"component":120,"propRichtext":766},"01d9f788-d9ec-43eb-8f1d-e2fd9728c372",{"type":113,"content":767},[768,776,783,918],{"type":116,"attrs":769,"content":770},{"textAlign":34},[771],{"text":772,"type":128,"marks":773},"Research Presentations",[774],{"type":143,"attrs":775},{"class":145},{"type":259,"content":777},[778],{"type":116,"attrs":779,"content":780},{"textAlign":34},[781],{"text":782,"type":128},"What’s next 2023",{"type":116,"attrs":784,"content":785},{"textAlign":34},[786,788,910,912,916],{"text":787,"type":128},"In der kommenden Ausstellung ",{"text":789,"type":128,"marks":790},"Conservator at Work",[791],{"type":175,"attrs":792},{"href":793,"uuid":794,"anchor":34,"target":179,"linktype":180,"story":795},"/program/exhibition-tour-conservator-at-work-3110","5b86486b-81a3-4673-a52b-8dbbcd2db305",{"name":796,"created_at":797,"published_at":798,"updated_at":799,"id":800,"uuid":794,"content":801,"slug":902,"full_slug":903,"sort_by_date":34,"position":904,"tag_list":905,"is_startpage":37,"parent_id":906,"meta_data":34,"group_id":907,"first_published_at":908,"release_id":34,"lang":41,"path":34,"alternates":909,"default_full_slug":34,"translated_slugs":34,"_stopResolving":308},"Exhibition Tour: Conservator at Work","2023-09-12T10:31:48.570Z","2026-01-07T13:02:05.264Z","2026-01-07T13:02:05.277Z",369043028,{"_uid":802,"component":803,"propDateEnd":804,"propCategory":805,"propIsOnline":37,"propDateStart":21,"propMainContent":806,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":885,"propDateAndTimeOfOpening":901},"1e385710-88eb-4a8c-a7d6-e066e56f52cd","Page_Detailseite_Event","2023-10-31 15:00","exhibition",[807],{"_uid":808,"component":111,"propCredits":809,"propEntryInMainContent":815},"3a26244e-193c-40a3-95f8-45921a9e47a0",{"type":113,"content":810},[811],{"type":116,"content":812},[813],{"text":814,"type":128},"Exhibition design: Christian Höller / Photo 1: Lea Fabienne Dörl, Photo 2: Christoph Schleßmann",[816,824,830,838,846,854,879],{"_uid":817,"component":120,"propRichtext":818},"2ad67b14-443b-4578-9fad-1081197f07c6",{"type":113,"content":819},[820],{"type":116,"content":821},[822],{"text":823,"type":128},"EXHIBITION OPENING HOURS: Mon, Tue, Wed, Fr: 13.00 – 18.00; Thu: 13.00 – 20.00    ",{"_uid":825,"component":400,"propImage":826,"propAltText":21,"propCaption":21},"0d93cb75-376b-4c8a-a37f-c3a135656d8e",{"id":827,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":828,"copyright":21,"fieldtype":294,"meta_data":829,"is_external_url":37},11914474,"https://a.storyblok.com/f/98682/2048x1365/eb3852bd0b/20231012_lea-fabienne-dorl_ausstellungseroffnung_ail-conservator-at-work-282.jpg",{},{"_uid":831,"component":120,"propRichtext":832},"0b5c91bb-6cf4-45ac-a5dc-9a9aef1eeb23",{"type":113,"content":833},[834],{"type":116,"content":835},[836],{"text":837,"type":128},"This exhibition reflects on the developments over the past 24 years in the academic field of conservation at the Institute of Conservation of the University of Applied Arts Vienna under the directorship of Gabriela Krist. During this time, the existing fields of object and painting conservation as well as the classical technique of individual object treatment  were expanded thanks to the addition of new specialist fields, such as textile and stone, and the adoption of new approaches to preventative conservation, collection care and preservation of cultural artefacts in a global context and in times of climate change. ",{"_uid":839,"component":120,"propRichtext":840},"dc6e89e0-53d9-405e-9459-2cbe47431cde",{"type":113,"content":841},[842],{"type":116,"content":843},[844],{"text":845,"type":128},"This exhibition provides a comprehensive overview of current projects, including conservation projects of contemporary art, textiles, classical oil paintings, stone objects, gold works and historical everyday objects commissioned by museums as well as church and cultural heritage organizations. Additionally, video documentaries will give insight into international projects in Nepal, Mongolia, China and Albania in which the team, graduates and students of the institute have been involved. ",{"_uid":847,"component":120,"propRichtext":848},"169adc67-dec9-473c-8a6e-7bc686f6032d",{"type":113,"content":849},[850],{"type":116,"content":851},[852],{"text":853,"type":128},"The exhibition will be accompanied by a series of lectures and talks from the field of Conservation Studies. Live demonstrations will make it possible to experience conservators at work and ask questions. The 'Conservator at Work' program will provide insight into the research and cultural heritage work of conservators: how they study, conserve, analyze, explore, communicate and operate in an international and interdisciplinary context. ",{"_uid":855,"component":120,"propRichtext":856},"89c73cb4-2e93-4f6c-b88f-459436b69441",{"type":113,"content":857},[858,866,874],{"type":116,"attrs":859,"content":860},{"textAlign":34},[861],{"text":862,"type":128,"marks":863},"Save the Date for Lectures & Talks: ",[864],{"type":143,"attrs":865},{"class":145},{"type":116,"attrs":867,"content":868},{"textAlign":34},[869],{"text":870,"type":128,"marks":871},"19 Oct / 9 Nov / 16 Nov / 23 Nov",[872],{"type":143,"attrs":873},{"class":145},{"type":116,"attrs":875,"content":876},{"textAlign":34},[877],{"text":878,"type":128},"Curated by Gabriela Krist and the team of the Institute of Conservation of the University of Applied Arts Vienna ",{"_uid":880,"component":400,"propImage":881,"propAltText":21,"propCaption":21},"16e7b7c6-147c-416f-ba30-38571f49efee",{"id":882,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":883,"copyright":21,"fieldtype":294,"meta_data":884,"is_external_url":37},10629098,"https://a.storyblok.com/f/98682/4141x6763/454c84ab25/foto_flyer-poster.jpg",{},[886],{"_uid":887,"component":287,"propColor":888,"propSubheadline":891,"propPreviewImage":892,"propPreviewVideo":896,"propMakeTextWhite":37,"propDescriptionLong":897,"propMetaInformation":898,"propMetadescription":21,"propDescriptionShort":21},"be6effd5-797f-480a-a674-1d1ce0ffd9bf",{"_uid":889,"color":890,"plugin":291},"b991204e-828f-42cd-832e-1838c73dea37","#52e081","with senior conservator of the Institute of Conservation of the University of Applied Arts Vienna (IoC)",{"id":893,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":894,"copyright":21,"fieldtype":294,"meta_data":895,"is_external_url":37},10659994,"https://a.storyblok.com/f/98682/1920x3136/3835fe0aec/foto_flyer-poster-kopie.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":294},"Insights into the research and cultural heritage work of conservators: how they study, conserve, analyze, explore, communicate and operate in an international and interdisciplinary context. ",{"type":113,"content":899},[900],{"type":116},"2023-10-31 14:00","exhibition-tour-conservator-at-work-3110","program/exhibition-tour-conservator-at-work-3110",-220,[],29265107,"cd4cd194-8eae-4a13-ba1d-1461e1a14710","2023-04-26T11:51:19.544Z",[],{"text":911,"type":128}," begegnen wir ab 12. Oktober Zeitlichkeit im Sinne des Freilegens sedimentierter Schichten und des Erhaltens von Vergangenem sowie der Konfrontation von Beständigkeit und Zerfall an konkreten Materialien. Mit dieser Ausstellung hält das ",{"text":913,"type":128,"marks":914},"IoC",[915],{"type":283},{"text":917,"type":128}," auch Rückschau auf die Entwicklung der Konservierungswissenschaften und Restaurierung in den letzten 24 Jahren an der Universität für angewandte Kunst Wien unter der Leitung von Gabriela Krist. Eine Reihe von Vorträgen wird die Ausstellung begleiten. Vor Ort bieten Live-Restaurierungen die Gelegenheit, in Dialog zu treten.",{"type":116,"attrs":919},{"textAlign":34},{"_uid":921,"component":120,"propRichtext":922},"f1090e88-1aee-4427-97f3-cf87120ef5dd",{"type":113,"content":923},[924],{"type":116,"content":925},[926,928,1060,1062],{"text":927,"type":128},"Ebenfalls eine Rückschau hält STATION ROSE am 17. Oktober. In der Performance Lecture ",{"text":929,"type":128,"marks":930},"STATION ROSE 35.0",[931],{"type":175,"attrs":932},{"href":933,"uuid":934,"anchor":34,"target":179,"linktype":180,"story":935},"/program/Station-rose-35-0","1fc1153a-aff8-4d06-b921-579dfb9cf550",{"name":929,"created_at":936,"published_at":937,"updated_at":938,"id":939,"uuid":934,"content":940,"slug":1053,"full_slug":1054,"sort_by_date":34,"position":1055,"tag_list":1056,"is_startpage":37,"parent_id":906,"meta_data":34,"group_id":1057,"first_published_at":1058,"release_id":34,"lang":41,"path":34,"alternates":1059,"default_full_slug":34,"translated_slugs":34,"_stopResolving":308},"2023-09-06T13:18:32.422Z","2026-01-13T11:43:52.639Z","2026-01-13T11:43:52.656Z",366541746,{"_uid":941,"component":803,"propDateEnd":942,"propCategory":943,"propIsOnline":37,"propDateStart":21,"propMainContent":944,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":1027,"propDateAndTimeOfOpening":1052},"71bbc878-a136-4e25-9552-c2ab99ebdf6e","2023-10-17 19:00","talk",[945],{"_uid":946,"component":111,"propCredits":947,"propEntryInMainContent":950},"8e6866e0-f8fe-4b9b-aa2e-d1092fad7000",{"type":113,"content":948},[949],{"type":116},[951,963,970,980,987,1002,1009],{"_uid":952,"component":120,"propRichtext":953},"ab7d76b9-ac49-4a87-b715-49f935db0cde",{"type":113,"content":954},[955],{"type":116,"attrs":956,"content":957},{"textAlign":34},[958],{"text":959,"type":128,"marks":960},"[Keywords:] AR, VR, RL, NFT, From Digital To Analog & Back Again, Cyberspace Is Our Land,  audio-visualart, Techno, music, Cyberpunk, NetArt, GIFs, Immersive Art, Digital Archive, STReaming, Virtual Sculpture, PIXELHOME, New Media Arte Povera, Digital Bohemians, Performance, Nature Is Cool, Gunafaland, Recycling Surplus To Save Nature, Digital Land Art ",[961],{"type":143,"attrs":962},{"class":145},{"_uid":964,"component":400,"propImage":965,"propAltText":21,"propCaption":969},"3ccd33e0-3299-4bc0-a070-1cc45c424e7f",{"id":966,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":967,"copyright":21,"fieldtype":294,"meta_data":968,"is_external_url":37},11167444,"https://a.storyblok.com/f/98682/2048x1536/3510ca8e43/7-violet-1988-2022.jpg",{},"Violet_01_1988/2022, Amiga Artwork on Diskette & NFT / c+p STATION ROSE",{"_uid":971,"component":120,"propRichtext":972},"1c69eb38-ed3c-47b9-a469-38680059a5de",{"type":113,"content":973},[974],{"type":116,"attrs":975,"content":976},{"textAlign":34},[977,979],{"text":978,"type":128},"In this lecture performance artist Elisa Rose and composer Gary Danner, pioneers of digital culture and online since 1991, will jump between decades of their work, between over- and underground spaces and extended realities:",{"type":491},{"_uid":981,"component":400,"propImage":982,"propAltText":21,"propCaption":986},"4bc3c146-689a-4297-ac90-210de9fd6755",{"id":983,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":984,"copyright":21,"fieldtype":294,"meta_data":985,"is_external_url":37},11167456,"https://a.storyblok.com/f/98682/1086x1930/795eabe117/1-3darnftinnature2.jpg",{},"3D AR golden NFT inNature / c+p STATION ROSE 2022",{"_uid":988,"component":120,"propRichtext":989},"85db79e5-c4b5-40d2-85fa-3ad1c206a919",{"type":113,"content":990},[991,1001],{"type":116,"content":992},[993,995,999],{"text":994,"type":128},"1988 immediately became 2018 as soon as they had transferred their early digital work to new systems and made it available. The NFT ‘Substation’, a digital work on floppy disk created on the Amiga in 1988 and first shown at their Viennese Station, was dropped on the NFT Platform ",{"text":996,"type":128,"marks":997},"Foundation ",[998],{"type":283},{"text":1000,"type":128},"in 2021, and went on to become part of a spatial installation for a solo gallery show in 2021/22. Other transformations include: GIF animations turning into installations, and CD ROMs evolving into the sensory experience and emotional intensity of immersiveness and audiovisual performances. Early works meet current works in AR, VR and in RL [Augmented Reality, Virtual Reality and Real Life]. New 3D objects can be found as NFTs in the blockchain, in nature, as 3D prints and as elements of their VR world ‘Gunafaland’. Some 3D NFTs might appear as AR versions at AIL. Being in close contact with the electronic music scene, the latest immersive audiovisual performances once again took place in the club scene. Over 100 audio compositions have been released.",{"type":116},{"_uid":1003,"component":400,"propImage":1004,"propAltText":21,"propCaption":1008},"dfa8f49e-77aa-4712-84d1-e82dd33486f4",{"id":1005,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1006,"copyright":21,"fieldtype":294,"meta_data":1007,"is_external_url":37},11167445,"https://a.storyblok.com/f/98682/2400x2400/4a6f56e997/6-str-portraitail.jpg",{},"‘STR-AIL-Portrait’, 2023 / c+p STATION ROSE",{"_uid":1010,"component":120,"propRichtext":1011},"3b4be953-9a5a-479a-b3ba-21661a73c2d5",{"type":113,"content":1012},[1013,1023],{"type":116,"content":1014},[1015,1017,1021],{"text":1016,"type":128},"STATION ROSE was founded by musician Gary Danner and artist Elisa Rose in Vienna in 1988, after they graduated from the University of Applied Arts (Oswald Oberhuber & Karl Lagerfeld) in 1987. They perform and exhibit worldwide and online in galleries, museums and clubs. The interweaving of real space with VR, AR and immersive spaces is the focus of their work. Their NFTs are available at foundation and ",{"text":1018,"type":128,"marks":1019},"objkt",[1020],{"type":283},{"text":1022,"type":128},".",{"type":116,"content":1024},[1025],{"text":1026,"type":128},"They won a Prix Ars Electronica Honorary Mention in 1995 and the Lifetime Award of the City of Linz in 2012. They have been online since 1991. They lived in Cairo/Egypt, San Francisco and Frankfurt am Main. After 20 years abroad, they returned to live and work in Vienna.",[1028],{"_uid":1029,"component":287,"propColor":1030,"propSubheadline":1033,"propPreviewImage":1034,"propPreviewVideo":1038,"propMakeTextWhite":37,"propDescriptionLong":1040,"propMetaInformation":1041,"propMetadescription":1051,"propDescriptionShort":21},"752e0f90-14a2-45c8-a555-cebf15ebd83b",{"_uid":1031,"color":1032,"plugin":291},"6d9e2ea5-5817-4ba1-a30d-2cfc22a4d7fd","#9ee052","back \u003C into >> the FUTURE ∞ delivering Digital Art since 1988",{"id":1035,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1036,"copyright":21,"fieldtype":294,"meta_data":1037,"is_external_url":37},11128142,"https://a.storyblok.com/f/98682/1920x3153/5d3b9be2e9/8-violet2-kopie.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":294,"meta_data":1039},{},"STATION ROSE celebrates 35 Digital Years. In this lecture performance the artist duo will provide insights into their digital work, music and art forms from 1988 until 2023. Examples will be made visible and audible. It will be all about their Digital Art History, the Future and the NOW.",{"type":113,"content":1042},[1043],{"type":116,"content":1044},[1045],{"text":1046,"type":128,"marks":1047},"Station Rose",[1048],{"type":175,"attrs":1049},{"href":1050,"uuid":34,"anchor":34,"target":179,"linktype":570},"http://digitalarchive.stationrose.net","Station Rose, die Angewandte \n","2023-10-17 17:00","Station-rose-35-0","program/Station-rose-35-0",-320,[],"65f0b64c-8abe-4928-95fe-271fa9db0210","2023-09-16T08:08:53.713Z",[],{"text":1061,"type":128}," gibt das Duo um Künstlerin Elisa Rose und Komponist Gary Danner Einblick in 35 Jahre digitales Schaffen, ihre Musik und Kunstformen von 1988 bis 2023. Die Pioniere der digitalen Kultur werden im Vortrag zwischen Dekaden, Projekten im Over- und Underground sowie Realitäten springen. 1988 wird zu 2018, wenn sie digitales Frühwerk auf neue Systeme bis hin zu NFTs übertragen. Frühe Arbeiten treffen auf aktuelle Werke in AR, VR & RL ",{"text":1063,"type":128,"marks":1064},"[Augmented Reality, Virtual Reality und Real Life].",[1065],{"type":283},{"_uid":1067,"component":120,"propRichtext":1068},"ac6f6319-9af5-4b43-88c1-5af4ef1ef8e2",{"type":113,"content":1069},[1070,1080],{"type":259,"content":1071},[1072],{"type":116,"content":1073},[1074],{"text":1075,"type":128,"marks":1076},"Schwerpunkt künstlerische Forschung – Ausblick 2024",[1077,1078],{"type":583},{"type":131,"attrs":1079},{"color":133},{"type":116,"content":1081},[1082],{"text":1083,"type":128,"marks":1084},"Regelmäßig stellen wir im AIL Projekte aus dem Bereich der künstlerischen Forschung vor, die auch Zwischenstände und eine Vielzahl von Formaten abdecken. 2024 werden wir in gleich 3 Ausstellungen Einblick in künstlerische Forschungsprojekte geben, die sich um verschiedene Materialien und damit einhergehende Herausforderungen drehen.",[1085],{"type":131,"attrs":1086},{"color":133},{"_uid":1088,"component":120,"propRichtext":1089},"ccae98b3-2184-4f0d-b799-93590bba6c2a",{"type":113,"content":1090},[1091],{"type":116,"content":1092},[1093,1098,1107],{"text":1094,"type":128,"marks":1095},"Programm-Auftakt im Jahr 2024 ist die Ausstellung des interdisziplinären Forschungsprojekts um Martin Reinhardt, ",[1096],{"type":131,"attrs":1097},{"color":133},{"text":1099,"type":128,"marks":1100},"Radical Matter",[1101,1104,1105],{"type":175,"attrs":1102},{"href":1103,"uuid":34,"anchor":34,"target":179,"linktype":570},"https://www.dieangewandte.at/jart/prj3/angewandte-2016/main.jart?rel=de&reserve-mode=active&content-id=1456265464955&projekt_id=1628749147709",{"type":583},{"type":131,"attrs":1106},{"color":133},{"text":1108,"type":128,"marks":1109},". Mit der ‘unberechenbaren Materie’ begeben wir uns auf die Ebene des Subatomaren. Quantenphysik kann radikale Veränderung provozieren, die das menschliche Denken mit den Vorstellungen von der Ordnung der Welt herausfordern.",[1110],{"type":131,"attrs":1111},{"color":133},{"_uid":1113,"component":120,"propRichtext":1114},"daacb38a-93c9-4b9a-817e-a629cb685129",{"type":113,"content":1115},[1116],{"type":116,"content":1117},[1118,1120,1127],{"text":1119,"type":128},"Im Zuge des Forschungsprojekts ",{"text":1121,"type":128,"marks":1122},"Greenwashing Concrete",[1123,1126],{"type":175,"attrs":1124},{"href":1125,"uuid":34,"anchor":34,"target":179,"linktype":570},"https://www.dieangewandte.at/jart/prj3/angewandte-2016/main.jart?rel=de&reserve-mode=active&content-id=1456265464955&projekt_id=1651651999760",{"type":283},{"text":1128,"type":128}," wird anhand wissenschaftlicher Daten die Vergangenheit erkundet, um Vorstellungsbilder für die Zukunft zu kreieren. Ein Wiener Gründerzeithaus und ein Abschnitt der Wiener Stadtautobahn A23 sind die Forschungsobjekte, die dabei historisch, materialanalytisch, poetisch und visionär de- und wieder rekomponiert werden.",{"_uid":1130,"component":120,"propRichtext":1131},"4d95b79c-35cf-41fe-a763-a158846d460b",{"type":113,"content":1132},[1133],{"type":116,"content":1134},[1135,1137,1143,1145,1149],{"text":1136,"type":128},"Das Forschungsprojekt ",{"text":1138,"type":128,"marks":1139},"Reflecting Oil",[1140],{"type":175,"attrs":1141},{"href":1142,"uuid":34,"anchor":34,"target":179,"linktype":570},"https://www.dieangewandte.at/jart/prj3/angewandte-2016/main.jart?rel=de&reserve-mode=active&content-id=1456265464955&projekt_id=1561116260878",{"text":1144,"type":128},": ",{"text":1146,"type":128,"marks":1147},"Arts-Based Research on Oil Transitionings",[1148],{"type":283},{"text":1150,"type":128}," nimmt die fossile Ressource Erdöl in den Blick: In ihrer globalen Dimension als Ursache geopolitischer Konflikte und gravierender Umweltbelastungen, aber auch symbolisch als Objekt der Begierde. Durch die Anwendung kunstbasierter Forschungsmethoden wird der Rohstoff neu beleuchtet, so will das Projekt in der Folge auch über nachhaltige Energie informieren.",{"_uid":1152,"component":120,"propRichtext":1153},"57e408af-3df7-4b73-8cf4-affdba6cb70b",{"type":113,"content":1154},[1155],{"type":116,"content":1156},[1157],{"text":1158,"type":128,"marks":1159},"Wir freuen uns auf den Austausch mit euch in unserem Zuhause der Otto Wagner Postsparkasse. Wo einst Devisen getauscht und Bares gewechselt wurden, verbinden wir nun Disziplinen. ",[1160],{"type":131,"attrs":1161},{"color":133},{"_uid":1163,"component":120,"propRichtext":1164},"9467d0fe-975a-42e2-a7e9-cdf76d9d3070",{"type":113,"content":1165},[1166,1175],{"type":259,"content":1167},[1168],{"type":116,"content":1169},[1170],{"text":1171,"type":128,"marks":1172},"Auf bald im AIL",[1173],{"type":131,"attrs":1174},{"color":133},{"type":259,"content":1176},[1177],{"type":116,"content":1178},[1179],{"text":1180,"type":128,"marks":1181},"Elisabeth Falkensteiner und Alexandra Graupner mit Team",[1182,1183],{"type":283},{"type":131,"attrs":1184},{"color":133},{"_uid":1186,"component":120,"propRichtext":1187},"2bf6bc7f-2b60-4283-8d48-fcb864b90644",{"type":113,"content":1188},[1189],{"type":259,"content":1190},[1191],{"type":116,"content":1192},[1193,1198,1206,1211,1218],{"text":1194,"type":128,"marks":1195},"Alle Details zum weiteren Programm gibt es ",[1196],{"type":131,"attrs":1197},{"color":133},{"text":1199,"type":128,"marks":1200},"hier",[1201,1204],{"type":175,"attrs":1202},{"href":1203,"uuid":34,"anchor":34,"target":179,"linktype":570},"https://ail.angewandte.at/program",{"type":131,"attrs":1205},{"color":34},{"text":1207,"type":128,"marks":1208},", Details zu vergangenen Projekten gibt es ",[1209],{"type":131,"attrs":1210},{"color":34},{"text":1199,"type":128,"marks":1212},[1213,1216],{"type":175,"attrs":1214},{"href":1215,"uuid":34,"anchor":34,"target":179,"linktype":570},"https://ail.angewandte.at/explore/",{"type":131,"attrs":1217},{"color":34},{"text":1219,"type":128,"marks":1220}," zu entdecken.",[1221],{"type":131,"attrs":1222},{"color":34},[1224],{"_uid":1225,"component":287,"propColor":1226,"propSubheadline":1229,"propPreviewImage":1230,"propPreviewVideo":1234,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1236,"propMetadescription":1643,"propDescriptionShort":1644},"5a6a4952-2889-4c0b-808b-34770b5f0614",{"_uid":1227,"color":1228,"plugin":291},"b91f55fc-2e30-4d85-a72b-feddbebfa6b5","#95abe4","AIL Programm Ausblick 2023/24",{"id":1231,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1232,"copyright":21,"fieldtype":294,"meta_data":1233,"is_external_url":37},11197038,"https://a.storyblok.com/f/98682/800x1281/8044108a5b/esel_joa-9358.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":294,"meta_data":1235},{},{"type":113,"content":1237},[1238],{"type":116,"attrs":1239,"content":1240},{"textAlign":34},[1241],{"text":1242,"type":128,"marks":1243},"in English",[1244],{"type":175,"attrs":1245},{"href":1246,"uuid":1247,"anchor":34,"target":179,"linktype":180,"story":1248},"/explore/program-preview-23","054ea8e8-766a-4c3d-bd84-db03c0c4faa4",{"name":1249,"created_at":1250,"published_at":1251,"updated_at":1252,"id":1253,"uuid":1247,"content":1254,"slug":1636,"full_slug":1637,"sort_by_date":34,"position":1638,"tag_list":1639,"is_startpage":37,"parent_id":304,"meta_data":34,"group_id":1640,"first_published_at":1641,"release_id":34,"lang":41,"path":34,"alternates":1642,"default_full_slug":34,"translated_slugs":34,"_stopResolving":308},"How to apply Future ","2023-09-18T08:56:33.743Z","2025-12-16T12:39:45.888Z","2025-12-16T12:39:45.922Z",372088314,{"_uid":105,"component":106,"propCategory":107,"propMainContent":1255,"propHeaderInformation":1613},[1256],{"_uid":110,"component":111,"propCredits":1257,"propEntryInMainContent":1260},{"type":113,"content":1258},[1259],{"type":116},[1261,1277,1285,1364,1386,1407,1430,1438,1451,1488,1507,1532,1563,1596],{"_uid":119,"component":120,"propRichtext":1262},{"type":113,"content":1263},[1264,1269],{"type":116,"attrs":1265,"content":1266},{"textAlign":34},[1267],{"text":1268,"type":128},"Thinking about the future holds both promising as well as dispiriting prospects. How can we deal with opaque uncertainties? Which conclusions can we draw in the present, and which role do research and technology play in all this? What tools can artistic practices provide to help overcome the challenges facing our society?",{"type":116,"attrs":1270,"content":1271},{"textAlign":34},[1272],{"text":1273,"type":128,"marks":1274},"How can we ‘apply’ future?",[1275],{"type":143,"attrs":1276},{"class":145},{"_uid":1278,"component":120,"propRichtext":1279},"471a6dd2-d5af-4cf8-848c-e69ad513803e",{"type":113,"content":1280},[1281],{"type":116,"content":1282},[1283],{"text":1284,"type":128},"Next semester, and the following year, AIL will present various new projects – the question of how different temporalities are connected will be at the heart of all of them. The concrete and invisible as well as the manifest and ephemeral relationships between yesterday, today and tomorrow will be explored. We will take a close look at phenomena that take hold of materials or float in a free physical state.",{"_uid":1286,"component":120,"propRichtext":1287},"02f0efeb-69d0-4ad1-b57b-4d6a1198f7d6",{"type":113,"content":1288},[1289,1297,1304,1315,1328,1338,1343],{"type":116,"attrs":1290,"content":1291},{"textAlign":34},[1292],{"text":1293,"type":128,"marks":1294},"New AIL Topic: ",[1295],{"type":143,"attrs":1296},{"class":145},{"type":116,"attrs":1298,"content":1299},{"textAlign":34},[1300],{"text":343,"type":128,"marks":1301},[1302],{"type":143,"attrs":1303},{"class":145},{"type":116,"attrs":1305,"content":1306},{"textAlign":34},[1307,1309,1313],{"text":1308,"type":128},"In addition to presentations of university-wide artistic research projects, external collaborations and various kinds of events, AIL sets its own thematic priorities. Starting point for this was the cooperation project ",{"text":172,"type":128,"marks":1310},[1311],{"type":175,"attrs":1312},{"href":177,"uuid":178,"anchor":34,"target":179,"linktype":180},{"text":1314,"type":128},", led by Elisabeth Falkensteiner and Clemens Apprich (Department of Media Theory) in the fall of 2022. ",{"type":259,"content":1316},[1317],{"type":116,"attrs":1318,"content":1319},{"textAlign":34},[1320,1322,1326],{"text":1321,"type":128},"The next ",{"text":1323,"type":128,"marks":1324},"AIL Topic",[1325],{"type":283},{"text":1327,"type":128}," will kick off in October 2023: ",{"type":116,"attrs":1329,"content":1330},{"textAlign":34},[1331,1333,1336],{"text":1332,"type":128},"Titled ",{"text":343,"type":128,"marks":1334},[1335],{"type":283},{"text":1337,"type":128},", the program will address the eerie and analyse what haunts us in the here and now. Which past haunts us? ",{"type":116,"attrs":1339,"content":1340},{"textAlign":34},[1341],{"text":1342,"type":128},"What futures can we imagine? What can we call upon in order to understand the present and that which is imminent? Can we predict the future? And can artificial intelligence do future? ",{"type":116,"attrs":1344,"content":1345},{"textAlign":34},[1346,1348,1351,1353,1357,1359,1362],{"text":1347,"type":128},"The first instalment of ",{"text":343,"type":128,"marks":1349},[1350],{"type":283},{"text":1352,"type":128},", the sound performance series ",{"text":349,"type":128,"marks":1354},[1355],{"type":175,"attrs":1356},{"href":353,"uuid":354,"anchor":34,"target":179,"linktype":180},{"text":1358,"type":128}," in collaboration with struma+iodine, will take place in October 2023. The invited performers will use eerie and futuristic sounds to search for traces of times past and times to come. The sound series ",{"text":421,"type":128,"marks":1360},[1361],{"type":283},{"text":1363,"type":128}," is concerned neither with resurrecting real events from the past nor with celebrating nostalgia, but sets out in search of lost futures (Mark Fisher) to elude eternally backward-looking feedback loops",{"_uid":1365,"component":120,"propRichtext":1366},"787d8c7a-c1ed-4f07-870f-9fefceddbc42",{"type":113,"content":1367},[1368],{"type":259,"content":1369},[1370,1374,1378,1382],{"type":116,"content":1371},[1372],{"text":1373,"type":128},"Upcoming events:",{"type":116,"content":1375},[1376],{"text":1377,"type":128},"October 4, 19:00: KMRU and Inou Ki Endo & Misonica (DJ-Set)",{"type":116,"content":1379},[1380],{"text":1381,"type":128},"November 8, 19:00: Perila and Afrodeo",{"type":116,"content":1383},[1384],{"text":1385,"type":128},"December 15, 19:00: Katatonic Silentio and dieb13",{"_uid":1387,"component":120,"propRichtext":1388},"fbef75bf-a503-4105-9101-ca11cf8af442",{"type":113,"content":1389},[1390,1403],{"type":116,"content":1391},[1392,1394,1401],{"text":1393,"type":128},"In cooperation with Wien Modern, AIL will also present the piece ",{"text":1395,"type":128,"marks":1396},"Phantom Voltage",[1397],{"type":175,"attrs":1398},{"href":1399,"uuid":1400,"anchor":34,"target":179,"linktype":180},"/program/phantom-voltage","c0e332dc-5116-49f0-9d16-e5ac713f2e40",{"text":1402,"type":128}," in November, which promises a totally different experience of the invisible. Control voltages isolated from electromagnetic fields will create new video, sound and light modulations. ",{"type":116,"content":1404},[1405],{"text":1406,"type":128},"We will explore this topic further in another performance series in 2024. ",{"_uid":1408,"component":120,"propRichtext":1409},"313ee52e-4693-4506-9db9-e5885ec24783",{"type":113,"content":1410},[1411,1419],{"type":116,"attrs":1412,"content":1413},{"textAlign":34},[1414],{"text":1415,"type":128,"marks":1416},"Artistic Research at AIL: Sensing Living Systems ",[1417],{"type":143,"attrs":1418},{"class":145},{"type":116,"attrs":1420,"content":1421},{"textAlign":34},[1422,1424,1428],{"text":1423,"type":128},"The PEEK research project ",{"text":1425,"type":128,"marks":1426},"Sensing Living Systems  ",[1427],{"type":283},{"text":1429,"type":128},"explores human system awareness and analyses the way artistic presentations of olfactory, auditory and haptic artworks can create direct sensory stimuli that activate this sense of awareness. The results of this artistic research, which are jointly conducted by artists and system scientists, will lead to a multisensory scenography that allows a diverse set of users to have an embodied learning experience.",{"_uid":1431,"component":120,"propRichtext":1432},"9dddbcac-6dd3-47a5-ae02-fcefa6f01f11",{"type":113,"content":1433},[1434],{"type":116,"content":1435},[1436],{"text":1437,"type":128},"AIL has been an interdisciplinary platform at the intersection of art, science and research since its foundation in 2014. AIL supports the realization of projects which highlight the in-between spaces that are the result of the interplay of different disciplines. Experiencing, understanding, learning and unlearning as well as rethinking relationships and interactions play a crucial part in making AIL a flexible and open space. With its first artistic research project, led by Alexandra Graupner in collaboration with the artistic duo MUELLER-DIVJAK  (Jeanette Mueller & Paul Divjak), AIL is breaking new ground and combining and applying expert knowledge in new ways.",{"_uid":1439,"component":120,"propRichtext":1440},"d3ddd5e4-1d91-4113-bf81-284566b69dab",{"type":113,"content":1441},[1442],{"type":116,"content":1443},[1444,1446,1449],{"text":1445,"type":128},"The team of ",{"text":617,"type":128,"marks":1447},[1448],{"type":283},{"text":1450,"type":128}," will regularly provide updates about the processes and results of the research project. ",{"_uid":1452,"component":120,"propRichtext":1453},"a431af8c-bb8c-4f31-8e77-1a8b13271bc1",{"type":113,"content":1454},[1455,1462,1469],{"type":116,"attrs":1456,"content":1457},{"textAlign":34},[1458],{"text":772,"type":128,"marks":1459},[1460],{"type":143,"attrs":1461},{"class":145},{"type":259,"content":1463},[1464],{"type":116,"attrs":1465,"content":1466},{"textAlign":34},[1467],{"text":1468,"type":128},"What’s next: 2023",{"type":116,"attrs":1470,"content":1471},{"textAlign":34},[1472,1474,1477,1479,1486],{"text":1473,"type":128},"With our upcoming exhibition ",{"text":789,"type":128,"marks":1475},[1476],{"type":283},{"text":1478,"type":128},", starting ",{"text":1480,"type":128,"marks":1481},"October 12,",[1482],{"type":175,"attrs":1483},{"href":1484,"uuid":1485,"anchor":34,"target":179,"linktype":180},"/program/conservator-at-work","671672fa-ba76-4418-9104-23796c20bcc2",{"text":1487,"type":128}," we will look at temporality in terms of uncovering sediment layers, preserving the past and confronting permanence and decay by means of concrete materials. The exhibition will also reflect on the developments over the past 24 years in the academic field of conservation and restoration at the Institute of Conservation and Restoration of the University of Applied Arts Vienna under the directorship of Gabriela Krist. A series of lectures will accompany the exhibition. Live demonstrations will provide the opportunity to experience conservators at work and ask questions.",{"_uid":1489,"component":120,"propRichtext":1490},"097d7808-b676-43d6-9e87-3a93d28f7b1b",{"type":113,"content":1491},[1492],{"type":116,"content":1493},[1494,1498,1500,1505],{"text":1495,"type":128,"marks":1496},"STATION ROSE",[1497],{"type":283},{"text":1499,"type":128}," will also have its own retrospective on ",{"text":1501,"type":128,"marks":1502},"October 17",[1503],{"type":175,"attrs":1504},{"href":933,"uuid":934,"anchor":34,"target":179,"linktype":180},{"text":1506,"type":128},". The performance lecture '35.0' of artistic duo Elisa Rose and composer Gary Danner will provide insights into 35 years of digital work, music and art forms, from 1988 until 2023. These pioneers of digital culture will jump between decades of their work, between overground and underground spaces and extended realities: 1998 will immediately become 2018 as soon they transfer their early digital work to new systems, culminating in NFTs. Early works meet current works in AR, VR and in RL [Augmented Reality, Virtual Reality und Real Life].",{"_uid":1508,"component":120,"propRichtext":1509},"2d191711-7fb0-4863-ba37-db016398eedb",{"type":113,"content":1510},[1511,1517,1521],{"type":259,"content":1512},[1513],{"type":116,"content":1514},[1515],{"text":1516,"type":128},"Artistic Research in Focus – Preview 2024",{"type":116,"content":1518},[1519],{"text":1520,"type":128},"At AIL, we regularly present projects from the field of artistic research, showcasing a variety of formats and even works in progress. In 2024, no less than 3 exhibitions will provide insight into artistic research projects that revolve around various materials and the challenges they pose. ",{"type":116,"content":1522},[1523,1525,1530],{"text":1524,"type":128},"The interdisciplinary research project ",{"text":1099,"type":128,"marks":1526},[1527,1529],{"type":175,"attrs":1528},{"href":1103,"uuid":34,"anchor":34,"target":179,"linktype":570},{"type":283},{"text":1531,"type":128},", headed by Martin Reinhardt, will kick off the series of exhibitions in 2024. Tracing 'unpredictable matter', we will end up at the subatomic level. Quantum physics can provoke radical change by challenging human conceptions of the world.",{"_uid":1533,"component":120,"propRichtext":1534},"0e8d1f3a-0d45-49bb-a342-4ac6240db838",{"type":113,"content":1535},[1536,1546],{"type":116,"content":1537},[1538,1540,1544],{"text":1539,"type":128},"Reverse Imaging Vienna: By using scientific data to explore the past, the research project ",{"text":1121,"type":128,"marks":1541},[1542],{"type":175,"attrs":1543},{"href":1125,"uuid":34,"anchor":34,"target":179,"linktype":570},{"text":1545,"type":128}," creates visions of the future. The respective research objects are a Viennese Gründerzeit house from the turn of the 20th century and a section of Vienna's urban highway A23, which will be de- and recomposed in historical, material-analytical, poetic and visionary ways.",{"type":116,"content":1547},[1548,1550,1555,1557,1561],{"text":1549,"type":128},"The ",{"text":1551,"type":128,"marks":1552},"research project",[1553],{"type":175,"attrs":1554},{"href":1142,"uuid":34,"anchor":34,"target":179,"linktype":570},{"text":1556,"type":128}," ",{"text":1558,"type":128,"marks":1559},"Reflecting Oil: Arts-based Research on Oil Transitionings ",[1560],{"type":283},{"text":1562,"type":128},"focuses on the fossil resource that is petroleum: Exploring its global dimension as a cause of geopolitical conflicts and severe environmental pollution, as well as its symbolic dimension as an object of desire. Art-based research methods will throw new light on the raw material. This way, the project also aims to provide information about sustainable energy. ",{"_uid":1564,"component":120,"propRichtext":1565},"e9d2fc0f-c187-473f-9659-10f37f9c54ed",{"type":113,"content":1566},[1567,1592],{"type":116,"content":1568},[1569,1571,1576,1578,1585,1587],{"text":1570,"type":128},"Further information about our program can be found ",{"text":1572,"type":128,"marks":1573},"here.",[1574],{"type":175,"attrs":1575},{"href":1203,"uuid":34,"anchor":34,"target":179,"linktype":570},{"text":1577,"type":128}," Our list of upcoming events includes the continuation of our series ",{"text":1579,"type":128,"marks":1580},"Dialogues for Tomorrow",[1581],{"type":175,"attrs":1582},{"href":1583,"uuid":1584,"anchor":34,"target":179,"linktype":180},"/explore/dialogues-for-tomorrow","da363ab8-f819-4e78-922d-4bc36440843a",{"text":1586,"type":128}," with Philipp Blom, a cooperation project with the Bruno Kreisky Forum and the Institute for Human Sciences (IWM). Rewatch past episodes ",{"text":1572,"type":128,"marks":1588},[1589],{"type":175,"attrs":1590},{"href":1591,"uuid":34,"anchor":34,"target":179,"linktype":570},"https://ail.angewandte.at/explore",{"type":116,"content":1593},[1594],{"text":1595,"type":128},"We look forward to seeing and talking to you all in our new home at the Otto Wagner Postal Savings Bank. Where once foreign exchange and cash transactions took place, interdisciplinary practices now take hold. 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