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","2023-09-18T08:56:33.743Z","2025-12-16T12:39:45.888Z","2025-12-16T12:39:45.922Z",372088314,"054ea8e8-766a-4c3d-bd84-db03c0c4faa4",{"_uid":105,"component":106,"propCategory":107,"propMainContent":108,"propHeaderInformation":1511},"1f3ae13d-e783-40d3-abec-3130420d7236","Page_Detailseite_Explore","news",[109],{"_uid":110,"component":111,"propCredits":112,"propEntryInMainContent":117},"6b1bd01f-45bf-4ddc-aeba-26acb8c9b57c","Component_PageDetails_MainContent",{"type":113,"content":114},"doc",[115],{"type":116},"paragraph",[118,139,147,532,554,775,798,806,820,1103,1250,1277,1311,1494],{"_uid":119,"component":120,"propRichtext":121},"eeb58cc7-4c30-4445-b00f-1cf57b762eb0","Component_Nested_Richtext",{"type":113,"content":122},[123,129],{"type":116,"attrs":124,"content":125},{"textAlign":34},[126],{"text":127,"type":128},"Thinking about the future holds both promising as well as dispiriting prospects. How can we deal with opaque uncertainties? Which conclusions can we draw in the present, and which role do research and technology play in all this? What tools can artistic practices provide to help overcome the challenges facing our society?","text",{"type":116,"attrs":130,"content":131},{"textAlign":34},[132],{"text":133,"type":128,"marks":134},"How can we ‘apply’ future?",[135],{"type":136,"attrs":137},"styled",{"class":138},"h3",{"_uid":140,"component":120,"propRichtext":141},"471a6dd2-d5af-4cf8-848c-e69ad513803e",{"type":113,"content":142},[143],{"type":116,"content":144},[145],{"text":146,"type":128},"Next semester, and the following year, AIL will present various new projects – the question of how different temporalities are connected will be at the heart of all of them. The concrete and invisible as well as the manifest and ephemeral relationships between yesterday, today and tomorrow will be explored. We will take a close look at phenomena that take hold of materials or float in a free physical state.",{"_uid":148,"component":120,"propRichtext":149},"02f0efeb-69d0-4ad1-b57b-4d6a1198f7d6",{"type":113,"content":150},[151,159,167,312,325,335,340],{"type":116,"attrs":152,"content":153},{"textAlign":34},[154],{"text":155,"type":128,"marks":156},"New AIL Topic: ",[157],{"type":136,"attrs":158},{"class":138},{"type":116,"attrs":160,"content":161},{"textAlign":34},[162],{"text":163,"type":128,"marks":164},"Haunted – Persistence of the Past",[165],{"type":136,"attrs":166},{"class":138},{"type":116,"attrs":168,"content":169},{"textAlign":34},[170,172,310],{"text":171,"type":128},"In addition to presentations of university-wide artistic research projects, external collaborations and various kinds of events, AIL sets its own thematic priorities. Starting point for this was the cooperation project ",{"text":173,"type":128,"marks":174},"Decolonizing Technology",[175],{"type":176,"attrs":177},"link",{"href":178,"uuid":179,"anchor":34,"target":180,"linktype":181,"story":182},"/explore/decolonizing-technology","08681223-0146-4ad4-8a67-52eebf7cecd0","_self","story",{"name":173,"created_at":183,"published_at":184,"updated_at":185,"id":186,"uuid":179,"content":187,"slug":301,"full_slug":302,"sort_by_date":34,"position":303,"tag_list":304,"is_startpage":37,"parent_id":305,"meta_data":34,"group_id":306,"first_published_at":307,"release_id":34,"lang":41,"path":34,"alternates":308,"default_full_slug":34,"translated_slugs":34,"_stopResolving":309},"2022-09-16T06:38:32.827Z","2025-12-16T14:15:18.601Z","2025-12-16T14:15:18.617Z",189919575,{"_uid":188,"component":189,"propCategory":190,"propCurration":191,"propMainContent":229,"propHeaderInformation":285},"0c55c50b-7c05-4ab4-b395-83aa5764dfaa","Page_Detailseite_Stack","topic",[192,199,204,209,214,219,224],{"_uid":193,"component":194,"content_entry":195},"ec5865f6-8fd4-40dc-8621-43afe5a22214","Component_Stack_Link",{"id":196,"url":21,"linktype":181,"fieldtype":197,"cached_url":198},"608036d1-0426-4006-9b85-09decef661c2","multilink","explore/in-conversation-with-clemens-apprich",{"_uid":200,"component":194,"content_entry":201},"2d7064e7-a094-49c0-9961-26e29d6a79b7",{"id":202,"url":21,"linktype":181,"fieldtype":197,"cached_url":203},"3f831e02-df6e-46e9-bc71-b97da477f39d","explore/exhibition-view-fabric-of-dreams-towards-a-technodiversity",{"_uid":205,"component":194,"content_entry":206},"d8b38a21-4aad-4f61-afdc-93cdcdb7d86c",{"id":207,"url":21,"linktype":181,"fieldtype":197,"cached_url":208},"3e9029d7-ab5d-4ac9-901e-597148689cda","explore/the-rage-of-data",{"_uid":210,"component":194,"content_entry":211},"ac2eac6c-747d-43d1-8db7-72c23d37d1b3",{"id":212,"url":21,"linktype":181,"fieldtype":197,"cached_url":213},"8cd034b5-c870-4d3a-8859-7351d383a1c4","explore/the-trouble-with-visibility",{"_uid":215,"component":194,"content_entry":216},"6da8dfd0-c282-4805-81f5-d052963b1f91",{"id":217,"url":21,"linktype":181,"fieldtype":197,"cached_url":218},"6ce6e974-355a-4f3e-95be-70bacf3323fd","program/loose-threads",{"_uid":220,"component":194,"content_entry":221},"edc4bf82-0395-47a2-85b1-d7bc4e8b5331",{"id":222,"url":21,"linktype":181,"fieldtype":197,"cached_url":223},"a2a74e6b-f4a6-4172-b791-d0b651a04b79","program/loose-threads-weaving-sounds",{"_uid":225,"component":194,"content_entry":226},"6364d3d4-6368-4abe-8a51-f6e90cfa3ccb",{"id":227,"url":21,"linktype":181,"fieldtype":197,"cached_url":228},"25a67dfe-335a-4b8f-9e50-ce886020abf1","program/the-ecstasy-of-noise",[230,247,255,272],{"_uid":231,"component":120,"propRichtext":232},"6efb7118-2a94-46f2-b512-e15b7a432cbf",{"type":113,"content":233},[234,242],{"type":116,"attrs":235,"content":236},{"textAlign":34},[237],{"text":238,"type":128,"marks":239},"‘And this might be an opening for us: if we think about technologies as being a part of us, as reflections of ourselves, then we can finally engage with them properly.",[240],{"type":136,"attrs":241},{"class":138},{"type":116,"attrs":243,"content":244},{"textAlign":34},[245],{"text":246,"type":128},"At the heart of machine learning, which mostly catches our eye in the form of algorithmic recommender systems, is the simple logic of sifting through big chunks of data and turning them into information. This requires a particular logic or pattern that reflects our social behavior. After all, it is not the technologies that are male and white but the ideas they are fed. ",{"_uid":248,"component":120,"propRichtext":249},"1f7a0569-fa22-4ecf-8b6b-0476947e1ca1",{"type":113,"content":250},[251],{"type":116,"content":252},[253],{"text":254,"type":128},"[…] algorithms learn from our data and therefore adopt everything that is part of it, including our racist, sexist, classist and ableist prejudices as well as heteronormative concepts. We are thus confronted with self-fulfilling prophecies, which are then relabeled as objective decision-making processes.’*",{"_uid":256,"component":120,"propRichtext":257},"1fec342c-33d9-4c00-a6c1-c0ca9795cdeb",{"type":113,"content":258},[259,266],{"type":260,"content":261},"blockquote",[262],{"type":116,"content":263},[264],{"text":265,"type":128},"Together with the department of Media Theory, we present lectures, talks and performances, mainly from the field of digital cultures, circling around the topic of ‘Decolonizing Technology’",{"type":260,"content":267},[268],{"type":116,"content":269},[270],{"text":271,"type":128}," With Wendy Chun, Nishant Shah, Hito Steyerl, Ramon Amaro, Tiara Roxanne, Katharina Klappheck, Mary Maggic, Tung-Hui Hu",{"_uid":273,"component":120,"propRichtext":274},"0764d9a0-d316-4b89-9bda-ddcf7b8702ff",{"type":113,"content":275},[276],{"type":260,"content":277},[278],{"type":116,"content":279},[280],{"text":281,"type":128,"marks":282},"*Excerpts from the Interview with Clemens Apprich, head of the Department of Media Theory, find the whole Interview below ",[283],{"type":284},"italic",[286],{"_uid":287,"component":288,"propColor":289,"propSubheadline":293,"propPreviewImage":294,"propPreviewVideo":296,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":297,"propMetadescription":21,"propDescriptionShort":300},"36fbaf06-8a50-474f-9406-6c031d36c58a","Component_HeaderInformation",{"_uid":290,"color":291,"plugin":292},"8542d844-9414-4301-a5dc-0c9112e09651","#e78ae3","native-color-picker","What does it mean to decolonize technology, and how can it be that technology generates a colonizing practice in the first place?",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":295},"asset",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":295},{"type":113,"content":298},[299],{"type":116},"‘Obviously, no technological innovation will be able to solve our social problems.’ (from our Interview with Clemens Apprich)","decolonizing-technology","explore/decolonizing-technology",-390,[],29265108,"d0deaa88-c0e6-4c29-992c-c29ccdae7216","2022-09-16T06:58:28.000Z",[],true,{"text":311,"type":128},", led by Elisabeth Falkensteiner and Clemens Apprich (Department of Media Theory) in the fall of 2022. ",{"type":260,"content":313},[314],{"type":116,"attrs":315,"content":316},{"textAlign":34},[317,319,323],{"text":318,"type":128},"The next ",{"text":320,"type":128,"marks":321},"AIL Topic",[322],{"type":284},{"text":324,"type":128}," will kick off in October 2023: ",{"type":116,"attrs":326,"content":327},{"textAlign":34},[328,330,333],{"text":329,"type":128},"Titled ",{"text":163,"type":128,"marks":331},[332],{"type":284},{"text":334,"type":128},", the program will address the eerie and analyse what haunts us in the here and now. Which past haunts us? ",{"type":116,"attrs":336,"content":337},{"textAlign":34},[338],{"text":339,"type":128},"What futures can we imagine? What can we call upon in order to understand the present and that which is imminent? Can we predict the future? And can artificial intelligence do future? ",{"type":116,"attrs":341,"content":342},{"textAlign":34},[343,345,348,350,525,527,530],{"text":344,"type":128},"The first instalment of ",{"text":163,"type":128,"marks":346},[347],{"type":284},{"text":349,"type":128},", the sound performance series ",{"text":351,"type":128,"marks":352},"Sonic Specters. Between Nostalgia and Anticipation",[353],{"type":176,"attrs":354},{"href":355,"uuid":356,"anchor":34,"target":180,"linktype":181,"story":357},"/explore/sonic-specters-between-nostalgia-and-anticipation","a0ef9b8d-9ece-4e8c-8b34-61117b543976",{"name":351,"created_at":358,"published_at":359,"updated_at":360,"id":361,"uuid":356,"content":362,"slug":518,"full_slug":519,"sort_by_date":34,"position":520,"tag_list":521,"is_startpage":37,"parent_id":305,"meta_data":34,"group_id":522,"first_published_at":523,"release_id":34,"lang":41,"path":34,"alternates":524,"default_full_slug":34,"translated_slugs":34,"_stopResolving":309},"2023-09-19T11:43:22.428Z","2025-12-16T12:38:03.024Z","2025-12-16T12:38:03.050Z",372961541,{"_uid":363,"component":106,"propCategory":107,"propMainContent":364,"propHeaderInformation":463},"5373ccd0-1036-440a-9c5c-a3aed89cdd1a",[365],{"_uid":366,"component":111,"propCredits":367,"propEntryInMainContent":377},"65787406-b8f7-495c-9825-1ef5bad041c8",{"type":113,"content":368},[369,373],{"type":116,"content":370},[371],{"text":372,"type":128},"The sound performance series Sonic Specters is the first part of the program centering on AIL’s new topic: Haunted – Persistence of the Past.",{"type":116,"content":374},[375],{"text":376,"type":128},"Graphic Image: Lion Sauterleute",[378,400,407,415,436],{"_uid":379,"component":120,"propRichtext":380},"d7fcce5f-9f26-4eb8-aa17-2c1bbacc2de7",{"type":113,"content":381},[382,392],{"type":116,"attrs":383,"content":384},{"textAlign":34},[385,387,390],{"text":386,"type":128},"Eerie atmospheres and flickering sound traces created by past audio sources and the coming times – for each event of the new series ",{"text":351,"type":128,"marks":388},[389],{"type":284},{"text":391,"type":128}," two musicians track down what has ceased to exist and what is yet to come. ",{"type":116,"attrs":393,"content":394},{"textAlign":34},[395],{"text":396,"type":128,"marks":397},"Oscillating between melancholic nostalgia and euphoric anticipation, linear concepts of time and space will be called into question. Does the past haunt the present and the future?",[398],{"type":136,"attrs":399},{"class":138},{"_uid":401,"component":402,"propImage":403,"propAltText":21,"propCaption":21},"dfd91397-487f-4326-985d-c42e57e8444d","Component_Nested_Image",{"id":404,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":405,"copyright":21,"fieldtype":295,"meta_data":406,"is_external_url":37},11148349,"https://a.storyblok.com/f/98682/1373x2283/227225677f/shape_03.jpg",{},{"_uid":408,"component":120,"propRichtext":409},"575ca545-bafd-48f3-bf59-f116250b1cc5",{"type":113,"content":410},[411],{"type":116,"content":412},[413],{"text":414,"type":128},"Cultural philosopher Mark Fisher elaborated on Jacques Derrida's concept of hauntology, and paid particular attention to the question of time. In his theory, phenomena and forces act from a distance while the absence of existence is immanent to being: it is a legacy, a trace of what has been and what will be. The past remains an effective virtuality while the possibility of the future is already present in the virtual sphere. In this sense, we reject a deterministic and automated future, rendering it speculative. Technologies are capable of creating multiple virtualities in time and space. Technologies consequently collapse temporal and spatial dimensions. The future becomes a powerful and haunting experience: a virtuality that pervades the present, shapes expectations and drives cultural production.",{"_uid":416,"component":120,"propRichtext":417},"6091a3d0-38f6-45e3-abd7-6c92dc92375f",{"type":113,"content":418},[419,428],{"type":116,"attrs":420,"content":421},{"textAlign":34},[422,426],{"text":423,"type":128,"marks":424},"Sonic Specters",[425],{"type":284},{"text":427,"type":128}," is concerned neither with resurrecting real events from the past nor with celebrating reactionary and romantic notions of nostalgia. Rather, its focus lies on lost futures, those that never materialized and remain specters. ",{"type":116,"attrs":429,"content":430},{"textAlign":34},[431],{"text":432,"type":128,"marks":433},"In searching for those specters, we tap into areas of unfulfilled potential and circumvent repetitive behavior patterns.",[434],{"type":136,"attrs":435},{"class":138},{"_uid":437,"component":120,"propRichtext":438},"bbff88db-6cbc-4973-94fe-e3a2a4fcbd53",{"type":113,"content":439},[440,448,453,458],{"type":116,"attrs":441,"content":442},{"textAlign":34},[443],{"text":444,"type":128,"marks":445},"Program 2023: ",[446],{"type":136,"attrs":447},{"class":138},{"type":116,"attrs":449,"content":450},{"textAlign":34},[451],{"text":452,"type":128},"4 Oct 2023, 19:00 with KMRU and Inou Ki Endo & Misonica (DJ-set)",{"type":116,"attrs":454,"content":455},{"textAlign":34},[456],{"text":457,"type":128},"8 Nov, 19:00 with Perila and Afrodeo",{"type":116,"attrs":459,"content":460},{"textAlign":34},[461],{"text":462,"type":128},"15 Dec, 19:00 with Katatonic Silentio and dieb13",[464],{"_uid":465,"component":288,"propColor":466,"propSubheadline":469,"propPreviewImage":470,"propPreviewVideo":474,"propMakeTextWhite":37,"propDescriptionLong":476,"propMetaInformation":477,"propMetadescription":21,"propDescriptionShort":517},"7ab327cf-02b1-4d1d-8dd5-e30c5934b3d8",{"_uid":467,"color":468,"plugin":292},"1936c4c9-62bb-4e68-8527-1e292c3031ac","#e733e7","New Series of Sound Performances, starting October 2023 ",{"id":471,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":472,"copyright":21,"fieldtype":295,"meta_data":473,"is_external_url":37},10884126,"https://a.storyblok.com/f/98682/500x788/d4b567fe4d/shape_haunted.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":295,"meta_data":475},{},"\n\n\n",{"type":113,"content":478},[479,483],{"type":116,"content":480},[481],{"text":482,"type":128},"Dates: ",{"type":116,"content":484},[485,492,494,501,502,509,510],{"text":486,"type":128,"marks":487},"4 Oct, KMRU, Misonica, Inou Ki Endo",[488],{"type":176,"attrs":489},{"href":490,"uuid":491,"anchor":34,"target":180,"linktype":181},"/program/sonic-specters-01","95920c52-fb12-455c-96df-1e6f2d9cb0de",{"type":493},"hard_break",{"text":495,"type":128,"marks":496},"8 Nov, Perila, Afrodeo",[497],{"type":176,"attrs":498},{"href":499,"uuid":500,"anchor":34,"target":180,"linktype":181},"/program/sonic-specters-02","c169b61c-6b64-427b-8882-86aa87f22689",{"type":493},{"text":503,"type":128,"marks":504},"15 Dec, Katatonic Silentio, dieb13",[505],{"type":176,"attrs":506},{"href":507,"uuid":508,"anchor":34,"target":180,"linktype":181},"/program/sonic-specters-03","e1785bb1-4194-4440-ab1b-d9ffc0b4fb51",{"type":493},{"text":511,"type":128,"marks":512},"16 Jan, Richard Skelton and Jung an Tagen",[513],{"type":176,"attrs":514},{"href":515,"uuid":516,"anchor":34,"target":180,"linktype":181},"/program/sonic-specters-04","b6a2d5b1-6042-4c1e-b5ee-399544e8fc90","A cooperation with Struma+Iodine, curated by Shilla Strelka and Elisabeth Falkensteiner \n","sonic-specters-between-nostalgia-and-anticipation","explore/sonic-specters-between-nostalgia-and-anticipation",-730,[],"cefa2d76-de47-4a50-91d2-2d596224d2bd","2023-09-19T11:53:43.255Z",[],{"text":526,"type":128}," in collaboration with struma+iodine, will take place in October 2023. The invited performers will use eerie and futuristic sounds to search for traces of times past and times to come. The sound series ",{"text":423,"type":128,"marks":528},[529],{"type":284},{"text":531,"type":128}," is concerned neither with resurrecting real events from the past nor with celebrating nostalgia, but sets out in search of lost futures (Mark Fisher) to elude eternally backward-looking feedback loops",{"_uid":533,"component":120,"propRichtext":534},"787d8c7a-c1ed-4f07-870f-9fefceddbc42",{"type":113,"content":535},[536],{"type":260,"content":537},[538,542,546,550],{"type":116,"content":539},[540],{"text":541,"type":128},"Upcoming events:",{"type":116,"content":543},[544],{"text":545,"type":128},"October 4, 19:00: KMRU and Inou Ki Endo & Misonica (DJ-Set)",{"type":116,"content":547},[548],{"text":549,"type":128},"November 8, 19:00: Perila and Afrodeo",{"type":116,"content":551},[552],{"text":553,"type":128},"December 15, 19:00: Katatonic Silentio and dieb13",{"_uid":555,"component":120,"propRichtext":556},"fbef75bf-a503-4105-9101-ca11cf8af442",{"type":113,"content":557},[558,771],{"type":116,"content":559},[560,562,769],{"text":561,"type":128},"In cooperation with Wien Modern, AIL will also present the piece ",{"text":563,"type":128,"marks":564},"Phantom Voltage",[565],{"type":176,"attrs":566},{"href":567,"uuid":568,"anchor":34,"target":180,"linktype":181,"story":569},"/program/phantom-voltage","c0e332dc-5116-49f0-9d16-e5ac713f2e40",{"name":563,"created_at":570,"published_at":571,"updated_at":572,"id":573,"uuid":568,"content":574,"slug":761,"full_slug":762,"sort_by_date":34,"position":763,"tag_list":764,"is_startpage":37,"parent_id":765,"meta_data":34,"group_id":766,"first_published_at":767,"release_id":34,"lang":41,"path":34,"alternates":768,"default_full_slug":34,"translated_slugs":34,"_stopResolving":309},"2023-09-06T13:28:35.943Z","2026-01-13T11:43:09.022Z","2026-01-13T11:43:09.039Z",366544911,{"_uid":575,"component":576,"propDateEnd":577,"propCategory":578,"propIsOnline":37,"propDateStart":21,"propMainContent":579,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":726,"propDateAndTimeOfOpening":760},"48fc801e-173d-4639-b573-93f08565844c","Page_Detailseite_Event","2023-11-06 21:00","sound performance",[580],{"_uid":581,"component":111,"propCredits":582,"propEntryInMainContent":596},"096391c8-c4fe-47de-a319-bab922de7556",{"type":113,"content":583},[584,588,592],{"type":116,"content":585},[586],{"text":587,"type":128},"Production Konnektom | Co-production Wien Modern",{"type":116,"content":589},[590],{"text":591,"type":128},"With the kind support of the City of Vienna, BMKÖS and SKE of Austro Mechana",{"type":116,"content":593},[594],{"text":595,"type":128},"Cooperation Angewandte Interdisciplinary Lab of the University of Applied Arts Vienna",[597,605,634,639,677,712],{"_uid":598,"component":120,"propRichtext":599},"775d3658-8c16-43ea-90b0-544b17f4606f",{"type":113,"content":600},[601],{"type":116,"content":602},[603],{"text":604,"type":128},"Like an invisible architecture, the electromagnetic fields of electrical cables, radio signals, batteries, sensors, communication networks and other technical infrastructures penetrate and structure our everyday lives. Phantom Voltage gives this ephemeral spirit a sound body and visibility through installations, specially created instruments, and performative elements. Induction sensors translate electromagnetic fields into sound, light and noise, which enter into dialogue with one another. The cello acts as an analogue counterpoint to the electro-acoustic phantom sounds. In an experimental arrangement of corresponding objects, the performers create a sound landscape that is open to the audience.",{"_uid":606,"component":120,"propRichtext":607},"e0ad3a4d-2b7f-4e76-bf66-ab9ef8d03050",{"type":113,"content":608},[609,624,629],{"type":260,"content":610},[611,619],{"type":116,"attrs":612,"content":613},{"textAlign":34},[614],{"text":615,"type":128,"marks":616},"‘I understood the silence of the ether. I never understood people‘s words.’ ",[617],{"type":136,"attrs":618},{"class":138},{"type":116,"attrs":620,"content":621},{"textAlign":34},[622],{"text":623,"type":128},"(Friedrich Hölderlin [1770–1843], Since I was a boy)",{"type":116,"attrs":625,"content":626},{"textAlign":34},[627],{"text":628,"type":128},"After Desert Bloom (2016, Karl Szcuka Prize as part of the Donaueschinger Musiktage) and Spectral City (including 2019 at the HeK Basel & at the ReiheM in Cologne), Florian Kindlinger, Christina Kubisch and Peter Kutin are now working together for the third time. For Phantom Voltage, the three artists have partly developed existing sound objects and installations, partly created new devices and woven them into an expansive composition that encompasses the audience.",{"type":116,"attrs":630,"content":631},{"textAlign":34},[632],{"text":633,"type":128},"A limited edition of sounding latex objects created especially for Phantom Voltage by the visual artist Liesl Raff (in co-operation with Peter Kutin) will also be on display.",{"_uid":635,"component":120,"propRichtext":636},"1be6dce9-3329-4837-a348-3555e732eb84",{"type":113,"content":637},[638],{"type":116},{"_uid":640,"component":120,"propRichtext":641},"531d9a3c-6551-4cb3-a326-0f5d66690d92",{"type":113,"content":642},[643],{"type":260,"content":644},[645,649,653,657,661,665,669,673],{"type":116,"content":646},[647],{"text":648,"type":128},"Peter Kutin | Light feedback systems, kinetic objects, dramaturgy",{"type":116,"content":650},[651],{"text":652,"type":128},"Florian Kindlinger | Sound direction, live electronics, dramaturgy",{"type":116,"content":654},[655],{"text":656,"type":128},"Christina Kubisch | Electromagnetic induction objects, live performance",{"type":116,"content":658},[659],{"text":660,"type":128},"Mathias Lenz | Mechatronics, live performance",{"type":116,"content":662},[663],{"text":664,"type":128},"Liesl Raff | latex objects",{"type":116,"content":666},[667],{"text":668,"type":128},"Maiken Beer | Violoncello",{"type":116,"content":670},[671],{"text":672,"type":128},"Anna Resch | Production, dramaturgy",{"type":116,"content":674},[675],{"text":676,"type":128},"Sebastian Jobst | Production, dramaturgy",{"_uid":678,"component":120,"propRichtext":679},"88680e3f-4292-47ac-9ee4-f510e724deff",{"type":113,"content":680},[681,689,694,701,708],{"type":116,"attrs":682,"content":683},{"textAlign":34},[684],{"text":685,"type":128,"marks":686},"‘The Ghost of electricity howls through the bones of her face.’ ",[687],{"type":136,"attrs":688},{"class":138},{"type":116,"attrs":690,"content":691},{"textAlign":34},[692],{"text":693,"type":128},"(Bob Dylan, Visions of Johanna, 1964)",{"type":260,"content":695},[696],{"type":116,"attrs":697,"content":698},{"textAlign":34},[699],{"text":700,"type":128},"Phantom Voltage is the continuation of my collaboration with the German composer Christina Kubisch and the Austrian sound artist and sound engineer Florian Kindlinger. In a first collaboration in this constellation, the radio composition Desert Bloom was created for WDR3, an acoustic unmasking of the desert city of Las Vegas. The work was awarded the Karl Szcuka Prize for Radio Art at the Donaueschinger Musiktage in 2016. This was followed by the multimedia spatial composition Spectral Cities (2019), which could be seen for example at the HeK Basel and in the Alte Feuerwache in Cologne. The project presented here now goes one step further and focuses even more decisively on the effect and conscious setting of electromagnetic fields. These fields generated by light sources or radio signals can be scanned using induction sensors and thereby translated directly into voltage. Phantom Voltage uses this technical fact as an instrumental basis: we extract different control voltages from seemingly non-existent fields that are not visible or audible, which we in turn use to generate or modulate further sound or light signals. A kind of live upcycling of electrosmog that is available to the artists in real time.",{"type":260,"content":702},[703],{"type":116,"attrs":704,"content":705},{"textAlign":34},[706],{"text":707,"type":128},"In the last years I have consistently worked on light feedback systems like those used by Phantom Voltage and have constantly developed them further - I have learned to play them like an instrument, to link them medially and to adapt them to given spaces/architecture. Works such as the kinetic sound installation TORSO#1, or the work ROTOR with the artist group NO1 developed. Both works were and are performed more internationally than in Vienna. (Peter Kutin)",{"type":709,"attrs":710},"heading",{"level":711,"textAlign":34},4,{"_uid":713,"component":120,"propRichtext":714},"7ef2ee69-f76c-466e-83f0-69da9ef61ca3",{"type":113,"content":715},[716],{"type":260,"content":717},[718,722],{"type":116,"content":719},[720],{"text":721,"type":128},"As energy flows around our ubiquitous power sources and electrical devices, there is an electromagnetic aura that is detected live at Phantom Voltage. The spirit of electric currents that Dylan sings about in the preceding line of the song plays the first violin, so to speak. This ‘electric spirit’ is not exhibited exemplarily, it rather acts as a phantom in the sense of Derrida, in real time. Through a dramaturgical order and a clear setting, in the timing of the different media to one another, a full-length piece is created that has no central perspective and encourages the audience to change the location as well as the viewing and listening angle.",{"type":116,"content":723},[724],{"text":725,"type":128},"Through the pointed use of an additional, purely acoustic instrument (a violoncello), spectral (concerning the overtone structure) fusions of raw electronic and purely instrumental timbre occur at times. The cello opens an analogue, naked, human level that represents an important counterpoint for the dramaturgical progression. The interaction of sound, image, light, color, space and instrument is specially adapted to the spatial and acoustic properties of the Postsparkassa. The room appears in different facets and moods. In resonance with the sounds, visualizations and objects, the work of art ultimately manifests itself through and within the viewers themselves. (Peter Kutin, Florian Kindlinger)",[727],{"_uid":728,"component":288,"propColor":729,"propSubheadline":732,"propPreviewImage":733,"propPreviewVideo":737,"propMakeTextWhite":37,"propDescriptionLong":739,"propMetaInformation":740,"propMetadescription":759,"propDescriptionShort":21},"305a054f-bb36-4763-aaba-7179b683b59f",{"_uid":730,"color":731,"plugin":292},"dbac34dd-45cd-47c7-beb9-fa0bda707a4c","#52e0b1","with Peter Kutin, Florian Kindlinger, Christina Kubisch / Part of Wien Modern",{"id":734,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":735,"copyright":21,"fieldtype":295,"meta_data":736,"is_external_url":37},11130845,"https://a.storyblok.com/f/98682/1920x799/c01801bbb6/231106_2023-phantom_phantom-voltage_1530_c_ash-kg-subtletherapycom-kopie.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":295,"meta_data":738},{},"Multimedia composition for electromagnetic fields, various kinetic sound and light objects and cello (2023 WP) ~60´. World premiere at Wien Modern 2023 // Please note: Tickets are required for this event! ",{"type":113,"content":741},[742,751],{"type":116,"content":743},[744],{"text":745,"type":128,"marks":746},"Tickets ",[747],{"type":176,"attrs":748},{"href":749,"uuid":34,"anchor":34,"target":180,"linktype":750},"https://webshop.jetticket.net/wienmodern/Events?ret=57","url",{"type":116,"content":752},[753],{"text":754,"type":128,"marks":755},"Wien Modern ",[756],{"type":176,"attrs":757},{"href":758,"uuid":34,"anchor":34,"target":180,"linktype":750},"https://www.wienmodern.at/en","Wien Modern, die Angewandte ","2023-11-06 18:30","phantom-voltage","program/phantom-voltage",-340,[],29265107,"cb117518-8a37-4f2c-9b47-4e7353539db6","2023-09-18T08:36:26.315Z",[],{"text":770,"type":128}," in November, which promises a totally different experience of the invisible. Control voltages isolated from electromagnetic fields will create new video, sound and light modulations. ",{"type":116,"content":772},[773],{"text":774,"type":128},"We will explore this topic further in another performance series in 2024. ",{"_uid":776,"component":120,"propRichtext":777},"313ee52e-4693-4506-9db9-e5885ec24783",{"type":113,"content":778},[779,787],{"type":116,"attrs":780,"content":781},{"textAlign":34},[782],{"text":783,"type":128,"marks":784},"Artistic Research at AIL: Sensing Living Systems ",[785],{"type":136,"attrs":786},{"class":138},{"type":116,"attrs":788,"content":789},{"textAlign":34},[790,792,796],{"text":791,"type":128},"The PEEK research project ",{"text":793,"type":128,"marks":794},"Sensing Living Systems  ",[795],{"type":284},{"text":797,"type":128},"explores human system awareness and analyses the way artistic presentations of olfactory, auditory and haptic artworks can create direct sensory stimuli that activate this sense of awareness. The results of this artistic research, which are jointly conducted by artists and system scientists, will lead to a multisensory scenography that allows a diverse set of users to have an embodied learning experience.",{"_uid":799,"component":120,"propRichtext":800},"9dddbcac-6dd3-47a5-ae02-fcefa6f01f11",{"type":113,"content":801},[802],{"type":116,"content":803},[804],{"text":805,"type":128},"AIL has been an interdisciplinary platform at the intersection of art, science and research since its foundation in 2014. AIL supports the realization of projects which highlight the in-between spaces that are the result of the interplay of different disciplines. Experiencing, understanding, learning and unlearning as well as rethinking relationships and interactions play a crucial part in making AIL a flexible and open space. With its first artistic research project, led by Alexandra Graupner in collaboration with the artistic duo MUELLER-DIVJAK  (Jeanette Mueller & Paul Divjak), AIL is breaking new ground and combining and applying expert knowledge in new ways.",{"_uid":807,"component":120,"propRichtext":808},"d3ddd5e4-1d91-4113-bf81-284566b69dab",{"type":113,"content":809},[810],{"type":116,"content":811},[812,814,818],{"text":813,"type":128},"The team of ",{"text":815,"type":128,"marks":816},"Sensing Living Systems",[817],{"type":284},{"text":819,"type":128}," will regularly provide updates about the processes and results of the research project. ",{"_uid":821,"component":120,"propRichtext":822},"a431af8c-bb8c-4f31-8e77-1a8b13271bc1",{"type":113,"content":823},[824,832,839],{"type":116,"attrs":825,"content":826},{"textAlign":34},[827],{"text":828,"type":128,"marks":829},"Research Presentations",[830],{"type":136,"attrs":831},{"class":138},{"type":260,"content":833},[834],{"type":116,"attrs":835,"content":836},{"textAlign":34},[837],{"text":838,"type":128},"What’s next: 2023",{"type":116,"attrs":840,"content":841},{"textAlign":34},[842,844,848,850,1101],{"text":843,"type":128},"With our upcoming exhibition ",{"text":845,"type":128,"marks":846},"Conservator at Work",[847],{"type":284},{"text":849,"type":128},", starting ",{"text":851,"type":128,"marks":852},"October 12,",[853],{"type":176,"attrs":854},{"href":855,"uuid":856,"anchor":34,"target":180,"linktype":181,"story":857},"/program/conservator-at-work","671672fa-ba76-4418-9104-23796c20bcc2",{"name":845,"created_at":858,"published_at":859,"updated_at":860,"id":861,"uuid":856,"content":862,"slug":1094,"full_slug":1095,"sort_by_date":34,"position":1096,"tag_list":1097,"is_startpage":37,"parent_id":765,"meta_data":34,"group_id":1098,"first_published_at":1099,"release_id":34,"lang":41,"path":34,"alternates":1100,"default_full_slug":34,"translated_slugs":34,"_stopResolving":309},"2023-08-14T10:19:40.458Z","2026-01-13T11:55:56.938Z","2026-01-13T11:55:56.954Z",354313549,{"_uid":863,"component":576,"propDateEnd":864,"propCategory":865,"propIsOnline":37,"propDateStart":866,"propMainContent":867,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":1076,"propDateAndTimeOfOpening":1093},"1e385710-88eb-4a8c-a7d6-e066e56f52cd","2023-11-23 17:00","exhibition","2023-10-13 00:00",[868],{"_uid":869,"component":111,"propCredits":870,"propEntryInMainContent":876},"3a26244e-193c-40a3-95f8-45921a9e47a0",{"type":113,"content":871},[872],{"type":116,"content":873},[874],{"text":875,"type":128},"Exhibition design: Christian Höller / Photos: Christoph Schleßmann",[877,884,892,900,906,914,921,929,1006,1062,1070],{"_uid":878,"component":402,"propImage":879,"propAltText":21,"propCaption":883},"c68570b1-b5b3-4b3a-b5fd-005b6acee7ae",{"id":880,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":881,"copyright":21,"fieldtype":295,"meta_data":882,"is_external_url":37},11652118,"https://a.storyblok.com/f/98682/5993x4000/9742d55aa1/4_conservator-at-work-pluviale-c-ikr_ch-schlessmann.jpg",{},"© Christoph Schleßmann",{"_uid":885,"component":120,"propRichtext":886},"0b5c91bb-6cf4-45ac-a5dc-9a9aef1eeb23",{"type":113,"content":887},[888],{"type":116,"content":889},[890],{"text":891,"type":128},"This exhibition reflects on the developments over the past 24 years in the academic field of conservation at the Institute of Conservation of the University of Applied Arts Vienna under the directorship of Gabriela Krist. During this time, the existing fields of object and painting conservation as well as the classical technique of individual object treatment  were expanded thanks to the addition of new specialist fields, such as textile and stone, and the adoption of new approaches to preventative conservation, collection care and preservation of cultural artefacts in a global context and in times of climate change. ",{"_uid":893,"component":120,"propRichtext":894},"dc6e89e0-53d9-405e-9459-2cbe47431cde",{"type":113,"content":895},[896],{"type":116,"content":897},[898],{"text":899,"type":128},"This exhibition provides a comprehensive overview of current projects, including conservation projects of contemporary art, textiles, classical oil paintings, stone objects, gold works and historical everyday objects commissioned by museums as well as church and cultural heritage organizations. Additionally, video documentaries will give insight into international projects in Nepal, Mongolia, China and Albania in which the team, graduates and students of the institute have been involved. ",{"_uid":901,"component":402,"propImage":902,"propAltText":21,"propCaption":883},"a3030142-8118-483d-ad62-85b8753ac825",{"id":903,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":904,"copyright":21,"fieldtype":295,"meta_data":905,"is_external_url":37},11652117,"https://a.storyblok.com/f/98682/4000x5993/08d0ad7bd9/3_conservator-at-work_banane2-c-ikr_ch-schlessmann.jpg",{},{"_uid":907,"component":120,"propRichtext":908},"169adc67-dec9-473c-8a6e-7bc686f6032d",{"type":113,"content":909},[910],{"type":116,"content":911},[912],{"text":913,"type":128},"The exhibition will be accompanied by a series of lectures and talks from the field of Conservation Studies. Live demonstrations will make it possible to experience conservators at work and ask questions. The 'Conservator at Work' program will provide insight into the research and cultural heritage work of conservators: how they study, conserve, analyze, explore, communicate and operate in an international and interdisciplinary context. ",{"_uid":915,"component":402,"propImage":916,"propAltText":21,"propCaption":920},"f5ae75ee-d04f-4466-8fc3-c8e6e8ef8ab0",{"id":917,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":918,"copyright":21,"fieldtype":295,"meta_data":919,"is_external_url":37},11652119,"https://a.storyblok.com/f/98682/7360x4912/884b917293/7_restaurierung-vortragekreuz-c-angewandte_ikr.jpg",{},"© Institute of Conservation, University of Applied Arts Vienna",{"_uid":922,"component":120,"propRichtext":923},"2ad67b14-443b-4578-9fad-1081197f07c6",{"type":113,"content":924},[925],{"type":116,"content":926},[927],{"text":928,"type":128},"EXHIBITION OPENING HOURS: Mon, Tue, Wed, Fr: 13:00 – 18:00; Thu: 13:00 – 20:00 / Extended opening hours for Open House 7 Nov: 10:00–18:00",{"_uid":930,"component":120,"propRichtext":931},"89c73cb4-2e93-4f6c-b88f-459436b69441",{"type":113,"content":932},[933,942],{"type":709,"attrs":934,"content":936},{"level":935,"textAlign":34},2,[937],{"text":938,"type":128,"marks":939},"Lectures & Talks: ",[940],{"type":136,"attrs":941},{"class":138},{"type":260,"content":943},[944,954,959,969,974,984,989,999,1004],{"type":116,"attrs":945,"content":946},{"textAlign":34},[947],{"text":948,"type":128,"marks":949},"19 Oct, 16:00 ",[950],{"type":176,"attrs":951},{"href":952,"uuid":953,"anchor":34,"target":180,"linktype":181},"/program/conservator-at-work-talk-01","2e37e299-56b6-4ada-b63f-69e32abe6b03",{"type":116,"attrs":955,"content":956},{"textAlign":34},[957],{"text":958,"type":128},"Today for Tomorrow – Tasks and Challenges of Conservation Science",{"type":116,"attrs":960,"content":961},{"textAlign":34},[962],{"text":963,"type":128,"marks":964},"9 Nov, 16:00",[965],{"type":176,"attrs":966},{"href":967,"uuid":968,"anchor":34,"target":180,"linktype":181},"/program/conservator-at-work-talk-02","28e15c49-2940-4057-810f-e45fc19583a7",{"type":116,"attrs":970,"content":971},{"textAlign":34},[972],{"text":973,"type":128},"Investigation of Art and Cultural Objects… Why?",{"type":116,"attrs":975,"content":976},{"textAlign":34},[977],{"text":978,"type":128,"marks":979},"16 Nov, 16:00",[980],{"type":176,"attrs":981},{"href":982,"uuid":983,"anchor":34,"target":180,"linktype":181},"/program/exhibition-talk-conservator-at-work-03","783c3fe3-e8bd-471e-99bd-01cd159342dc",{"type":116,"attrs":985,"content":986},{"textAlign":34},[987],{"text":988,"type":128},"The Heritage of the World and UNESCO World Heritage – Conservation goes International ",{"type":116,"attrs":990,"content":991},{"textAlign":34},[992],{"text":993,"type":128,"marks":994},"23 Nov, 16:00",[995],{"type":176,"attrs":996},{"href":997,"uuid":998,"anchor":34,"target":180,"linktype":181},"/program/conservator-at-work-talk-04","7ff3072f-7e56-4514-9438-5196a7da12de",{"type":116,"attrs":1000,"content":1001},{"textAlign":34},[1002],{"text":1003,"type":128},"Beyond University… Professional Life and Projects From Life after University ",{"type":709,"attrs":1005},{"level":711,"textAlign":34},{"_uid":1007,"component":120,"propRichtext":1008},"e3828b8a-3b83-440b-9174-bfb45363a772",{"type":113,"content":1009},[1010,1018],{"type":709,"attrs":1011,"content":1012},{"level":935,"textAlign":34},[1013],{"text":1014,"type":128,"marks":1015},"Exhibition Tours: ",[1016],{"type":136,"attrs":1017},{"class":138},{"type":260,"content":1019},[1020,1025,1030,1035,1040,1045,1050],{"type":116,"attrs":1021,"content":1022},{"textAlign":34},[1023],{"text":1024,"type":128},"24 Oct, 15:00, with senior conservator of IoC",{"type":116,"attrs":1026,"content":1027},{"textAlign":34},[1028],{"text":1029,"type":128},"31 Oct, 15:00, with senior conservator of IoC",{"type":116,"attrs":1031,"content":1032},{"textAlign":34},[1033],{"text":1034,"type":128},"7 Nov (OPEN HOUSE), 12:00, with senior conservator of IoC",{"type":116,"attrs":1036,"content":1037},{"textAlign":34},[1038],{"text":1039,"type":128},"7 Nov (OPEN HOUSE), 16:00, with student of IoC",{"type":116,"attrs":1041,"content":1042},{"textAlign":34},[1043],{"text":1044,"type":128},"9 Nov, 15:30, with student of IoC",{"type":116,"attrs":1046,"content":1047},{"textAlign":34},[1048],{"text":1049,"type":128},"14 Nov, 17:00, with student of IoC",{"type":116,"attrs":1051,"content":1052},{"textAlign":34},[1053,1055,1060],{"text":1054,"type":128},"15 Nov, 17",{"text":1056,"type":128,"marks":1057},":",[1058],{"type":1059},"superscript",{"text":1061,"type":128},"00, with student of IoC",{"_uid":1063,"component":120,"propRichtext":1064},"414fa0ed-e07f-416c-938b-5f7637a7ad98",{"type":113,"content":1065},[1066],{"type":116,"content":1067},[1068],{"text":1069,"type":128},"Curated by Gabriela Krist and the team of the Institute of Conservation of the University of Applied Arts Vienna ",{"_uid":1071,"component":402,"propImage":1072,"propAltText":21,"propCaption":21},"16e7b7c6-147c-416f-ba30-38571f49efee",{"id":1073,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1074,"copyright":21,"fieldtype":295,"meta_data":1075,"is_external_url":37},10629098,"https://a.storyblok.com/f/98682/4141x6763/454c84ab25/foto_flyer-poster.jpg",{},[1077],{"_uid":1078,"component":288,"propColor":1079,"propSubheadline":1082,"propPreviewImage":1083,"propPreviewVideo":1087,"propMakeTextWhite":37,"propDescriptionLong":1088,"propMetaInformation":1089,"propMetadescription":1092,"propDescriptionShort":21},"be6effd5-797f-480a-a674-1d1ce0ffd9bf",{"_uid":1080,"color":1081,"plugin":292},"b991204e-828f-42cd-832e-1838c73dea37","#d7e052","The Institute of Conservation of the University of Applied Arts Vienna (IoC)",{"id":1084,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1085,"copyright":21,"fieldtype":295,"meta_data":1086,"is_external_url":37},10659994,"https://a.storyblok.com/f/98682/1920x3136/3835fe0aec/foto_flyer-poster-kopie.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":295},"Insights into the research and cultural heritage work of conservators: how they study, conserve, analyze, explore, communicate and operate in an international and interdisciplinary context. ",{"type":113,"content":1090},[1091],{"type":116},"die angewandte, ail, conservation, artschool","2023-10-12 15:00","conservator-at-work","program/conservator-at-work",-220,[],"48b60fb7-9f89-45e9-9dc5-db754145e261","2023-04-26T11:51:19.544Z",[],{"text":1102,"type":128}," we will look at temporality in terms of uncovering sediment layers, preserving the past and confronting permanence and decay by means of concrete materials. The exhibition will also reflect on the developments over the past 24 years in the academic field of conservation and restoration at the Institute of Conservation and Restoration of the University of Applied Arts Vienna under the directorship of Gabriela Krist. A series of lectures will accompany the exhibition. Live demonstrations will provide the opportunity to experience conservators at work and ask questions.",{"_uid":1104,"component":120,"propRichtext":1105},"097d7808-b676-43d6-9e87-3a93d28f7b1b",{"type":113,"content":1106},[1107],{"type":116,"content":1108},[1109,1113,1115,1248],{"text":1110,"type":128,"marks":1111},"STATION ROSE",[1112],{"type":284},{"text":1114,"type":128}," will also have its own retrospective on ",{"text":1116,"type":128,"marks":1117},"October 17",[1118],{"type":176,"attrs":1119},{"href":1120,"uuid":1121,"anchor":34,"target":180,"linktype":181,"story":1122},"/program/Station-rose-35-0","1fc1153a-aff8-4d06-b921-579dfb9cf550",{"name":1123,"created_at":1124,"published_at":1125,"updated_at":1126,"id":1127,"uuid":1121,"content":1128,"slug":1241,"full_slug":1242,"sort_by_date":34,"position":1243,"tag_list":1244,"is_startpage":37,"parent_id":765,"meta_data":34,"group_id":1245,"first_published_at":1246,"release_id":34,"lang":41,"path":34,"alternates":1247,"default_full_slug":34,"translated_slugs":34,"_stopResolving":309},"STATION ROSE 35.0","2023-09-06T13:18:32.422Z","2026-01-13T11:43:52.639Z","2026-01-13T11:43:52.656Z",366541746,{"_uid":1129,"component":576,"propDateEnd":1130,"propCategory":1131,"propIsOnline":37,"propDateStart":21,"propMainContent":1132,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":1215,"propDateAndTimeOfOpening":1240},"71bbc878-a136-4e25-9552-c2ab99ebdf6e","2023-10-17 19:00","talk",[1133],{"_uid":1134,"component":111,"propCredits":1135,"propEntryInMainContent":1138},"8e6866e0-f8fe-4b9b-aa2e-d1092fad7000",{"type":113,"content":1136},[1137],{"type":116},[1139,1151,1158,1168,1175,1190,1197],{"_uid":1140,"component":120,"propRichtext":1141},"ab7d76b9-ac49-4a87-b715-49f935db0cde",{"type":113,"content":1142},[1143],{"type":116,"attrs":1144,"content":1145},{"textAlign":34},[1146],{"text":1147,"type":128,"marks":1148},"[Keywords:] AR, VR, RL, NFT, From Digital To Analog & Back Again, Cyberspace Is Our Land,  audio-visualart, Techno, music, Cyberpunk, NetArt, GIFs, Immersive Art, Digital Archive, STReaming, Virtual Sculpture, PIXELHOME, New Media Arte Povera, Digital Bohemians, Performance, Nature Is Cool, Gunafaland, Recycling Surplus To Save Nature, Digital Land Art ",[1149],{"type":136,"attrs":1150},{"class":138},{"_uid":1152,"component":402,"propImage":1153,"propAltText":21,"propCaption":1157},"3ccd33e0-3299-4bc0-a070-1cc45c424e7f",{"id":1154,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1155,"copyright":21,"fieldtype":295,"meta_data":1156,"is_external_url":37},11167444,"https://a.storyblok.com/f/98682/2048x1536/3510ca8e43/7-violet-1988-2022.jpg",{},"Violet_01_1988/2022, Amiga Artwork on Diskette & NFT / c+p STATION ROSE",{"_uid":1159,"component":120,"propRichtext":1160},"1c69eb38-ed3c-47b9-a469-38680059a5de",{"type":113,"content":1161},[1162],{"type":116,"attrs":1163,"content":1164},{"textAlign":34},[1165,1167],{"text":1166,"type":128},"In this lecture performance artist Elisa Rose and composer Gary Danner, pioneers of digital culture and online since 1991, will jump between decades of their work, between over- and underground spaces and extended realities:",{"type":493},{"_uid":1169,"component":402,"propImage":1170,"propAltText":21,"propCaption":1174},"4bc3c146-689a-4297-ac90-210de9fd6755",{"id":1171,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1172,"copyright":21,"fieldtype":295,"meta_data":1173,"is_external_url":37},11167456,"https://a.storyblok.com/f/98682/1086x1930/795eabe117/1-3darnftinnature2.jpg",{},"3D AR golden NFT inNature / c+p STATION ROSE 2022",{"_uid":1176,"component":120,"propRichtext":1177},"85db79e5-c4b5-40d2-85fa-3ad1c206a919",{"type":113,"content":1178},[1179,1189],{"type":116,"content":1180},[1181,1183,1187],{"text":1182,"type":128},"1988 immediately became 2018 as soon as they had transferred their early digital work to new systems and made it available. The NFT ‘Substation’, a digital work on floppy disk created on the Amiga in 1988 and first shown at their Viennese Station, was dropped on the NFT Platform ",{"text":1184,"type":128,"marks":1185},"Foundation ",[1186],{"type":284},{"text":1188,"type":128},"in 2021, and went on to become part of a spatial installation for a solo gallery show in 2021/22. Other transformations include: GIF animations turning into installations, and CD ROMs evolving into the sensory experience and emotional intensity of immersiveness and audiovisual performances. Early works meet current works in AR, VR and in RL [Augmented Reality, Virtual Reality and Real Life]. New 3D objects can be found as NFTs in the blockchain, in nature, as 3D prints and as elements of their VR world ‘Gunafaland’. Some 3D NFTs might appear as AR versions at AIL. Being in close contact with the electronic music scene, the latest immersive audiovisual performances once again took place in the club scene. Over 100 audio compositions have been released.",{"type":116},{"_uid":1191,"component":402,"propImage":1192,"propAltText":21,"propCaption":1196},"dfa8f49e-77aa-4712-84d1-e82dd33486f4",{"id":1193,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1194,"copyright":21,"fieldtype":295,"meta_data":1195,"is_external_url":37},11167445,"https://a.storyblok.com/f/98682/2400x2400/4a6f56e997/6-str-portraitail.jpg",{},"‘STR-AIL-Portrait’, 2023 / c+p STATION ROSE",{"_uid":1198,"component":120,"propRichtext":1199},"3b4be953-9a5a-479a-b3ba-21661a73c2d5",{"type":113,"content":1200},[1201,1211],{"type":116,"content":1202},[1203,1205,1209],{"text":1204,"type":128},"STATION ROSE was founded by musician Gary Danner and artist Elisa Rose in Vienna in 1988, after they graduated from the University of Applied Arts (Oswald Oberhuber & Karl Lagerfeld) in 1987. They perform and exhibit worldwide and online in galleries, museums and clubs. The interweaving of real space with VR, AR and immersive spaces is the focus of their work. Their NFTs are available at foundation and ",{"text":1206,"type":128,"marks":1207},"objkt",[1208],{"type":284},{"text":1210,"type":128},".",{"type":116,"content":1212},[1213],{"text":1214,"type":128},"They won a Prix Ars Electronica Honorary Mention in 1995 and the Lifetime Award of the City of Linz in 2012. They have been online since 1991. They lived in Cairo/Egypt, San Francisco and Frankfurt am Main. After 20 years abroad, they returned to live and work in Vienna.",[1216],{"_uid":1217,"component":288,"propColor":1218,"propSubheadline":1221,"propPreviewImage":1222,"propPreviewVideo":1226,"propMakeTextWhite":37,"propDescriptionLong":1228,"propMetaInformation":1229,"propMetadescription":1239,"propDescriptionShort":21},"752e0f90-14a2-45c8-a555-cebf15ebd83b",{"_uid":1219,"color":1220,"plugin":292},"6d9e2ea5-5817-4ba1-a30d-2cfc22a4d7fd","#9ee052","back \u003C into >> the FUTURE ∞ delivering Digital Art since 1988",{"id":1223,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1224,"copyright":21,"fieldtype":295,"meta_data":1225,"is_external_url":37},11128142,"https://a.storyblok.com/f/98682/1920x3153/5d3b9be2e9/8-violet2-kopie.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":295,"meta_data":1227},{},"STATION ROSE celebrates 35 Digital Years. In this lecture performance the artist duo will provide insights into their digital work, music and art forms from 1988 until 2023. Examples will be made visible and audible. It will be all about their Digital Art History, the Future and the NOW.",{"type":113,"content":1230},[1231],{"type":116,"content":1232},[1233],{"text":1234,"type":128,"marks":1235},"Station Rose",[1236],{"type":176,"attrs":1237},{"href":1238,"uuid":34,"anchor":34,"target":180,"linktype":750},"http://digitalarchive.stationrose.net","Station Rose, die Angewandte \n","2023-10-17 17:00","Station-rose-35-0","program/Station-rose-35-0",-320,[],"65f0b64c-8abe-4928-95fe-271fa9db0210","2023-09-16T08:08:53.713Z",[],{"text":1249,"type":128},". The performance lecture '35.0' of artistic duo Elisa Rose and composer Gary Danner will provide insights into 35 years of digital work, music and art forms, from 1988 until 2023. These pioneers of digital culture will jump between decades of their work, between overground and underground spaces and extended realities: 1998 will immediately become 2018 as soon they transfer their early digital work to new systems, culminating in NFTs. Early works meet current works in AR, VR and in RL [Augmented Reality, Virtual Reality und Real Life].",{"_uid":1251,"component":120,"propRichtext":1252},"2d191711-7fb0-4863-ba37-db016398eedb",{"type":113,"content":1253},[1254,1260,1264],{"type":260,"content":1255},[1256],{"type":116,"content":1257},[1258],{"text":1259,"type":128},"Artistic Research in Focus – Preview 2024",{"type":116,"content":1261},[1262],{"text":1263,"type":128},"At AIL, we regularly present projects from the field of artistic research, showcasing a variety of formats and even works in progress. In 2024, no less than 3 exhibitions will provide insight into artistic research projects that revolve around various materials and the challenges they pose. ",{"type":116,"content":1265},[1266,1268,1275],{"text":1267,"type":128},"The interdisciplinary research project ",{"text":1269,"type":128,"marks":1270},"Radical Matter",[1271,1274],{"type":176,"attrs":1272},{"href":1273,"uuid":34,"anchor":34,"target":180,"linktype":750},"https://www.dieangewandte.at/jart/prj3/angewandte-2016/main.jart?rel=de&reserve-mode=active&content-id=1456265464955&projekt_id=1628749147709",{"type":284},{"text":1276,"type":128},", headed by Martin Reinhardt, will kick off the series of exhibitions in 2024. Tracing 'unpredictable matter', we will end up at the subatomic level. Quantum physics can provoke radical change by challenging human conceptions of the world.",{"_uid":1278,"component":120,"propRichtext":1279},"0e8d1f3a-0d45-49bb-a342-4ac6240db838",{"type":113,"content":1280},[1281,1293],{"type":116,"content":1282},[1283,1285,1291],{"text":1284,"type":128},"Reverse Imaging Vienna: By using scientific data to explore the past, the research project ",{"text":1286,"type":128,"marks":1287},"Greenwashing Concrete",[1288],{"type":176,"attrs":1289},{"href":1290,"uuid":34,"anchor":34,"target":180,"linktype":750},"https://www.dieangewandte.at/jart/prj3/angewandte-2016/main.jart?rel=de&reserve-mode=active&content-id=1456265464955&projekt_id=1651651999760",{"text":1292,"type":128}," creates visions of the future. The respective research objects are a Viennese Gründerzeit house from the turn of the 20th century and a section of Vienna's urban highway A23, which will be de- and recomposed in historical, material-analytical, poetic and visionary ways.",{"type":116,"content":1294},[1295,1297,1303,1305,1309],{"text":1296,"type":128},"The ",{"text":1298,"type":128,"marks":1299},"research project",[1300],{"type":176,"attrs":1301},{"href":1302,"uuid":34,"anchor":34,"target":180,"linktype":750},"https://www.dieangewandte.at/jart/prj3/angewandte-2016/main.jart?rel=de&reserve-mode=active&content-id=1456265464955&projekt_id=1561116260878",{"text":1304,"type":128}," ",{"text":1306,"type":128,"marks":1307},"Reflecting Oil: Arts-based Research on Oil Transitionings ",[1308],{"type":284},{"text":1310,"type":128},"focuses on the fossil resource that is petroleum: Exploring its global dimension as a cause of geopolitical conflicts and severe environmental pollution, as well as its symbolic dimension as an object of desire. Art-based research methods will throw new light on the raw material. This way, the project also aims to provide information about sustainable energy. ",{"_uid":1312,"component":120,"propRichtext":1313},"e9d2fc0f-c187-473f-9659-10f37f9c54ed",{"type":113,"content":1314},[1315,1490],{"type":116,"content":1316},[1317,1319,1325,1327,1483,1485],{"text":1318,"type":128},"Further information about our program can be found ",{"text":1320,"type":128,"marks":1321},"here.",[1322],{"type":176,"attrs":1323},{"href":1324,"uuid":34,"anchor":34,"target":180,"linktype":750},"https://ail.angewandte.at/program",{"text":1326,"type":128}," Our list of upcoming events includes the continuation of our series ",{"text":1328,"type":128,"marks":1329},"Dialogues for Tomorrow",[1330],{"type":176,"attrs":1331},{"href":1332,"uuid":1333,"anchor":34,"target":180,"linktype":181,"story":1334},"/explore/dialogues-for-tomorrow","da363ab8-f819-4e78-922d-4bc36440843a",{"name":1328,"created_at":1335,"published_at":1336,"updated_at":1337,"id":1338,"uuid":1333,"content":1339,"slug":1476,"full_slug":1477,"sort_by_date":34,"position":1478,"tag_list":1479,"is_startpage":37,"parent_id":305,"meta_data":34,"group_id":1480,"first_published_at":1481,"release_id":34,"lang":41,"path":34,"alternates":1482,"default_full_slug":34,"translated_slugs":34,"_stopResolving":309},"2022-09-07T13:40:42.675Z","2026-01-19T11:41:16.865Z","2026-01-19T11:41:16.878Z",185500926,{"_uid":1340,"component":189,"propCategory":190,"propCurration":1341,"propMainContent":1387,"propHeaderInformation":1461},"40d72a18-21bf-4736-bce0-72faf08e5b6a",[1342,1347,1352,1357,1362,1367,1372,1377,1382],{"_uid":1343,"component":194,"content_entry":1344},"96ee096e-bbf3-4ebc-bc07-a9233f7c2e8e",{"id":1345,"url":21,"linktype":181,"fieldtype":197,"cached_url":1346},"d6eebc91-6ae1-42f0-8e0c-777cf20d63f5","explore/dialogue-for-tomorrow-radikale-wende-weil-wir-eine-welt-zu-gewinnen-haben",{"_uid":1348,"component":194,"content_entry":1349},"dfd13c7b-745e-4f36-a263-1e6b49b0be81",{"id":1350,"url":21,"linktype":181,"fieldtype":197,"cached_url":1351},"d23e336a-b194-40ea-a745-41b6b061034d","explore/dialogue-for-tomorrow-the-global-south-and-the-future-of-world-order",{"_uid":1353,"component":194,"content_entry":1354},"11a5c38e-fa43-4490-b780-1f5de2a9ff29",{"id":1355,"url":21,"linktype":181,"fieldtype":197,"cached_url":1356},"37c0b98f-988a-4a74-b8fc-93f510559946","explore/dialogues-for-tomorrow-a-green-and-global-europe",{"_uid":1358,"component":194,"content_entry":1359},"438b93a5-6ec0-4a03-9c46-f7fc44ff4a1c",{"id":1360,"url":21,"linktype":181,"fieldtype":197,"cached_url":1361},"b7b77eb3-77fe-41c3-bae6-28b69aba11db","explore/dialogues-for-tomorrow-russia-a-society-in-meltdown",{"_uid":1363,"component":194,"content_entry":1364},"53b61e23-b6e3-4d7b-b49d-fc065cc483b8",{"id":1365,"url":21,"linktype":181,"fieldtype":197,"cached_url":1366},"886143d4-6f34-444c-a570-1597dd937c10","explore/dialogues-for-tomorrow-the-future-of-work-with-barbara-prainsack",{"_uid":1368,"component":194,"content_entry":1369},"d02865aa-a4fa-4858-90c0-e5f600fbf6d7",{"id":1370,"url":21,"linktype":181,"fieldtype":197,"cached_url":1371},"5dee1d6e-8e4b-453b-86d7-bb6a9133a840","explore/the-thirst-for-illusion",{"_uid":1373,"component":194,"content_entry":1374},"e67031a0-915a-4936-8c7a-60ff5d18ad8e",{"id":1375,"url":21,"linktype":181,"fieldtype":197,"cached_url":1376},"66a9c32a-6507-4c9d-b880-3ea054e7da17","explore/dialogues-for-tomorrow-the-future-of-art",{"_uid":1378,"component":194,"content_entry":1379},"950d9437-7838-4f1b-ba92-8245af107fbb",{"id":1380,"url":21,"anchor":21,"linktype":181,"fieldtype":197,"cached_url":1381},"4e516763-205b-4570-827a-909f1d996748","explore/transformation-or-disruption-societies-in-need-of-change",{"_uid":1383,"component":194,"content_entry":1384},"bd69f71c-e8ce-489d-bc4a-f7caa6cbc58d",{"id":1385,"url":21,"linktype":181,"fieldtype":197,"cached_url":1386},"b06820f7-77c9-44cb-9e89-36709f10a6e1","program/dialogues-for-tomorrow-Jain",[1388],{"_uid":1389,"component":120,"propRichtext":1390},"6d26f3f7-e588-47b1-b728-48499604e81d",{"type":113,"content":1391},[1392,1394,1407,1417,1422,1429,1434,1442,1447,1449,1451,1453,1455,1457,1459],{"type":116,"attrs":1393},{"textAlign":34},{"type":1395,"attrs":1396},"blok",{"id":1397,"body":1398},"5dae22ba-1f60-417b-9739-244f55defef0",[1399],{"_uid":1400,"component":402,"propImage":1401,"propAltText":1405,"propCaption":1406},"i-fb90265b-43a0-4883-b293-4b4dba3957da",{"id":1402,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1403,"copyright":21,"fieldtype":295,"meta_data":1404,"is_external_url":37},13118182,"https://a.storyblok.com/f/98682/3000x2000/aa2429b6ab/tope3756.jpg",{},"Philipp Blom at AIL, November 2023","Philipp Blom at AIL, November 2023. Photo: Thomas Peschat",{"type":116,"attrs":1408,"content":1409},{"textAlign":34},[1410,1412,1415],{"text":1411,"type":128},"The debate series ",{"text":1328,"type":128,"marks":1413},[1414],{"type":284},{"text":1416,"type":128}," critically examines the present from multiple perspectives in order to create a better understanding of tomorrow.",{"type":116,"attrs":1418,"content":1419},{"textAlign":34},[1420],{"text":1421,"type":128},"Beginning in Fall 2022, Gerald Bast, former rector of the University of Applied Arts Vienna, invited artists and experts to the new Café Exchange. The interdisciplinary conversations covered topics from the field of art, science, culture, technology and politics and give audiences a chance to join the discussion.",{"type":116,"attrs":1423,"content":1424},{"textAlign":34},[1425],{"text":1426,"type":128,"marks":1427},"In Fall/Winter 2022 Gerald Bast was in conversation with designer and educator Anab Jain, social scientist Barbara Prainsack, author and historian Philipp Bom, journalist and writer Hanno Rauterberg, media artists Ina Conradi and Marc Chavez",[1428],{"type":284},{"type":116,"attrs":1430,"content":1431},{"textAlign":34},[1432],{"text":1433,"type":128},"As a sequel of the series, the program is now broadened: ",{"type":116,"attrs":1435,"content":1436},{"textAlign":34},[1437],{"text":1438,"type":128,"marks":1439},"In spring 2023 together with the Bruno Kreisky Forum and the Institute for Human Sciences (IWM), the University of Applied Arts hosts experts from different disciplines to discuss future challenges. ",[1440],{"type":136,"attrs":1441},{"class":138},{"type":116,"attrs":1443,"content":1444},{"textAlign":34},[1445],{"text":1446,"type":128},"Ranging from climate change to democracies in crisis, current wars and social controversies: this time it is historian, journalist and author Philipp Blom who will be in conversation with renowned, innovative, intelligent and provocative international guests to talk about transformation, reasonable change, necessary steps and new conceptual spaces.",{"type":709,"attrs":1448},{"level":711,"textAlign":34},{"type":709,"attrs":1450},{"level":711,"textAlign":34},{"type":116,"attrs":1452},{"textAlign":34},{"type":116,"attrs":1454},{"textAlign":34},{"type":709,"attrs":1456},{"level":711,"textAlign":34},{"type":709,"attrs":1458},{"level":711,"textAlign":34},{"type":709,"attrs":1460},{"level":711,"textAlign":34},[1462],{"_uid":1463,"component":288,"propColor":1464,"propSubheadline":1467,"propPreviewImage":1468,"propPreviewVideo":1470,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1471,"propMetadescription":1474,"propDescriptionShort":1475},"9bd1cef2-528b-4634-8bad-18cd13fcdfe6",{"_uid":1465,"color":1466,"plugin":292},"6890f71b-17b9-4915-a994-14e8d7a80286","#fa521e","Discussion Series",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":34,"copyright":34,"fieldtype":295,"meta_data":1469,"is_external_url":37},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":295},{"type":113,"content":1472},[1473],{"type":116},"Gerald Bast, Cafe Exchange, die Angewandte","To be able to grasp the complexity of today’s societal challenges, we need multiple perspectives and methods.","dialogues-for-tomorrow","explore/dialogues-for-tomorrow",-380,[],"6cdec711-25e3-4cd4-8fd8-c16ec2889de7","2022-09-28T09:35:12.418Z",[],{"text":1484,"type":128}," with Philipp Blom, a cooperation project with the Bruno Kreisky Forum and the Institute for Human Sciences (IWM). Rewatch past episodes ",{"text":1320,"type":128,"marks":1486},[1487],{"type":176,"attrs":1488},{"href":1489,"uuid":34,"anchor":34,"target":180,"linktype":750},"https://ail.angewandte.at/explore",{"type":116,"content":1491},[1492],{"text":1493,"type":128},"We look forward to seeing and talking to you all in our new home at the Otto Wagner Postal Savings Bank. Where once foreign exchange and cash transactions took place, interdisciplinary practices now take hold. ",{"_uid":1495,"component":120,"propRichtext":1496},"36d9c25b-a31f-465b-81aa-4e8bc019b87a",{"type":113,"content":1497},[1498,1504,1510],{"type":260,"content":1499},[1500],{"type":116,"content":1501},[1502],{"text":1503,"type":128},"See you soon at AIL!",{"type":260,"content":1505},[1506],{"type":116,"content":1507},[1508],{"text":1509,"type":128},"Elisabeth Falkensteiner, Alexandra Graupner & Team",{"type":116},[1512],{"_uid":1513,"component":288,"propColor":1514,"propSubheadline":1517,"propPreviewImage":1518,"propPreviewVideo":1522,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1524,"propMetadescription":2017,"propDescriptionShort":2018},"5a6a4952-2889-4c0b-808b-34770b5f0614",{"_uid":1515,"color":1516,"plugin":292},"b91f55fc-2e30-4d85-a72b-feddbebfa6b5","#95abe4","AIL Program Outlook 2023/24 ",{"id":1519,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1520,"copyright":21,"fieldtype":295,"meta_data":1521,"is_external_url":37},11197039,"https://a.storyblok.com/f/98682/800x1281/e83ed44307/esel_joa-9358.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":295,"meta_data":1523},{},{"type":113,"content":1525},[1526],{"type":116,"attrs":1527,"content":1528},{"textAlign":34},[1529],{"text":1530,"type":128,"marks":1531},"in German",[1532],{"type":176,"attrs":1533},{"href":1534,"uuid":1535,"anchor":34,"target":180,"linktype":181,"story":1536},"/explore/programm-vorschau-23","fcd4f949-8775-48db-94a8-8e102dac3d2e",{"name":1537,"created_at":1538,"published_at":1539,"updated_at":1540,"id":1541,"uuid":1535,"content":1542,"slug":2010,"full_slug":2011,"sort_by_date":34,"position":2012,"tag_list":2013,"is_startpage":37,"parent_id":305,"meta_data":34,"group_id":2014,"first_published_at":2015,"release_id":34,"lang":41,"path":34,"alternates":2016,"default_full_slug":34,"translated_slugs":34,"_stopResolving":309},"Zukunft anwenden ","2023-09-18T08:51:45.379Z","2025-12-16T12:41:57.433Z","2025-12-16T12:42:02.834Z",372081327,{"_uid":105,"component":106,"propCategory":107,"propMainContent":1543,"propHeaderInformation":1987},[1544],{"_uid":110,"component":111,"propCredits":1545,"propEntryInMainContent":1548},{"type":113,"content":1546},[1547],{"type":116},[1549,1572,1580,1607,1651,1673,1718,1745,1779,1818,1836,1857,1880,1895,1916,1927,1950],{"_uid":119,"component":120,"propRichtext":1550},{"type":113,"content":1551},[1552,1562],{"type":116,"attrs":1553,"content":1554},{"textAlign":34},[1555],{"text":1556,"type":128,"marks":1557},"Das Nachdenken über die Zukunft birgt vielversprechende wie erdrückende Prognosen. Wie können wir dabei diffusen Ungewissheiten begegnen? Welche Konsequenz ziehen wir für unsere Gegenwart und welche Rolle spielen Forschung und Technologie darin? Welche Instrumente können künstlerische Praktiken beisteuern, um die Herausforderungen zu bewältigen, denen unsere Gesellschaft gegenübersteht? ",[1558],{"type":1559,"attrs":1560},"textStyle",{"color":1561},"rgb(0, 0, 0)",{"type":116,"attrs":1563,"content":1564},{"textAlign":34},[1565],{"text":1566,"type":128,"marks":1567},"Wie können wir Zukunft anwenden? ",[1568,1570],{"type":1559,"attrs":1569},{"color":1561},{"type":136,"attrs":1571},{"class":138},{"_uid":1573,"component":120,"propRichtext":1574},"85e4f890-1651-47d6-bf84-77c749195eae",{"type":113,"content":1575},[1576],{"type":116,"content":1577},[1578],{"text":1579,"type":128},"Im folgenden Semester und im nächsten Jahr zeigt das AIL vielfältige Projekte, die Frage nach den Beziehungen von Zeitlichkeiten ist dabei ein Ankerpunkt im Programm. Das Verhältnis von Gestern, Heute und Morgen wird im Konkreten und Manifesten erforscht, sowie im Ephemeren oder Unsichtbaren ermittelt. Wir untersuchen Aspekte, die sich in Materialien festsetzen oder sich in freien Aggregatzuständen befinden.",{"_uid":1581,"component":120,"propRichtext":1582},"3e163ea4-1632-43c2-bb39-39a7a9a1932a",{"type":113,"content":1583},[1584,1592,1603,1605],{"type":116,"attrs":1585,"content":1586},{"textAlign":34},[1587],{"text":1588,"type":128,"marks":1589},"Neues Topic: Haunted – Persistence of the Past ",[1590],{"type":136,"attrs":1591},{"class":138},{"type":116,"attrs":1593,"content":1594},{"textAlign":34},[1595,1597,1601],{"text":1596,"type":128},"Neben Präsentationen universitärer künstlerischer Forschungsprojekte, externen Kooperationen und diversen Veranstaltungsformaten setzt das AIL eigene thematische Schwerpunkte. Startschuss hierzu war die umfangreiche Kooperation ",{"text":173,"type":128,"marks":1598},[1599],{"type":176,"attrs":1600},{"href":178,"uuid":179,"anchor":34,"target":180,"linktype":181},{"text":1602,"type":128}," unter der Leitung von Elisabeth Falkensteiner und Clemens Apprich (Abteilung für Medientheorie) ab Herbst 2022 bis Sommer 2023.",{"type":116,"attrs":1604},{"textAlign":34},{"type":116,"attrs":1606},{"textAlign":34},{"_uid":1608,"component":120,"propRichtext":1609},"deaa1029-d121-40ed-afc8-6d90cb2c0c96",{"type":113,"content":1610},[1611,1616,1624,1629],{"type":116,"attrs":1612,"content":1613},{"textAlign":34},[1614],{"text":1615,"type":128},"Im Oktober 2023 läuten wir nun das nächste ‘AIL Topic’ ein:",{"type":116,"attrs":1617,"content":1618},{"textAlign":34},[1619],{"text":1620,"type":128,"marks":1621},"Unter dem Titel Haunted – Persistence of the Past, widmen wir uns dem Geisterhaften und stellen die Frage, was uns im Hier und Jetzt heimsucht. ",[1622],{"type":136,"attrs":1623},{"class":138},{"type":116,"attrs":1625,"content":1626},{"textAlign":34},[1627],{"text":1628,"type":128},"Welche Vergangenheiten verfolgen uns? Welche Zukünfte können wir imaginieren? Worauf greifen wir zurück, um das Jetzt sowie Bevorstehendes zu verstehen? Ist Zukunft berechenbar? Und kann Künstliche Intelligenz Zukunft?",{"type":116,"attrs":1630,"content":1631},{"textAlign":34},[1632,1634,1637,1639,1643,1645,1649],{"text":1633,"type":128},"Initialzündung von ",{"text":163,"type":128,"marks":1635},[1636],{"type":284},{"text":1638,"type":128}," ist im Oktober 2023 die Soundperformance-Reihe ",{"text":351,"type":128,"marks":1640},[1641],{"type":176,"attrs":1642},{"href":355,"uuid":356,"anchor":34,"target":180,"linktype":181},{"text":1644,"type":128}," in Kooperation mit struma+iodine. Die eingeladenen Performer*innen machen sich mit unheimlich und futuristisch anmutenden Klängen auf die Suche nach Spuren vergangener sowie bevorstehender Zeiten. Die Soundreihe beschwört keine real erlebte Vergangenheit herauf und zelebriert keine Nostalgie, sondern macht sich auf die Suche nach den ",{"text":1646,"type":128,"marks":1647},"verlorenen Zukünften",[1648],{"type":284},{"text":1650,"type":128}," (Mark Fisher) und entzieht sich ewig rückwärtsgewandten Schleifen.",{"_uid":1652,"component":120,"propRichtext":1653},"7264838b-f65a-4bf5-a512-d9606ef366d4",{"type":113,"content":1654},[1655],{"type":260,"content":1656},[1657,1661,1665,1669],{"type":116,"content":1658},[1659],{"text":1660,"type":128},"Kommende Termine:",{"type":116,"content":1662},[1663],{"text":1664,"type":128},"04. Oktober, 19:00 mit KMRU und Inou Ki Endo & Misonica (DJ-Set)",{"type":116,"content":1666},[1667],{"text":1668,"type":128},"8. November, 19:00 mit Perila und Afrodeo",{"type":116,"content":1670},[1671],{"text":1672,"type":128},"15. Dezember, 19:00 mit Katatonic Silentio und dieb13",{"_uid":1674,"component":120,"propRichtext":1675},"46f434d5-1a89-405d-96d0-d24cf22f4081",{"type":113,"content":1676},[1677,1711],{"type":116,"content":1678},[1679,1684,1693,1698,1706],{"text":1680,"type":128,"marks":1681},"In Kooperation mit ",[1682],{"type":1559,"attrs":1683},{"color":1561},{"text":1685,"type":128,"marks":1686},"Wien Modern",[1687,1690,1691],{"type":176,"attrs":1688},{"href":1689,"uuid":34,"anchor":34,"target":180,"linktype":750},"https://www.wienmodern.at/2023-phantom-voltage-en-2478",{"type":284},{"type":1559,"attrs":1692},{"color":1561},{"text":1694,"type":128,"marks":1695}," präsentiert das AIL im November außerdem das Stück ",[1696],{"type":1559,"attrs":1697},{"color":1561},{"text":1699,"type":128,"marks":1700},"Phantom Voltage, ",[1701,1703,1704],{"type":1702},"bold",{"type":284},{"type":1559,"attrs":1705},{"color":1561},{"text":1707,"type":128,"marks":1708},"in dem das Unsichtbare noch einmal ganz anders erfahrbar gemacht wird. Aus elektromagnetischen Feldern werden Steuerspannungen extrahiert, die wiederum Video, Ton und Licht neu modulieren.",[1709],{"type":1559,"attrs":1710},{"color":1561},{"type":116,"content":1712},[1713],{"text":1714,"type":128,"marks":1715},"2024 wird dieses Thema in einer weiteren Performance-Reihe vertieft.",[1716],{"type":1559,"attrs":1717},{"color":1561},{"_uid":1719,"component":120,"propRichtext":1720},"1591da1b-b8eb-457e-a35e-7ebee7f0ffe8",{"type":113,"content":1721},[1722,1730,1740],{"type":116,"attrs":1723,"content":1724},{"textAlign":34},[1725],{"text":1726,"type":128,"marks":1727},"Künstlerische Forschung im AIL: Sensing Living Systems ",[1728],{"type":136,"attrs":1729},{"class":138},{"type":116,"attrs":1731,"content":1732},{"textAlign":34},[1733,1735,1738],{"text":1734,"type":128},"Das PEEK-Forschungsprojekt ",{"text":815,"type":128,"marks":1736},[1737],{"type":284},{"text":1739,"type":128}," erforscht menschliches Systembewusstsein und befragt, wie direkte Sinneserfahrungen mittels künstlerischer Inszenierung olfaktorischer, auditiver und haptischer Kunstwerke und Reize zu diesem Bewusstsein beitragen können. ",{"type":116,"attrs":1741,"content":1742},{"textAlign":34},[1743],{"text":1744,"type":128},"Das Ergebnis der kunstbasierten Forschung, bei der Künstler*innen mit Systemwissenschaftler*innen am AIL zusammenarbeiten, soll eine multisensorische Szenografie sein, die eine verkörperte Lernerfahrung für vielfältige Nutzer*innen ermöglicht. ",{"_uid":1746,"component":120,"propRichtext":1747},"6561c9e5-977d-48b2-a140-ecca73dd06e0",{"type":113,"content":1748},[1749,1760,1778],{"type":116,"content":1750},[1751,1753,1758],{"text":1752,"type":128},"Als interdisziplinäre Plattform arbeitet das AIL seit seiner Gründung 2014 an den Übergängen von Kunst, Wissenschaft und Forschung. ",{"text":1754,"type":128,"marks":1755},"Es unterstützt die Realisierung von Projekten, die das  Zusammenspiel der Fachgebiete sichtbar machen. ",[1756],{"type":1559,"attrs":1757},{"color":21},{"text":1759,"type":128},"Das Erleben, Verstehen, Lernen und Verlernen sowie das Neudenken von Zusammenhängen und Wechselwirkungen ist dabei eine zentrale Kompetenz, mit der das AIL als flexibler, offener Raum geführt wird. ",{"type":116,"content":1761},[1762,1764,1767,1769,1776],{"text":1763,"type":128},"Mit seinem ersten eigenen künstlerischen Forschungsprojekt unter der Leitung von Alexandra Graupner, in Kollaboration mit dem Künstlerduo MUELLER-DIVJAK  (Jeanette Mueller & Paul Divjak), beschreitet das AIL neue Wege, wobei Fachwissen neu gebündelt und eingesetzt wird. In regelmäßigen Abständen wird das Team um ",{"text":815,"type":128,"marks":1765},[1766],{"type":284},{"text":1768,"type":128}," Einblicke in die Prozesse und Ergebnisse des Forschungsprojektes geben. Gestartet wird mit einem Workshop im Rahmen der diesjährigen ",{"text":1770,"type":128,"marks":1771},"Researchers’ Night",[1772],{"type":176,"attrs":1773},{"href":1774,"uuid":1775,"anchor":34,"target":180,"linktype":181},"/explore/sensing_living_systems_workshop","a7566172-6dba-484e-9e40-fe9a1ae23cc3",{"text":1777,"type":128}," am 29. September. ",{"type":116},{"_uid":1780,"component":120,"propRichtext":1781},"01d9f788-d9ec-43eb-8f1d-e2fd9728c372",{"type":113,"content":1782},[1783,1790,1797,1816],{"type":116,"attrs":1784,"content":1785},{"textAlign":34},[1786],{"text":828,"type":128,"marks":1787},[1788],{"type":136,"attrs":1789},{"class":138},{"type":260,"content":1791},[1792],{"type":116,"attrs":1793,"content":1794},{"textAlign":34},[1795],{"text":1796,"type":128},"What’s next 2023",{"type":116,"attrs":1798,"content":1799},{"textAlign":34},[1800,1802,1808,1810,1814],{"text":1801,"type":128},"In der kommenden Ausstellung ",{"text":845,"type":128,"marks":1803},[1804],{"type":176,"attrs":1805},{"href":1806,"uuid":1807,"anchor":34,"target":180,"linktype":181},"/program/exhibition-tour-conservator-at-work-3110","5b86486b-81a3-4673-a52b-8dbbcd2db305",{"text":1809,"type":128}," begegnen wir ab 12. Oktober Zeitlichkeit im Sinne des Freilegens sedimentierter Schichten und des Erhaltens von Vergangenem sowie der Konfrontation von Beständigkeit und Zerfall an konkreten Materialien. Mit dieser Ausstellung hält das ",{"text":1811,"type":128,"marks":1812},"IoC",[1813],{"type":284},{"text":1815,"type":128}," auch Rückschau auf die Entwicklung der Konservierungswissenschaften und Restaurierung in den letzten 24 Jahren an der Universität für angewandte Kunst Wien unter der Leitung von Gabriela Krist. Eine Reihe von Vorträgen wird die Ausstellung begleiten. Vor Ort bieten Live-Restaurierungen die Gelegenheit, in Dialog zu treten.",{"type":116,"attrs":1817},{"textAlign":34},{"_uid":1819,"component":120,"propRichtext":1820},"f1090e88-1aee-4427-97f3-cf87120ef5dd",{"type":113,"content":1821},[1822],{"type":116,"content":1823},[1824,1826,1830,1832],{"text":1825,"type":128},"Ebenfalls eine Rückschau hält STATION ROSE am 17. Oktober. In der Performance Lecture ",{"text":1123,"type":128,"marks":1827},[1828],{"type":176,"attrs":1829},{"href":1120,"uuid":1121,"anchor":34,"target":180,"linktype":181},{"text":1831,"type":128}," gibt das Duo um Künstlerin Elisa Rose und Komponist Gary Danner Einblick in 35 Jahre digitales Schaffen, ihre Musik und Kunstformen von 1988 bis 2023. Die Pioniere der digitalen Kultur werden im Vortrag zwischen Dekaden, Projekten im Over- und Underground sowie Realitäten springen. 1988 wird zu 2018, wenn sie digitales Frühwerk auf neue Systeme bis hin zu NFTs übertragen. Frühe Arbeiten treffen auf aktuelle Werke in AR, VR & RL ",{"text":1833,"type":128,"marks":1834},"[Augmented Reality, Virtual Reality und Real Life].",[1835],{"type":284},{"_uid":1837,"component":120,"propRichtext":1838},"ac6f6319-9af5-4b43-88c1-5af4ef1ef8e2",{"type":113,"content":1839},[1840,1850],{"type":260,"content":1841},[1842],{"type":116,"content":1843},[1844],{"text":1845,"type":128,"marks":1846},"Schwerpunkt künstlerische Forschung – Ausblick 2024",[1847,1848],{"type":1702},{"type":1559,"attrs":1849},{"color":1561},{"type":116,"content":1851},[1852],{"text":1853,"type":128,"marks":1854},"Regelmäßig stellen wir im AIL Projekte aus dem Bereich der künstlerischen Forschung vor, die auch Zwischenstände und eine Vielzahl von Formaten abdecken. 2024 werden wir in gleich 3 Ausstellungen Einblick in künstlerische Forschungsprojekte geben, die sich um verschiedene Materialien und damit einhergehende Herausforderungen drehen.",[1855],{"type":1559,"attrs":1856},{"color":1561},{"_uid":1858,"component":120,"propRichtext":1859},"ccae98b3-2184-4f0d-b799-93590bba6c2a",{"type":113,"content":1860},[1861],{"type":116,"content":1862},[1863,1868,1875],{"text":1864,"type":128,"marks":1865},"Programm-Auftakt im Jahr 2024 ist die Ausstellung des interdisziplinären Forschungsprojekts um Martin Reinhardt, ",[1866],{"type":1559,"attrs":1867},{"color":1561},{"text":1269,"type":128,"marks":1869},[1870,1872,1873],{"type":176,"attrs":1871},{"href":1273,"uuid":34,"anchor":34,"target":180,"linktype":750},{"type":1702},{"type":1559,"attrs":1874},{"color":1561},{"text":1876,"type":128,"marks":1877},". Mit der ‘unberechenbaren Materie’ begeben wir uns auf die Ebene des Subatomaren. Quantenphysik kann radikale Veränderung provozieren, die das menschliche Denken mit den Vorstellungen von der Ordnung der Welt herausfordern.",[1878],{"type":1559,"attrs":1879},{"color":1561},{"_uid":1881,"component":120,"propRichtext":1882},"daacb38a-93c9-4b9a-817e-a629cb685129",{"type":113,"content":1883},[1884],{"type":116,"content":1885},[1886,1888,1893],{"text":1887,"type":128},"Im Zuge des Forschungsprojekts ",{"text":1286,"type":128,"marks":1889},[1890,1892],{"type":176,"attrs":1891},{"href":1290,"uuid":34,"anchor":34,"target":180,"linktype":750},{"type":284},{"text":1894,"type":128}," wird anhand wissenschaftlicher Daten die Vergangenheit erkundet, um Vorstellungsbilder für die Zukunft zu kreieren. Ein Wiener Gründerzeithaus und ein Abschnitt der Wiener Stadtautobahn A23 sind die Forschungsobjekte, die dabei historisch, materialanalytisch, poetisch und visionär de- und wieder rekomponiert werden.",{"_uid":1896,"component":120,"propRichtext":1897},"4d95b79c-35cf-41fe-a763-a158846d460b",{"type":113,"content":1898},[1899],{"type":116,"content":1900},[1901,1903,1908,1910,1914],{"text":1902,"type":128},"Das Forschungsprojekt ",{"text":1904,"type":128,"marks":1905},"Reflecting Oil",[1906],{"type":176,"attrs":1907},{"href":1302,"uuid":34,"anchor":34,"target":180,"linktype":750},{"text":1909,"type":128},": ",{"text":1911,"type":128,"marks":1912},"Arts-Based Research on Oil Transitionings",[1913],{"type":284},{"text":1915,"type":128}," nimmt die fossile Ressource Erdöl in den Blick: In ihrer globalen Dimension als Ursache geopolitischer Konflikte und gravierender Umweltbelastungen, aber auch symbolisch als Objekt der Begierde. 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