[{"data":1,"prerenderedAt":13763},["ShallowReactive",2],{"{\"version\":\"published\"}contact-information":3,"i-ail:AIL-Logo-rotated":69,"i-ail:AIL-Icon-Magnifying_Glass":73,"i-ail:AIL-Icon-Instagram":77,"i-ail:AIL-Icon-LinkedIn":80,"i-ail:AIL-Icon-Telegram":82,"i-ail:AIL-Icon-Vimeo":84,"i-ail:AIL-Logo":86,"i-ail:Die-Angewandte-Logo":88,"i-ail:Die-Angewandte-Logo-Rotated":92,"{\"find_by\":\"uuid\",\"version\":\"published\"}5ed331f0-bd33-4afe-be8a-e572cecdbc39":95,"{\"find_by\":\"uuid\",\"version\":\"published\"}8ccc8a44-a486-49a4-8e3b-207833394228":256,"{\"find_by\":\"uuid\",\"version\":\"published\"}a69e0dd0-cd6a-4aad-842f-efb8d482d44a":503,"{\"find_by\":\"uuid\",\"version\":\"published\"}faf87462-fa51-40b5-8da1-ce0d1c914311":622,"{\"find_by\":\"uuid\",\"version\":\"published\"}9f1fc247-c41c-4512-b4bb-9fce9da3002d":739,"{\"find_by\":\"uuid\",\"version\":\"published\"}dd73c476-1e95-4020-9e9c-a57b2eb4b853":955,"{\"find_by\":\"uuid\",\"version\":\"published\"}0f0b8792-41c4-4755-8c6b-dc941c20172b":1074,"{\"find_by\":\"uuid\",\"version\":\"published\"}b9f93952-1029-43a6-8b5a-6656b6b3de16":1285,"{\"find_by\":\"uuid\",\"version\":\"published\"}15d783f9-7049-4656-82d1-d8982ca83f69":1458,"{\"find_by\":\"uuid\",\"version\":\"published\"}276769ea-d189-4c42-8adc-22035e2e4eaa":1627,"{\"find_by\":\"uuid\",\"version\":\"published\"}c3ab4005-8af0-42d9-8ba4-06a923631f5b":1797,"{\"find_by\":\"uuid\",\"version\":\"published\"}3857d242-6f75-402c-baa4-a313b3aa3362":1963,"{\"find_by\":\"uuid\",\"version\":\"published\"}93a9a2b5-4b4b-43d1-a3c4-8306b1f5e42a":2337,"{\"find_by\":\"uuid\",\"version\":\"published\"}512d7f11-b61a-47dc-b106-76b27cd1b85e":2453,"{\"find_by\":\"uuid\",\"version\":\"published\"}324807aa-3b45-4cac-b17e-16947d33a06c":2570,"{\"find_by\":\"uuid\",\"version\":\"published\"}6cbb61ec-fe48-4f83-bd78-2f5d3792073f":2688,"{\"find_by\":\"uuid\",\"version\":\"published\"}cf0125fe-7fc5-483f-b67a-d51b3a725e72":2855,"{\"find_by\":\"uuid\",\"version\":\"published\"}43e44e97-759c-4020-b6db-b143dee81a58":2951,"{\"find_by\":\"uuid\",\"version\":\"published\"}98d50e75-64a0-41a1-9eef-68fd48a5e9ea":3165,"{\"find_by\":\"uuid\",\"version\":\"published\"}74ed69d1-9ad4-44b3-802d-2286e5ee6721":3512,"{\"find_by\":\"uuid\",\"version\":\"published\"}8883bbae-1b48-4af3-8b46-4f5396ae07bc":3852,"{\"find_by\":\"uuid\",\"version\":\"published\"}85a7cd24-68e4-48af-a980-c58a90bd28a5":4118,"{\"find_by\":\"uuid\",\"version\":\"published\"}0ea486fb-b9f8-4cd3-9eb9-0ae6c54cf287":4468,"{\"find_by\":\"uuid\",\"version\":\"published\"}42f7371f-b20c-4ead-a551-03476a91d003":4609,"{\"find_by\":\"uuid\",\"version\":\"published\"}f9e93515-d3c5-41c6-8ab9-21c3adb261ed":4751,"{\"find_by\":\"uuid\",\"version\":\"published\"}6f99901c-7dcc-4df8-bc4c-9db87d3b4cab":4904,"{\"find_by\":\"uuid\",\"version\":\"published\"}61d63c97-d196-4437-9c27-70e8263d9780":4982,"{\"find_by\":\"uuid\",\"version\":\"published\"}466c0937-753c-45bb-a332-e5a7c788c556":5292,"{\"find_by\":\"uuid\",\"version\":\"published\"}f4895f7c-8843-4e9f-8817-fe5ece093102":5377,"{\"find_by\":\"uuid\",\"version\":\"published\"}bc09e345-e700-4c54-ab4b-b854038ea682":5521,"{\"find_by\":\"uuid\",\"version\":\"published\"}905a06a9-70b3-4084-a301-005a2fa00405":5830,"{\"find_by\":\"uuid\",\"version\":\"published\"}06c5b050-ece6-43a9-a3a1-7b1dcfac001b":6130,"{\"find_by\":\"uuid\",\"version\":\"published\"}87de7495-dcea-4a4a-9047-35c685b1a1e2":6289,"{\"find_by\":\"uuid\",\"version\":\"published\"}b3c8b0de-34ac-4028-8d1e-5c79e44c3370":6389,"{\"find_by\":\"uuid\",\"version\":\"published\"}608036d1-0426-4006-9b85-09decef661c2":6468,"{\"find_by\":\"uuid\",\"version\":\"published\"}8cd034b5-c870-4d3a-8859-7351d383a1c4":6921,"{\"find_by\":\"uuid\",\"version\":\"published\"}41ab82c4-0086-4637-9aab-939704202150":7024,"{\"find_by\":\"uuid\",\"version\":\"published\"}b85acf3d-73e6-4c84-b5d9-955c28a2fedb":7095,"{\"find_by\":\"uuid\",\"version\":\"published\"}7e856787-554a-4399-8937-d9b355494571":7642,"{\"find_by\":\"uuid\",\"version\":\"published\"}0ab7f20c-86dd-417c-ae1f-29eef3b45f18":7761,"{\"find_by\":\"uuid\",\"version\":\"published\"}6ff07f03-bb74-4e4d-8d45-2180d1b465a1":7925,"{\"find_by\":\"uuid\",\"version\":\"published\"}2b4b6424-89e0-4c3a-ac4c-3f44297bc76c":8111,"{\"find_by\":\"uuid\",\"version\":\"published\"}afe47318-3a53-4471-9901-571c136d4bdb":8237,"{\"find_by\":\"uuid\",\"version\":\"published\"}7fb00d6a-8cfa-4927-8855-67d46d9150d1":8406,"{\"find_by\":\"uuid\",\"version\":\"published\"}693d7164-b157-4aff-a1ff-02c925aad38e":8547,"{\"find_by\":\"uuid\",\"version\":\"published\"}ac9e6cc7-6f4b-4704-b444-d56745b282ce":8674,"{\"find_by\":\"uuid\",\"version\":\"published\"}bed8e26a-08c3-4b2a-b87d-a250f847a7ba":8852,"{\"find_by\":\"uuid\",\"version\":\"published\"}5465978e-28fe-4263-9516-ee0bdb843cd4":8978,"{\"find_by\":\"uuid\",\"version\":\"published\"}6109ea2c-586f-4ddf-a60f-7057c5191329":9125,"{\"find_by\":\"uuid\",\"version\":\"published\"}cd274ad1-9176-4afb-86d2-fae7764b6523":9367,"{\"find_by\":\"uuid\",\"version\":\"published\"}0b81c15e-9e39-46c3-8397-15290a59e7ea":9610,"{\"find_by\":\"uuid\",\"version\":\"published\"}71eb7fb0-dbb2-49a0-910d-eed654afba6f":9692,"{\"find_by\":\"uuid\",\"version\":\"published\"}9b9675f7-49dd-4092-8930-f32f45288c33":9773,"{\"find_by\":\"uuid\",\"version\":\"published\"}0e18b12b-9f42-40e9-a331-2f2c9b1c35b3":9904,"{\"find_by\":\"uuid\",\"version\":\"published\"}831da09f-352e-42ea-8318-f7ffb6a23f60":10220,"{\"find_by\":\"uuid\",\"version\":\"published\"}5334e2f5-c903-45ff-becc-1402b4c7f09a":10448,"{\"find_by\":\"uuid\",\"version\":\"published\"}fce68fa5-7ae6-450a-b57a-247b47482281":10647,"{\"find_by\":\"uuid\",\"version\":\"published\"}8703924d-d19e-4d5a-bdf7-3285cfbb3be0":10767,"{\"find_by\":\"uuid\",\"version\":\"published\"}035c753f-2e0f-43f0-87db-cf9c84a9ebd7":10894,"{\"find_by\":\"uuid\",\"version\":\"published\"}895fab36-08fd-4a6c-8e0c-593332ac3491":11021,"{\"find_by\":\"uuid\",\"version\":\"published\"}fda5cc70-266c-46ed-99d8-d4ffdd0e6bb6":11197,"{\"find_by\":\"uuid\",\"version\":\"published\"}33d4c953-0686-4240-8a07-6f65d2d45a53":11715,"{\"find_by\":\"uuid\",\"version\":\"published\"}06629bd9-c857-4709-a53b-3236dc7158f8":11968,"{\"find_by\":\"uuid\",\"version\":\"published\"}c54f95b9-eac2-4be5-88b3-b45434341618":12142,"{\"find_by\":\"uuid\",\"version\":\"published\"}65a50f8b-7e84-4838-b66c-5d2f0b83a20a":12263,"{\"find_by\":\"uuid\",\"version\":\"published\"}bfc159c2-9137-494a-815c-43e6ec4195ae":12421,"{\"find_by\":\"uuid\",\"version\":\"published\"}02d4a6b2-b6ef-4468-927d-b353a63fbb31":12574,"{\"find_by\":\"uuid\",\"version\":\"published\"}473442eb-54b3-4ac7-9f6e-7adc37303c5c":12720,"{\"find_by\":\"uuid\",\"version\":\"published\"}1550a0ec-df4e-45e4-ba94-aad460b65673":12901,"{\"find_by\":\"uuid\",\"version\":\"published\"}1f54d8a3-0159-4485-b04b-efdc368bd1d6":13017,"{\"find_by\":\"uuid\",\"version\":\"published\"}6e74ca27-bf85-4c11-899f-7320f8905eac":13195,"{\"find_by\":\"uuid\",\"version\":\"published\"}8320635b-8f28-4cfe-88cb-550e3b5a7594":13274,"{\"find_by\":\"uuid\",\"version\":\"published\"}16f13d05-000b-48cd-a969-fe551a5e0b00":13409,"{\"find_by\":\"uuid\",\"version\":\"published\"}bdf47689-72e9-42da-af10-93ea66e690e2":13618,"i-ail:AIL-Icon-Arrows-First":13754,"i-ail:AIL-Icon-Arrows-Left":13758,"i-ail:AIL-Icon-Arrows-Right":13761},{"data":4,"headers":46},{"story":5,"cv":43,"rels":44,"links":45},{"name":6,"created_at":7,"published_at":8,"updated_at":9,"id":10,"uuid":11,"content":12,"slug":33,"full_slug":33,"sort_by_date":34,"position":35,"tag_list":36,"is_startpage":37,"parent_id":38,"meta_data":34,"group_id":39,"first_published_at":40,"release_id":34,"lang":41,"path":34,"alternates":42,"default_full_slug":34,"translated_slugs":34},"Contact Information","2021-02-05T09:39:15.100Z","2026-03-03T13:35:56.352Z","2026-03-03T13:35:56.368Z",36381539,"bf20d312-4df6-49c5-b2f8-9d72a9004dd0",{"_uid":13,"mail":14,"phone":15,"adress":16,"component":17,"name_full":18,"name_short":19,"adress_name":20,"opening_days":21,"adress_adress":22,"opening_hours":21,"adress_maps_link":21,"opening_line_one":23,"opening_line_two":24,"newsletter_signup_link":25,"socialmedia_vimeo_link":26,"socialmedia_vimeo_name":18,"socialmedia_facebook_link":27,"socialmedia_facebook_name":18,"socialmedia_linkedIn_link":28,"socialmedia_linkedIn_name":18,"socialmedia_telegram_link":29,"socialmedia_telegram_name":18,"socialmedia_instagram_link":30,"socialmedia_instagram_name":31,"socialmedia_soundcloud_link":32,"socialmedia_soundcloud_name":18},"f0f8d717-0068-4e2a-9c82-78f787b86679","ail@uni-ak.ac.at","+431711332502",[],"ContactInformation","Angewandte Interdisciplinary Lab","AIL","Otto Wagner-Postsparkasse","","Georg-Coch-Platz 2, 1010 Vienna, AT","Opening hours during exhibitions ","Mon–Fri, 11:00–18:00 (closed on public holidays)","https://mailchi.mp/ae765bafa522/ailnewsletter","https://vimeo.com/user34364055","https://www.facebook.com/ailvienna","https://www.linkedin.com/showcase/angewandte-interdisciplinary-lab/","https://t.me/+Eg2xVfw2V800NzI0","https://www.instagram.com/ail_vienna/","@ail_vienna","https://soundcloud.com/ailvienna","contact-information",null,110,[],false,0,"92b0be28-4c43-4c80-b8b8-9d1ef47fb130","2021-02-05T09:51:44.000Z","default",[],1779371397,[],[],{"age":47,"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":52,"etag":53,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":60,"x-amz-cf-pop":61,"x-cache":62,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":66,"x-runtime":67,"x-xss-protection":68},"69","max-age=0, public, s-maxage=604800, stale-if-error=3600","keep-alive","gzip","application/json; charset=utf-8","Thu, 21 May 2026 13:50:38 GMT","W/\"641bcd383f32babe4e287b4c601307bd\"","strict-origin-when-cross-origin","5.881.0","nginx/1.29.1","chunked","Origin,Accept-Encoding","1.1 560f428fc4873ce4b56fecd1e86aa894.cloudfront.net (CloudFront)","F8fx5Smi5o5hptaaHI2On21F4KswUkVx-rl5k-Atn3biWUvRhTaYuA==","DFW59-P8","Hit from cloudfront","nosniff","SAMEORIGIN","none","3e1d7d18-cb96-4e74-a018-b0279a2c4879","0.028946","0",{"left":38,"top":38,"width":70,"height":71,"rotate":38,"vFlip":37,"hFlip":37,"body":72},174.3303,331.6088,"\u003Cg style=\"enable-background:new 0 0 174.3303 331.6088;\">\u003Cg id=\"L\">\u003Cpolygon id=\"IDL\" points=\"-0.0003,331.6088 22.9177,322.5328 22.9177,255.0728 127.5587,255.0728 127.5587,229.5618 -0.0003,229.5618\"/>\u003C/g>\u003Cg id=\"I\">\u003Crect id=\"IDI\" y=\"170.034\" width=\"127.559\" height=\"25.51\"/>\n\u003C/g>\u003Cg id=\"A\">\u003Cpolygon id=\"IDA\" points=\"-0.0003,153.0263 127.5587,101.6393 127.5587,76.8543 -0.0003,25.4663 -0.0003,51.0073 96.3367,89.2463 \n\t\t-0.0003,127.4854\"/>\u003C/g>\u003Cg id=\"code\">\u003Crect id=\"IDCODE\" x=\"106.299\" width=\"68.031\" height=\"19.089\"/>\u003C/g>\u003C/g>",{"left":38,"top":38,"width":74,"height":75,"rotate":38,"vFlip":37,"hFlip":37,"body":76},12.975,12.958,"\u003Cpath id=\"Pfad_82\" data-name=\"Pfad 82\" d=\"M12.857-49.1a.3.3,0,0,1,0,.472l-1.451,1.485a.365.365,0,0,1-.27.1.324.324,0,0,1-.236-.1l-2.835-2.9a5.134,5.134,0,0,1-2.7.776,5.188,5.188,0,0,1-3.779-1.569A5.144,5.144,0,0,1,0-54.635a5.144,5.144,0,0,1,1.586-3.8A5.188,5.188,0,0,1,5.365-60a5.132,5.132,0,0,1,3.763,1.569,5.171,5.171,0,0,1,1.569,3.8A5.133,5.133,0,0,1,9.989-52Zm-5.2-7.829a3.071,3.071,0,0,0-2.295-.979,3.152,3.152,0,0,0-2.312.962,3.152,3.152,0,0,0-.962,2.312,3.152,3.152,0,0,0,.962,2.312,3.152,3.152,0,0,0,2.312.962,3.1,3.1,0,0,0,2.295-.962,3.18,3.18,0,0,0,.945-2.312A3.124,3.124,0,0,0,7.66-56.929Zm5.3,9.887\" transform=\"translate(0 60)\"/>",{"left":38,"top":38,"width":78,"height":78,"rotate":38,"vFlip":37,"hFlip":37,"body":79},14.6,"\u003Cg style=\"enable-background:new 0 0 14.6 14.6;\">\u003Cpath id=\"Pfad_144\" class=\"st0\" d=\"M13,0H0c0,0,0,1.2,0,1.6V13c0,0.4,0,1.6,0,1.6h14.6V0L13,0z M7.3,11.8c0.6,0,1.2-0.1,1.8-0.4\n\tc0.5-0.2,1-0.6,1.4-1c0.4-0.4,0.7-0.9,1-1.4c0.2-0.6,0.4-1.1,0.4-1.8c0-0.1,0-0.3,0-0.4c0-0.1,0-0.3-0.1-0.4H13v6.4H1.6V6.5h1.3\n\tc0,0.1,0,0.3-0.1,0.4c0,0.1,0,0.3,0,0.4c0,0.6,0.1,1.2,0.3,1.8c0.2,0.5,0.5,1,1,1.4c0.4,0.4,0.9,0.7,1.4,1\n\tC6.1,11.7,6.7,11.8,7.3,11.8z M4.5,7.3c0-0.7,0.3-1.5,0.8-2c0.5-0.5,1.2-0.8,2-0.8c0.7,0,1.5,0.3,2,0.8c0.5,0.5,0.8,1.2,0.8,2\n\tc0,0.7-0.3,1.5-0.8,2c-0.5,0.5-1.2,0.8-2,0.8c-0.7,0-1.5-0.3-2-0.8C4.8,8.8,4.5,8,4.5,7.3L4.5,7.3z M12.4,4h-1.3\n\tc-0.1,0-0.3-0.1-0.4-0.2c-0.1-0.1-0.2-0.2-0.2-0.4V2.2c0-0.1,0.1-0.3,0.2-0.4c0.1-0.1,0.2-0.2,0.4-0.2h1.3c0.2,0,0.3,0.1,0.4,0.2\n\tC12.9,1.9,13,2,13,2.2v1.3c0,0.1-0.1,0.3-0.2,0.4C12.7,4,12.6,4.1,12.4,4L12.4,4z\"/>\u003C/g>",{"left":38,"top":38,"width":78,"height":78,"rotate":38,"vFlip":37,"hFlip":37,"body":81},"\u003Cg style=\"enable-background:new 0 0 14.6 14.6;\">\u003Cg>\n\t\u003Cpath d=\"M0,0v14.6h14.6V0H0z M4.437,12.218H2.252V5.645h2.185V12.218L4.437,12.218L4.437,12.218z M3.345,4.748L3.345,4.748\n\t\tl-0.014,0c-0.733,0-1.207-0.505-1.207-1.135c0-0.645,0.488-1.136,1.236-1.136c0.747,0,1.207,0.491,1.221,1.136\n\t\tC4.581,4.243,4.107,4.748,3.345,4.748z M12.315,12.218H10.13V8.702c0-0.884-0.316-1.486-1.107-1.486\n\t\tc-0.604,0-0.963,0.406-1.121,0.799c-0.058,0.14-0.072,0.337-0.072,0.533v3.67H5.646l0,0c0,0,0.029-5.956,0-6.573h2.185v0.931\n\t\tC8.121,6.129,8.639,5.491,9.8,5.491c1.437,0,2.515,0.94,2.515,2.958V12.218z\"/>\n\t\u003Cpath class=\"st0\" d=\"M7.831,6.598V6.577c-0.005,0.007-0.01,0.015-0.015,0.022H7.831z\"/>\n\u003C/g>\u003C/g>",{"left":38,"top":38,"width":78,"height":78,"rotate":38,"vFlip":37,"hFlip":37,"body":83},"\u003Cg style=\"enable-background:new 0 0 14.6 14.6;\">\u003Cg>\n\t\u003Cpath d=\"M0,0v14.6h14.6V0H0z M11.476,7.305l-0.639,4.014c0,0-0.051,0.588-0.486,0.69c-0.435,0.102-1.15-0.358-1.278-0.46\n\t\tc-0.102-0.077-1.917-1.227-2.582-1.79c-0.179-0.153-0.383-0.46,0.026-0.818c0.92-0.844,2.02-1.892,2.684-2.557\n\t\tc0.307-0.307,0.614-1.023-0.665-0.153L4.931,8.66c0,0-0.409,0.256-1.176,0.026c-0.767-0.23-1.662-0.537-1.662-0.537\n\t\tS1.48,7.765,2.528,7.356l5.957-2.454c0.588-0.256,2.582-1.074,2.582-1.074s0.92-0.358,0.844,0.511\n\t\tC11.885,4.697,11.681,5.95,11.476,7.305z\"/>\n\t\u003Cpath class=\"st0\" d=\"M7.831,6.598V6.577c-0.005,0.007-0.01,0.015-0.015,0.022H7.831z\"/>\n\u003C/g>\u003C/g>",{"left":38,"top":38,"width":78,"height":78,"rotate":38,"vFlip":37,"hFlip":37,"body":85},"\u003Cg style=\"enable-background:new 0 0 14.6 14.6;\">\u003Cpath id=\"Differenzmenge_1\" class=\"st0\" d=\"M14.6,14.6H0V0h14.6L14.6,14.6L14.6,14.6z M3.8,5.7c0.1,0,0.2,0,0.2,0.1\n\tC4.2,6,4.3,6.3,4.3,6.5c0.1,0.4,0.3,0.8,0.4,1.4s0.3,1,0.4,1.5c0.1,0.3,0.2,0.6,0.3,1c0.2,0.3,0.4,0.6,0.7,0.8\n\tc0.1,0.1,0.3,0.2,0.5,0.2c0.2,0,0.4-0.1,0.6-0.2c0.3-0.2,0.6-0.5,0.9-0.7C8.8,10,9.2,9.6,9.6,9.1C10,8.5,10.4,8,10.7,7.4\n\tc0.4-0.6,0.6-1.3,0.7-2c0.2-0.5,0.1-1.1-0.3-1.5c-0.3-0.2-0.6-0.4-1-0.4c-0.1,0-0.1,0-0.2,0C9.4,3.5,9,3.8,8.6,4.1\n\tC8.1,4.5,7.8,5,7.8,5.6c0.2-0.1,0.4-0.2,0.6-0.2c0.2,0,0.3,0.1,0.4,0.2C9.1,6,9,6.5,8.8,6.8C8.6,7.2,8.3,7.6,8.1,8\n\tC7.9,8.3,7.7,8.4,7.6,8.4S7.3,8.3,7.2,8C7.1,7.6,7,7.2,6.8,6.6C6.7,6.3,6.7,6,6.6,5.6c0-0.4-0.1-0.7-0.2-1.1C6.4,4.3,6.2,4,6,3.8\n\tC5.9,3.6,5.7,3.5,5.5,3.5c-0.1,0-0.1,0-0.2,0C5,3.6,4.7,3.8,4.4,4C4.1,4.2,3.9,4.4,3.6,4.7C3.3,4.9,3.1,5.1,2.9,5.3\n\tC2.8,5.5,2.7,5.5,2.7,5.6l0,0l0.4,0.5l0.4-0.3C3.6,5.7,3.7,5.7,3.8,5.7L3.8,5.7z\"/>\u003C/g>",{"left":38,"top":38,"width":71,"height":70,"rotate":38,"vFlip":37,"hFlip":37,"body":87},"\u003Cg style=\"enable-background:new 0 0 331.6088 174.3303;\">\u003Cg id=\"L\">\n\t\u003Cpolygon points=\"331.6088,174.3303 322.5328,151.4123 255.0728,151.4123 255.0728,46.7713 229.5618,46.7713 229.5618,174.3303 \t\"/>\n\u003C/g>\n\u003Cg id=\"I\">\n\t\u003Crect x=\"170.034\" y=\"46.771\" width=\"25.51\" height=\"127.559\"/>\n\u003C/g>\n\u003Cg id=\"A\">\n\t\u003Cpolygon points=\"153.0263,174.3303 101.6393,46.7713 76.8543,46.7713 25.4663,174.3303 51.0073,174.3303 89.2463,77.9933 \n\t\t127.4854,174.3303 \t\"/>\n\u003C/g>\n\u003Cg id=\"code\">\n\t\u003Crect x=\"0\" y=\"0\" width=\"19.089\" height=\"68.031\"/>\n\u003C/g>\u003C/g>",{"left":38,"top":38,"width":89,"height":90,"rotate":38,"vFlip":37,"hFlip":37,"body":91},113.4,17.4,"\u003Cg style=\"enable-background:new 0 0 113.4 17.4;\">\u003Cg>\n\t\u003Cpath d=\"M7.9,11.5l0.2,0.3c-0.4,0.3-0.8,0.7-1.2,1c-0.5,0.3-0.9,0.6-1.2,0.7c-0.2,0.1-0.3,0.1-0.4,0.1c-0.1,0-0.2-0.1-0.3-0.2\n\t\tc-0.1-0.1-0.1-0.3-0.1-0.6c0-0.2,0-0.4,0.1-0.6c0-0.2,0.2-1.1,0.6-2.5l0,0c-0.5,0.8-1,1.5-1.7,2.2c-0.6,0.7-1.3,1.2-1.9,1.5\n\t\tc-0.4,0.2-0.7,0.3-1,0.3c-0.2,0-0.4-0.2-0.6-0.5C0.1,12.9,0,12.4,0,11.9c0-0.7,0.1-1.5,0.3-2.4c0.2-0.9,0.5-1.6,0.8-2.3\n\t\tC1.4,6.8,1.7,6.4,2,6.1c0.5-0.5,1.1-0.9,1.8-1.2c0.3-0.1,0.7-0.2,1.1-0.2c0.3,0,0.8,0.1,1.5,0.2l0.4-2.3c0.1-0.5,0.1-0.8,0.1-0.9\n\t\tc0-0.2,0-0.3-0.1-0.4C6.7,1.2,6.5,1.2,6.3,1.2l-0.9,0l0-0.4C6.2,0.7,6.7,0.6,7,0.5C7.4,0.4,7.8,0.3,8.3,0l0.2,0.2\n\t\tC8.4,0.5,8.3,1.3,8,2.5C7.9,3.3,7.5,5.2,6.8,8.3c-0.3,1.5-0.5,2.6-0.6,3.2c0,0.2,0,0.4,0,0.5c0,0.2,0,0.3,0.1,0.3\n\t\tc0,0.1,0.1,0.1,0.2,0.1c0.1,0,0.3-0.1,0.5-0.2C7.3,12,7.7,11.8,7.9,11.5z M6.1,6C5.6,5.7,5,5.5,4.4,5.5c-0.4,0-0.8,0.1-1.1,0.2\n\t\tC3.1,5.8,2.9,5.9,2.8,6.1C2.6,6.3,2.4,6.8,2.2,7.4C1.9,8.1,1.8,8.7,1.6,9.2c-0.2,0.9-0.3,1.6-0.3,2.4c0,0.3,0,0.5,0.1,0.6\n\t\tc0,0.1,0.1,0.2,0.1,0.2c0.1,0,0.1,0.1,0.2,0.1c0.2,0,0.3,0,0.5-0.1c0.5-0.2,0.9-0.5,1.3-0.9C4,11,4.4,10.5,4.7,10\n\t\tc0.3-0.5,0.6-1.1,0.8-1.7C5.7,7.9,5.9,7.1,6.1,6z\"/>\n\t\u003Cpath d=\"M9.7,6.8L9.5,6.4c1.1-0.7,1.8-1.2,2.2-1.4s0.6-0.3,0.9-0.3c0.1,0,0.2,0,0.3,0.1c0.1,0.1,0.1,0.3,0.1,0.5\n\t\tc0,0.1,0,0.2-0.1,0.4c-0.1,0.4-0.2,1-0.5,2c-0.7,2.5-1,3.9-1,4.3c0,0.1,0,0.2,0.1,0.3c0,0.1,0.1,0.1,0.2,0.1c0.1,0,0.3,0,0.5-0.1\n\t\tc0.2-0.1,0.5-0.3,1-0.7l0.2,0.4c-1,0.8-1.7,1.3-2.2,1.5c-0.2,0.1-0.4,0.2-0.6,0.2c-0.2,0-0.3-0.1-0.4-0.2S9.9,13.2,9.9,13\n\t\tc0-0.2,0-0.4,0.1-0.6c0-0.2,0.1-0.7,0.3-1.3c0.7-2.5,1.1-4.1,1.1-4.7c0-0.1,0-0.2,0-0.3c0,0-0.1-0.1-0.1-0.1c-0.1,0-0.2,0-0.3,0.1\n\t\tC10.8,6.1,10.4,6.3,9.7,6.8z\"/>\n\t\u003Cpath d=\"M14.9,12.7c0-0.4,0.1-0.6,0.3-0.9c0.2-0.2,0.5-0.3,0.8-0.3c0.2,0,0.4,0.1,0.6,0.2c0.1,0.2,0.2,0.4,0.2,0.6\n\t\tc0,0.4-0.1,0.7-0.3,1c-0.2,0.2-0.5,0.4-0.8,0.4c-0.2,0-0.4-0.1-0.6-0.3C14.9,13.2,14.9,13,14.9,12.7z M15.9,6.2\n\t\tc0-0.4,0.1-0.7,0.3-0.9C16.5,5.1,16.7,5,17.1,5c0.2,0,0.4,0.1,0.6,0.2c0.1,0.2,0.2,0.4,0.2,0.6c0,0.4-0.1,0.7-0.3,1\n\t\tc-0.2,0.2-0.5,0.4-0.8,0.4c-0.2,0-0.4-0.1-0.6-0.3C16,6.8,15.9,6.6,15.9,6.2z\"/>\n\u003C/g>\n\u003Cpath d=\"M20.7,1.4h1.3v4.7h-1.3V1.4z M30.5,13.7h-1.6l-2.7-7.3h0l-2.6,7.3h-1.6l3.5-9.2h1.5L30.5,13.7z\"/>\n\u003Cpath d=\"M39,7.8v5.9h-1.5V8c0-1.6-0.6-2.3-2-2.3C33.9,5.7,33,7,33,8.6v5.2h-1.5V4.6h1.4v1.5c0.6-1,1.7-1.7,3.1-1.7\n\tC37.4,4.4,39,5.1,39,7.8\"/>\n\u003Cpath d=\"M48.6,4.6v8.9c0,2.6-1.5,3.9-4,3.9c-1.9,0-2.9-0.8-3.6-1.8l1.1-0.8c0.5,0.7,1.2,1.4,2.7,1.4c1.7,0,2.5-1.1,2.5-2.5v-1.5\n\tc-0.5,1.1-1.7,1.7-2.9,1.7c-2.7,0-4.1-2.1-4.1-4.6c0-2.1,1.1-4.8,4.2-4.8c1.1,0,2.2,0.5,2.7,1.5V4.6H48.6z M47.2,9\n\tc0-1.6-0.7-3.3-2.6-3.3c-1.9,0-2.7,1.6-2.7,3.3c0,1.6,0.6,3.5,2.6,3.5C46.4,12.5,47.2,10.7,47.2,9\"/>\n\u003Cpath d=\"M51.5,9.5L51.5,9.5c0,1.4,0.8,3.1,2.9,3.1c1.1,0,1.8-0.5,2.2-1.4l1.4,0.5c-0.6,1.4-1.8,2.2-3.7,2.2c-2.9,0-4.4-2-4.4-4.8\n\tc0-2.7,1.8-4.7,4.3-4.7c2.7,0,4,2.3,4,4.1c0,0.4,0,0.6,0,1C58.2,9.5,51.5,9.5,51.5,9.5z M51.5,8.2h5.2c-0.1-1.4-1.1-2.4-2.6-2.4\n\tC52.6,5.7,51.7,6.8,51.5,8.2\"/>\n\u003Cpolygon points=\"71.4,4.6 68.5,13.7 66.9,13.7 65,6.5 63.2,13.7 61.6,13.7 58.6,4.6 60.3,4.6 62.4,12.1 64.2,4.6 65.9,4.6 \n\t67.8,12.1 69.8,4.6 \"/>\n\u003Cpolygon points=\"79.2,13.7 77.5,13.7 74.8,6.4 74.8,6.4 72.2,13.7 70.6,13.7 74.1,4.5 75.6,4.5 \"/>\n\u003Cpath d=\"M87.6,7.8v5.9h-1.5V8c0-1.6-0.6-2.3-2-2.3c-1.6,0-2.6,1.3-2.6,2.9v5.2H80V4.6h1.4v1.5c0.6-1,1.7-1.7,3.1-1.7\n\tC86,4.4,87.6,5.1,87.6,7.8\"/>\n\u003Cpath d=\"M97.6,1.9v11.8h-1.5v-1.2c-0.5,1-1.7,1.4-2.9,1.4c-2.8,0-4.2-2.2-4.2-4.8s1.4-4.7,4.2-4.7c0.9,0,2.3,0.4,3,1.4V1.9H97.6z\n\t M96.2,9.2c0-1.8-0.8-3.4-2.9-3.4c-2,0-2.7,1.7-2.7,3.5c0,1.7,0.9,3.4,2.8,3.4C95.4,12.6,96.2,10.9,96.2,9.2\"/>\n\u003Cpath d=\"M111.9,8.9L111.9,8.9c0-1.4-0.8-3.1-2.9-3.1c-1.1,0-1.8,0.5-2.2,1.4l-1.4-0.5c0.6-1.4,1.8-2.2,3.7-2.2c2.9,0,4.4,2,4.4,4.8\n\tc0,2.7-1.8,4.7-4.3,4.7c-2.7,0-4-2.3-4-4.1c0-0.4,0-0.6,0-1L111.9,8.9L111.9,8.9z M111.8,10.2h-5.2c0.1,1.4,1.1,2.4,2.6,2.4\n\tC110.7,12.6,111.7,11.5,111.8,10.2\"/>\n\u003Cpath d=\"M104.3,12.4c-0.3,0.1-0.8,0.2-1.2,0.2c-0.8,0-1.2-0.5-1.2-1.5V5.9h2.1V4.6h-2.1V1.9h-1.5v2.7h-1.4v1.3h1.4V11\n\tc0,1.5,0.4,2.9,2.4,2.9c1,0,1.4-0.1,1.8-0.3L104.3,12.4z\"/>\u003C/g>",{"left":38,"top":38,"width":90,"height":93,"rotate":38,"vFlip":37,"hFlip":37,"body":94},113.5,"\u003Cg style=\"enable-background:new 0 0 17.4 113.5;\">\u003Cpath d=\"M11.5,105.6l0.3-0.2c0.3,0.4,0.7,0.8,1,1.2c0.3,0.5,0.6,0.9,0.7,1.2c0.1,0.2,0.1,0.3,0.1,0.4c0,0.1-0.1,0.2-0.2,0.3\n\ts-0.3,0.1-0.6,0.1c-0.2,0-0.4,0-0.6-0.1c-0.2,0-1.1-0.2-2.5-0.6c0.8,0.5,1.5,1,2.2,1.7c0.7,0.6,1.2,1.3,1.5,1.9\n\tc0.2,0.4,0.3,0.7,0.3,1c0,0.2-0.2,0.4-0.5,0.6c-0.3,0.3-0.8,0.4-1.3,0.4c-0.7,0-1.5-0.1-2.4-0.3c-0.9-0.2-1.6-0.5-2.3-0.8\n\tc-0.4-0.3-0.8-0.6-1.1-0.9c-0.5-0.5-0.9-1.1-1.2-1.8c-0.1-0.3-0.2-0.7-0.2-1.1c0-0.3,0.1-0.8,0.2-1.5l-2.3-0.4\n\tc-0.5-0.1-0.8-0.1-0.9-0.1c-0.2,0-0.3,0-0.4,0.1s-0.1,0.3-0.1,0.5v0.9H0.8c-0.1-0.8-0.2-1.3-0.3-1.6c-0.1-0.4-0.2-0.8-0.5-1.3\n\tl0.2-0.2c0.3,0.1,1.1,0.2,2.3,0.5c0.8,0.1,2.7,0.5,5.8,1.2c1.5,0.3,2.6,0.5,3.2,0.6H12c0.2,0,0.3,0,0.3-0.1c0.1,0,0.1-0.1,0.1-0.2\n\ts-0.1-0.3-0.2-0.5C12,106.2,11.8,105.8,11.5,105.6z M6,107.4c-0.3,0.5-0.5,1.1-0.5,1.7c0,0.4,0.1,0.8,0.2,1.1\n\tc0.1,0.2,0.2,0.4,0.4,0.5c0.2,0.2,0.7,0.4,1.3,0.6c0.7,0.3,1.3,0.4,1.8,0.6c0.9,0.2,1.6,0.3,2.4,0.3c0.3,0,0.5,0,0.6-0.1\n\tc0.1,0,0.2-0.1,0.2-0.1c0-0.1,0.1-0.1,0.1-0.2c0-0.2,0-0.3-0.1-0.5c-0.2-0.5-0.5-0.9-0.9-1.3c-0.5-0.5-1-0.9-1.5-1.2\n\tc-0.5-0.3-1.1-0.6-1.7-0.8C7.9,107.8,7.1,107.6,6,107.4z\"/>\n\u003Cpath d=\"M6.8,103.8L6.4,104c-0.7-1.1-1.2-1.8-1.4-2.2c-0.2-0.4-0.3-0.6-0.3-0.9c0-0.1,0-0.2,0.1-0.3s0.3-0.1,0.5-0.1\n\tc0.1,0,0.2,0,0.4,0.1c0.4,0.1,1,0.2,2,0.5c2.5,0.7,3.9,1,4.3,1c0.1,0,0.2,0,0.3-0.1c0.1,0,0.1-0.1,0.1-0.2s0-0.3-0.1-0.5\n\tc-0.1-0.2-0.3-0.5-0.7-1l0.4-0.2c0.8,1,1.3,1.7,1.5,2.2c0.1,0.2,0.2,0.4,0.2,0.6c0,0.2-0.1,0.3-0.2,0.4s-0.3,0.3-0.5,0.3\n\ts-0.4,0-0.6-0.1c-0.2,0-0.7-0.1-1.3-0.3c-2.5-0.7-4.1-1.1-4.7-1.1c-0.1,0-0.2,0-0.3,0L6,102.2c0,0.1,0,0.2,0.1,0.3\n\tC6.1,102.7,6.3,103.1,6.8,103.8z\"/>\n\u003Cpath d=\"M12.7,98.6c-0.4,0-0.6-0.1-0.9-0.3c-0.2-0.2-0.3-0.5-0.3-0.8c0-0.2,0.1-0.4,0.2-0.6c0.2-0.1,0.4-0.2,0.6-0.2\n\tc0.4,0,0.7,0.1,1,0.3c0.2,0.2,0.4,0.5,0.4,0.8c0,0.2-0.1,0.4-0.3,0.6C13.2,98.6,13,98.6,12.7,98.6z M6.2,97.6\n\tc-0.4,0-0.7-0.1-0.9-0.3C5.1,97,5,96.8,5,96.4c0-0.2,0.1-0.4,0.2-0.6c0.2-0.1,0.4-0.2,0.6-0.2c0.4,0,0.7,0.1,1,0.3\n\tc0.2,0.2,0.4,0.5,0.4,0.8c0,0.2-0.1,0.4-0.3,0.6C6.8,97.5,6.6,97.6,6.2,97.6z\"/>\n\u003Cpath d=\"M1.4,92.8v-1.3h4.7v1.3H1.4z M13.7,83v1.6l-7.3,2.7l7.3,2.6v1.6L4.5,88v-1.5L13.7,83z\"/>\n\u003Cpath d=\"M7.8,74.5h5.9V76H8c-1.6,0-2.3,0.6-2.3,2c0,1.6,1.3,2.5,2.9,2.5h5.2V82H4.6v-1.4h1.5c-1-0.6-1.7-1.7-1.7-3.1\n\tC4.4,76.1,5.1,74.5,7.8,74.5\"/>\n\u003Cpath d=\"M4.6,64.9h8.9c2.6,0,3.9,1.5,3.9,4c0,1.9-0.8,2.9-1.8,3.6l-0.8-1.1c0.7-0.5,1.4-1.2,1.4-2.7c0-1.7-1.1-2.5-2.5-2.5h-1.5\n\tc1.1,0.5,1.7,1.7,1.7,2.9c0,2.7-2.1,4.1-4.6,4.1c-2.1,0-4.8-1.1-4.8-4.2c0-1.1,0.5-2.2,1.5-2.7H4.6L4.6,64.9z M9,66.3\n\tc-1.6,0-3.3,0.7-3.3,2.6c0,1.9,1.6,2.7,3.3,2.7c1.6,0,3.5-0.6,3.5-2.6C12.5,67.1,10.7,66.3,9,66.3\"/>\n\u003Cpath d=\"M9.5,62c1.4,0,3.1-0.8,3.1-2.9c0-1.1-0.5-1.8-1.4-2.2l0.5-1.4c1.4,0.6,2.2,1.8,2.2,3.7c0,2.9-2,4.4-4.8,4.4\n\tc-2.7,0-4.7-1.8-4.7-4.3c0-2.7,2.3-4,4.1-4h1V62z M8.2,62v-5.2c-1.4,0.1-2.4,1.1-2.4,2.6C5.7,60.9,6.8,61.8,8.2,62\"/>\n\u003Cpath d=\"M4.6,42.1l9.1,2.9v1.6l-7.2,1.9l7.2,1.8v1.6l-9.1,3v-1.7l7.5-2.1l-7.5-1.8v-1.7l7.5-1.9l-7.5-2L4.6,42.1z\"/>\n\u003Cpath d=\"M13.7,34.3V36l-7.3,2.7l7.3,2.6v1.6l-9.2-3.5v-1.5L13.7,34.3z\"/>\n\u003Cpath d=\"M7.8,25.9h5.9v1.5H8c-1.6,0-2.3,0.6-2.3,2C5.7,31,7,32,8.6,32h5.2v1.5H4.6v-1.4h1.5c-1-0.6-1.7-1.7-1.7-3.1\n\tC4.4,27.5,5.1,25.9,7.8,25.9\"/>\n\u003Cpath d=\"M1.9,15.9h11.8v1.5h-1.2c1,0.5,1.4,1.7,1.4,2.9c0,2.8-2.2,4.2-4.8,4.2s-4.7-1.4-4.7-4.2c0-0.9,0.4-2.3,1.4-3H1.9L1.9,15.9z\n\t M9.2,17.3c-1.8,0-3.4,0.8-3.4,2.9c0,2,1.7,2.7,3.5,2.7c1.7,0,3.4-0.9,3.4-2.8C12.6,18.1,10.9,17.3,9.2,17.3\"/>\n\u003Cpath d=\"M8.9,1.6c-1.4,0-3.1,0.8-3.1,2.9c0,1.1,0.5,1.8,1.4,2.2L6.7,8.1C5.3,7.5,4.5,6.3,4.5,4.4c0-2.9,2-4.4,4.8-4.4\n\tC12,0,14,1.8,14,4.3c0,2.7-2.3,4-4.1,4c-0.4,0-0.6,0-1,0V1.6z M10.2,1.7v5.2c1.4-0.1,2.4-1.1,2.4-2.6S11.5,1.8,10.2,1.7\"/>\n\u003Cpath d=\"M12.4,9.2c0.1,0.3,0.2,0.8,0.2,1.2c0,0.8-0.5,1.2-1.5,1.2H5.9V9.5H4.6v2.1H1.9v1.5h2.7v1.4h1.3v-1.4H11\n\tc1.5,0,2.9-0.4,2.9-2.4c0-1-0.1-1.4-0.3-1.8L12.4,9.2z\"/>\u003C/g>",{"data":96,"headers":249},{"story":97,"cv":43,"rels":247,"links":248},{"name":98,"created_at":99,"published_at":100,"updated_at":101,"id":102,"uuid":103,"content":104,"slug":239,"full_slug":240,"sort_by_date":34,"position":241,"tag_list":242,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":244,"first_published_at":245,"release_id":34,"lang":41,"path":34,"alternates":246,"default_full_slug":34,"translated_slugs":34},"Guided Tour","2026-05-08T09:28:48.155Z","2026-05-08T09:43:27.607Z","2026-05-08T09:43:27.626Z",174255833771695,"5ed331f0-bd33-4afe-be8a-e572cecdbc39",{"_uid":105,"component":106,"propDateEnd":107,"propCategory":108,"propIsOnline":37,"propDateStart":21,"propMainContent":109,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":218,"propDateAndTimeOfOpening":238},"ac14bc51-dab6-4c8d-90ea-2351543a7c26","Page_Detailseite_Event","2026-06-11 16:00","exhibition",[110],{"_uid":111,"component":112,"propCredits":113,"propEntryInMainContent":118},"58ed2d86-f12d-4164-badb-da2e71a2a94f","Component_PageDetails_MainContent",{"type":114,"content":115},"doc",[116],{"type":117},"paragraph",[119,148,197],{"_uid":120,"component":121,"propRichtext":122},"4ccd2904-b04a-460b-9127-3c66d8bfa171","Component_Nested_Richtext",{"type":114,"content":123},[124,133,144,146],{"type":117,"attrs":125,"content":126},{"textAlign":34},[127],{"text":128,"type":129,"marks":130},"The tours will be given in English / Duration: around 1 hour (no registration needed) ","text",[131],{"type":132},"italic",{"type":117,"attrs":134,"content":135},{"textAlign":34},[136,138,142],{"text":137,"type":129},"The guided tours of ",{"text":139,"type":129,"marks":140},"[REVERBERATED]",[141],{"type":132},{"text":143,"type":129}," are led by participating artists and offer an in-depth entry into the exhibition’s exploration of memory as a dynamic and reverberating process. Moving through the two exhibition spaces, conceived as interconnected “choruses,” visitors are invited to experience how individual works resonate with one another across spatial, material, and conceptual dimensions. Artists provide insights into their research processes and discuss how their works engage with memory, questions of perception, science, and temporality. ",{"type":117,"attrs":145},{"textAlign":34},{"type":117,"attrs":147},{"textAlign":34},{"_uid":149,"component":121,"propRichtext":150},"24e85e48-e420-4e63-9612-74a0f412549e",{"type":114,"content":151},[152,157,162,176,181,186],{"type":117,"attrs":153,"content":154},{"textAlign":34},[155],{"text":156,"type":129},"About the exhibition: ",{"type":117,"attrs":158,"content":159},{"textAlign":34},[160],{"text":161,"type":129},"Memory is not a stable record of the past. Rather than functioning as a static archive, it unfolds as a dynamic process in which traces are continuously reshaped by perception, narration, and material conditions.",{"type":117,"attrs":163,"content":164},{"textAlign":34},[165,168,170,174],{"text":139,"type":129,"marks":166},[167],{"type":132},{"text":169,"type":129}," explores notions of memory as the annual exhibition of the master’s program ",{"text":171,"type":129,"marks":172},"Art & Science",[173],{"type":132},{"text":175,"type":129},". The exhibition approaches this process through the metaphor of reverberation. Reverberation describes the reflection of sound from multiple surfaces, producing many overlapping echoes at once. Just as sound continues to resonate within a space, memories reverberate through bodies, media, and environments long after the events that created them.",{"type":117,"attrs":177,"content":178},{"textAlign":34},[179],{"text":180,"type":129},"Taking this physical phenomenon as its conceptual point of departure, the exhibition explores how memories move across temporal, spatial, and technological contexts. Memory is never something fixed, but rather a living trace that unfolds over time. It continuously changes depending on context, interpretation, perception, and the ever-shifting present moment. Within this framework, the participating artworks investigate different modes of remembering: some address the role of images, storytelling, and artificial intelligence in shaping narratives of the past, while others engage with ecological and material traces: from disappearing species and botanical archives to residues embedded in landscapes and infrastructures.",{"type":117,"attrs":182,"content":183},{"textAlign":34},[184],{"text":185,"type":129},"Yet for this fluidity of memory to persist, structures are necessary – a mind, a community, or an archive. These structures are required similarly to sound waves, requiring surfaces in order to reverberate. At AIL, the exhibition unfolds across two interconnected spaces that function as the surrounding structures. Each space gathers works that resonate with one another while simultaneously echoing across the architectural interior of the historic Kassenhalle. Through this spatial arrangement, the exhibition itself becomes part of the inquiry, staging memory as a process of resonance, interference, and transformation.",{"type":117,"attrs":187,"content":188},{"textAlign":34},[189,191,195],{"text":190,"type":129},"Across these artistic approaches, ",{"text":192,"type":129,"marks":193},"[REVERBERATED] ",[194],{"type":132},{"text":196,"type":129},"invites visitors to consider memory not as something simply preserved, but as something continuously produced through interactions between bodies, technologies, and environments. The exhibition thus explores how the past continues to reverberate within the systems of the present.",{"_uid":198,"component":121,"propRichtext":199},"00c0cfb2-51ba-4b95-ab4d-429c631dcf0c",{"type":114,"content":200},[201],{"type":202,"content":203},"blockquote",[204,213],{"type":117,"attrs":205,"content":206},{"textAlign":34},[207],{"text":208,"type":129,"marks":209},"With contributions by:",[210,212],{"type":211},"bold",{"type":132},{"type":117,"attrs":214,"content":215},{"textAlign":34},[216],{"text":217,"type":129},"Agustina Belén Agüero, Lobna Awidat, Phin Anibal, Rimon Alyagon Darr, Ronnie Danaher, Tatiana Del Valle, Hasti Ghasedi, Leah Barbara Mukui Giertz, Hanna Hofmann, Tal Horesh, Mauritius Itzinger, Laura Isselhorst, Dina Karaman, Moritz Klarer, Anna Buchner, Leonard Otterbein, David Ristić, Rajarshi Sarkar, Agnes Schyberg, Aryan Shahabian, Majedeh Shahvelayati, Mehrta Shirzadian, Pauline Simon, Laura Chalabi, People of Soil",[219],{"_uid":220,"component":221,"propColor":222,"propSubheadline":226,"propPreviewImage":227,"propPreviewVideo":232,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":234,"propMetadescription":21,"propDescriptionShort":237},"a2256079-17f0-40ec-9190-60e4d09baefb","Component_HeaderInformation",{"_uid":223,"color":224,"plugin":225},"9f2ec6c3-be9c-4ca2-8451-ed651fc7aedd","#cd52e0","native-color-picker","[REVERBERATED]. Following the Movement of Memory",{"id":228,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":229,"copyright":21,"fieldtype":230,"meta_data":231,"is_external_url":37},166495281261953,"https://a.storyblok.com/f/98682/1220x1831/c2355c2979/26-01-16-pr-flyer-poster-image-final.jpg","asset",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":233},{},{"type":114,"content":235},[236],{"type":117},"Presented by the master’s degree program ‘Art & Science’ of the University of Applied Arts Vienna","2026-06-11 15:00","guided-tour-reverberated-1106","program/guided-tour-reverberated-1106",-1880,[],29265107,"720459a6-6291-4b35-ad2d-2737757b0acc","2026-05-08T09:33:43.697Z",[],[],[],{"age":250,"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":251,"etag":252,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":253,"x-amz-cf-pop":61,"x-cache":62,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":254,"x-runtime":255,"x-xss-protection":68},"68","Thu, 21 May 2026 13:50:39 GMT","W/\"f23134e9390693190c75b6450c01b4e4\"","VDPRcCJmgOo20Np3fMg7NwOjbEskpytUBxEmKpSaFygPJOnRtO9_GA==","e6bc5665-e279-4494-922c-cc6e5f997268","0.031240",{"data":257,"headers":497},{"story":258,"cv":43,"rels":495,"links":496},{"name":259,"created_at":260,"published_at":261,"updated_at":262,"id":263,"uuid":264,"content":265,"slug":488,"full_slug":489,"sort_by_date":34,"position":490,"tag_list":491,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":492,"first_published_at":493,"release_id":34,"lang":41,"path":34,"alternates":494,"default_full_slug":34,"translated_slugs":34},"Dream Screen","2026-04-29T10:37:58.035Z","2026-05-19T13:42:07.902Z","2026-05-19T13:42:07.922Z",171087782063971,"8ccc8a44-a486-49a4-8e3b-207833394228",{"_uid":266,"component":106,"propDateEnd":267,"propCategory":268,"propIsOnline":37,"propDateStart":21,"propMainContent":269,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":462,"propDateAndTimeOfOpening":487},"767834e4-36cf-4432-a3aa-d3dfe5acaa22","2026-06-18 14:00","workshop",[270],{"_uid":271,"component":112,"propCredits":272,"propEntryInMainContent":289},"e0c3bed7-6d00-47ab-98ee-affcf8570db4",{"type":114,"content":273},[274,279,284],{"type":117,"attrs":275,"content":276},{"textAlign":34},[277],{"text":278,"type":129},"About the department Art & Science:",{"type":117,"attrs":280,"content":281},{"textAlign":34},[282],{"text":283,"type":129},"The objective of the \"Art & Science\" master's degree program is to investigate the relationships between different artistic and scientific representational cultures and their respective cognitive and research methods. An inter- and transdisciplinary approach and project-oriented education should stimulate interaction between model and theory construction, and the application of methods, in particular, in the arts and sciences.",{"type":117,"attrs":285,"content":286},{"textAlign":34},[287],{"text":288,"type":129},"Preview image: Dina Karaman, Dream Screen (c) Dina Karaman, 2024",[290,339,366,376,385,400,408,416,428,451],{"_uid":291,"component":121,"propRichtext":292},"d79f8419-95ab-4737-8c18-6c4a4b308d5a",{"type":114,"content":293},[294,301,318,325,332],{"type":117,"attrs":295,"content":296},{"textAlign":34},[297],{"text":298,"type":129,"marks":299},"The workshop is built around collaborative work with visual and sonic imagination.",[300],{"type":132},{"type":117,"attrs":302,"content":303},{"textAlign":34},[304,308],{"text":305,"type":129,"marks":306},"For participation, please write to: ",[307],{"type":132},{"text":309,"type":129,"marks":310},"artscience.exhibition@uni-ak.ac.at ",[311,317],{"type":312,"attrs":313},"link",{"href":314,"uuid":34,"anchor":34,"target":315,"linktype":316},"artscience.exhibition@uni-ak.ac.at","_self","email",{"type":132},{"type":117,"attrs":319,"content":320},{"textAlign":34},[321],{"text":322,"type":129,"marks":323},"(please state the name of the workshop in the e-mail subject)",[324],{"type":132},{"type":117,"attrs":326,"content":327},{"textAlign":34},[328],{"text":329,"type":129,"marks":330},"Duration: 2 hours. ",[331],{"type":132},{"type":117,"attrs":333,"content":334},{"textAlign":34},[335],{"text":336,"type":129,"marks":337},"This workshop will be held in English.",[338],{"type":132},{"_uid":340,"component":121,"propRichtext":341},"85148b7c-b04b-402f-8db8-9c68ba3d6380",{"type":114,"content":342},[343,353,358],{"type":117,"attrs":344,"content":345},{"textAlign":34},[346],{"text":347,"type":129,"marks":348},"Is it necessary to watch a film to have a cinematic experience? ",[349],{"type":350,"attrs":351},"styled",{"class":352},"h3",{"type":117,"attrs":354,"content":355},{"textAlign":34},[356],{"text":357,"type":129},"In the inner theatre of the mind, we can observe visual scenes, listen to sounds, and follow inner speech. This inner cinema, much like dreams, remains hidden from an outside observer. There is only one mediator between it and the external world – ourselves. ",{"type":117,"attrs":359,"content":360},{"textAlign":34},[361],{"text":362,"type":129,"marks":363},"The collective practice will focus on how to stimulate the emergence of mental images and inner sounds, how to hold our attention on them, and, most importantly, how to verbally convey this elusive inner poetry in the form of storytelling.",[364],{"type":350,"attrs":365},{"class":352},{"_uid":367,"component":121,"propRichtext":368},"1b272537-f9e8-4d9e-adde-2643cce13028",{"type":114,"content":369},[370],{"type":117,"attrs":371,"content":372},{"textAlign":34},[373],{"text":156,"type":129,"marks":374},[375],{"type":132},{"_uid":377,"component":121,"propRichtext":378},"b9ed5f6b-1f30-440d-b919-defde44fb29a",{"type":114,"content":379},[380],{"type":117,"attrs":381,"content":382},{"textAlign":34},[383],{"text":384,"type":129},"Memory is not a stable record of the past. Rather than functioning as a static archive, it unfolds as a dynamic process in which traces are continuously reshaped by perception, narration, and material conditions. ",{"_uid":386,"component":121,"propRichtext":387},"641ac8ad-a184-432d-9969-f43657ab06a5",{"type":114,"content":388},[389],{"type":117,"attrs":390,"content":391},{"textAlign":34},[392,395,396,399],{"text":139,"type":129,"marks":393},[394],{"type":132},{"text":169,"type":129},{"text":171,"type":129,"marks":397},[398],{"type":132},{"text":175,"type":129},{"_uid":401,"component":121,"propRichtext":402},"23363b4e-6e75-475e-a4e7-f30e51005190",{"type":114,"content":403},[404],{"type":117,"attrs":405,"content":406},{"textAlign":34},[407],{"text":180,"type":129},{"_uid":409,"component":121,"propRichtext":410},"758c4bef-694e-43d3-abfe-98b2abf1cd6a",{"type":114,"content":411},[412],{"type":117,"attrs":413,"content":414},{"textAlign":34},[415],{"text":185,"type":129},{"_uid":417,"component":121,"propRichtext":418},"897ba3de-34f9-444a-8c8f-ff3d34a027d7",{"type":114,"content":419},[420],{"type":117,"attrs":421,"content":422},{"textAlign":34},[423,424,427],{"text":190,"type":129},{"text":192,"type":129,"marks":425},[426],{"type":132},{"text":196,"type":129},{"_uid":429,"component":121,"propRichtext":430},"7ae15752-798f-4fff-93ec-281ffbf35b23",{"type":114,"content":431},[432,444],{"type":433,"attrs":434,"content":436},"heading",{"level":435,"textAlign":34},2,[437],{"text":438,"type":129,"marks":439},"With contributions by: ",[440,441,442],{"type":211},{"type":132},{"type":350,"attrs":443},{"class":352},{"type":117,"attrs":445,"content":446},{"textAlign":34},[447],{"text":217,"type":129,"marks":448},[449],{"type":350,"attrs":450},{"class":352},{"_uid":452,"component":121,"propRichtext":453},"60e46901-2a9a-435b-8f95-574a7379de6b",{"type":114,"content":454},[455],{"type":117,"attrs":456,"content":457},{"textAlign":34},[458],{"text":459,"type":129,"marks":460},"An exhibition by the University of Applied Arts Vienna, initiated by the Department Art & Science in collaboration with the AIL.",[461],{"type":132},[463],{"_uid":464,"component":221,"propColor":465,"propSubheadline":468,"propPreviewImage":469,"propPreviewVideo":473,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":475,"propMetadescription":21,"propDescriptionShort":486},"7a724cea-c13a-41a7-9d9d-5405cd821a8f",{"_uid":466,"color":467,"plugin":225},"472e77bd-2005-4d0f-816c-661afa4ce260","#e052b1","by Dina Karaman",{"id":470,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":471,"copyright":21,"fieldtype":230,"meta_data":472,"is_external_url":37},175345275834831,"https://a.storyblok.com/f/98682/1920x1080/89fd8d66ba/dina-karaman-dream-screen-c-dina-karaman-2024-kopie.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":474},{},{"type":114,"content":476},[477],{"type":117,"attrs":478,"content":479},{"textAlign":34},[480],{"text":171,"type":129,"marks":481},[482],{"type":312,"attrs":483},{"href":484,"uuid":34,"anchor":34,"target":315,"linktype":485},"https://www.dieangewandte.at/institute/bildende_und_mediale_kunst/art__science","url","Part of the exhibition [REVERBERATED]. Following the Movement of Memory","2026-06-18 13:00","reverberated-workshop-1806","program/reverberated-workshop-1806",-1730,[],"87990db0-ef04-4407-a21e-fbff740a6266","2026-05-11T08:55:48.747Z",[],[],[],{"age":250,"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":251,"etag":498,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":499,"x-amz-cf-id":500,"x-amz-cf-pop":61,"x-cache":62,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":501,"x-runtime":502,"x-xss-protection":68},"W/\"1d72cc370faa6c6d6e1675163d6ba597\"","1.1 fbbd21e47068b3cc756db5d88d14bb06.cloudfront.net (CloudFront)","t17fkvW4oeuXkLpvShgX1JH9xYVJRDJvk04IunNoeB6McfTlocA9zw==","b41918d1-b8fa-4304-bfe0-5dbcf3ff9d93","0.038991",{"data":504,"headers":615},{"story":505,"cv":43,"rels":613,"links":614},{"name":506,"created_at":507,"published_at":508,"updated_at":509,"id":510,"uuid":511,"content":512,"slug":606,"full_slug":607,"sort_by_date":34,"position":608,"tag_list":609,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":610,"first_published_at":611,"release_id":34,"lang":41,"path":34,"alternates":612,"default_full_slug":34,"translated_slugs":34},"Guided Tour ","2026-05-08T09:34:05.035Z","2026-05-08T09:43:05.489Z","2026-05-08T09:43:05.508Z",174257131699956,"a69e0dd0-cd6a-4aad-842f-efb8d482d44a",{"_uid":105,"component":106,"propDateEnd":513,"propCategory":108,"propIsOnline":37,"propDateStart":21,"propMainContent":514,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":595,"propDateAndTimeOfOpening":605},"2026-06-18 16:00",[515],{"_uid":111,"component":112,"propCredits":516,"propEntryInMainContent":519},{"type":114,"content":517},[518],{"type":117},[520,541,579],{"_uid":120,"component":121,"propRichtext":521},{"type":114,"content":522},[523,529,537,539],{"type":117,"attrs":524,"content":525},{"textAlign":34},[526],{"text":128,"type":129,"marks":527},[528],{"type":132},{"type":117,"attrs":530,"content":531},{"textAlign":34},[532,533,536],{"text":137,"type":129},{"text":139,"type":129,"marks":534},[535],{"type":132},{"text":143,"type":129},{"type":117,"attrs":538},{"textAlign":34},{"type":117,"attrs":540},{"textAlign":34},{"_uid":149,"component":121,"propRichtext":542},{"type":114,"content":543},[544,548,552,563,567,571],{"type":117,"attrs":545,"content":546},{"textAlign":34},[547],{"text":156,"type":129},{"type":117,"attrs":549,"content":550},{"textAlign":34},[551],{"text":161,"type":129},{"type":117,"attrs":553,"content":554},{"textAlign":34},[555,558,559,562],{"text":139,"type":129,"marks":556},[557],{"type":132},{"text":169,"type":129},{"text":171,"type":129,"marks":560},[561],{"type":132},{"text":175,"type":129},{"type":117,"attrs":564,"content":565},{"textAlign":34},[566],{"text":180,"type":129},{"type":117,"attrs":568,"content":569},{"textAlign":34},[570],{"text":185,"type":129},{"type":117,"attrs":572,"content":573},{"textAlign":34},[574,575,578],{"text":190,"type":129},{"text":192,"type":129,"marks":576},[577],{"type":132},{"text":196,"type":129},{"_uid":198,"component":121,"propRichtext":580},{"type":114,"content":581},[582],{"type":202,"content":583},[584,591],{"type":117,"attrs":585,"content":586},{"textAlign":34},[587],{"text":208,"type":129,"marks":588},[589,590],{"type":211},{"type":132},{"type":117,"attrs":592,"content":593},{"textAlign":34},[594],{"text":217,"type":129},[596],{"_uid":220,"component":221,"propColor":597,"propSubheadline":226,"propPreviewImage":598,"propPreviewVideo":600,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":602,"propMetadescription":21,"propDescriptionShort":237},{"_uid":223,"color":467,"plugin":225},{"id":228,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":229,"copyright":21,"fieldtype":230,"meta_data":599,"is_external_url":37},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":601},{},{"type":114,"content":603},[604],{"type":117},"2026-06-18 15:00","guided-tour-reverberated-1806","program/guided-tour-reverberated-1806",-1830,[],"0758ba6d-4ca5-4f1f-802d-641c55920b6e","2026-05-08T09:34:29.738Z",[],[],[],{"age":250,"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":616,"etag":617,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":619,"x-amz-cf-pop":61,"x-cache":62,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":620,"x-runtime":621,"x-xss-protection":68},"Thu, 21 May 2026 13:50:40 GMT","W/\"58765cd77d7ae272db6bba09af688ddf\"","1.1 01b09081d99761c658516f44f9a67b8a.cloudfront.net (CloudFront)","-iaHaNbtsafW5R0inL1KKcyhOu_d2mcDk3NSK5GMzmF0DqLa8F99ZA==","e370ca51-c811-43c6-94fa-a49edba12f3c","0.028427",{"data":623,"headers":734},{"story":624,"cv":43,"rels":732,"links":733},{"name":98,"created_at":625,"published_at":626,"updated_at":627,"id":628,"uuid":629,"content":630,"slug":725,"full_slug":726,"sort_by_date":34,"position":727,"tag_list":728,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":729,"first_published_at":730,"release_id":34,"lang":41,"path":34,"alternates":731,"default_full_slug":34,"translated_slugs":34},"2026-05-08T09:35:02.906Z","2026-05-08T09:43:00.830Z","2026-05-08T09:43:00.847Z",174257368735495,"faf87462-fa51-40b5-8da1-ce0d1c914311",{"_uid":105,"component":106,"propDateEnd":631,"propCategory":108,"propIsOnline":37,"propDateStart":21,"propMainContent":632,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":713,"propDateAndTimeOfOpening":724},"2026-06-25 14:00",[633],{"_uid":111,"component":112,"propCredits":634,"propEntryInMainContent":637},{"type":114,"content":635},[636],{"type":117},[638,659,697],{"_uid":120,"component":121,"propRichtext":639},{"type":114,"content":640},[641,647,655,657],{"type":117,"attrs":642,"content":643},{"textAlign":34},[644],{"text":128,"type":129,"marks":645},[646],{"type":132},{"type":117,"attrs":648,"content":649},{"textAlign":34},[650,651,654],{"text":137,"type":129},{"text":139,"type":129,"marks":652},[653],{"type":132},{"text":143,"type":129},{"type":117,"attrs":656},{"textAlign":34},{"type":117,"attrs":658},{"textAlign":34},{"_uid":149,"component":121,"propRichtext":660},{"type":114,"content":661},[662,666,670,681,685,689],{"type":117,"attrs":663,"content":664},{"textAlign":34},[665],{"text":156,"type":129},{"type":117,"attrs":667,"content":668},{"textAlign":34},[669],{"text":161,"type":129},{"type":117,"attrs":671,"content":672},{"textAlign":34},[673,676,677,680],{"text":139,"type":129,"marks":674},[675],{"type":132},{"text":169,"type":129},{"text":171,"type":129,"marks":678},[679],{"type":132},{"text":175,"type":129},{"type":117,"attrs":682,"content":683},{"textAlign":34},[684],{"text":180,"type":129},{"type":117,"attrs":686,"content":687},{"textAlign":34},[688],{"text":185,"type":129},{"type":117,"attrs":690,"content":691},{"textAlign":34},[692,693,696],{"text":190,"type":129},{"text":192,"type":129,"marks":694},[695],{"type":132},{"text":196,"type":129},{"_uid":198,"component":121,"propRichtext":698},{"type":114,"content":699},[700],{"type":202,"content":701},[702,709],{"type":117,"attrs":703,"content":704},{"textAlign":34},[705],{"text":208,"type":129,"marks":706},[707,708],{"type":211},{"type":132},{"type":117,"attrs":710,"content":711},{"textAlign":34},[712],{"text":217,"type":129},[714],{"_uid":220,"component":221,"propColor":715,"propSubheadline":226,"propPreviewImage":717,"propPreviewVideo":719,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":721,"propMetadescription":21,"propDescriptionShort":237},{"_uid":223,"color":716,"plugin":225},"#e0526e",{"id":228,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":229,"copyright":21,"fieldtype":230,"meta_data":718,"is_external_url":37},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":720},{},{"type":114,"content":722},[723],{"type":117},"2026-06-25 13:00","guided-tour-reverberated-2506","program/guided-tour-reverberated-2506",-1820,[],"cbf1a0c0-634f-43e2-a1a2-9a6617965088","2026-05-08T09:36:07.572Z",[],[],[],{"age":250,"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":616,"etag":735,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":736,"x-amz-cf-pop":61,"x-cache":62,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":737,"x-runtime":738,"x-xss-protection":68},"W/\"962819e6773b08b149a622f4e9a288b7\"","PzvbfE9BuO4dmD9dSpfhVChRuhjRoFHBXZpONeFa3J8I078-N4RiOg==","14b0649e-af9b-489e-ae03-95907ac333b6","0.026456",{"data":740,"headers":950},{"story":741,"cv":43,"rels":948,"links":949},{"name":742,"created_at":743,"published_at":744,"updated_at":745,"id":746,"uuid":747,"content":748,"slug":941,"full_slug":942,"sort_by_date":34,"position":943,"tag_list":944,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":945,"first_published_at":946,"release_id":34,"lang":41,"path":34,"alternates":947,"default_full_slug":34,"translated_slugs":34},"Reading Group – Practices of Memory","2026-04-29T10:39:18.188Z","2026-05-21T11:43:57.164Z","2026-05-21T11:43:57.184Z",171088110377319,"9f1fc247-c41c-4512-b4bb-9fce9da3002d",{"_uid":266,"component":106,"propDateEnd":749,"propCategory":268,"propIsOnline":37,"propDateStart":21,"propMainContent":750,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":921,"propDateAndTimeOfOpening":940},"2026-06-25 16:00",[751],{"_uid":271,"component":112,"propCredits":752,"propEntryInMainContent":767},{"type":114,"content":753},[754,758,762],{"type":117,"attrs":755,"content":756},{"textAlign":34},[757],{"text":278,"type":129},{"type":117,"attrs":759,"content":760},{"textAlign":34},[761],{"text":283,"type":129},{"type":117,"attrs":763,"content":764},{"textAlign":34},[765],{"text":766,"type":129},"Preview image: Tal Horesh, Practices of Memory Photo by Agustina Belén Agüero, 2026 ",[768,833,843,850,864,871,878,889,908],{"_uid":769,"component":121,"propRichtext":770},"20fdb9f2-b50b-4cb4-bb9c-e3a2bb13f0a2",{"type":114,"content":771},[772,777,782,790,826,831],{"type":117,"attrs":773,"content":774},{"textAlign":34},[775],{"text":776,"type":129},"An hour-long reading session of 3 to 4 writers and poets. Who these writers/poets will be, will be decided through the open call below or direct request. Texts will be either in German or English. ",{"type":117,"attrs":778,"content":779},{"textAlign":34},[780],{"text":781,"type":129},"The aim is to not only show the multitude of memories, but also of practices of memory: How stories are told, how we keep close to what we saw, smelled, and felt. ",{"type":117,"attrs":783,"content":784},{"textAlign":34},[785],{"text":786,"type":129,"marks":787},"OPEN CALL ",[788],{"type":350,"attrs":789},{"class":352},{"type":117,"attrs":791,"content":792},{"textAlign":34},[793,795,797,798,800,801,802,804,805,807,808,810,811,812,814,815,817,824],{"text":794,"type":129},"We are looking for voices for a live reading to create a polyphonic tapestry of memories.",{"type":796},"hard_break",{"type":796},{"text":799,"type":129},"Send us your texts, fragments, experiments, speculative essays, lectures, or performatively tossed word salad!",{"type":796},{"type":796},{"text":803,"type":129},"How long? Max. 15 minutes reading time",{"type":796},{"text":806,"type":129},"Language? German or English",{"type":796},{"text":809,"type":129},"What? Anything that has hands, feet, and letters.",{"type":796},{"type":796},{"text":813,"type":129},"HOW TO APPLY: ",{"type":796},{"text":816,"type":129},"Send your text along with a short bio to ",{"text":818,"type":129,"marks":819},"opencall.reverberated@proton.me",[820],{"type":312,"attrs":821},{"href":822,"uuid":34,"anchor":34,"target":823,"linktype":485},"mailto:opencall.reverberated@proton.me","_blank",{"text":825,"type":129}," ",{"type":117,"attrs":827,"content":828},{"textAlign":34},[829],{"text":830,"type":129},"DEADLINE: June 7, 2026.",{"type":117,"attrs":832},{"textAlign":34},{"_uid":834,"component":121,"propRichtext":835},"92278bc0-fe8c-4b6d-a352-199280e97788",{"type":114,"content":836},[837],{"type":117,"attrs":838,"content":839},{"textAlign":34},[840],{"text":156,"type":129,"marks":841},[842],{"type":132},{"_uid":377,"component":121,"propRichtext":844},{"type":114,"content":845},[846],{"type":117,"attrs":847,"content":848},{"textAlign":34},[849],{"text":384,"type":129},{"_uid":386,"component":121,"propRichtext":851},{"type":114,"content":852},[853],{"type":117,"attrs":854,"content":855},{"textAlign":34},[856,859,860,863],{"text":139,"type":129,"marks":857},[858],{"type":132},{"text":169,"type":129},{"text":171,"type":129,"marks":861},[862],{"type":132},{"text":175,"type":129},{"_uid":401,"component":121,"propRichtext":865},{"type":114,"content":866},[867],{"type":117,"attrs":868,"content":869},{"textAlign":34},[870],{"text":180,"type":129},{"_uid":409,"component":121,"propRichtext":872},{"type":114,"content":873},[874],{"type":117,"attrs":875,"content":876},{"textAlign":34},[877],{"text":185,"type":129},{"_uid":417,"component":121,"propRichtext":879},{"type":114,"content":880},[881],{"type":117,"attrs":882,"content":883},{"textAlign":34},[884,885,888],{"text":190,"type":129},{"text":192,"type":129,"marks":886},[887],{"type":132},{"text":196,"type":129},{"_uid":429,"component":121,"propRichtext":890},{"type":114,"content":891},[892,901],{"type":433,"attrs":893,"content":894},{"level":435,"textAlign":34},[895],{"text":438,"type":129,"marks":896},[897,898,899],{"type":211},{"type":132},{"type":350,"attrs":900},{"class":352},{"type":117,"attrs":902,"content":903},{"textAlign":34},[904],{"text":217,"type":129,"marks":905},[906],{"type":350,"attrs":907},{"class":352},{"_uid":909,"component":121,"propRichtext":910},"a84464e6-46b4-41c5-976f-63759088d68d",{"type":114,"content":911},[912],{"type":117,"attrs":913,"content":914},{"textAlign":34},[915],{"text":459,"type":129,"marks":916},[917,920],{"type":918,"attrs":919},"textStyle",{"color":21},{"type":132},[922],{"_uid":464,"component":221,"propColor":923,"propSubheadline":924,"propPreviewImage":925,"propPreviewVideo":929,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":931,"propMetadescription":21,"propDescriptionShort":486},{"_uid":466,"color":716,"plugin":225},"organized by Tal Horesh / in English and German. Open Call for texts till June 7! ",{"id":926,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":927,"copyright":21,"fieldtype":230,"meta_data":928,"is_external_url":37},175349738890030,"https://a.storyblok.com/f/98682/1920x1439/efa98023fb/reading.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":930},{},{"type":114,"content":932},[933],{"type":117,"attrs":934,"content":935},{"textAlign":34},[936],{"text":171,"type":129,"marks":937},[938],{"type":312,"attrs":939},{"href":484,"uuid":34,"anchor":34,"target":315,"linktype":485},"2026-06-25 14:30","reverberated-workshop-2506","program/reverberated-workshop-2506",-1720,[],"f4f18071-6b63-4492-9e0b-580df9ca828a","2026-05-08T10:09:15.645Z",[],[],[],{"age":250,"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":616,"etag":951,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":952,"x-amz-cf-pop":61,"x-cache":62,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":953,"x-runtime":954,"x-xss-protection":68},"W/\"77119cf5d95e6cb45b25305b026aec48\"","GTQ9Qm37sFZjATZJ0Q1j7IIdd-WbJwyyPVhgGiCW-G_ybqdBsgNeOQ==","456a18ab-09b2-45e4-9d22-6885beef358f","0.028050",{"data":956,"headers":1067},{"story":957,"cv":43,"rels":1065,"links":1066},{"name":98,"created_at":958,"published_at":959,"updated_at":960,"id":961,"uuid":962,"content":963,"slug":1058,"full_slug":1059,"sort_by_date":34,"position":1060,"tag_list":1061,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":1062,"first_published_at":1063,"release_id":34,"lang":41,"path":34,"alternates":1064,"default_full_slug":34,"translated_slugs":34},"2026-05-08T09:40:01.720Z","2026-05-08T09:43:14.024Z","2026-05-08T09:43:14.039Z",174258592679019,"dd73c476-1e95-4020-9e9c-a57b2eb4b853",{"_uid":105,"component":106,"propDateEnd":964,"propCategory":108,"propIsOnline":37,"propDateStart":21,"propMainContent":965,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":1046,"propDateAndTimeOfOpening":1057},"2026-07-09 16:00",[966],{"_uid":111,"component":112,"propCredits":967,"propEntryInMainContent":970},{"type":114,"content":968},[969],{"type":117},[971,992,1030],{"_uid":120,"component":121,"propRichtext":972},{"type":114,"content":973},[974,980,988,990],{"type":117,"attrs":975,"content":976},{"textAlign":34},[977],{"text":128,"type":129,"marks":978},[979],{"type":132},{"type":117,"attrs":981,"content":982},{"textAlign":34},[983,984,987],{"text":137,"type":129},{"text":139,"type":129,"marks":985},[986],{"type":132},{"text":143,"type":129},{"type":117,"attrs":989},{"textAlign":34},{"type":117,"attrs":991},{"textAlign":34},{"_uid":149,"component":121,"propRichtext":993},{"type":114,"content":994},[995,999,1003,1014,1018,1022],{"type":117,"attrs":996,"content":997},{"textAlign":34},[998],{"text":156,"type":129},{"type":117,"attrs":1000,"content":1001},{"textAlign":34},[1002],{"text":161,"type":129},{"type":117,"attrs":1004,"content":1005},{"textAlign":34},[1006,1009,1010,1013],{"text":139,"type":129,"marks":1007},[1008],{"type":132},{"text":169,"type":129},{"text":171,"type":129,"marks":1011},[1012],{"type":132},{"text":175,"type":129},{"type":117,"attrs":1015,"content":1016},{"textAlign":34},[1017],{"text":180,"type":129},{"type":117,"attrs":1019,"content":1020},{"textAlign":34},[1021],{"text":185,"type":129},{"type":117,"attrs":1023,"content":1024},{"textAlign":34},[1025,1026,1029],{"text":190,"type":129},{"text":192,"type":129,"marks":1027},[1028],{"type":132},{"text":196,"type":129},{"_uid":198,"component":121,"propRichtext":1031},{"type":114,"content":1032},[1033],{"type":202,"content":1034},[1035,1042],{"type":117,"attrs":1036,"content":1037},{"textAlign":34},[1038],{"text":208,"type":129,"marks":1039},[1040,1041],{"type":211},{"type":132},{"type":117,"attrs":1043,"content":1044},{"textAlign":34},[1045],{"text":217,"type":129},[1047],{"_uid":220,"component":221,"propColor":1048,"propSubheadline":226,"propPreviewImage":1050,"propPreviewVideo":1052,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1054,"propMetadescription":21,"propDescriptionShort":237},{"_uid":223,"color":1049,"plugin":225},"#e0cd52",{"id":228,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":229,"copyright":21,"fieldtype":230,"meta_data":1051,"is_external_url":37},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":1053},{},{"type":114,"content":1055},[1056],{"type":117},"2026-07-09 15:00","guided-tour-reverberated-0907","program/guided-tour-reverberated-0907",-1850,[],"9d6d9645-42d9-419c-9c47-9586b8a0a808","2026-05-08T09:40:36.411Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1068,"etag":1069,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":1070,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":1072,"x-runtime":1073,"x-xss-protection":68},"Thu, 21 May 2026 13:51:49 GMT","W/\"1d3c6931f8395bd5fe0cb3b2cdf82ac7\"","0zh7U-yVM8MnHthoV45VNEA4vnA3m0AtNwU4WR4rVjGuH5IDoa3qxQ==","Miss from cloudfront","c6b7273c-cd90-4e9d-be92-5777c1b6db7e","0.023270",{"data":1075,"headers":1280},{"story":1076,"cv":43,"rels":1278,"links":1279},{"name":1077,"created_at":1078,"published_at":1079,"updated_at":1080,"id":1081,"uuid":1082,"content":1083,"slug":1271,"full_slug":1272,"sort_by_date":34,"position":1273,"tag_list":1274,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":1275,"first_published_at":1276,"release_id":34,"lang":41,"path":34,"alternates":1277,"default_full_slug":34,"translated_slugs":34},"Lumen Prints: Photographing with the Sun","2026-04-29T10:39:54.372Z","2026-05-19T13:42:01.038Z","2026-05-19T13:42:01.059Z",171088258595070,"0f0b8792-41c4-4755-8c6b-dc941c20172b",{"_uid":266,"component":106,"propDateEnd":1084,"propCategory":268,"propIsOnline":37,"propDateStart":21,"propMainContent":1085,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":1250,"propDateAndTimeOfOpening":1270},"2026-07-02 14:00",[1086],{"_uid":271,"component":112,"propCredits":1087,"propEntryInMainContent":1102},{"type":114,"content":1088},[1089,1093,1097],{"type":117,"attrs":1090,"content":1091},{"textAlign":34},[1092],{"text":278,"type":129},{"type":117,"attrs":1094,"content":1095},{"textAlign":34},[1096],{"text":283,"type":129},{"type":117,"attrs":1098,"content":1099},{"textAlign":34},[1100],{"text":1101,"type":129},"Preview image: Agustina Agüero, Lumen II (c) Agustina Belén Agüero, 2025 ",[1103,1144,1171,1182,1196,1203,1210,1221,1240],{"_uid":1104,"component":121,"propRichtext":1105},"b6b87d40-ad60-48b3-87cb-e63bbb91f3e7",{"type":114,"content":1106},[1107,1114,1125,1131,1138],{"type":117,"attrs":1108,"content":1109},{"textAlign":34},[1110],{"text":1111,"type":129,"marks":1112},"Please note: Registration required due to spacial limitations. ",[1113],{"type":132},{"type":117,"attrs":1115,"content":1116},{"textAlign":34},[1117,1120],{"text":305,"type":129,"marks":1118},[1119],{"type":132},{"text":309,"type":129,"marks":1121},[1122,1124],{"type":312,"attrs":1123},{"href":314,"uuid":34,"anchor":34,"target":315,"linktype":316},{"type":132},{"type":117,"attrs":1126,"content":1127},{"textAlign":34},[1128],{"text":322,"type":129,"marks":1129},[1130],{"type":132},{"type":117,"attrs":1132,"content":1133},{"textAlign":34},[1134],{"text":1135,"type":129,"marks":1136},"Duration: approx. 90 min. ",[1137],{"type":132},{"type":117,"attrs":1139,"content":1140},{"textAlign":34},[1141],{"text":336,"type":129,"marks":1142},[1143],{"type":132},{"_uid":1145,"component":121,"propRichtext":1146},"4f3ce094-08c7-4c1e-97d0-2c11c4dcdcc7",{"type":114,"content":1147},[1148,1153,1158,1166],{"type":117,"attrs":1149,"content":1150},{"textAlign":34},[1151],{"text":1152,"type":129},"In this workshop, visitors will get the opportunity to experiment with lumen printing, a technique that emerged in the 19th century as a way of photographing without a camera. Lumen Prints are images created by pressing objects on top of photographic paper and exposing them to the sun. We will discover how light and time can hold the traces and reminiscences of something, creating the image of an object but in an unstable and changing way. ",{"type":117,"attrs":1154,"content":1155},{"textAlign":34},[1156],{"text":1157,"type":129},"What can this technique tell us about memory? ",{"type":117,"attrs":1159,"content":1160},{"textAlign":34},[1161],{"text":1162,"type":129,"marks":1163},"Does photography preserve memories or does it produce them? Can it be a safeguard for our lived experiences or can it only alter them?",[1164],{"type":350,"attrs":1165},{"class":352},{"type":117,"attrs":1167,"content":1168},{"textAlign":34},[1169],{"text":1170,"type":129},"People are invited to bring different materials to experiment with their shape, density, transparency and shadows. These can be natural elements, such as leaves or flowers, but also any type of – preferably – flat item, like clothes, jewelry, or papers. The compositions will be done in a darkroom and then taken to the sun outside of the Postsparkasse building.",{"_uid":377,"component":121,"propRichtext":1172},{"type":114,"content":1173},[1174,1178],{"type":117,"attrs":1175,"content":1176},{"textAlign":34},[1177],{"text":156,"type":129},{"type":117,"attrs":1179,"content":1180},{"textAlign":34},[1181],{"text":384,"type":129},{"_uid":386,"component":121,"propRichtext":1183},{"type":114,"content":1184},[1185],{"type":117,"attrs":1186,"content":1187},{"textAlign":34},[1188,1191,1192,1195],{"text":139,"type":129,"marks":1189},[1190],{"type":132},{"text":169,"type":129},{"text":171,"type":129,"marks":1193},[1194],{"type":132},{"text":175,"type":129},{"_uid":401,"component":121,"propRichtext":1197},{"type":114,"content":1198},[1199],{"type":117,"attrs":1200,"content":1201},{"textAlign":34},[1202],{"text":180,"type":129},{"_uid":409,"component":121,"propRichtext":1204},{"type":114,"content":1205},[1206],{"type":117,"attrs":1207,"content":1208},{"textAlign":34},[1209],{"text":185,"type":129},{"_uid":417,"component":121,"propRichtext":1211},{"type":114,"content":1212},[1213],{"type":117,"attrs":1214,"content":1215},{"textAlign":34},[1216,1217,1220],{"text":190,"type":129},{"text":192,"type":129,"marks":1218},[1219],{"type":132},{"text":196,"type":129},{"_uid":429,"component":121,"propRichtext":1222},{"type":114,"content":1223},[1224,1233],{"type":433,"attrs":1225,"content":1226},{"level":435,"textAlign":34},[1227],{"text":438,"type":129,"marks":1228},[1229,1230,1231],{"type":211},{"type":132},{"type":350,"attrs":1232},{"class":352},{"type":117,"attrs":1234,"content":1235},{"textAlign":34},[1236],{"text":217,"type":129,"marks":1237},[1238],{"type":350,"attrs":1239},{"class":352},{"_uid":1241,"component":121,"propRichtext":1242},"4e494450-b3f2-4df4-8fc8-e515bdc3f0c8",{"type":114,"content":1243},[1244],{"type":117,"attrs":1245,"content":1246},{"textAlign":34},[1247],{"text":459,"type":129,"marks":1248},[1249],{"type":132},[1251],{"_uid":464,"component":221,"propColor":1252,"propSubheadline":1254,"propPreviewImage":1255,"propPreviewVideo":1259,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1261,"propMetadescription":21,"propDescriptionShort":486},{"_uid":466,"color":1253,"plugin":225},"#e07852","by Agustina Belén Agüero",{"id":1256,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1257,"copyright":21,"fieldtype":230,"meta_data":1258,"is_external_url":37},175347941597842,"https://a.storyblok.com/f/98682/1920x2689/b47af5df26/lumen.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":1260},{},{"type":114,"content":1262},[1263],{"type":117,"attrs":1264,"content":1265},{"textAlign":34},[1266],{"text":171,"type":129,"marks":1267},[1268],{"type":312,"attrs":1269},{"href":484,"uuid":34,"anchor":34,"target":315,"linktype":485},"2026-07-02 13:00","reverberated-workshop-0207","program/reverberated-workshop-0207",-1710,[],"68aeb543-e591-45ef-8fb8-d5a91b7504c0","2026-05-11T08:56:14.289Z",[],[],[],{"age":250,"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":616,"etag":1281,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":1282,"x-amz-cf-pop":61,"x-cache":62,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":1283,"x-runtime":1284,"x-xss-protection":68},"W/\"190c9c034782bde373b48a183e360cbf\"","mckMOiU8xxeUwjsL--svH4jLCkRpYZoEipzpSiMCiknmo4fcbv-bEA==","3d55400e-5aee-4bfe-b6b2-a40fe2fa7f67","0.029530",{"data":1286,"headers":1452},{"story":1287,"cv":43,"rels":1450,"links":1451},{"name":1288,"created_at":1289,"published_at":1290,"updated_at":1291,"id":1292,"uuid":1293,"content":1294,"slug":1444,"full_slug":1445,"sort_by_date":34,"position":943,"tag_list":1446,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":1447,"first_published_at":1448,"release_id":34,"lang":41,"path":34,"alternates":1449,"default_full_slug":34,"translated_slugs":34},"Hypervigilant","2026-04-29T10:40:39.983Z","2026-05-11T11:45:03.414Z","2026-05-11T11:45:03.431Z",171088445421835,"b9f93952-1029-43a6-8b5a-6656b6b3de16",{"_uid":266,"component":106,"propDateEnd":1295,"propCategory":1296,"propIsOnline":37,"propDateStart":21,"propMainContent":1297,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":1422,"propDateAndTimeOfOpening":1443},"2026-07-03 13:30","performance",[1298],{"_uid":271,"component":112,"propCredits":1299,"propEntryInMainContent":1314},{"type":114,"content":1300},[1301,1305,1309],{"type":117,"attrs":1302,"content":1303},{"textAlign":34},[1304],{"text":278,"type":129},{"type":117,"attrs":1306,"content":1307},{"textAlign":34},[1308],{"text":283,"type":129},{"type":117,"attrs":1310,"content":1311},{"textAlign":34},[1312],{"text":1313,"type":129},"Preview image: Leah Giertz, Hypervigilant (c) Leah Barbara Mukui Giertz, 2026",[1315,1337,1347,1354,1368,1375,1382,1393,1412],{"_uid":1316,"component":121,"propRichtext":1317},"94904849-9b55-45b7-9316-4be2e5abab30",{"type":114,"content":1318},[1319,1324,1332],{"type":117,"attrs":1320,"content":1321},{"textAlign":34},[1322],{"text":1323,"type":129},"Constant vigilance can develop as a response to racial discrimination and transgenerational trauma, allowing potential threats to be recognized in advance. This fi ght-or-fl ight state activates the nervous system and can lead to chronic muscle tension and bruxism. ",{"type":117,"attrs":1325,"content":1326},{"textAlign":34},[1327],{"text":1328,"type":129,"marks":1329},"Teeth grinding occurs as a way of coping with stress during sleep, often driven by societal expectations to suppress fear or anger.",[1330],{"type":350,"attrs":1331},{"class":352},{"type":117,"attrs":1333,"content":1334},{"textAlign":34},[1335],{"text":1336,"type":129},"Hypervigilant addresses this suppressed anger. Aluminum teeth suspended from the ceiling form a space similar to a cage that oscillates between protection and exposure. Shaped as gong-like instruments, the oversized representation of the artist’s bite is set into vibration during a sound performance to release embodied pressure and reduce tension in the nervous system.",{"_uid":1338,"component":121,"propRichtext":1339},"bdc76f37-ffcc-4cf5-9a8f-533d25ab2dec",{"type":114,"content":1340},[1341],{"type":117,"attrs":1342,"content":1343},{"textAlign":34},[1344],{"text":156,"type":129,"marks":1345},[1346],{"type":132},{"_uid":377,"component":121,"propRichtext":1348},{"type":114,"content":1349},[1350],{"type":117,"attrs":1351,"content":1352},{"textAlign":34},[1353],{"text":384,"type":129},{"_uid":386,"component":121,"propRichtext":1355},{"type":114,"content":1356},[1357],{"type":117,"attrs":1358,"content":1359},{"textAlign":34},[1360,1363,1364,1367],{"text":139,"type":129,"marks":1361},[1362],{"type":132},{"text":169,"type":129},{"text":171,"type":129,"marks":1365},[1366],{"type":132},{"text":175,"type":129},{"_uid":401,"component":121,"propRichtext":1369},{"type":114,"content":1370},[1371],{"type":117,"attrs":1372,"content":1373},{"textAlign":34},[1374],{"text":180,"type":129},{"_uid":409,"component":121,"propRichtext":1376},{"type":114,"content":1377},[1378],{"type":117,"attrs":1379,"content":1380},{"textAlign":34},[1381],{"text":185,"type":129},{"_uid":417,"component":121,"propRichtext":1383},{"type":114,"content":1384},[1385],{"type":117,"attrs":1386,"content":1387},{"textAlign":34},[1388,1389,1392],{"text":190,"type":129},{"text":192,"type":129,"marks":1390},[1391],{"type":132},{"text":196,"type":129},{"_uid":429,"component":121,"propRichtext":1394},{"type":114,"content":1395},[1396,1405],{"type":433,"attrs":1397,"content":1398},{"level":435,"textAlign":34},[1399],{"text":438,"type":129,"marks":1400},[1401,1402,1403],{"type":211},{"type":132},{"type":350,"attrs":1404},{"class":352},{"type":117,"attrs":1406,"content":1407},{"textAlign":34},[1408],{"text":217,"type":129,"marks":1409},[1410],{"type":350,"attrs":1411},{"class":352},{"_uid":1413,"component":121,"propRichtext":1414},"7385fb55-d519-4eae-b682-151661047a73",{"type":114,"content":1415},[1416],{"type":117,"attrs":1417,"content":1418},{"textAlign":34},[1419],{"text":459,"type":129,"marks":1420},[1421],{"type":132},[1423],{"_uid":464,"component":221,"propColor":1424,"propSubheadline":1426,"propPreviewImage":1427,"propPreviewVideo":1431,"propMakeTextWhite":37,"propDescriptionLong":237,"propMetaInformation":1433,"propMetadescription":21,"propDescriptionShort":1442},{"_uid":466,"color":1425,"plugin":225},"#e08b52","by Leah Giertz",{"id":1428,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1429,"copyright":21,"fieldtype":230,"meta_data":1430,"is_external_url":37},175346003321344,"https://a.storyblok.com/f/98682/1920x1080/ba4feb409e/leah-giertz-hypervigilant-c-leah-barbara-mukui-giertz-2026-kopie.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":1432},{},{"type":114,"content":1434},[1435],{"type":117,"attrs":1436,"content":1437},{"textAlign":34},[1438],{"text":171,"type":129,"marks":1439},[1440],{"type":312,"attrs":1441},{"href":484,"uuid":34,"anchor":34,"target":315,"linktype":485},"Part of the exhibition [REVERBERATED]. Following the Movement of Memory ","2026-07-03 13:00","reverberated-performance-03071","program/reverberated-performance-03071",[],"e3eb9f20-6f36-4d80-ad17-44e79b36a2c4","2026-05-11T08:55:54.700Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1453,"etag":1454,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":1455,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":1456,"x-runtime":1457,"x-xss-protection":68},"Thu, 21 May 2026 13:52:02 GMT","W/\"392bdbdae16ef7ed75d30aa45f0b1574\"","Cpb_zW1USuh2bcGPTDOGgwA3UxXxH-jd6oTQewN9N6LU66VqDXxGVQ==","f025a303-a512-4d1b-ab52-1ecf6a2252b5","0.027392",{"data":1459,"headers":1621},{"story":1460,"cv":43,"rels":1619,"links":1620},{"name":1461,"created_at":1462,"published_at":1463,"updated_at":1464,"id":1465,"uuid":1466,"content":1467,"slug":1613,"full_slug":1614,"sort_by_date":34,"position":1273,"tag_list":1615,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":1616,"first_published_at":1617,"release_id":34,"lang":41,"path":34,"alternates":1618,"default_full_slug":34,"translated_slugs":34},"Darf ich noch einen Satz? (Palimpsest for 8 speakers)","2026-04-29T10:41:21.870Z","2026-05-11T11:31:43.445Z","2026-05-11T11:31:43.460Z",171088616970511,"15d783f9-7049-4656-82d1-d8982ca83f69",{"_uid":266,"component":106,"propDateEnd":1468,"propCategory":1469,"propIsOnline":37,"propDateStart":21,"propMainContent":1470,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":1593,"propDateAndTimeOfOpening":1295},"2026-07-03 14:00","sound performance",[1471],{"_uid":271,"component":112,"propCredits":1472,"propEntryInMainContent":1487},{"type":114,"content":1473},[1474,1478,1482],{"type":117,"attrs":1475,"content":1476},{"textAlign":34},[1477],{"text":278,"type":129},{"type":117,"attrs":1479,"content":1480},{"textAlign":34},[1481],{"text":283,"type":129},{"type":117,"attrs":1483,"content":1484},{"textAlign":34},[1485],{"text":1486,"type":129},"Preview image: Leonard Otterbein, Darf ich noch einen Satz? (Palimpsest for 8 speakers) (c) Leonard Otterbein, 2026",[1488,1508,1518,1525,1539,1546,1553,1564,1584],{"_uid":1489,"component":121,"propRichtext":1490},"810996b5-de16-4609-881d-f84b712b8e96",{"type":114,"content":1491},[1492,1503],{"type":117,"attrs":1493,"content":1494},{"textAlign":34},[1495,1497,1501],{"text":1496,"type":129},"The audio performance ",{"text":1498,"type":129,"marks":1499},"Darf ich noch einen Satz? (Palimpsest for 8 speakers) ",[1500],{"type":132},{"text":1502,"type":129},"explores how sound can model processes of memory formation and transformation. ",{"type":117,"attrs":1504,"content":1505},{"textAlign":34},[1506],{"text":1507,"type":129},"Layered oscillations and brief sound textures repeat with phase shifts, gradually overlapping and partially canceling each other out, much like the traces in an overwritten manuscript. The work is inspired by memory research on reconsolidation – in which recalling an event alters its stored form – and its cultural studies counterpart, reconstructivity. The piece is composed of multiple layers of sound that continuously overlap anew, attempting to cancel each other out in the process. In this process, however, the layers are never completely erased, so that fragments of the preceding states always remain",{"_uid":1509,"component":121,"propRichtext":1510},"64f6e09e-ccda-4809-835e-a44511366f8b",{"type":114,"content":1511},[1512],{"type":117,"attrs":1513,"content":1514},{"textAlign":34},[1515],{"text":156,"type":129,"marks":1516},[1517],{"type":132},{"_uid":377,"component":121,"propRichtext":1519},{"type":114,"content":1520},[1521],{"type":117,"attrs":1522,"content":1523},{"textAlign":34},[1524],{"text":384,"type":129},{"_uid":386,"component":121,"propRichtext":1526},{"type":114,"content":1527},[1528],{"type":117,"attrs":1529,"content":1530},{"textAlign":34},[1531,1534,1535,1538],{"text":139,"type":129,"marks":1532},[1533],{"type":132},{"text":169,"type":129},{"text":171,"type":129,"marks":1536},[1537],{"type":132},{"text":175,"type":129},{"_uid":401,"component":121,"propRichtext":1540},{"type":114,"content":1541},[1542],{"type":117,"attrs":1543,"content":1544},{"textAlign":34},[1545],{"text":180,"type":129},{"_uid":409,"component":121,"propRichtext":1547},{"type":114,"content":1548},[1549],{"type":117,"attrs":1550,"content":1551},{"textAlign":34},[1552],{"text":185,"type":129},{"_uid":417,"component":121,"propRichtext":1554},{"type":114,"content":1555},[1556],{"type":117,"attrs":1557,"content":1558},{"textAlign":34},[1559,1560,1563],{"text":190,"type":129},{"text":192,"type":129,"marks":1561},[1562],{"type":132},{"text":196,"type":129},{"_uid":1565,"component":121,"propRichtext":1566},"efee13c6-1ba2-4aed-b281-598d65918659",{"type":114,"content":1567},[1568,1577],{"type":433,"attrs":1569,"content":1570},{"level":435,"textAlign":34},[1571],{"text":438,"type":129,"marks":1572},[1573,1574,1575],{"type":211},{"type":132},{"type":350,"attrs":1576},{"class":352},{"type":117,"attrs":1578,"content":1579},{"textAlign":34},[1580],{"text":217,"type":129,"marks":1581},[1582],{"type":350,"attrs":1583},{"class":352},{"_uid":1241,"component":121,"propRichtext":1585},{"type":114,"content":1586},[1587],{"type":117,"attrs":1588,"content":1589},{"textAlign":34},[1590],{"text":459,"type":129,"marks":1591},[1592],{"type":132},[1594],{"_uid":464,"component":221,"propColor":1595,"propSubheadline":1597,"propPreviewImage":1598,"propPreviewVideo":1602,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1604,"propMetadescription":21,"propDescriptionShort":486},{"_uid":466,"color":1596,"plugin":225},"#e09e52","by Leonard Otterbein",{"id":1599,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1600,"copyright":21,"fieldtype":230,"meta_data":1601,"is_external_url":37},175347478090343,"https://a.storyblok.com/f/98682/1920x1384/0a45a3d315/leonard_performance.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":1603},{},{"type":114,"content":1605},[1606],{"type":117,"attrs":1607,"content":1608},{"textAlign":34},[1609],{"text":171,"type":129,"marks":1610},[1611],{"type":312,"attrs":1612},{"href":484,"uuid":34,"anchor":34,"target":315,"linktype":485},"reverberated-performance_03072","program/reverberated-performance_03072",[],"2eb15b50-89c6-4998-92eb-6e72cb6e38e2","2026-05-11T08:56:07.590Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1622,"etag":1623,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":1624,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":1625,"x-runtime":1626,"x-xss-protection":68},"Thu, 21 May 2026 13:52:03 GMT","W/\"11a4d45c188ca554117aae2b90f6e1e6\"","GH_rQT9FlPL9j3DzM7IEXI_wEeCQeAWwrcwrP9NfIp7S1cYc1FQadg==","012b1618-25dc-4a1e-945a-c0d26aa97817","0.025555",{"data":1628,"headers":1792},{"story":1629,"cv":43,"rels":1790,"links":1791},{"name":1630,"created_at":1631,"published_at":1632,"updated_at":1633,"id":1634,"uuid":1635,"content":1636,"slug":1783,"full_slug":1784,"sort_by_date":34,"position":1785,"tag_list":1786,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":1787,"first_published_at":1788,"release_id":34,"lang":41,"path":34,"alternates":1789,"default_full_slug":34,"translated_slugs":34},"The Geography of Yellow Walls","2026-05-08T09:48:59.322Z","2026-05-11T12:53:21.942Z","2026-05-11T12:53:21.971Z",174260794692777,"276769ea-d189-4c42-8adc-22035e2e4eaa",{"_uid":266,"component":106,"propDateEnd":1637,"propCategory":1296,"propIsOnline":37,"propDateStart":21,"propMainContent":1638,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":1762,"propDateAndTimeOfOpening":1782},"2026-07-04 14:00",[1639],{"_uid":271,"component":112,"propCredits":1640,"propEntryInMainContent":1655},{"type":114,"content":1641},[1642,1646,1650],{"type":117,"attrs":1643,"content":1644},{"textAlign":34},[1645],{"text":278,"type":129},{"type":117,"attrs":1647,"content":1648},{"textAlign":34},[1649],{"text":283,"type":129},{"type":117,"attrs":1651,"content":1652},{"textAlign":34},[1653],{"text":1654,"type":129},"Preview image: Mehrta Shirzadian, The Geography of Yellow Walls Photo by Hanna Hofmann, 2026",[1656,1678,1688,1695,1709,1716,1723,1734,1753],{"_uid":1657,"component":121,"propRichtext":1658},"2d3a94bd-a6ce-4382-bdb4-cf06cce15d4c",{"type":114,"content":1659},[1660,1665,1673],{"type":117,"attrs":1661,"content":1662},{"textAlign":34},[1663],{"text":1664,"type":129},"A performance unfolding through turmeric as healing material and the body as living territory. ",{"type":117,"attrs":1666,"content":1667},{"textAlign":34},[1668],{"text":1669,"type":129,"marks":1670},"Bright yellow becomes a quiet declaration of care, resistance, and return. Here, the body is reclaimed as homeland, shaped by experience rather than imposed borders. ",[1671],{"type":350,"attrs":1672},{"class":352},{"type":117,"attrs":1674,"content":1675},{"textAlign":34},[1676],{"text":1677,"type":129},"The work is rooted in a deep commitment to women’s health and critical scientific perspectives, engaging forms of embodied knowledge that have long been ignored or erased. The body becomes both evidence and memory, offering its own geography as a space of protection, defiance, and belonging. The performance is adapted to each site, responding to the spatial and contextual conditions of different venues.",{"_uid":1679,"component":121,"propRichtext":1680},"b20f083f-be58-428e-916c-3a6d9c10e8ea",{"type":114,"content":1681},[1682],{"type":117,"attrs":1683,"content":1684},{"textAlign":34},[1685],{"text":156,"type":129,"marks":1686},[1687],{"type":132},{"_uid":377,"component":121,"propRichtext":1689},{"type":114,"content":1690},[1691],{"type":117,"attrs":1692,"content":1693},{"textAlign":34},[1694],{"text":384,"type":129},{"_uid":386,"component":121,"propRichtext":1696},{"type":114,"content":1697},[1698],{"type":117,"attrs":1699,"content":1700},{"textAlign":34},[1701,1704,1705,1708],{"text":139,"type":129,"marks":1702},[1703],{"type":132},{"text":169,"type":129},{"text":171,"type":129,"marks":1706},[1707],{"type":132},{"text":175,"type":129},{"_uid":401,"component":121,"propRichtext":1710},{"type":114,"content":1711},[1712],{"type":117,"attrs":1713,"content":1714},{"textAlign":34},[1715],{"text":180,"type":129},{"_uid":409,"component":121,"propRichtext":1717},{"type":114,"content":1718},[1719],{"type":117,"attrs":1720,"content":1721},{"textAlign":34},[1722],{"text":185,"type":129},{"_uid":417,"component":121,"propRichtext":1724},{"type":114,"content":1725},[1726],{"type":117,"attrs":1727,"content":1728},{"textAlign":34},[1729,1730,1733],{"text":190,"type":129},{"text":192,"type":129,"marks":1731},[1732],{"type":132},{"text":196,"type":129},{"_uid":429,"component":121,"propRichtext":1735},{"type":114,"content":1736},[1737,1746],{"type":433,"attrs":1738,"content":1739},{"level":435,"textAlign":34},[1740],{"text":438,"type":129,"marks":1741},[1742,1743,1744],{"type":211},{"type":132},{"type":350,"attrs":1745},{"class":352},{"type":117,"attrs":1747,"content":1748},{"textAlign":34},[1749],{"text":217,"type":129,"marks":1750},[1751],{"type":350,"attrs":1752},{"class":352},{"_uid":1241,"component":121,"propRichtext":1754},{"type":114,"content":1755},[1756],{"type":117,"attrs":1757,"content":1758},{"textAlign":34},[1759],{"text":459,"type":129,"marks":1760},[1761],{"type":132},[1763],{"_uid":464,"component":221,"propColor":1764,"propSubheadline":1766,"propPreviewImage":1767,"propPreviewVideo":1771,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1773,"propMetadescription":21,"propDescriptionShort":486},{"_uid":466,"color":1765,"plugin":225},"#e0c452","by Mehrta Shirzadian",{"id":1768,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1769,"copyright":21,"fieldtype":230,"meta_data":1770,"is_external_url":37},175348313350842,"https://a.storyblok.com/f/98682/1920x1080/19dc182e01/yellow.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":1772},{},{"type":114,"content":1774},[1775],{"type":117,"attrs":1776,"content":1777},{"textAlign":34},[1778],{"text":171,"type":129,"marks":1779},[1780],{"type":312,"attrs":1781},{"href":484,"uuid":34,"anchor":34,"target":315,"linktype":485},"2026-07-04 13:00","reverberated-performance-04071","program/reverberated-performance-04071",-1700,[],"580fb8fb-5e11-4efe-a483-b3e23d5a2985","2026-05-11T08:56:21.193Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1622,"etag":1793,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":1794,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":1795,"x-runtime":1796,"x-xss-protection":68},"W/\"9dac8843c1e8495c7d1ae4dc70a06dfb\"","aEXrWU8ChLHG0lAScM2GxeUHdaQwQj7k1py_XaUC7d0mUIVn5XIK5w==","a95de5e2-7c59-4ca6-b21b-ae6696086aee","0.025335",{"data":1798,"headers":1957},{"story":1799,"cv":43,"rels":1955,"links":1956},{"name":1800,"created_at":1801,"published_at":1802,"updated_at":1803,"id":1804,"uuid":1805,"content":1806,"slug":1948,"full_slug":1949,"sort_by_date":34,"position":1950,"tag_list":1951,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":1952,"first_published_at":1953,"release_id":34,"lang":41,"path":34,"alternates":1954,"default_full_slug":34,"translated_slugs":34},"Pickle","2026-05-08T09:49:26.798Z","2026-05-18T09:58:42.389Z","2026-05-18T09:58:42.422Z",174260907238573,"c3ab4005-8af0-42d9-8ba4-06a923631f5b",{"_uid":266,"component":106,"propDateEnd":1637,"propCategory":1296,"propIsOnline":37,"propDateStart":21,"propMainContent":1807,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":1927,"propDateAndTimeOfOpening":1947},[1808],{"_uid":271,"component":112,"propCredits":1809,"propEntryInMainContent":1824},{"type":114,"content":1810},[1811,1815,1819],{"type":117,"attrs":1812,"content":1813},{"textAlign":34},[1814],{"text":278,"type":129},{"type":117,"attrs":1816,"content":1817},{"textAlign":34},[1818],{"text":283,"type":129},{"type":117,"attrs":1820,"content":1821},{"textAlign":34},[1822],{"text":1823,"type":129},"Preview image: Laura Chalabi, Pickles Image generated by AI, 2026 ",[1825,1846,1859,1873,1880,1887,1898,1917],{"_uid":1826,"component":121,"propRichtext":1827},"5732d3cf-54bf-4dda-b47e-75d800d634d3",{"type":114,"content":1828},[1829,1839,1844],{"type":117,"attrs":1830,"content":1831},{"textAlign":34},[1832,1834,1837],{"text":1833,"type":129},"In the participatory performance, the pickled vegetables from the installation ",{"text":1800,"type":129,"marks":1835},[1836],{"type":132},{"text":1838,"type":129}," will be taken out of a few jars, while the prose text on the jars will be recited. Afterwards, the pickled vegetables will be eaten together. ",{"type":117,"attrs":1840,"content":1841},{"textAlign":34},[1842],{"text":1843,"type":129},"Visitors are invited to bring foods with which they would like to eat the pickled vegetables.",{"type":117,"attrs":1845},{"textAlign":34},{"_uid":377,"component":121,"propRichtext":1847},{"type":114,"content":1848},[1849,1855],{"type":117,"attrs":1850,"content":1851},{"textAlign":34},[1852],{"text":156,"type":129,"marks":1853},[1854],{"type":132},{"type":117,"attrs":1856,"content":1857},{"textAlign":34},[1858],{"text":384,"type":129},{"_uid":386,"component":121,"propRichtext":1860},{"type":114,"content":1861},[1862],{"type":117,"attrs":1863,"content":1864},{"textAlign":34},[1865,1868,1869,1872],{"text":139,"type":129,"marks":1866},[1867],{"type":132},{"text":169,"type":129},{"text":171,"type":129,"marks":1870},[1871],{"type":132},{"text":175,"type":129},{"_uid":401,"component":121,"propRichtext":1874},{"type":114,"content":1875},[1876],{"type":117,"attrs":1877,"content":1878},{"textAlign":34},[1879],{"text":180,"type":129},{"_uid":409,"component":121,"propRichtext":1881},{"type":114,"content":1882},[1883],{"type":117,"attrs":1884,"content":1885},{"textAlign":34},[1886],{"text":185,"type":129},{"_uid":417,"component":121,"propRichtext":1888},{"type":114,"content":1889},[1890],{"type":117,"attrs":1891,"content":1892},{"textAlign":34},[1893,1894,1897],{"text":190,"type":129},{"text":192,"type":129,"marks":1895},[1896],{"type":132},{"text":196,"type":129},{"_uid":429,"component":121,"propRichtext":1899},{"type":114,"content":1900},[1901,1910],{"type":433,"attrs":1902,"content":1903},{"level":435,"textAlign":34},[1904],{"text":438,"type":129,"marks":1905},[1906,1907,1908],{"type":211},{"type":132},{"type":350,"attrs":1909},{"class":352},{"type":117,"attrs":1911,"content":1912},{"textAlign":34},[1913],{"text":217,"type":129,"marks":1914},[1915],{"type":350,"attrs":1916},{"class":352},{"_uid":1918,"component":121,"propRichtext":1919},"56e6d388-2a48-41e6-8e9b-08db8d59bf44",{"type":114,"content":1920},[1921],{"type":117,"attrs":1922,"content":1923},{"textAlign":34},[1924],{"text":459,"type":129,"marks":1925},[1926],{"type":132},[1928],{"_uid":464,"component":221,"propColor":1929,"propSubheadline":1931,"propPreviewImage":1932,"propPreviewVideo":1936,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1938,"propMetadescription":21,"propDescriptionShort":486},{"_uid":466,"color":1930,"plugin":225},"#e0e052","by Laura Chalabi",{"id":1933,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1934,"copyright":21,"fieldtype":230,"meta_data":1935,"is_external_url":37},175349015188218,"https://a.storyblok.com/f/98682/1920x1080/e298711f36/pickles.png",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":1937},{},{"type":114,"content":1939},[1940],{"type":117,"attrs":1941,"content":1942},{"textAlign":34},[1943],{"text":171,"type":129,"marks":1944},[1945],{"type":312,"attrs":1946},{"href":484,"uuid":34,"anchor":34,"target":315,"linktype":485},"2026-07-04 13:30","reverberated-performance-04072","program/reverberated-performance-04072",-1690,[],"6d066ade-657f-45c3-94e4-35e937abe098","2026-05-11T08:56:27.809Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1958,"etag":1959,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":499,"x-amz-cf-id":1960,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":1961,"x-runtime":1962,"x-xss-protection":68},"Thu, 21 May 2026 13:52:04 GMT","W/\"87ca7900d6d386cd0ee94439131c8be6\"","vvrbgCWoDy4lvwuoJikFz__eX4hieJiSp3LR_xaqekdG51g30gNF4A==","32bf479b-0ee0-4a9b-8c3e-e4da0f52de5e","0.033808",{"data":1964,"headers":2331},{"story":1965,"cv":43,"rels":2329,"links":2330},{"name":1966,"created_at":1967,"published_at":1968,"updated_at":1969,"id":1970,"uuid":1971,"content":1972,"slug":2322,"full_slug":2323,"sort_by_date":34,"position":2324,"tag_list":2325,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":2326,"first_published_at":2327,"release_id":34,"lang":41,"path":34,"alternates":2328,"default_full_slug":34,"translated_slugs":34},"[Reverberated]","2026-01-07T14:03:35.515Z","2026-05-21T13:49:56.939Z","2026-05-21T13:49:56.959Z",131502143578374,"3857d242-6f75-402c-baa4-a313b3aa3362",{"_uid":266,"component":106,"propDateEnd":1973,"propCategory":108,"propIsOnline":37,"propDateStart":1974,"propMainContent":1975,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":2303,"propDateAndTimeOfOpening":2321},"2026-07-10 16:00","2026-06-10 00:00",[1976],{"_uid":271,"component":112,"propCredits":1977,"propEntryInMainContent":1992},{"type":114,"content":1978},[1979,1983,1987],{"type":117,"attrs":1980,"content":1981},{"textAlign":34},[1982],{"text":278,"type":129},{"type":117,"attrs":1984,"content":1985},{"textAlign":34},[1986],{"text":283,"type":129},{"type":117,"attrs":1988,"content":1989},{"textAlign":34},[1990],{"text":1991,"type":129},"Preview image: Agustina Belén Agüero and Moritz Klarer",[1993,2010,2040,2050,2060,2074,2081,2088,2099,2118,2247],{"_uid":1994,"component":121,"propRichtext":1995},"19fd999b-4c86-45c2-9d14-adf724be1dd9",{"type":114,"content":1996},[1997,2005],{"type":117,"attrs":1998,"content":1999},{"textAlign":34},[2000],{"text":2001,"type":129,"marks":2002},"Opening hours: Mon–Fri: 11:00–18:00 ",[2003],{"type":350,"attrs":2004},{"class":352},{"type":117,"attrs":2006,"content":2007},{"textAlign":34},[2008],{"text":2009,"type":129},"(closed on public holidays, extended opening hours during Angewandte Festival 1–4 July) ",{"_uid":2011,"component":121,"propRichtext":2012},"d36435f7-0f5f-42d9-82a2-cef53d546fa0",{"type":114,"content":2013},[2014],{"type":202,"content":2015},[2016,2024,2029],{"type":117,"attrs":2017,"content":2018},{"textAlign":34},[2019],{"text":2020,"type":129,"marks":2021},"OPENING PROGRAM, 18:00",[2022],{"type":350,"attrs":2023},{"class":352},{"type":117,"attrs":2025,"content":2026},{"textAlign":34},[2027],{"text":2028,"type":129},"Welcome by Rector Ulrike Kuch,, Elisabeth Falkensteiner (AIL), Martin Reinhart (Art & Science) and participating artists ",{"type":117,"attrs":2030,"content":2031},{"textAlign":34},[2032,2034,2035,2037,2038],{"text":2033,"type":129},"Performance Leah Giertz (19:30)",{"type":796},{"text":2036,"type":129},"Performance Laura Chalabi",{"type":796},{"text":2039,"type":129},"Audio performance by Leonard Otterbein (20:15)",{"_uid":2041,"component":121,"propRichtext":2042},"99481ed3-462f-40f3-ae49-9be2b752bc3f",{"type":114,"content":2043},[2044],{"type":117,"attrs":2045,"content":2046},{"textAlign":34},[2047],{"text":156,"type":129,"marks":2048},[2049],{"type":132},{"_uid":377,"component":121,"propRichtext":2051},{"type":114,"content":2052},[2053],{"type":117,"attrs":2054,"content":2055},{"textAlign":34},[2056],{"text":384,"type":129,"marks":2057},[2058],{"type":350,"attrs":2059},{"class":352},{"_uid":386,"component":121,"propRichtext":2061},{"type":114,"content":2062},[2063],{"type":117,"attrs":2064,"content":2065},{"textAlign":34},[2066,2069,2070,2073],{"text":139,"type":129,"marks":2067},[2068],{"type":132},{"text":169,"type":129},{"text":171,"type":129,"marks":2071},[2072],{"type":132},{"text":175,"type":129},{"_uid":401,"component":121,"propRichtext":2075},{"type":114,"content":2076},[2077],{"type":117,"attrs":2078,"content":2079},{"textAlign":34},[2080],{"text":180,"type":129},{"_uid":409,"component":121,"propRichtext":2082},{"type":114,"content":2083},[2084],{"type":117,"attrs":2085,"content":2086},{"textAlign":34},[2087],{"text":185,"type":129},{"_uid":417,"component":121,"propRichtext":2089},{"type":114,"content":2090},[2091],{"type":117,"attrs":2092,"content":2093},{"textAlign":34},[2094,2095,2098],{"text":190,"type":129},{"text":192,"type":129,"marks":2096},[2097],{"type":132},{"text":196,"type":129},{"_uid":429,"component":121,"propRichtext":2100},{"type":114,"content":2101},[2102,2111],{"type":433,"attrs":2103,"content":2104},{"level":435,"textAlign":34},[2105],{"text":438,"type":129,"marks":2106},[2107,2108,2109],{"type":211},{"type":132},{"type":350,"attrs":2110},{"class":352},{"type":117,"attrs":2112,"content":2113},{"textAlign":34},[2114],{"text":217,"type":129,"marks":2115},[2116],{"type":350,"attrs":2117},{"class":352},{"_uid":2119,"component":121,"propRichtext":2120},"d3d7c838-1947-46f2-8b58-027e983a8c39",{"type":114,"content":2121},[2122,2130,2137,2145,2153,2173,2181,2192,2211,2224,2237,2245],{"type":433,"attrs":2123,"content":2124},{"level":435,"textAlign":34},[2125],{"text":2126,"type":129,"marks":2127},"Exhibition Program: ",[2128],{"type":350,"attrs":2129},{"class":352},{"type":117,"attrs":2131,"content":2132},{"textAlign":34},[2133],{"text":2134,"type":129,"marks":2135},"all Guided Tours and Workshops will be held in English",[2136],{"type":132},{"type":117,"attrs":2138,"content":2139},{"textAlign":34},[2140,2142,2143],{"text":2141,"type":129},"11 June",{"type":796},{"text":2144,"type":129},"17:00 Guided Tour ",{"type":117,"attrs":2146,"content":2147},{"textAlign":34},[2148,2150,2151],{"text":2149,"type":129},"16 June",{"type":796},{"text":2152,"type":129},"18:00 Wonder Tables – Memory, Archives, and Latent Traces. Conversations on Memory I",{"type":117,"attrs":2154,"content":2155},{"textAlign":34},[2156,2158,2159,2161,2162,2166,2171,2172],{"text":2157,"type":129},"18 June",{"type":796},{"text":2160,"type":129},"15:00 Workshop „Dream Screen“ by Dina Karaman",{"type":796},{"text":2163,"type":129,"marks":2164},"For registration, write to (please state the name of the workshop in the e-mail subject): ",[2165],{"type":132},{"text":309,"type":129,"marks":2167},[2168,2170],{"type":312,"attrs":2169},{"href":314,"uuid":34,"anchor":34,"target":315,"linktype":316},{"type":132},{"type":796},{"text":2144,"type":129},{"type":117,"attrs":2174,"content":2175},{"textAlign":34},[2176,2178,2179],{"text":2177,"type":129},"24 June",{"type":796},{"text":2180,"type":129},"18:00 Wonder Tables – Memory, Archives, and Latent Traces. Conversations on Memory II",{"type":117,"attrs":2182,"content":2183},{"textAlign":34},[2184,2186,2187,2189,2190],{"text":2185,"type":129},"25 June",{"type":796},{"text":2188,"type":129},"15:00 Guided Tour ",{"type":796},{"text":2191,"type":129},"16:30 Reading Group „Practices of Memory / Praktiken der Erinnerung” organized by Tal Horesh ",{"type":117,"attrs":2193,"content":2194},{"textAlign":34},[2195,2197,2198,2200,2201,2204,2209,2210],{"text":2196,"type":129},"2 July (extended opening hours 11:00–21:00)",{"type":796},{"text":2199,"type":129},"15:00 Workshop „Lumen Prints: Photographing with the Sun\" by Agustina Belén Agüero ",{"type":796},{"text":2163,"type":129,"marks":2202},[2203],{"type":132},{"text":309,"type":129,"marks":2205},[2206,2208],{"type":312,"attrs":2207},{"href":314,"uuid":34,"anchor":34,"target":315,"linktype":316},{"type":132},{"type":796},{"text":2144,"type":129},{"type":117,"attrs":2212,"content":2213},{"textAlign":34},[2214,2216,2217,2219,2220,2222,2223],{"text":2215,"type":129},"3 July (extended opening hours 11:00–21:00)",{"type":796},{"text":2218,"type":129},"15:00 Performance  by Leah Giertz ",{"type":796},{"text":2221,"type":129},"15:30 Audio Performance by Leonard Otterbein ",{"type":796},{"text":2144,"type":129},{"type":117,"attrs":2225,"content":2226},{"textAlign":34},[2227,2229,2230,2232,2233,2235,2236],{"text":2228,"type":129},"4 July (Open Saturday, opening hours: 11:00–18:00)",{"type":796},{"text":2231,"type":129},"15:00 Performance  by Mehrta Shirzadian ",{"type":796},{"text":2234,"type":129},"15:30 Performance by Laura Chalabi ",{"type":796},{"text":2144,"type":129},{"type":117,"attrs":2238,"content":2239},{"textAlign":34},[2240,2242,2243],{"text":2241,"type":129},"9 July",{"type":796},{"text":2244,"type":129},"17:00 Guided Tour",{"type":117,"attrs":2246},{"textAlign":34},{"_uid":2248,"component":121,"propRichtext":2249},"3c3eaca4-f319-4acd-9648-cfc973f19bd2",{"type":114,"content":2250},[2251],{"type":202,"content":2252},[2253,2269,2286,2291,2296],{"type":117,"attrs":2254,"content":2255},{"textAlign":34},[2256,2258,2261,2263,2267],{"text":2257,"type":129},"The exhibition ",{"text":192,"type":129,"marks":2259},[2260],{"type":132},{"text":2262,"type":129},"emerges from the Art & Science master’s program at the University of Applied Arts Vienna and is developed within the framework of the program’s yearly research theme ",{"text":2264,"type":129,"marks":2265},"Memory",[2266],{"type":132},{"text":2268,"type":129},". Memory is not a stable archive of the past but a dynamic and reconstructive process in which traces are continuously reshaped by perception, narration, and material conditions. ",{"type":117,"attrs":2270,"content":2271},{"textAlign":34},[2272,2274,2278,2280,2284],{"text":2273,"type":129},"The project is supported by interdisciplinary collaborations that extend the artistic inquiry into adjacent research fields. One important reference point is the ",{"text":2275,"type":129,"marks":2276},"SONIME",[2277],{"type":132},{"text":2279,"type":129}," research project",{"text":2281,"type":129,"marks":2282},",",[2283],{"type":211},{"text":2285,"type":129}," which investigates historical audio media as both cultural artifacts and material carriers of memory. Through this connection, questions of sonic preservation, migration histories, and the materiality of recorded voices become part of the exhibition’s broader investigation into how memories are stored, transmitted, and reconstructed. A second collaboration with the Vienna Cognitive Science Hub introduces perspectives from empirical aesthetics and philosophy, contributing to the exhibition’s research program on how perception, attention, and narrative interpretation shape processes of remembering.",{"type":117,"attrs":2287,"content":2288},{"textAlign":34},[2289],{"text":2290,"type":129},"Accompanying public discussions with invited researchers from relevant fields will further extend these perspectives and situate the exhibition within a broader interdisciplinary dialogue on memory, archives, and distributed forms of remembering.",{"type":117,"attrs":2292,"content":2293},{"textAlign":34},[2294],{"text":2295,"type":129},"In this sense, [REVERBERATED] positions the exhibition itself as a methodological tool. By bringing artistic practice into dialogue with perspectives from media archaeology, cognitive science, and environmental thinking, the project explores how artistic research can contribute to a broader understanding of memory as a relational and continuously evolving phenomenon.",{"type":117,"attrs":2297,"content":2298},{"textAlign":34},[2299],{"text":2300,"type":129,"marks":2301},"(Research Framework Statement by Senior Lecturer at Art & Science Dr. Martin Reinhart)",[2302],{"type":132},[2304],{"_uid":464,"component":221,"propColor":2305,"propSubheadline":2307,"propPreviewImage":2308,"propPreviewVideo":2310,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":2312,"propMetadescription":21,"propDescriptionShort":237},{"_uid":466,"color":2306,"plugin":225},"#ba52e0","Following the Movement of Memory",{"id":228,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":229,"copyright":21,"fieldtype":230,"meta_data":2309,"is_external_url":37},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":2311},{},{"type":114,"content":2313},[2314],{"type":117,"attrs":2315,"content":2316},{"textAlign":34},[2317],{"text":171,"type":129,"marks":2318},[2319],{"type":312,"attrs":2320},{"href":484,"uuid":34,"anchor":34,"target":315,"linktype":485},"2026-06-09 16:00","reverberated","program/reverberated",-1760,[],"5f612974-4477-4cc7-bc1b-0cacd144fd53","2026-01-23T10:32:12.306Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1958,"etag":2332,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":2333,"x-amz-cf-id":2334,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":2335,"x-runtime":2336,"x-xss-protection":68},"W/\"ec57aa8c3f610e02eda2405beb4a9105\"","1.1 5d232f4912a063134dc9f5c99ee35f6c.cloudfront.net (CloudFront)","2gPZMPWV9wvhSYq0grZT1v0gDXrwHdOrBw7qFMwQkCIIcbBgPUbSvA==","5844adae-a727-4eb0-a694-2ae74f061eb8","0.026342",{"data":2338,"headers":2448},{"story":2339,"cv":43,"rels":2446,"links":2447},{"name":98,"created_at":2340,"published_at":2341,"updated_at":2342,"id":2343,"uuid":2344,"content":2345,"slug":2439,"full_slug":2440,"sort_by_date":34,"position":2441,"tag_list":2442,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":2443,"first_published_at":2444,"release_id":34,"lang":41,"path":34,"alternates":2445,"default_full_slug":34,"translated_slugs":34},"2026-05-08T09:36:30.224Z","2026-05-08T09:43:21.947Z","2026-05-08T09:43:21.966Z",174257726390047,"93a9a2b5-4b4b-43d1-a3c4-8306b1f5e42a",{"_uid":105,"component":106,"propDateEnd":2346,"propCategory":108,"propIsOnline":37,"propDateStart":21,"propMainContent":2347,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":2428,"propDateAndTimeOfOpening":2438},"2026-07-02 16:00",[2348],{"_uid":111,"component":112,"propCredits":2349,"propEntryInMainContent":2352},{"type":114,"content":2350},[2351],{"type":117},[2353,2374,2412],{"_uid":120,"component":121,"propRichtext":2354},{"type":114,"content":2355},[2356,2362,2370,2372],{"type":117,"attrs":2357,"content":2358},{"textAlign":34},[2359],{"text":128,"type":129,"marks":2360},[2361],{"type":132},{"type":117,"attrs":2363,"content":2364},{"textAlign":34},[2365,2366,2369],{"text":137,"type":129},{"text":139,"type":129,"marks":2367},[2368],{"type":132},{"text":143,"type":129},{"type":117,"attrs":2371},{"textAlign":34},{"type":117,"attrs":2373},{"textAlign":34},{"_uid":149,"component":121,"propRichtext":2375},{"type":114,"content":2376},[2377,2381,2385,2396,2400,2404],{"type":117,"attrs":2378,"content":2379},{"textAlign":34},[2380],{"text":156,"type":129},{"type":117,"attrs":2382,"content":2383},{"textAlign":34},[2384],{"text":161,"type":129},{"type":117,"attrs":2386,"content":2387},{"textAlign":34},[2388,2391,2392,2395],{"text":139,"type":129,"marks":2389},[2390],{"type":132},{"text":169,"type":129},{"text":171,"type":129,"marks":2393},[2394],{"type":132},{"text":175,"type":129},{"type":117,"attrs":2397,"content":2398},{"textAlign":34},[2399],{"text":180,"type":129},{"type":117,"attrs":2401,"content":2402},{"textAlign":34},[2403],{"text":185,"type":129},{"type":117,"attrs":2405,"content":2406},{"textAlign":34},[2407,2408,2411],{"text":190,"type":129},{"text":192,"type":129,"marks":2409},[2410],{"type":132},{"text":196,"type":129},{"_uid":198,"component":121,"propRichtext":2413},{"type":114,"content":2414},[2415],{"type":202,"content":2416},[2417,2424],{"type":117,"attrs":2418,"content":2419},{"textAlign":34},[2420],{"text":208,"type":129,"marks":2421},[2422,2423],{"type":211},{"type":132},{"type":117,"attrs":2425,"content":2426},{"textAlign":34},[2427],{"text":217,"type":129},[2429],{"_uid":220,"component":221,"propColor":2430,"propSubheadline":226,"propPreviewImage":2431,"propPreviewVideo":2433,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":2435,"propMetadescription":21,"propDescriptionShort":237},{"_uid":223,"color":1253,"plugin":225},{"id":228,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":229,"copyright":21,"fieldtype":230,"meta_data":2432,"is_external_url":37},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":2434},{},{"type":114,"content":2436},[2437],{"type":117},"2026-07-02 15:00","guided-tour-reverberated-0207","program/guided-tour-reverberated-0207",-1870,[],"d296251d-429f-4102-8d93-dccf20587e5c","2026-05-08T09:38:05.160Z",[],[],[],{"age":250,"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":616,"etag":2449,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":2450,"x-amz-cf-pop":61,"x-cache":62,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":2451,"x-runtime":2452,"x-xss-protection":68},"W/\"1dce6694f2624f1adc96bb03ebe5231a\"","1S1Qw4G2FnhXaJ1SsRsvW4WGHS2--m9O8bElDB8248RJjH10_wIUtA==","7fd94692-c5df-4099-8644-c9d0c92a037f","0.026695",{"data":2454,"headers":2565},{"story":2455,"cv":43,"rels":2563,"links":2564},{"name":98,"created_at":2456,"published_at":2457,"updated_at":2458,"id":2459,"uuid":2460,"content":2461,"slug":2556,"full_slug":2557,"sort_by_date":34,"position":2558,"tag_list":2559,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":2560,"first_published_at":2561,"release_id":34,"lang":41,"path":34,"alternates":2562,"default_full_slug":34,"translated_slugs":34},"2026-05-08T09:38:21.330Z","2026-05-08T09:43:09.864Z","2026-05-08T09:43:09.879Z",174258181496623,"512d7f11-b61a-47dc-b106-76b27cd1b85e",{"_uid":105,"component":106,"propDateEnd":2462,"propCategory":108,"propIsOnline":37,"propDateStart":21,"propMainContent":2463,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":2544,"propDateAndTimeOfOpening":2555},"2026-07-03 16:00",[2464],{"_uid":111,"component":112,"propCredits":2465,"propEntryInMainContent":2468},{"type":114,"content":2466},[2467],{"type":117},[2469,2490,2528],{"_uid":120,"component":121,"propRichtext":2470},{"type":114,"content":2471},[2472,2478,2486,2488],{"type":117,"attrs":2473,"content":2474},{"textAlign":34},[2475],{"text":128,"type":129,"marks":2476},[2477],{"type":132},{"type":117,"attrs":2479,"content":2480},{"textAlign":34},[2481,2482,2485],{"text":137,"type":129},{"text":139,"type":129,"marks":2483},[2484],{"type":132},{"text":143,"type":129},{"type":117,"attrs":2487},{"textAlign":34},{"type":117,"attrs":2489},{"textAlign":34},{"_uid":149,"component":121,"propRichtext":2491},{"type":114,"content":2492},[2493,2497,2501,2512,2516,2520],{"type":117,"attrs":2494,"content":2495},{"textAlign":34},[2496],{"text":156,"type":129},{"type":117,"attrs":2498,"content":2499},{"textAlign":34},[2500],{"text":161,"type":129},{"type":117,"attrs":2502,"content":2503},{"textAlign":34},[2504,2507,2508,2511],{"text":139,"type":129,"marks":2505},[2506],{"type":132},{"text":169,"type":129},{"text":171,"type":129,"marks":2509},[2510],{"type":132},{"text":175,"type":129},{"type":117,"attrs":2513,"content":2514},{"textAlign":34},[2515],{"text":180,"type":129},{"type":117,"attrs":2517,"content":2518},{"textAlign":34},[2519],{"text":185,"type":129},{"type":117,"attrs":2521,"content":2522},{"textAlign":34},[2523,2524,2527],{"text":190,"type":129},{"text":192,"type":129,"marks":2525},[2526],{"type":132},{"text":196,"type":129},{"_uid":198,"component":121,"propRichtext":2529},{"type":114,"content":2530},[2531],{"type":202,"content":2532},[2533,2540],{"type":117,"attrs":2534,"content":2535},{"textAlign":34},[2536],{"text":208,"type":129,"marks":2537},[2538,2539],{"type":211},{"type":132},{"type":117,"attrs":2541,"content":2542},{"textAlign":34},[2543],{"text":217,"type":129},[2545],{"_uid":220,"component":221,"propColor":2546,"propSubheadline":226,"propPreviewImage":2548,"propPreviewVideo":2550,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":2552,"propMetadescription":21,"propDescriptionShort":237},{"_uid":223,"color":2547,"plugin":225},"#e09452",{"id":228,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":229,"copyright":21,"fieldtype":230,"meta_data":2549,"is_external_url":37},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":2551},{},{"type":114,"content":2553},[2554],{"type":117},"2026-07-03 15:00","guided-tour-reverberated-0307","program/guided-tour-reverberated-0307",-1840,[],"89ea6271-a55b-4253-9a92-ce6156eb64be","2026-05-08T09:38:50.674Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1958,"etag":2566,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":2567,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":2568,"x-runtime":2569,"x-xss-protection":68},"W/\"5933bd1a69336a97dd80d4b7282c979f\"","legAd2c0L5D8qksR1JfiKNBOTCOcNR90On4iQYVbIrY9ES4HbMBf2A==","40130762-2dfd-4948-850a-2e9b8a51d05c","0.061228",{"data":2571,"headers":2682},{"story":2572,"cv":43,"rels":2680,"links":2681},{"name":506,"created_at":2573,"published_at":2574,"updated_at":2575,"id":2576,"uuid":2577,"content":2578,"slug":2673,"full_slug":2674,"sort_by_date":34,"position":2675,"tag_list":2676,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":2677,"first_published_at":2678,"release_id":34,"lang":41,"path":34,"alternates":2679,"default_full_slug":34,"translated_slugs":34},"2026-05-08T09:39:09.871Z","2026-05-11T12:53:46.842Z","2026-05-11T12:53:46.857Z",174258380300346,"324807aa-3b45-4cac-b17e-16947d33a06c",{"_uid":105,"component":106,"propDateEnd":2579,"propCategory":108,"propIsOnline":37,"propDateStart":21,"propMainContent":2580,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":2661,"propDateAndTimeOfOpening":2672},"2026-07-04 16:00",[2581],{"_uid":111,"component":112,"propCredits":2582,"propEntryInMainContent":2585},{"type":114,"content":2583},[2584],{"type":117},[2586,2607,2645],{"_uid":120,"component":121,"propRichtext":2587},{"type":114,"content":2588},[2589,2595,2603,2605],{"type":117,"attrs":2590,"content":2591},{"textAlign":34},[2592],{"text":128,"type":129,"marks":2593},[2594],{"type":132},{"type":117,"attrs":2596,"content":2597},{"textAlign":34},[2598,2599,2602],{"text":137,"type":129},{"text":139,"type":129,"marks":2600},[2601],{"type":132},{"text":143,"type":129},{"type":117,"attrs":2604},{"textAlign":34},{"type":117,"attrs":2606},{"textAlign":34},{"_uid":149,"component":121,"propRichtext":2608},{"type":114,"content":2609},[2610,2614,2618,2629,2633,2637],{"type":117,"attrs":2611,"content":2612},{"textAlign":34},[2613],{"text":156,"type":129},{"type":117,"attrs":2615,"content":2616},{"textAlign":34},[2617],{"text":161,"type":129},{"type":117,"attrs":2619,"content":2620},{"textAlign":34},[2621,2624,2625,2628],{"text":139,"type":129,"marks":2622},[2623],{"type":132},{"text":169,"type":129},{"text":171,"type":129,"marks":2626},[2627],{"type":132},{"text":175,"type":129},{"type":117,"attrs":2630,"content":2631},{"textAlign":34},[2632],{"text":180,"type":129},{"type":117,"attrs":2634,"content":2635},{"textAlign":34},[2636],{"text":185,"type":129},{"type":117,"attrs":2638,"content":2639},{"textAlign":34},[2640,2641,2644],{"text":190,"type":129},{"text":192,"type":129,"marks":2642},[2643],{"type":132},{"text":196,"type":129},{"_uid":198,"component":121,"propRichtext":2646},{"type":114,"content":2647},[2648],{"type":202,"content":2649},[2650,2657],{"type":117,"attrs":2651,"content":2652},{"textAlign":34},[2653],{"text":208,"type":129,"marks":2654},[2655,2656],{"type":211},{"type":132},{"type":117,"attrs":2658,"content":2659},{"textAlign":34},[2660],{"text":217,"type":129},[2662],{"_uid":220,"component":221,"propColor":2663,"propSubheadline":226,"propPreviewImage":2665,"propPreviewVideo":2667,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":2669,"propMetadescription":21,"propDescriptionShort":237},{"_uid":223,"color":2664,"plugin":225},"#e0a752",{"id":228,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":229,"copyright":21,"fieldtype":230,"meta_data":2666,"is_external_url":37},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":2668},{},{"type":114,"content":2670},[2671],{"type":117},"2026-07-04 15:00","guided-tour-reverberated-0407","program/guided-tour-reverberated-0407",-1860,[],"8cbd89af-e565-44f4-8306-64ec5464c3ee","2026-05-08T09:39:40.179Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":2683,"etag":2684,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":2685,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":2686,"x-runtime":2687,"x-xss-protection":68},"Thu, 21 May 2026 13:52:05 GMT","W/\"010b7cc22ce5e59d4e861f3ab2a16b10\"","li_juNJJ80vo_FXsEISTmrTjqEmh5WJ7KGomDBvv2LBBBFw2QojHMQ==","4be2be88-5f71-48a0-8323-dd119472f62f","0.026935",{"data":2689,"headers":2849},{"story":2690,"cv":43,"rels":2847,"links":2848},{"name":2691,"created_at":2692,"published_at":2693,"updated_at":2694,"id":2695,"uuid":2696,"content":2697,"slug":2839,"full_slug":2840,"sort_by_date":34,"position":2841,"tag_list":2842,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":2844,"first_published_at":2845,"release_id":34,"lang":41,"path":34,"alternates":2846,"default_full_slug":34,"translated_slugs":34},"10 Years of AIL – Postcard Edition","2024-12-17T14:43:32.358Z","2026-04-08T09:31:31.677Z","2026-04-08T09:31:31.692Z",597236472,"6cbb61ec-fe48-4f83-bd78-2f5d3792073f",{"_uid":2698,"component":2699,"propCategory":2700,"propMainContent":2701,"propHeaderInformation":2821},"acd19d19-1d0d-4325-8d30-a561c16b7c71","Page_Detailseite_Explore","news",[2702],{"_uid":2703,"component":112,"propCredits":2704,"propEntryInMainContent":2744},"1e94e110-80c6-4874-8a1e-a84af95583d7",{"type":114,"content":2705},[2706,2711,2716,2721,2726,2731,2742],{"type":117,"attrs":2707,"content":2708},{"textAlign":34},[2709],{"text":2710,"type":129},"AIL Postcards, 10 Year Anniversary Edition, 2024",{"type":117,"attrs":2712,"content":2713},{"textAlign":34},[2714],{"text":2715,"type":129},"Text and Concept: Valerie Prinz",{"type":117,"attrs":2717,"content":2718},{"textAlign":34},[2719],{"text":2720,"type":129},"Design: Atelier Dreibholz ",{"type":117,"attrs":2722,"content":2723},{"textAlign":34},[2724],{"text":2725,"type":129},"Concept Postcard Editions and Production: Eva Weber",{"type":117,"attrs":2727,"content":2728},{"textAlign":34},[2729],{"text":2730,"type":129},"Support: Nora Mayr",{"type":117,"attrs":2732,"content":2733},{"textAlign":34},[2734],{"text":2735,"type":129,"marks":2736},"About the initial poster project",[2737],{"type":312,"attrs":2738},{"href":2739,"uuid":2740,"anchor":34,"target":315,"linktype":2741},"/explore/showcase-Valerie-Prinz","cfeae9e8-cdac-4630-91b1-1d0403b0af22","story",{"type":117,"attrs":2743},{"textAlign":34},[2745,2752,2762,2771,2777,2789,2801,2807],{"_uid":2746,"component":2747,"propImage":2748,"propAltText":21,"propCaption":21},"2ff96b35-6f6e-4523-8edb-fee00883a62f","Component_Nested_Image",{"id":2749,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":2750,"copyright":21,"fieldtype":230,"meta_data":2751,"is_external_url":37},20101986,"https://a.storyblok.com/f/98682/1920x2560/690888c4ad/img_0115-kopie.jpeg",{},{"_uid":2753,"component":121,"propRichtext":2754},"c9f6b61b-8c61-4d1a-8328-3ce1c2ed0f1e",{"type":114,"content":2755},[2756],{"type":433,"attrs":2757,"content":2759},{"level":2758},4,[2760],{"text":2761,"type":129},"Together we ask: Where are we and where are we ­going? ",{"_uid":2763,"component":121,"propRichtext":2764},"4bb25a72-b46f-4bdc-a841-4edc04955d4a",{"type":114,"content":2765},[2766],{"type":117,"attrs":2767,"content":2768},{"textAlign":34},[2769],{"text":2770,"type":129},"For its ten year anniversary, AIL presents a special edition of postcards. Installed in the former cashier hall of Otto Wagner Postsparkasse, visitors are invited to select one and send it out into the world. ­Valerie Prinz, student and alumni of the department of ­Creative Writing [Sprachkunst] has developed a ­series of statements which emerge from AIL’s cosmos of questions, research and program. ",{"_uid":2772,"component":2747,"propImage":2773,"propAltText":21,"propCaption":21},"1e4bb1c4-d7e5-4fdb-99db-62802b36e2e0",{"id":2774,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":2775,"copyright":21,"fieldtype":230,"meta_data":2776,"is_external_url":37},20101987,"https://a.storyblok.com/f/98682/1920x3071/1acc007072/img_0121-kopie.jpeg",{},{"_uid":2778,"component":121,"propRichtext":2779},"6c139e7d-212b-4f8a-adf6-5b9f49be560d",{"type":114,"content":2780},[2781],{"type":117,"attrs":2782,"content":2783},{"textAlign":34},[2784],{"text":2785,"type":129,"marks":2786},"In this place of exchange, we ­encourage you to stay ­connected.",[2787],{"type":350,"attrs":2788},{"class":352},{"_uid":2790,"component":121,"propRichtext":2791},"df560358-0380-4ba7-a0ff-b347e996ddf0",{"type":114,"content":2792},[2793],{"type":117,"content":2794},[2795],{"text":2796,"type":129,"marks":2797},"Every day visitors and tourist come into the building, looking for a post office. Still not selling stamps, for a moment, we keep the expectations coming with the building of Postsparkasse.",[2798],{"type":918,"attrs":2799},{"color":2800},"#202020",{"_uid":2802,"component":2747,"propImage":2803,"propAltText":21,"propCaption":21},"422aa077-1a48-418b-8363-0c4210dfecba",{"id":2804,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":2805,"copyright":21,"fieldtype":230,"meta_data":2806,"is_external_url":37},20101984,"https://a.storyblok.com/f/98682/1920x2560/2448cb68d3/img_0112-kopie.jpeg",{},{"_uid":2808,"component":121,"propRichtext":2809},"2c9a999c-3ad6-4eeb-bf97-343961c4cae3",{"type":114,"content":2810},[2811,2815],{"type":117,"content":2812},[2813],{"text":2814,"type":129},"As a temporary installation, you can find now a postcard holder in the setting of Café Exchange. Pick your favorite cards and send them out into the world.",{"type":202,"content":2816},[2817],{"type":117,"content":2818},[2819],{"text":2820,"type":129},"The famous building of the ‘Post­sparkasse’, designed by Otto Wagner for Georg Coch, built between 1904 and 1906, and used as a bank until 2017. Since 2021, the University of ­Applied Arts Vienna has presented the Angewandte ­Interdisciplinary Lab (AIL) and Café Exchange in the ‘Kassenhalle’ and two exhibition spaces. The AIL is the university’s platform for art, science and artistic research.  At AIL, the relationship between art and science and the potential of ­interdisciplinarity is explored, while making ­artistic research at the University of Applied Arts Vienna ­accessible to a broad public. ",[2822],{"_uid":2823,"component":221,"propColor":2824,"propSubheadline":2827,"propPreviewImage":2828,"propPreviewVideo":2832,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":2835,"propMetadescription":21,"propDescriptionShort":2838},"e0d37669-a7db-46c5-9a46-28af68696743",{"_uid":2825,"color":2826,"plugin":225},"e7c14008-b548-4ffa-b779-1ecdde82babe","#b56cf8","Greetings from the University of Applied Arts Vienna",{"id":2829,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":2830,"copyright":21,"fieldtype":230,"meta_data":2831,"is_external_url":37},20101927,"https://a.storyblok.com/f/98682/2243x3588/cd482afa7f/img_0121.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":2833},{},true,{"type":114,"content":2836},[2837],{"type":117},"A collaboration with the department of Creative Writing [Sprachkunst], with student and alumni Valerie Prinz","greetings-from-the-university-of-applied-arts-vienna","explore/greetings-from-the-university-of-applied-arts-vienna",-1220,[],29265108,"68079d82-17ed-45b1-9693-4ed6798f3630","2025-01-22T13:13:19.707Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":2850,"etag":2851,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":499,"x-amz-cf-id":2852,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":2853,"x-runtime":2854,"x-xss-protection":68},"Thu, 21 May 2026 13:52:08 GMT","W/\"5d87df43b584e05bf1c6b46925f30091\"","I3Nk8EeNfW1I7jQSYZOpStf5ujcwQiPJhC3234PrOZWhJKh19x2Tng==","23623d1c-8d3a-477c-8f0b-524f2ea9908b","0.025367",{"data":2856,"headers":2945},{"story":2857,"cv":43,"rels":2943,"links":2944},{"name":2858,"created_at":2859,"published_at":2860,"updated_at":2861,"id":2862,"uuid":2863,"content":2864,"slug":2937,"full_slug":2938,"sort_by_date":34,"position":2939,"tag_list":2940,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":2941,"first_published_at":2860,"release_id":34,"lang":41,"path":34,"alternates":2942,"default_full_slug":34,"translated_slugs":34},"Axioms of AI","2026-05-21T11:37:09.634Z","2026-05-21T11:41:00.400Z","2026-05-21T11:41:00.418Z",178888006213098,"cf0125fe-7fc5-483f-b67a-d51b3a725e72",{"_uid":2865,"component":106,"propDateEnd":2866,"propCategory":2867,"propIsOnline":37,"propDateStart":21,"propMainContent":2868,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":2921,"propDateAndTimeOfOpening":2936},"c1a40192-e53a-4472-bc02-bde9344cec5d","2026-06-30 18:00","talk",[2869],{"_uid":2870,"component":112,"propCredits":2871,"propEntryInMainContent":2874},"dc5b12ee-9558-4f3e-b0ef-b90f6ff06334",{"type":114,"content":2872},[2873],{"type":117},[2875,2894],{"_uid":2876,"component":121,"propRichtext":2877},"ca9c5f25-7bbf-48c3-9046-a35cf78710e8",{"type":114,"content":2878},[2879,2884,2889],{"type":117,"attrs":2880,"content":2881},{"textAlign":34},[2882],{"text":2883,"type":129},"From its inception, modern computing has faced a series of hard problems, that is, some prize or domain that seems to elude computation. These hard problems include meaning, quality, the real, continuity, and mind. Historically, digital computing has either been definitionally barred from claiming one or more of these prizes, or has thus far been unable to perform satisfactorily in obtaining them. When tackling a hard problem, most of the work is performed by the integers, plus a series of attendant operations borrowed from arithmetic, logic, and linear algebra (namely, matrix manipulation). Meanwhile a ton of heavy lifting is performed elsewhere, by a series of \"invisible\" operations. While not typically labeled technologies per se, we must include these invisible operations as axioms. ",{"type":117,"attrs":2885,"content":2886},{"textAlign":34},[2887],{"text":2888,"type":129},"For this lecture, Alexander R. Galloway will address five axioms of AI: the Turing Test, the Eliza Effect, float fusion, scale, and arbitrage.",{"type":117,"attrs":2890,"content":2891},{"textAlign":34},[2892],{"text":2893,"type":129},"Lecture followed by a moderated Q&A with researcher Mikkel Rørbo.",{"_uid":2895,"component":121,"propRichtext":2896},"e11e25f2-6915-47c1-9144-39e61d9803ca",{"type":114,"content":2897},[2898],{"type":117,"attrs":2899,"content":2900},{"textAlign":34},[2901,2903,2907,2909,2913,2915,2919],{"text":2902,"type":129},"Alexander R. Galloway is a writer and computer programmer working on issues in philosophy, technology, and theories of mediation. Professor of Media, Culture, and Communication at New York University, he is author of several books on digital media and critical theory, including ",{"text":2904,"type":129,"marks":2905},"Uncomputable",[2906],{"type":132},{"text":2908,"type":129}," (Verso, 2021) and, most recently, ",{"text":2910,"type":129,"marks":2911},"Digital Theory",[2912],{"type":132},{"text":2914,"type":129}," (Minnesota/meson, 2026) written with M. Beatrice Fazi, Matthew Handelman, and Leif Weatherby. A new book on the digital and the analog, ",{"text":2916,"type":129,"marks":2917},"Alphanumerische Philosophie",[2918],{"type":132},{"text":2920,"type":129},", is forthcoming in German from Suhrkamp Verlag.",[2922],{"_uid":2923,"component":221,"propColor":2924,"propSubheadline":2927,"propPreviewImage":2928,"propPreviewVideo":2930,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":2932,"propMetadescription":21,"propDescriptionShort":2935},"810437ee-ae97-48ce-9c21-17a8e01aca17",{"_uid":2925,"color":2926,"plugin":225},"330e9768-0c57-4b53-b7eb-96c3daeb68b3","#e06552","with Alexander R. Galloway",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":2929},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":2931},{},{"type":114,"content":2933},[2934],{"type":117},"presented by the Weibel Institute for Digital Cultures","2026-06-30 16:00","axioms-of-ai","program/axioms-of-ai",-1890,[],"e81071fc-058e-4095-9c29-e66787813789",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":2946,"etag":2947,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":499,"x-amz-cf-id":2948,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":2949,"x-runtime":2950,"x-xss-protection":68},"Thu, 21 May 2026 13:52:01 GMT","W/\"59861fa9001326205ad339fe964a4514\"","4MmVchbTIwOm0oBq3T1OmXRA3vpZR-SuWMYXzJnMiBDZ7qmpNa0AtA==","f8e839e6-8429-4d70-b4b2-476b498136b4","0.032035",{"data":2952,"headers":3160},{"story":2953,"cv":43,"rels":3158,"links":3159},{"name":2954,"created_at":2955,"published_at":2956,"updated_at":2957,"id":2958,"uuid":2959,"content":2960,"slug":3151,"full_slug":3152,"sort_by_date":34,"position":3153,"tag_list":3154,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":3155,"first_published_at":3156,"release_id":34,"lang":41,"path":34,"alternates":3157,"default_full_slug":34,"translated_slugs":34}," AR, Expanded Cinema, and Social Sculpture in Polycrisis","2026-01-07T13:57:17.729Z","2026-04-07T14:46:48.040Z","2026-04-07T14:46:48.066Z",131500596178751,"43e44e97-759c-4020-b6db-b143dee81a58",{"_uid":2961,"component":106,"propDateEnd":2962,"propCategory":2867,"propIsOnline":37,"propDateStart":21,"propMainContent":2963,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":3133,"propDateAndTimeOfOpening":3150},"f32b6c9e-4c77-4dfc-806f-b4807947dc67","2026-04-16 18:00",[2964],{"_uid":2965,"component":112,"propCredits":2966,"propEntryInMainContent":2977},"b660f94f-5ec8-4308-9d4d-c3537232a927",{"type":114,"content":2967},[2968],{"type":117,"attrs":2969,"content":2970},{"textAlign":34},[2971],{"text":2972,"type":129,"marks":2973},"nancybakercahill.com",[2974],{"type":312,"attrs":2975},{"href":2976,"uuid":34,"anchor":34,"target":315,"linktype":485},"https://nancybakercahill.com/",[2978,2990,3002,3011,3020,3027,3038,3047,3060],{"_uid":2979,"component":121,"propRichtext":2980},"a9448714-3f1f-4bc7-815b-7ce645570010",{"type":114,"content":2981},[2982],{"type":117,"attrs":2983,"content":2984},{"textAlign":34},[2985],{"text":2986,"type":129,"marks":2987},"Nancy Baker Cahill is a transdisciplinary artist whose work examines complex systems, with an emphasis on the relationship between consciousness, intelligence, and embodiment. Systems thinking is integral to her poetics; her concerns focus on power and its biopolitical impacts, particularly ecological and social harms.",[2988],{"type":918,"attrs":2989},{"color":21},{"_uid":2991,"component":121,"propRichtext":2992},"3cf9f932-061f-43cb-9df0-bd3478f54246",{"type":114,"content":2993},[2994],{"type":117,"attrs":2995,"content":2996},{"textAlign":34},[2997],{"text":2998,"type":129,"marks":2999},"In this talk, Nancy Baker Cahill, who is currently a fellow at the the Weibel Institute for Digital Cultures (University of Applied Arts Vienna), will discuss projects in her research-based practice that address creative co-building: what has worked, failed, and remains unknown. The talk will address human perception, ecological imagination, sensory expansion, and the work of sense-making through overlapping existential crises. ",[3000],{"type":350,"attrs":3001},{"class":352},{"_uid":3003,"component":121,"propRichtext":3004},"8a90152b-4bf3-439c-9c3c-698dff66e896",{"type":114,"content":3005},[3006],{"type":117,"attrs":3007,"content":3008},{"textAlign":34},[3009],{"text":3010,"type":129},"Using a blend of analog and digital media, Baker Cahill creates immersive experiences, video installations, sculptures, and conceptual projects that engage the human sensorium and are rooted in drawing. Since 2018, she has been the Founder and Artistic Director of 4th Wall, a free, AR public art platform exploring resistance and inclusive (often participatory) creative expression, which she considers to be a form of social sculpture. Her monumental AR artworks build on the lineage of ecofeminist land art, often highlighting interdependence and the more-than-human. She takes a critical approach to all of the emerging technologies she uses, subverting convention to offer alternative imaginaries.",{"_uid":3012,"component":121,"propRichtext":3013},"8a6f4503-b36b-4153-93e2-1ccaca2edafd",{"type":114,"content":3014},[3015],{"type":117,"attrs":3016,"content":3017},{"textAlign":34},[3018],{"text":3019,"type":129},"Baker Cahill has received the 2026 USA Fellowship Award, the 2025 Full Dome Festival's Janus Award for Best Feature Film, the 2024 Infinity Festival's Monolith Award for New Media Fine Art, the 2022 LACMA Art +Tech Grant, a 2022 C.O.L.A. Master Artist Fellowship, and the 2021 Williams College Bicentennial Medal of Honor. She is a former Berggruen Institute Artist Fellow, is an Affiliate at the Harvard metaLAB, and a TEDx speaker. In 2026, she will be an Artist Fellow at the Weibel Institute for Digital Cultures in Vienna.",{"_uid":3021,"component":2747,"propImage":3022,"propAltText":21,"propCaption":3026},"f04aaf4d-efe9-451e-acf5-b914acb1c21d",{"id":3023,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3024,"copyright":21,"fieldtype":230,"meta_data":3025,"is_external_url":37},155569214161799,"https://a.storyblok.com/f/98682/945x2048/29c6dc5853/cento_whitney_museum.jpeg",{},"CENTO, 2023, via 4th Wall app. Courtesy of the artist and the Whitney Museum of American Art",{"_uid":3028,"component":121,"propRichtext":3029},"db753da3-65f1-4677-ad79-1c6366cd4680",{"type":114,"content":3030},[3031,3036],{"type":117,"attrs":3032,"content":3033},{"textAlign":34},[3034],{"text":3035,"type":129},"Solo museum presentations include LACMA, The Hammer Museum, The Whitney Museum, The Georgia Museum of Art, and an upcoming solo exhibition at the North Carolina Museum of Art. Her work is held in the collections of LACMA, The Whitney Museum of American Art, The Georgia Museum of Art, The Museum of Art and History; RFC Art Collection, The Smart Museum of Art, The Winthrop University Collection, The Lyman Allyn Art Museum, and 0x Collection in Basel, Switzerland. ",{"type":117,"attrs":3037},{"textAlign":34},{"_uid":3039,"component":121,"propRichtext":3040},"7dfcbbb0-7313-44df-a2e9-2cff32249807",{"type":114,"content":3041},[3042],{"type":117,"attrs":3043,"content":3044},{"textAlign":34},[3045],{"text":3046,"type":129},"She has been profiled in many publications, including The Art Newspaper, Frieze, and The New York Times. Her essays appear in The Los Angeles Review of Books, Nam June Paik Art Center Reader and October Magazine. ",{"_uid":3048,"component":121,"propRichtext":3049},"44341bae-0a4b-43b6-a63d-eb73a59e2444",{"type":114,"content":3050},[3051],{"type":117,"attrs":3052,"content":3053},{"textAlign":34},[3054,3058],{"text":3055,"type":129,"marks":3056},"Research interests are ",[3057],{"type":211},{"text":3059,"type":129},"Digital bioacoustics, the physics of light and perception, biomimicry, systemic power and networked resistance. ",{"_uid":3061,"component":121,"propRichtext":3062},"4b479ead-62d1-405b-8304-2f57ad29521f",{"type":114,"content":3063},[3064,3075,3096],{"type":202,"content":3065},[3066],{"type":433,"attrs":3067,"content":3068},{"level":435,"textAlign":34},[3069],{"text":3070,"type":129,"marks":3071},"About the Weibel Institute for Digital Cultures:",[3072,3073],{"type":211},{"type":350,"attrs":3074},{"class":352},{"type":117,"attrs":3076,"content":3077},{"textAlign":34},[3078,3082,3087,3091],{"text":3079,"type":129,"marks":3080},"The ",[3081],{"type":211},{"text":3083,"type":129,"marks":3084},"Weibel Institute for Digital Cultures",[3085,3086],{"type":211},{"type":132},{"text":3088,"type":129,"marks":3089}," i",[3090],{"type":211},{"text":3092,"type":129,"marks":3093},"s a space for intervention, investigation, and experimentation within the expansive disciplines of arts, science, and technologies. Based at the University of Applied Arts Vienna, the institute critically engages digital and algorithmic cultures. Building on the rich heritage of Viennese investigations into cybernetics, net cultures, media art, and tactical media, the institute serves as a vital node within a global network of research institutions on digital cultures.",[3094],{"type":918,"attrs":3095},{"color":21},{"type":117,"attrs":3097,"content":3098},{"textAlign":34},[3099,3103,3108,3113,3117,3122,3128],{"text":3079,"type":129,"marks":3100},[3101],{"type":918,"attrs":3102},{"color":21},{"text":3104,"type":129,"marks":3105},"Weibel Institute for Digital Cultures ",[3106,3107],{"type":211},{"type":132},{"text":3109,"type":129,"marks":3110},"strives to challenge the underlying logics of digital cultures, unraveling the intricacies of cybernetic control systems and machine learning processes, the dynamics of online communities, the vast landscape of media-technological infrastructures, and their continued entanglements. This endeavor is guided by a commitment to remaking research itself, taking into account reflexive methodologies and seeking collective expressions. Taking on social and ecological responsibility in the face of emerging data systems, the institute questions the extractivist origins of digital landscapes and explores potential technological approaches beyond today’s data positivism. The ",[3111],{"type":918,"attrs":3112},{"color":21},{"text":3083,"type":129,"marks":3114},[3115,3116],{"type":211},{"type":132},{"text":3118,"type":129,"marks":3119}," invites researchers, students, artists, and activists to join a space for reflection, discussion, and collaboration. Offering access to resources such as the ",[3120],{"type":918,"attrs":3121},{"color":21},{"text":3123,"type":129,"marks":3124},"Peter Weibel Archive ",[3125,3127],{"type":918,"attrs":3126},{"color":21},{"type":132},{"text":3129,"type":129,"marks":3130},"and an extensive library, the institute fosters theoretical and artistic explorations that probe deeper into the cultures that make up our digital spaces. This public program includes lectures, symposia, exhibitions, workshops, and other activities.",[3131],{"type":918,"attrs":3132},{"color":21},[3134],{"_uid":3135,"component":221,"propColor":3136,"propSubheadline":3139,"propPreviewImage":3140,"propPreviewVideo":3144,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":3146,"propMetadescription":21,"propDescriptionShort":3149},"44b51979-bdb0-4294-9201-e7951c2fa7a7",{"_uid":3137,"color":3138,"plugin":225},"25ba4425-f034-41e5-94e4-9d5b9c87c913","#cde052"," Engagement Strategies and Sympoiesis",{"id":3141,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3142,"copyright":21,"fieldtype":230,"meta_data":3143,"is_external_url":37},155569575461782,"https://a.storyblok.com/f/98682/1920x2045/b2316ee214/nbc_01_portrait.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":3145},{},{"type":114,"content":3147},[3148],{"type":117},"A Lecture by Nancy Baker Cahill, fellow at the Weibel Institute for Digital Cultures","2026-04-16 16:00","nancy-baker-cahill-talk","program/nancy-baker-cahill-talk",-1630,[],"2b130947-f635-4b5a-a2ea-3bf590d66b38","2026-02-23T08:18:21.321Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":2946,"etag":3161,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":3162,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":3163,"x-runtime":3164,"x-xss-protection":68},"W/\"c1151d0acbf78a447be95f400e6d04f8\"","7KVrJ9BsdBQKVRFW8VuXKM5VJ9bfkkCVY2z--uJJyJsYkkh1UP7mfQ==","25b8d9fa-7802-4ae1-89b3-448bc29a3a33","0.021921",{"data":3166,"headers":3507},{"story":3167,"cv":43,"rels":3505,"links":3506},{"name":3168,"created_at":3169,"published_at":3170,"updated_at":3171,"id":3172,"uuid":3173,"content":3174,"slug":3498,"full_slug":3499,"sort_by_date":34,"position":3500,"tag_list":3501,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":3502,"first_published_at":3503,"release_id":34,"lang":41,"path":34,"alternates":3504,"default_full_slug":34,"translated_slugs":34},"Exhibition View: Thinking Through Weibel","2025-11-10T10:21:56.936Z","2026-03-16T14:03:09.204Z","2026-03-16T14:03:09.223Z",110921797407688,"98d50e75-64a0-41a1-9eef-68fd48a5e9ea",{"_uid":3175,"component":2699,"propCategory":3176,"propMainContent":3177,"propHeaderInformation":3481},"0c42b66e-c691-40a1-a33c-bea506b1104e","image",[3178],{"_uid":3179,"component":112,"propCredits":3180,"propEntryInMainContent":3183},"49594518-55de-4ee3-9af2-14076484e277",{"type":114,"content":3181},[3182],{"type":117},[3184,3210,3219,3250,3259,3267,3282,3289,3295,3304,3311,3358,3366,3374,3382,3395,3424],{"_uid":3185,"component":121,"propRichtext":3186},"d6d18d72-d50a-4141-bbe6-b337553521df",{"type":114,"content":3187},[3188],{"type":117,"attrs":3189,"content":3190},{"textAlign":34},[3191,3192,3196,3198,3202,3204,3208],{"text":2257,"type":129},{"text":3193,"type":129,"marks":3194},"Thinking Through Weibel",[3195],{"type":132},{"text":3197,"type":129}," gathered key works out of the ",{"text":3199,"type":129,"marks":3200},"Peter",[3201],{"type":132},{"text":3203,"type":129}," ",{"text":3205,"type":129,"marks":3206},"Weibel Archive",[3207],{"type":132},{"text":3209,"type":129},", held by the Collection and Archive at the University of Applied Arts and positioned them in relation to contemporary practices by invited international artists, that unfold through distinct conceptual and material approaches. Their contributions do not follow or extend Peter Weibel’s logic, but move across and against it, forming intersections without fixing relationships.",{"_uid":3211,"component":121,"propRichtext":3212},"e17bb603-c47f-4b0e-ba9a-aa1c1da06698",{"type":114,"content":3213},[3214],{"type":117,"attrs":3215,"content":3216},{"textAlign":34},[3217],{"text":3218,"type":129},"The exhibition highlights the entwined currents of politics, sexuality, and playfulness that animate Weibel’s experiments. Performative actions, text works, and spatial propositions from Weibel’s early practice appear alongside the works of the participating artists. ",{"_uid":3220,"component":121,"propRichtext":3221},"92ad8774-37d6-47ec-9f8f-87643203ca7c",{"type":114,"content":3222},[3223,3234,3242],{"type":433,"attrs":3224,"content":3225},{"level":435,"textAlign":34},[3226],{"text":3227,"type":129,"marks":3228},"Artists:",[3229,3232],{"type":918,"attrs":3230},{"color":3231},"#000000",{"type":350,"attrs":3233},{"class":352},{"type":117,"attrs":3235,"content":3236},{"textAlign":34},[3237],{"text":3238,"type":129,"marks":3239},"Morehshin Allahyari, Nancy Baker Cahill, Lynn Hershman Leeson, Jakob Lena Knebl, Rafael Lozano-Hemmer, Thania Petersen, Eva Schlegel, and Peter Weibel",[3240],{"type":918,"attrs":3241},{"color":3231},{"type":117,"attrs":3243,"content":3244},{"textAlign":34},[3245],{"text":3246,"type":129,"marks":3247},"Curated by Valerie Messini and Brooklyn J. Pakathi",[3248],{"type":918,"attrs":3249},{"color":3231},{"_uid":3251,"component":121,"propRichtext":3252},"bce8e5e2-9b17-4a49-b8fa-72a5f6514e91",{"type":114,"content":3253},[3254],{"type":117,"attrs":3255,"content":3256},{"textAlign":34},[3257],{"text":3258,"type":129},"Presented in the two exhibition spaces of AIL, each space followed distinct conceptual approaches while maintaining continuous exchange: the left space was put under the headline “RECHT” and the right space under the keyword “LEFT”. Both words were written in large letters on the floor. The division is both architectural and methodological, allowing each section to develop its own internal logic while remaining in dialogue with the other. RECHT studied devices, technical mediation, and the material life of text as they shape perception and legibility. LEFT pursued questions of desire, play, embodiment, territory, and the body’s entanglement with political and affective structures.",{"_uid":3260,"component":2747,"propImage":3261,"propAltText":3265,"propCaption":3266},"7ed2a551-fcb7-4c45-ad9e-8864b677407b",{"id":3262,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3263,"copyright":21,"fieldtype":230,"meta_data":3264,"is_external_url":37},155559565959186,"https://a.storyblok.com/f/98682/1365x2048/49f9e419cb/20251105_leafabienne_ail_thinking-through-weibel-82.jpg",{},"The word ‘Recht’ (in german Law) written with white markers on the floor ","Das Recht mit Füßen treten, Peter Weibel, 1968",{"_uid":3268,"component":121,"propRichtext":3269},"125ff21b-8bde-4471-a18c-822c2cbbe7b5",{"type":114,"content":3270},[3271],{"type":117,"attrs":3272,"content":3273},{"textAlign":34},[3274,3276,3280],{"text":3275,"type":129},"Visitors cross the word Recht printed across the floor, a restaging of Weibel’s ",{"text":3277,"type":129,"marks":3278},"Das Recht mit Füßen treten",[3279],{"type":132},{"text":3281,"type":129}," from the late 1960s. The German idiom “trampling the law underfoot” transforms into a performed action. The work draws on concrete poetry’s treatment of text that requires physical traversal, making linguistic signs into obstacles or surfaces that demand bodily engagement rather than a contemplative distance. In Mediendichtung, Weibel writes that viewers become performers because their movement activates the expression written beneath them, turning reading into a choreographed act that precedes interpretation. Each crossing of Recht gives force to the phrase through pace, shuffle, and density. The room functions as an active syntax where motion generates sense.",{"_uid":3283,"component":2747,"propImage":3284,"propAltText":21,"propCaption":3288},"fcc9a660-f965-440e-9767-46dfc8aeb5c4",{"id":3285,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3286,"copyright":21,"fieldtype":230,"meta_data":3287,"is_external_url":37},155556345917223,"https://a.storyblok.com/f/98682/2048x1365/e9188d03c9/20251105_leafabienne_ail_thinking-through-weibel-12.jpg",{},"Installation view, space ‘RECHT'",{"_uid":3290,"component":2747,"propImage":3291,"propAltText":21,"propCaption":3288},"e310f7b4-dc8e-4306-8820-6f42019eeb45",{"id":3292,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3293,"copyright":21,"fieldtype":230,"meta_data":3294,"is_external_url":37},155556345921320,"https://a.storyblok.com/f/98682/2048x1365/86c807d570/20251105_leafabienne_ail_thinking-through-weibel-1.jpg",{},{"_uid":3296,"component":121,"propRichtext":3297},"f31962ff-55fc-4f9f-b867-ad26e703e5ec",{"type":114,"content":3298},[3299],{"type":117,"attrs":3300,"content":3301},{"textAlign":34},[3302],{"text":3303,"type":129},"The space \"RECHT\" brings together works that examine language in relation to law, optical mediation in relation to seeing, and how meaning travels through glass, stone, celluloid, metal, cameras, projections, and printed matter. Weibel’s earlier works and experiments establish the ground. The contributions by Morehshin Allahyari, Lynn Hershman Leeson, Rafael Lozano- Hemmer, and Eva Schlegel extend these concerns into feminist critique of imaging technologies, geopolitical archival systems, modular relational structures, and the material conditions of legibility. ",{"_uid":3305,"component":2747,"propImage":3306,"propAltText":21,"propCaption":3310},"aed24f9c-31b2-499c-8a8d-f0d15e921421",{"id":3307,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3308,"copyright":21,"fieldtype":230,"meta_data":3309,"is_external_url":37},155561845817536,"https://a.storyblok.com/f/98682/1365x2048/a39119b224/20251105_leafabienne_ail_thinking-through-weibel-68.jpg",{},"Installation view, space ‘LEFT'. Here the work: Portrait of Childhood, Thania Petersen, 2015 ",{"_uid":3312,"component":121,"propRichtext":3313},"075cde92-20fe-44e8-98c9-fc774d24c0e5",{"type":114,"content":3314},[3315,3320,3337,3342,3347],{"type":117,"attrs":3316,"content":3317},{"textAlign":34},[3318],{"text":3319,"type":129},"The space \"LEFT\" asks how bodies carry desire, how play becomes a method of making and how territory is written through gesture, costume, sound, and display. Beginnings intertwine with pleasure and intimacy, Diversions bend them, and Elsewheres that appear once practice has travelled through contact and return. A first image sets the coordinates at the entrance, a moving field of colour and poise that comes with a hidden tension.",{"type":117,"attrs":3321,"content":3322},{"textAlign":34},[3323,3325,3329,3331,3335],{"text":3324,"type":129},"A first ",{"text":3326,"type":129,"marks":3327},"Beginning",[3328],{"type":132},{"text":3330,"type":129}," transformed from an ",{"text":3332,"type":129,"marks":3333},"Elsewhere",[3334],{"type":132},{"text":3336,"type":129}," takes place before entry, where Thania Petersen’s Portrait of a Childhood from her Barbie & Me series stands as a clear proposition. A single figure in white meets saturated pinks and greens that call the eye. The image holds composure and contradiction in equal measure. Prayer, glamour, inheritance, and consumption all appear inside one surface, which turns beauty into a diagnostic reading, a calibration of forces. The photograph names how values and objects shape longing from an early age and how that early training persists. It also sets LEFT’s itinerary. Desire becomes the question that guides attention through the exhibition space and keeps returning at different scales. Thania’s moving image work JAWAP broadens the register of that first gesture. Sound carries memory into the present and sends the present forward. Devotional rhythms pass through bodies and bind distant shores, as a live archive with its own momentum. Colour and choreography deliver scholarship through delight and patience. A viewer hears how language, faith, and kinship move across time and water when sound leads the way. That movement belongs to LEFT’s core proposition. Territory forms through practice, and practice lives in bodies.",{"type":117,"attrs":3338,"content":3339},{"textAlign":34},[3340],{"text":3341,"type":129},"Jakob Lena Knebl enters through a different door and keeps the line of desire alive. A body painted in luminous palettes takes on the language of display as its second skin. Memphis geometries, furniture gloss, and sculptural props turn design history into a wardrobe and a stage. Plinths, shelves, cables, cones, stripes, and spheres reappear as companions and foils to a body that plays with codes of taste and identity. The gaze does not float free here. The gaze learns where to sit. The image teaches the viewer how to look, and the performer teaches the image how to speak. This exchange keeps the question of capture devices within LEFT while carrying it into a queer theatre of self-fashioning. The work speaks to desire with humour and exactness. It also joins Thania’s inquiry by showing how training, costume, and surface guide the relation between inside and outside.",{"type":117,"attrs":3343,"content":3344},{"textAlign":34},[3345],{"text":3346,"type":129},"Peter Weibel then shifts the ground from theatre to system without losing the thread of embodiment. Stöhnender Stein (Nicht-humanes Gedicht) routes voice through stone so that matter carries a human sound and keeps breathing when the body steps away. A different work moves from voice to attachment. Parasitäre Skulptur clings to walls and edges and names relation as a condition for life. Forms travel across architecture and announce their presence through colour and placement. The organism, the signal, and the ornament share a single vocabulary.",{"type":117,"attrs":3348,"content":3349},{"textAlign":34},[3350,3352,3356],{"text":3351,"type":129},"A third work closes the arc of LEFT with a heavy gravity. ",{"text":3353,"type":129,"marks":3354},"Festung Europa",[3355],{"type":132},{"text":3357,"type":129}," plants black flags and open cases in the room and lets absence do the speaking. Borders and belongings appear through what has been left behind. These pieces expand the section’s concern with desire, play, and territory by spelling out how bodies and structures meet: through voice passing into objects, through attachment as survival, and through luggage as a measure of movement and loss.",{"_uid":3359,"component":2747,"propImage":3360,"propAltText":3364,"propCaption":3365},"cb060d11-f20a-49d3-9399-410087ebab42",{"id":3361,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3362,"copyright":21,"fieldtype":230,"meta_data":3363,"is_external_url":37},155556863749965,"https://a.storyblok.com/f/98682/2048x1365/850930261a/20251105_leafabienne_ail_thinking-through-weibel-54.jpg",{},"view into space, a person looking at projection, where a tree is seen. In the back sculptures of big stones","Installation view, space ‘LEFT'. Here the work: JAWAP  Thania Petersen, 2025 ",{"_uid":3367,"component":2747,"propImage":3368,"propAltText":3372,"propCaption":3373},"a18bf9c3-2396-464e-8ed0-bc4325325a7e",{"id":3369,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3370,"copyright":21,"fieldtype":230,"meta_data":3371,"is_external_url":37},155556863684428,"https://a.storyblok.com/f/98682/1365x2048/80ceda9d52/20251105_leafabienne_ail_thinking-through-weibel-55.jpg",{},"black flags hanging on wall, on the floor open suitcases with piles of clothes","Installation view, space ‘LEFT'. Here the work: Festung Europa, Peter Weibel, 1994",{"_uid":3375,"component":2747,"propImage":3376,"propAltText":3380,"propCaption":3381},"4f92398b-cc5f-4eb5-8789-600e2588304b",{"id":3377,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3378,"copyright":21,"fieldtype":230,"meta_data":3379,"is_external_url":37},155558573846470,"https://a.storyblok.com/f/98682/1365x2048/758e9397b5/20251105_leafabienne_ail_thinking-through-weibel-38.jpg",{},"sculpure of a big stone in the front in the back hanging five paper poems in wooden frames","Installation view, space ‘LEFT'. Here the work: stöhnender stein. nicht-humanes gedicht, Peter Weibel, 1969 / Paper Poems, Peter Weibel, 1965",{"_uid":3383,"component":121,"propRichtext":3384},"78518a01-e719-43aa-a49b-051941eb25c1",{"type":114,"content":3385},[3386],{"type":117,"attrs":3387,"content":3388},{"textAlign":34},[3389,3393],{"text":3390,"type":129,"marks":3391},"Thinking Through Weibel ",[3392],{"type":132},{"text":3394,"type":129},"emerges as both encounter and departure. It is, at once, an effort to dwell within the experimental urgencies that animated Weibel’s creative and intellectual life, and a movement beyond those urgencies toward possibilities he could not, and perhaps would not, fully account for. The exhibition offers an engagement with Weibel’s practices – his modes of making, his orientations toward materiality, medium, technology and form – as a way of apprehending the contours of his self-making. Yet, it simultaneously demands a thinking through the structures that conditioned his interventions: to traverse the Western epistemological frames that shaped his project and to imagine alongside traditions, practices, and intellectual itineraries that move otherwise. In doing so, it invites an inquiry not into a closed legacy, but into the open-endedness of artistic thought across and against imposed boundaries.",{"_uid":3396,"component":121,"propRichtext":3397},"4c1c6b49-974d-4e15-a8ed-2fc03e1cdd25",{"type":114,"content":3398},[3399],{"type":202,"content":3400},[3401,3410,3415],{"type":433,"attrs":3402,"content":3403},{"level":435,"textAlign":34},[3404],{"text":3405,"type":129,"marks":3406},"The Weibel Institute for Digital Cultures",[3407,3408],{"type":211},{"type":350,"attrs":3409},{"class":352},{"type":117,"attrs":3411,"content":3412},{"textAlign":34},[3413],{"text":3414,"type":129},"is a space for intervention, investigation, and experimentation within the expansive disciplines of arts, science, and technologies. Based at the University of Applied Arts Vienna, the institute critically engages digital and algorithmic cultures. Building on the rich heritage of Viennese investigations into cybernetics, net cultures, media art, and tactical media, the institute serves as a vital node within a global network of research institutions on digital cultures.",{"type":117,"attrs":3416,"content":3417},{"textAlign":34},[3418,3420,3423],{"text":3419,"type":129},"The Weibel Institute strives to challenge the underlying logics of digital cultures, unraveling the intricacies of cybernetic control systems and machine learning processes, the dynamics of online communities, the vast landscape of media-technological infrastructures, and their continued entanglements. This endeavor is guided by a commitment to remaking research itself, taking into account reflexive methodologies and seeking collective expressions. Taking on social and ecological responsibility in the face of emerging data systems, the institute questions the extractivist origins of digital landscapes and explores potential technological approaches beyond today’s data positivism. The Weibel Institute invites researchers, students, artists, and activists to join a space for reflection, discussion, and collaboration. Offering access to resources such as the ",{"text":3123,"type":129,"marks":3421},[3422],{"type":132},{"text":3129,"type":129},{"_uid":3425,"component":121,"propRichtext":3426},"3bff4dc9-eb81-47b3-85e1-4751058c63b0",{"type":114,"content":3427},[3428],{"type":202,"content":3429},[3430,3439,3448,3458],{"type":433,"attrs":3431,"content":3432},{"level":435,"textAlign":34},[3433],{"text":3434,"type":129,"marks":3435},"Peter Weibel",[3436,3437],{"type":211},{"type":350,"attrs":3438},{"class":352},{"type":117,"attrs":3440,"content":3441},{"textAlign":34},[3442,3446],{"text":3443,"type":129,"marks":3444},"(5 March 1944, Odessa – 1 March 2023, Karlsruhe) ",[3445],{"type":132},{"text":3447,"type":129},"was an Austrian artist, curator, and art- and media theorist. He is perhaps best known internationally for serving as director of the ZKM (Zentrum für Kunst und Medien in Karlsruhe), which he led from 1999 to 2023, transforming it into a globally influential laboratory linking art, science, and society and staging landmark projects. In this position he started to reframe debates on images, democracy, data, and ecology.",{"type":117,"attrs":3449,"content":3450},{"textAlign":34},[3451,3453,3456],{"text":3452,"type":129},"In 2017, following his donation of a substantial part of his archive to the University of Applied Arts Vienna, the ",{"text":3083,"type":129,"marks":3454},[3455],{"type":132},{"text":3457,"type":129}," was established with Weibel as founding director. ",{"type":117,"attrs":3459,"content":3460},{"textAlign":34},[3461,3463,3467,3469,3473,3475,3479],{"text":3462,"type":129},"Even while mostly based elsewhere, Weibel remained a distinctly Viennese figure – woven into the city’s culture and memory. From the 1960s, Weibel’s ties to Vienna run through study, debate, teaching, and institution-building, culminating in his resting place: in 1964 he studied at the University of Vienna (initially medicine, then mathematics with a focus on logic); in 1968 he participated in the famous action ‘Kunst und Revolution’ at the University of Vienna; from 1976 he taught at several institutions including the University of Applied Arts Vienna, where he was appointed Professor für Visuelle Mediengestaltung in 1984. Between 1968 and 2014 he showed his work in various (twelve) exhibitions, founded the ",{"text":3464,"type":129,"marks":3465},"Hotel Morphila Orchestra ",[3466],{"type":132},{"text":3468,"type":129},"and was appointed the curator for the Austrian Pavillon at the Venice Bienniale for several years (1993,1995,1997,1999). Part of his work is preserved in the ",{"text":3470,"type":129,"marks":3471},"Weibel-Archiv",[3472],{"type":132},{"text":3474,"type":129}," at the ",{"text":3476,"type":129,"marks":3477},"Kunstsammlung und Archiv",[3478],{"type":132},{"text":3480,"type":129},"at the University of Applied Arts in Vienna. The state of Austria paid tribute to him by dedicating an honorary grave at the Wiener Zentralfriedhof.",[3482],{"_uid":3483,"type":21,"component":221,"propColor":3484,"propSubheadline":3487,"propPreviewImage":3488,"propPreviewVideo":3492,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":3494,"propMetadescription":21,"propDescriptionShort":3497},"7d4f7208-4b81-463d-b726-da0f6b11c745",{"_uid":3485,"color":3486,"plugin":225},"bf2f101e-2541-4a69-bdbb-ebe20b5b805b","#972dd9","Beginnings, Diversions, Elsewheres",{"id":3489,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3490,"copyright":21,"fieldtype":230,"meta_data":3491,"is_external_url":37},155562832187708,"https://a.storyblok.com/f/98682/1920x2881/67447ca6b5/20251105_leafabienne_ail_thinking-through-weibel-139.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":3493},{},{"type":114,"content":3495},[3496],{"type":117},"Exhibition from Nov 2025 till Jan 2026, presented by The Weibel Institute for Digital Cultures ","exhibition-view-thinking-through-weibel","explore/exhibition-view-thinking-through-weibel",-1520,[],"4359938e-b22a-4468-985a-7f50383b47e4","2026-03-16T13:24:08.494Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":2946,"etag":3508,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":3509,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":3510,"x-runtime":3511,"x-xss-protection":68},"W/\"4adb032e58ac9eea74786f362d36f183\"","ewr-sbQsALplf4ndtc78uacQ7AGtfXyZTN---3MAq7A4Ci0FxmE9Qg==","87e331f8-e788-4e10-b58a-55872a511424","0.031382",{"data":3513,"headers":3847},{"story":3514,"cv":43,"rels":3845,"links":3846},{"name":3515,"created_at":3516,"published_at":3517,"updated_at":3518,"id":3519,"uuid":3520,"content":3521,"slug":3838,"full_slug":3839,"sort_by_date":34,"position":3840,"tag_list":3841,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":3842,"first_published_at":3843,"release_id":34,"lang":41,"path":34,"alternates":3844,"default_full_slug":34,"translated_slugs":34},"Talking Through Weibel ","2025-08-06T12:59:10.009Z","2026-01-12T13:08:25.064Z","2026-01-12T13:08:25.081Z",76986572855807,"74ed69d1-9ad4-44b3-802d-2286e5ee6721",{"_uid":3522,"component":106,"propDateEnd":3523,"propCategory":3524,"propIsOnline":37,"propDateStart":21,"propMainContent":3525,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":3812,"propDateAndTimeOfOpening":3837},"c0aea262-8f1c-423d-bfcc-af98d7555a02","2025-11-14 20:30","discussion",[3526],{"_uid":3527,"component":112,"propCredits":3528,"propEntryInMainContent":3570},"ac245515-3ec7-4b63-9d2a-0d2bde51c616",{"type":114,"content":3529},[3530],{"type":117,"attrs":3531,"content":3532},{"textAlign":34},[3533,3538,3544,3549,3555,3560,3565],{"text":3534,"type":129,"marks":3535},"This exhibition ",[3536],{"type":918,"attrs":3537},{"color":3231},{"text":3539,"type":129,"marks":3540},"Thinking Through Weibel ",[3541,3543],{"type":918,"attrs":3542},{"color":3231},{"type":132},{"text":3545,"type":129,"marks":3546},"is initiated by the Weibel Institute for Digital Cultures and emerges through collaboration with ",[3547],{"type":918,"attrs":3548},{"color":3231},{"text":3550,"type":129,"marks":3551},"the Institute Collection and Archive",[3552,3554],{"type":918,"attrs":3553},{"color":3231},{"type":132},{"text":3556,"type":129,"marks":3557}," and the ",[3558],{"type":918,"attrs":3559},{"color":3231},{"text":19,"type":129,"marks":3561},[3562,3564],{"type":918,"attrs":3563},{"color":3231},{"type":132},{"text":3566,"type":129,"marks":3567},", all part of the University of Applied Arts Vienna.",[3568],{"type":918,"attrs":3569},{"color":3231},[3571,3601,3609,3656,3675,3706,3723,3762,3784],{"_uid":3572,"component":121,"propRichtext":3573},"82e73a9a-a0e3-4ccd-98c8-a596db152d23",{"type":114,"content":3574},[3575,3582],{"type":117,"content":3576},[3577,3580],{"text":3515,"type":129,"marks":3578},[3579],{"type":132},{"text":3581,"type":129},"asks a simple, far-reaching question: how do exhibitions and archives teach us – artists, researchers, and the wider public – how to see, remember, and think? ",{"type":117,"content":3583},[3584,3589,3590,3593,3595,3599],{"text":3585,"type":129,"marks":3586},"Taking the current exhibition",[3587],{"type":918,"attrs":3588},{"color":21},{"text":825,"type":129},{"text":3193,"type":129,"marks":3591},[3592],{"type":132},{"text":3594,"type":129}," and the",{"text":3596,"type":129,"marks":3597}," Weibel Archive",[3598],{"type":132},{"text":3600,"type":129}," as an opening path, this evening explores art as a learning system: how exhibitions and collections structure cultural memory, how digitization can widen (and bias) access, and how exhibition-making can produce embodied, situated knowledge that differs from conventional academic formats. ",{"_uid":3602,"component":121,"propRichtext":3603},"d8b7e5d2-afb8-4eb6-849c-668c9d22cc4d",{"type":114,"content":3604},[3605],{"type":117,"content":3606},[3607],{"text":3608,"type":129},"Looking at Peter Weibel himself – artist, theorist, institution-builder – and drawing on his extensive, partly digital archive, the evening considers how large-scale collections can be made meaningfully accessible: through digitization and metadata practices, open interfaces and display strategies, as well as curatorial and pedagogical frameworks that invite plural forms of learning. The program begins with a guided tour of the exhibition, continues with a keynote on ‘What is Contemporary Art History?’ and culminates in a roundtable that considers exhibitions and archives as shared infrastructures of learning. Rather than closing a legacy, we open questions and methods – testing how playful, critical, and inclusive practices can shape what and how we learn together.",{"_uid":3610,"component":121,"propRichtext":3611},"51cd33b6-ee07-4c5e-b3a2-43ac3218261d",{"type":114,"content":3612},[3613,3621,3626,3631,3640,3651],{"type":433,"attrs":3614,"content":3615},{"level":435,"textAlign":34},[3616],{"text":3617,"type":129,"marks":3618},"Program",[3619],{"type":350,"attrs":3620},{"class":352},{"type":117,"attrs":3622,"content":3623},{"textAlign":34},[3624],{"text":3625,"type":129},"17:30",{"type":117,"attrs":3627,"content":3628},{"textAlign":34},[3629],{"text":3630,"type":129},"Exhibition tour with Brooklyn J. Pakathi",{"type":117,"attrs":3632,"content":3633},{"textAlign":34},[3634,3636,3637,3639],{"text":3635,"type":129},"18:30",{"type":796},{"text":3638,"type":129},"Keynote lecture by Boris Čučković Berger",{"type":796},{"type":117,"attrs":3641,"content":3642},{"textAlign":34},[3643,3645,3646,3648,3649],{"text":3644,"type":129},"19:00",{"type":796},{"text":3647,"type":129},"Round table / Discussion: ",{"type":796},{"text":3650,"type":129},"Panelists: Robert Müller, Brooklyn J. Pakathi, Margit Rosen, Charlotte Reuß ",{"type":117,"attrs":3652,"content":3653},{"textAlign":34},[3654],{"text":3655,"type":129},"Moderation: Denise H. Sumi",{"_uid":3657,"component":121,"propRichtext":3658},"2ce12ae9-d868-48d1-b780-8c3a8c1a2469",{"type":114,"content":3659},[3660,3668,3673],{"type":433,"attrs":3661,"content":3662},{"level":435,"textAlign":34},[3663],{"text":3664,"type":129,"marks":3665},"Boris Čučković Berger ",[3666],{"type":350,"attrs":3667},{"class":352},{"type":117,"attrs":3669,"content":3670},{"textAlign":34},[3671],{"text":3672,"type":129},"is Professor of Art History and Digital Image Cultures at LMU Munich (since August 15, 2021). His work focuses on critical studies of art and technology, particularly digital production and the socio-technical conditions of platform economies. Previously, he taught modern and contemporary art at the Courtauld Institute of Art (Associate Lecturer, 2017 to 2021). He received his PhD from the Courtauld (2019).",{"type":117,"attrs":3674},{"textAlign":34},{"_uid":3676,"component":121,"propRichtext":3677},"00ea6ff3-854c-4e93-87fe-0cab33fbcbe9",{"type":114,"content":3678},[3679,3687,3704],{"type":433,"attrs":3680,"content":3681},{"level":435,"textAlign":34},[3682],{"text":3683,"type":129,"marks":3684},"Robert Müller",[3685],{"type":350,"attrs":3686},{"class":352},{"type":117,"attrs":3688,"content":3689},{"textAlign":34},[3690,3692,3696,3698,3702],{"text":3691,"type":129}," is an artist based in Vienna and Berlin. He is co-editor of the online magazine ",{"text":3693,"type":129,"marks":3694},"The Critical Ass",[3695],{"type":132},{"text":3697,"type":129}," and has been organizing the exhibition series ‘Nousmoules’ in Vienna and Berlin since 2013. He was curator at the ",{"text":3699,"type":129,"marks":3700},"Kunstverein Nürnberg – Albrecht Dürer Gesellschaft",[3701],{"type":132},{"text":3703,"type":129}," (2021 to 2022). Since 2022, he has been working as a senior scientist/curator at the art collection and archive of the University of Applied Arts Vienna.",{"type":117,"attrs":3705},{"textAlign":34},{"_uid":3707,"component":121,"propRichtext":3708},"322256e8-9364-4482-a572-682e524acb36",{"type":114,"content":3709},[3710,3718],{"type":433,"attrs":3711,"content":3712},{"level":435,"textAlign":34},[3713],{"text":3714,"type":129,"marks":3715},"Brooklyn J. Pakathi ",[3716],{"type":350,"attrs":3717},{"class":352},{"type":117,"attrs":3719,"content":3720},{"textAlign":34},[3721],{"text":3722,"type":129},"is a transmedia artist based in Vienna whose practice critically examines ontologies of emotion through material and spatial interventions. Influenced by phenomenology and affect theory, their work explores configurations of intimacy, melancholy, and longing, questioning and reconfiguring the boundaries between the tangible and the immaterial. As an independent curator, Pakathi's research focuses on methodologies of decolonization, cultural justice, and alternative epistemologies that address technology and spatial practice.",{"_uid":3724,"component":121,"propRichtext":3725},"3a42f125-5750-430c-83b0-3e75527d8958",{"type":114,"content":3726},[3727,3735],{"type":433,"attrs":3728,"content":3729},{"level":435,"textAlign":34},[3730],{"text":3731,"type":129,"marks":3732},"Margit Rosen ",[3733],{"type":350,"attrs":3734},{"class":352},{"type":117,"attrs":3736,"content":3737},{"textAlign":34},[3738,3740,3744,3746,3750,3751,3755,3756,3760],{"text":3739,"type":129},"is an art historian and curator; since 2016, she has been Head of Collections, Archives & Research at ",{"text":3741,"type":129,"marks":3742},"ZKM | Center for Art and Media Karlsruhe",[3743],{"type":132},{"text":3745,"type":129},". She studied art history, political science, philosophy, and media art (LMU Munich, HfG Karlsruhe, Paris I) and edited the volume ",{"text":3747,"type":129,"marks":3748},"A Little-Known Story about a Movement",[3749],{"type":132},{"text":2281,"type":129},{"text":3752,"type":129,"marks":3753}," a Magazine,",[3754],{"type":132},{"text":3556,"type":129},{"text":3757,"type":129,"marks":3758},"Computer’s Arrival in Art ",[3759],{"type":132},{"text":3761,"type":129},"(2011), published by MIT Press.",{"_uid":3763,"component":121,"propRichtext":3764},"cf5afd7d-8931-4e11-a094-a8254825f4b3",{"type":114,"content":3765},[3766,3774],{"type":433,"attrs":3767,"content":3768},{"level":435,"textAlign":34},[3769],{"text":3770,"type":129,"marks":3771},"Charlotte Reuß ",[3772],{"type":350,"attrs":3773},{"class":352},{"type":117,"attrs":3775,"content":3776},{"textAlign":34},[3777,3779,3782],{"text":3778,"type":129},"conducts research on digital cultures, copyright, and the dynamics of commercialization and cultural accessibility. In her ongoing dissertation, she examines user strategies within digital cultures in late capitalism. Since 2020, she has been teaching and researching at the University of Applied Arts Vienna and currently coordinates the Weibel Online project at the ",{"text":3083,"type":129,"marks":3780},[3781],{"type":132},{"text":3783,"type":129},".",{"_uid":3785,"component":121,"propRichtext":3786},"b19bd431-5e4d-40a4-a9d8-615bed37d9f8",{"type":114,"content":3787},[3788,3796],{"type":433,"attrs":3789,"content":3790},{"level":435,"textAlign":34},[3791],{"text":3792,"type":129,"marks":3793},"Denise H. Sumi ",[3794],{"type":350,"attrs":3795},{"class":352},{"type":117,"attrs":3797,"content":3798},{"textAlign":34},[3799,3801,3804,3806,3810],{"text":3800,"type":129},"is a senior scientist and doctoral candidate at the ",{"text":3083,"type":129,"marks":3802},[3803],{"type":132},{"text":3805,"type":129}," focusing on network cultures, relational ethics, and critical pedagogy. Previously, she coordinated the Digital Solitude program and was editor-in-chief of the platform ‘Schlosspost’ at the ",{"text":3807,"type":129,"marks":3808},"Akademie Schloss Solitude",[3809],{"type":132},{"text":3811,"type":129}," (2019 to 2024).",[3813],{"_uid":3814,"component":221,"propColor":3815,"propSubheadline":3818,"propPreviewImage":3819,"propPreviewVideo":3823,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":3825,"propMetadescription":21,"propDescriptionShort":3836},"93b5a98a-e6b1-4ad1-8bd3-ba71b2625fda",{"_uid":3816,"color":3817,"plugin":225},"07d621ab-6859-4081-881b-8f7ba6786c5e","#52d7e0","Part of Vienna Art Week 2025",{"id":3820,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3821,"copyright":21,"fieldtype":230,"meta_data":3822,"is_external_url":37},99233391460757,"https://a.storyblok.com/f/98682/1200x1500/eac2598f91/pw_02.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":3824},{},{"type":114,"content":3826},[3827],{"type":117,"attrs":3828,"content":3829},{"textAlign":34},[3830],{"text":3831,"type":129,"marks":3832},"More about Vienna Art Week",[3833],{"type":312,"attrs":3834},{"href":3835,"uuid":34,"anchor":34,"target":315,"linktype":485},"https://www.viennaartweek.at/en/","Presented by the Weibel Institute for Digital Cultures as part of the exhibition ‘Thinking Through Weibel’","2025-11-14 16:30","Talking-through-weibel-viennaartweek","program/Talking-through-weibel-viennaartweek",-1280,[],"fa155ce9-ed01-4690-b0f8-202fb92f044a","2025-09-09T12:55:01.930Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1453,"etag":3848,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":3849,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":3850,"x-runtime":3851,"x-xss-protection":68},"W/\"a4ef3edfb7f94446210bfce135cd81d0\"","c90CoW04Xqexi77MAPCTtpIYnifL4Na9ekRnoyaX6eFXl7w0WGzCXA==","75f0b80a-b414-4608-beaa-957eac9db5f1","0.142120",{"data":3853,"headers":4113},{"story":3854,"cv":43,"rels":4111,"links":4112},{"name":3855,"created_at":3856,"published_at":3857,"updated_at":3858,"id":3859,"uuid":3860,"content":3861,"slug":4104,"full_slug":4105,"sort_by_date":34,"position":4106,"tag_list":4107,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":4108,"first_published_at":4109,"release_id":34,"lang":41,"path":34,"alternates":4110,"default_full_slug":34,"translated_slugs":34},"Exhibition View: Data Doom Desire","2024-11-26T14:54:21.985Z","2026-01-07T11:22:47.012Z","2026-01-07T11:22:47.036Z",585401883,"8883bbae-1b48-4af3-8b46-4f5396ae07bc",{"_uid":3862,"component":2699,"propCategory":3176,"propMainContent":3863,"propHeaderInformation":4087},"573872fc-b493-480a-937c-6860aef746d6",[3864],{"_uid":3865,"component":112,"propCredits":3866,"propEntryInMainContent":3888},"1df9067b-e040-4984-9189-d01e865cd98c",{"type":114,"content":3867},[3868,3884],{"type":117,"content":3869},[3870,3874,3876,3882],{"text":3871,"type":129,"marks":3872},"The Weibel Institute for Digital Cultures ",[3873],{"type":132},{"text":3875,"type":129},"is a space for intervention, investigation, and experimentation within the expansive disciplines of arts, science, and technologies. Based at the University of Applied Arts Vienna, the institute critically engages digital and algorithmic cultures. Building on the rich heritage of Viennese investigations into cybernetics, net cultures, media art, and tactical media, the institute serves as a vital node within a global network of research institutions on digital cultures. (",{"text":3877,"type":129,"marks":3878},"More info",[3879],{"type":312,"attrs":3880},{"href":3881,"uuid":34,"anchor":34,"target":315,"linktype":485},"https://dieangewandte.at/en/institutes/peter_weibel_-_research_institute_for_digital_cultures_",{"text":3883,"type":129},")",{"type":117,"content":3885},[3886],{"text":3887,"type":129},"All images: Lea Dörl",[3889,3908,3915,3919,3927,3934,3948,3955,3969,3979,3986,3996,4003,4009,4023,4030,4036,4047,4054,4064,4071],{"_uid":3890,"component":121,"propRichtext":3891},"b40f67e4-b820-4989-b2e4-815893b55810",{"type":114,"content":3892},[3893],{"type":117,"content":3894},[3895,3897,3901,3903,3906],{"text":3896,"type":129},"The group exhibition ",{"text":3898,"type":129,"marks":3899},"Data Doom Desire ",[3900],{"type":132},{"text":3902,"type":129},"explores how the rationalist desire to quantify and animate the world through generative means shape not only our perception but also our beliefs and sense of being, highlighting the ramifications of this very impulse. Rather than viewing data-driven processes as purely technical, the works in the exhibition scrutinize how they shape collective sensibilities and more-than-human networks. Technical reproduction and representation – through micro- and macroscopic visualization, sonification, animation, or online feeds — have been central to how we interact with the world and how affective dimensions of reality are shaped: from early land surveys to the rise of modern colonial scientific tools, to data visualization, planetary networks, surveillance systems, military infrastructures and machine learning. ",{"text":3898,"type":129,"marks":3904},[3905],{"type":132},{"text":3907,"type":129},"focuses on biased scientific inquiry, the affective dimensions of online content, the limits of human cognition and the infrastructures of conflict, disaster fiction, and doomed outputs.",{"_uid":3909,"component":2747,"propImage":3910,"propAltText":21,"propCaption":3914},"0573f487-d251-4809-bbb4-546e281d9d8c",{"id":3911,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3912,"copyright":21,"fieldtype":230,"meta_data":3913,"is_external_url":37},18779674,"https://a.storyblok.com/f/98682/2048x1365/dfd92ab1ad/20241120_leafabienne_ail-data-doom-desire_13.jpg",{},"Installation view, AIL (space left)",{"_uid":3916,"component":2747,"propImage":3917,"propAltText":21,"propCaption":21},"64be5fec-3929-4e7f-a9ab-b0342256d5b9",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":3918},{},{"_uid":3920,"component":121,"propRichtext":3921},"63e0f8e2-e2cc-4be6-b5f2-cb26d5ddf495",{"type":114,"content":3922},[3923],{"type":117,"content":3924},[3925],{"text":3926,"type":129},"Artists: Asia Bazdyrieva and Solveig Qu Suess, Sara Bezovšek, Anna Engelhardt and Mark Cinkevich, Santa Pile, Martin Gasser, Silvan David Peter, Christina Humer and Oleg Lesota, Sasha Litvintseva and Beny Wagner, Martyna Marciniak; Jenna Sutela",{"_uid":3928,"component":2747,"propImage":3929,"propAltText":21,"propCaption":3933},"08e30ce4-ffbc-48b1-92f1-a33e57d17a0d",{"id":3930,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3931,"copyright":21,"fieldtype":230,"meta_data":3932,"is_external_url":37},18779730,"https://a.storyblok.com/f/98682/2048x1365/5d68653874/20241120_leafabienne_ail-data-doom-desire_30.jpg",{},"Sasha Litvintseva and Beny Wagner, Constant, (2022), 40:00 min",{"_uid":3935,"component":121,"propRichtext":3936},"8babe54b-9646-45de-90b8-908d2755d091",{"type":114,"content":3937},[3938],{"type":202,"content":3939},[3940],{"type":117,"content":3941},[3942,3946],{"text":3943,"type":129,"marks":3944},"Constant ",[3945],{"type":132},{"text":3947,"type":129},"is a journey through the social and political histories of measurement. For most of recorded history, the human body was the measure of all things. Constant asks what led measurement to depart from the body and become a science unto itself. The film explores three shifts in the history of measurement standardization, from the land surveying that drove Early Modern European land privatization, to the French Revolution that drove the Metric Revolution, to the conceptual dematerialisation of measurement in the contemporary era of Big Science. Each chapter traces the relationship of measurement standardization to ideas of egalitarianism, agency, justice, and power. Cinematic and technical images that begin as products of measurement systems are stretched beyond their functions to describe the resistance of lived experience to symbolic abstractions. ",{"_uid":3949,"component":2747,"propImage":3950,"propAltText":21,"propCaption":3954},"3208d8bf-6c87-4df7-9510-a2977b884220",{"id":3951,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3952,"copyright":21,"fieldtype":230,"meta_data":3953,"is_external_url":37},18779883,"https://a.storyblok.com/f/98682/2048x1365/4111aaa361/20241120_leafabienne_ail-data-doom-desire_19.jpg",{},"[Screen in the front] Asia Bazdyrieva and Solveig Qu Suess, Geocinema (2017), 11:17 min",{"_uid":3956,"component":121,"propRichtext":3957},"fd849c1b-921e-4c48-8d1b-278de30dc25a",{"type":114,"content":3958},[3959],{"type":202,"content":3960},[3961],{"type":117,"content":3962},[3963,3967],{"text":3964,"type":129,"marks":3965},"Geocinema",[3966],{"type":132},{"text":3968,"type":129}," is an episodic research into through experiments in moving image, narration and collective thinking. Each probes into ways of understanding and sensing the earth while being on the ground, enmeshed within vastly distributed processes of image and meaning making.",{"_uid":3970,"component":121,"propRichtext":3971},"d1934c0c-6d65-40c8-9b6a-76c1faff4d2c",{"type":114,"content":3972},[3973],{"type":202,"content":3974},[3975],{"type":117,"content":3976},[3977],{"text":3978,"type":129},"The project traces the physical infrastructures and abstracted processes, which make up the supply chains of perception, attenting to the situated histories of sensing techniques which frame movements of the cosmos, atmospheres, oceans, and surveil flows of bodies and their congregations ",{"_uid":3980,"component":2747,"propImage":3981,"propAltText":21,"propCaption":3985},"c3c59d71-0ce8-4f0e-b2c9-c7dcf17e8af5",{"id":3982,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3983,"copyright":21,"fieldtype":230,"meta_data":3984,"is_external_url":37},18780004,"https://a.storyblok.com/f/98682/1365x2048/e4b4f64a39/20241120_leafabienne_ail-data-doom-desire_71.jpg",{},"Sara Bezovšek, SND, (2021), 13: 39 min",{"_uid":3987,"component":121,"propRichtext":3988},"5dd41c9d-a3df-4337-843f-7a40b88b8e5e",{"type":114,"content":3989},[3990],{"type":202,"content":3991},[3992],{"type":117,"content":3993},[3994],{"text":3995,"type":129},"In an era marked by doomscrolling, conspiracy theories, climate change-related anxiety and political tensions, in which we often question our way of life and wonder about our near existence, SND depicts the general feeling of unease and helplessness that we experience whenever we see what is going on in the world. Using a blend of visual material found online such as memes, short videos, and emoticons and the artist’s own works, the interactive website leads its visitors through possible futures of our planet and lets them explore multiple endings after the apocalypse(-s) unfold.",{"_uid":3997,"component":2747,"propImage":3998,"propAltText":21,"propCaption":4002},"56c592b7-4c6c-43af-822d-86794ebc7281",{"id":3999,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4000,"copyright":21,"fieldtype":230,"meta_data":4001,"is_external_url":37},18780160,"https://a.storyblok.com/f/98682/2048x1365/180aba479e/20241120_leafabienne_ail-data-doom-desire_124.jpg",{},"Santa Pile, Martin Gasser, Silvan David Peter,\nChristina Humer and Oleg Lesota, Spin-Wave Voices, (2022)",{"_uid":4004,"component":2747,"propImage":4005,"propAltText":21,"propCaption":21},"96093660-6852-49e4-8425-3090fdf9f548",{"id":4006,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4007,"copyright":21,"fieldtype":230,"meta_data":4008,"is_external_url":37},18780180,"https://a.storyblok.com/f/98682/1365x2048/9df424eaf1/20241120_leafabienne_ail-data-doom-desire_137.jpg",{},{"_uid":4010,"component":121,"propRichtext":4011},"85b6dcae-ff41-44f7-8482-ee7ff6c7aac4",{"type":114,"content":4012},[4013],{"type":202,"content":4014},[4015],{"type":117,"content":4016},[4017,4021],{"text":4018,"type":129,"marks":4019},"Spin-Wave Voices",[4020],{"type":132},{"text":4022,"type":129},": Sonification of Nanoscale Spin Waves as an Engagement and Research ToolMagnonics is an emerging research field that addresses the use of spin waves (magnons), purely magnetic waves, for information transport and processing. Spin waves are a potential replacement for electric current in novel computational devices that would make them more compact, energy efficient, and sustainable. Spin-Wave Voices visualizes and sonifies simulations of spin waves in extremely small structures of different shapes; simulation data is slowed down and magnified billions of times in order to make it accessible to human perception, excitation of spin waves in different shapes can be interactively controlled. With Spin-Wave Voices, the artists probe tools for science communication and data analysis, fostering insight into the world of nanostructures that shape our information society on a microscopic scale.",{"_uid":4024,"component":2747,"propImage":4025,"propAltText":21,"propCaption":4029},"ec0ef604-4b1b-4d42-ab71-a79df5b0db3b",{"id":4026,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4027,"copyright":21,"fieldtype":230,"meta_data":4028,"is_external_url":37},18779717,"https://a.storyblok.com/f/98682/2048x1365/0ee46c5ca2/20241120_leafabienne_ail-data-doom-desire_24.jpg",{},"Martyna Marciniak, AI Hyperrealism (2024), 18:00 min",{"_uid":4031,"component":2747,"propImage":4032,"propAltText":21,"propCaption":21},"9231632a-5d7a-4aa7-b99a-81995c3ea7ab",{"id":4033,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4034,"copyright":21,"fieldtype":230,"meta_data":4035,"is_external_url":37},18780553,"https://a.storyblok.com/f/98682/1365x2048/4297ef4d1f/20241120_leafabienne_ail-data-doom-desire_85.jpg",{},{"_uid":4037,"component":121,"propRichtext":4038},"c545a619-e4e9-490f-a96c-17a5b8f01c40",{"type":114,"content":4039},[4040],{"type":202,"content":4041},[4042,4046],{"type":117,"content":4043},[4044],{"text":4045,"type":129},"AI Hyperrealism is the first chapter of Anatomy of Non-Fact, a project about mis- and over-information in the context of the looming threat of post-optical images. This chapter focuses on the figure of the fake Balenciaga Pope, which captured the attention and imagination of many, during the so-called ‘AI-boom’ of 2023. Mechanisms of AIgeneration, visual journalistic languages, and digital cloning are augmented, partly stultified, and reified. A monologue reflecting on the nature of fact, and delivered by the Balenciaga Pope, confronts the viewer’s expectation of authorities of truth and photographic image, while bending the established notations of visual evidence. In the context of mounting concern with synthetic image’s potential to provoke mass-misinformation events, the work urges a reconsideration of our visual culture’s relationship to photographic image instead. A series of definitions, old and new, are woven throughout the video piece, provoking a reframing of existing terminologies related to AIgenerated images, and a re-naming of phenomena connected to issues of misinformation.",{"type":117},{"_uid":4048,"component":2747,"propImage":4049,"propAltText":21,"propCaption":4053},"8b399eeb-89df-440d-ac2b-bf80d59a39d3",{"id":4050,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4051,"copyright":21,"fieldtype":230,"meta_data":4052,"is_external_url":37},18780293,"https://a.storyblok.com/f/98682/1365x2048/54561ee064/20241120_leafabienne_ail-data-doom-desire_79.jpg",{},"Anna Engelhardt and Mark Cinkevich, Onset (2023), 25:00 min",{"_uid":4055,"component":121,"propRichtext":4056},"fc361a95-2694-4c5e-abf0-d287c2649536",{"type":114,"content":4057},[4058],{"type":202,"content":4059},[4060],{"type":117,"content":4061},[4062],{"text":4063,"type":129},"A demon roams through an ominous synthetic environment, reconstructed from satellite images of Russian air bases: Khmeimim in Syria, Baranovichi in Belarus, and Belbek in Ukraine. Passing through their deserted corridors, interrogation rooms, and electricity substations, this parasitic force sprawls out from the military structures. Devastation follows in its wake. In Onset, Engelhardt and Cinkevich craft an unholy alliance of medieval demonology, investigative research, and CGI animation to uncover the hidden life of these military outposts. Over the course of the film, the true horror of Russia‘s wars coalesces into a parasitic monster possessing sovereign states in an attempt to destroy them from within.",{"_uid":4065,"component":2747,"propImage":4066,"propAltText":21,"propCaption":4070},"3849c03b-e6da-4c1e-bfe4-7afb7de98fa1",{"id":4067,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4068,"copyright":21,"fieldtype":230,"meta_data":4069,"is_external_url":37},18780341,"https://a.storyblok.com/f/98682/2048x1365/1efec5c5f5/20241120_leafabienne_ail-data-doom-desire_12.jpg",{},"Jenna Sutela, nimiia cétiï (2018), 12:05 min",{"_uid":4072,"component":121,"propRichtext":4073},"0b6925a6-13f4-4d93-915f-38030a0f3753",{"type":114,"content":4074},[4075],{"type":202,"content":4076},[4077],{"type":117,"content":4078},[4079,4081,4085],{"text":4080,"type":129},"Inspired by experiments in interspecies communication and aspiring to connect with a world beyond our consciousness, ",{"text":4082,"type":129,"marks":4083},"nimiia cétiï ",[4084],{"type":132},{"text":4086,"type":129},"documents the interactions between a neural network, audio recordings of early Martian language, and footage of the movements of extremophilic bacteria. Here, the computer is a medium, channeling messages from entities that usually cannot speak.",[4088],{"_uid":4089,"component":221,"propColor":4090,"propSubheadline":4093,"propPreviewImage":4094,"propPreviewVideo":4098,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":4100,"propMetadescription":21,"propDescriptionShort":4103},"aa87095a-7a5d-463c-a38e-e015aedeaaca",{"_uid":4091,"color":4092,"plugin":225},"b4b3e69a-350a-48cc-b014-4a783046fd81","#6b56fa","Presented by The Weibel Institute for Digital Cultures; accompanying the symposium ‘In Terms of Media…’ ",{"id":4095,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4096,"copyright":21,"fieldtype":230,"meta_data":4097,"is_external_url":37},18780810,"https://a.storyblok.com/f/98682/1920x2880/1f6a9aae6f/20241120_leafabienne_ail-data-doom-desire_91.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":4099},{},{"type":114,"content":4101},[4102],{"type":117},"Nov/Dec 2024","exhibition-view:-data-doom-desire","explore/exhibition-view:-data-doom-desire",-1190,[],"65ad6c80-ccfb-4ee0-9e21-582c45fdb42a","2024-11-29T11:17:52.637Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1453,"etag":4114,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":4115,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":4116,"x-runtime":4117,"x-xss-protection":68},"W/\"3a9ba16b014b82d1e753f18803403108\"","GW2xY2xKXA2AuF8ouDHXp2cfc6YIY02hV22CJlwRd4mNSJA3vnJl0A==","ea783cdf-a6bb-4fa8-a25b-8ae8517afbdf","0.019739",{"data":4119,"headers":4463},{"story":4120,"cv":43,"rels":4461,"links":4462},{"name":4121,"created_at":4122,"published_at":4123,"updated_at":4124,"id":4125,"uuid":4126,"content":4127,"slug":4454,"full_slug":4455,"sort_by_date":34,"position":4456,"tag_list":4457,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":4458,"first_published_at":4459,"release_id":34,"lang":41,"path":34,"alternates":4460,"default_full_slug":34,"translated_slugs":34},"AIL Ping-Pong #2: Sample","2025-08-06T13:03:51.892Z","2026-03-30T06:23:19.982Z","2026-03-30T06:23:20.003Z",76987727461569,"85a7cd24-68e4-48af-a980-c58a90bd28a5",{"_uid":4128,"component":106,"propDateEnd":4129,"propCategory":108,"propIsOnline":37,"propDateStart":4130,"propMainContent":4131,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":4436,"propDateAndTimeOfOpening":4453},"e0cd227d-1bd8-4f86-8557-26f8c62665a8","2026-01-30 17:00","2025-10-16 00:00",[4132],{"_uid":4133,"component":112,"propCredits":4134,"propEntryInMainContent":4201},"695cb784-7ab5-4382-8d15-82f93d67c098",{"type":114,"content":4135},[4136,4154,4161,4174,4194],{"type":117,"content":4137},[4138,4143,4149],{"text":4139,"type":129,"marks":4140},"With the aim of implementing playful interdisciplinary interventions in the unique space of the Kassenhalle, AIL Ping-Pong is a newly developed format that repurposes the building’s architecture – specifically a former display cabinet (",[4141],{"type":918,"attrs":4142},{"color":3231},{"text":4144,"type":129,"marks":4145},"in German: Vitrine",[4146,4147],{"type":132},{"type":918,"attrs":4148},{"color":3231},{"text":4150,"type":129,"marks":4151},") of the Otto Wagner Museum in the Kassenhalle – to showcase artistic projects by Angewandte alumni.",[4152],{"type":918,"attrs":4153},{"color":3231},{"type":117,"content":4155},[4156],{"text":4157,"type":129,"marks":4158},"A project by AIL, supported by ARTist.",[4159],{"type":918,"attrs":4160},{"color":3231},{"type":117,"content":4162},[4163,4168,4169],{"text":4164,"type":129,"marks":4165},"Concept and production: ",[4166],{"type":918,"attrs":4167},{"color":3231},{"type":796},{"text":4170,"type":129,"marks":4171},"Nora Mayr, Eva Weber ",[4172],{"type":918,"attrs":4173},{"color":3231},{"type":117,"content":4175},[4176,4181,4182,4187,4189],{"text":4177,"type":129,"marks":4178},"Jury: ",[4179],{"type":918,"attrs":4180},{"color":3231},{"type":796},{"text":4183,"type":129,"marks":4184},"Karl Salzmann (",[4185],{"type":918,"attrs":4186},{"color":3231},{"text":4188,"type":129},"ÆSR Lab)",{"text":4190,"type":129,"marks":4191},", Nora Mayr (AIL), Eva Weber (AIL)",[4192],{"type":918,"attrs":4193},{"color":3231},{"type":117,"content":4195},[4196],{"text":4197,"type":129,"marks":4198},"Preview Image: Rafael Lippuner, o.T. (Feuerlöscher XI), 2025, Studioansicht 1",[4199],{"type":918,"attrs":4200},{"color":3231},[4202,4226,4237,4279,4313,4344,4367,4390,4413],{"_uid":4203,"component":121,"propRichtext":4204},"219eb951-85f5-45ab-a21f-20a2e839f212",{"type":114,"content":4205},[4206,4224],{"type":117,"attrs":4207,"content":4208},{"textAlign":34},[4209,4214,4219],{"text":4210,"type":129,"marks":4211},"In its second edition, AIL Ping-Pong circles around the term and meaning of “sample.”",[4212],{"type":350,"attrs":4213},{"class":352},{"type":796,"marks":4215},[4216,4218],{"type":918,"attrs":4217},{"color":3231},{"type":211},{"text":4220,"type":129,"marks":4221},"Presented in the small vitrine of the Otto Wagner Postsparkasse, seven graduates of the University of Applied Arts Vienna open a window into the diverse artistic practices and languages of Angewandte alumni, offering a range of perspectives that explore parallels, contrasts, or extensions within the given thematic framework.",[4222],{"type":918,"attrs":4223},{"color":3231},{"type":117,"attrs":4225},{"textAlign":34},{"_uid":4227,"component":121,"propRichtext":4228},"7746bf07-3249-4613-9a56-dc2ccfb4ccaf",{"type":114,"content":4229},[4230],{"type":117,"content":4231},[4232],{"text":4233,"type":129,"marks":4234},"While in the natural sciences, samples are collected to enable analysis and investigation, in music, the term “sample” refers to an excerpt from an existing recording that is integrated into a new composition. Similarly, in the visual arts, samples may emerge throughout the creative process – whether through experimental methods, the appropriation of external content, or the incorporation of elements from other disciplines, methodologies, or conceptual frameworks. Ideas, materials, methods, or visuals can be sampled. A sample can thus represent transdisciplinary collaboration or reflect a dynamic, exploratory process marked by iteration, testing, and discovery. ",[4235],{"type":918,"attrs":4236},{"color":3231},{"_uid":4238,"component":121,"propRichtext":4239},"333b44ee-1e33-483f-b226-229ccff07b52",{"type":114,"content":4240},[4241,4258,4277],{"type":117,"attrs":4242,"content":4243},{"textAlign":34},[4244,4252],{"text":4245,"type":129,"marks":4246},"Hubert Blanz",[4247,4249,4250],{"type":918,"attrs":4248},{"color":3231},{"type":211},{"type":350,"attrs":4251},{"class":352},{"text":3203,"type":129,"marks":4253},[4254,4256],{"type":918,"attrs":4255},{"color":3231},{"type":350,"attrs":4257},{"class":352},{"type":117,"attrs":4259,"content":4260},{"textAlign":34},[4261,4266,4272],{"text":4262,"type":129,"marks":4263},"graduated in 1999 from the Department of Sculpture (",[4264],{"type":918,"attrs":4265},{"color":3231},{"text":4267,"type":129,"marks":4268},"Bildhauerei",[4269,4271],{"type":918,"attrs":4270},{"color":3231},{"type":132},{"text":4273,"type":129,"marks":4274},"). His artistic work deals primarily with urban infrastructures, spatial grids, and geographical and virtual networks. Within this context, megacities have emerged as a central theme: the rapid and constant development, the challenges and visions that accompany them, and the influence of these changes on our coexistence. In addition to elements of the big city, networks from nature also serve as templates for large-format collages and animations.",[4275],{"type":918,"attrs":4276},{"color":3231},{"type":117,"attrs":4278},{"textAlign":34},{"_uid":4280,"component":121,"propRichtext":4281},"0f0cd776-5e16-42ab-9555-b0b3c0dc30e0",{"type":114,"content":4282},[4283,4294],{"type":117,"attrs":4284,"content":4285},{"textAlign":34},[4286],{"text":4287,"type":129,"marks":4288},"Margareta Klose",[4289,4291,4292],{"type":918,"attrs":4290},{"color":3231},{"type":211},{"type":350,"attrs":4293},{"class":352},{"type":117,"attrs":4295,"content":4296},{"textAlign":34},[4297,4302,4308],{"text":4298,"type":129,"marks":4299}," explores topics of coexistence within a queer-feminist, poetic practice. Her artistic work and research are situated at the intersection of fine arts, literature, education, knowledge production, and memory – centered around painting, writing, computational photography, and ",[4300],{"type":918,"attrs":4301},{"color":3231},{"text":4303,"type":129,"marks":4304},"objets trouvés",[4305,4307],{"type":918,"attrs":4306},{"color":3231},{"type":132},{"text":4309,"type":129,"marks":4310},". In her work, she develops site-specific installations and performances that resemble cabinets of curiosities, scientific experimental settings, and artists’ studios – or rather: alchemists’ kitchens. At the University of Applied Arts Vienna, she studied in the Department of TransArts and graduated in 2020.",[4311],{"type":918,"attrs":4312},{"color":3231},{"_uid":4314,"component":121,"propRichtext":4315},"daffa193-ab1d-46cb-943a-9a7b6cd1e3d9",{"type":114,"content":4316},[4317,4334,4342],{"type":117,"attrs":4318,"content":4319},{"textAlign":34},[4320,4328],{"text":4321,"type":129,"marks":4322},"Marlene Lahmer’s",[4323,4325,4326],{"type":918,"attrs":4324},{"color":3231},{"type":211},{"type":350,"attrs":4327},{"class":352},{"text":3203,"type":129,"marks":4329},[4330,4332],{"type":918,"attrs":4331},{"color":3231},{"type":350,"attrs":4333},{"class":352},{"type":117,"attrs":4335,"content":4336},{"textAlign":34},[4337],{"text":4338,"type":129,"marks":4339},"work is material-based and takes the form of sculptures, multimedia installations, and text performances. Literary and theory-informed approaches overlap translucently, incongruently, and at times complementarily. One of her main focuses lies in the aesthetic and physical qualities of glass, in the visual and auditory spaces found for texts, and in exploring concepts from cultural theory and linguistics. Lahmer graduated in 2022 from the TransArts department.",[4340],{"type":918,"attrs":4341},{"color":3231},{"type":117,"attrs":4343},{"textAlign":34},{"_uid":4345,"component":121,"propRichtext":4346},"1e4f1811-5a17-4c35-b7ad-a4b26765b019",{"type":114,"content":4347},[4348,4359],{"type":117,"attrs":4349,"content":4350},{"textAlign":34},[4351],{"text":4352,"type":129,"marks":4353},"Rafael Lippuner",[4354,4356,4357],{"type":918,"attrs":4355},{"color":3231},{"type":211},{"type":350,"attrs":4358},{"class":352},{"type":117,"attrs":4360,"content":4361},{"textAlign":34},[4362],{"text":4363,"type":129,"marks":4364}," is an artist and exhibition designer who employs the processes of assembling materials, installing, and managing as artistic practices. The means of presentation are linked to the role of objects in terms of interaction and storytelling – especially in a time when images and symbols displace language. His multimedia works sample and intervene in everyday situations, structures, and codes to retain a certain wilderness in how we perceive our surroundings. In 2019, Lippuner graduated from the Department of Art & Science.",[4365],{"type":918,"attrs":4366},{"color":3231},{"_uid":4368,"component":121,"propRichtext":4369},"2ac82904-c6a7-46da-a61b-b9c15759afc3",{"type":114,"content":4370},[4371,4382],{"type":117,"attrs":4372,"content":4373},{"textAlign":34},[4374],{"text":4375,"type":129,"marks":4376},"Mona Rith",[4377,4379,4380],{"type":918,"attrs":4378},{"color":3231},{"type":211},{"type":350,"attrs":4381},{"class":352},{"type":117,"attrs":4383,"content":4384},{"textAlign":34},[4385],{"text":4386,"type":129,"marks":4387}," is a textile artist, who weaves abstract objects and explores the possibilities between fixed structures and the limits of their dissolution. She plays with tension, shrinkage, and other material behaviors through weaving techniques combined with the inherent properties of the materials used. With great curiosity, Rith observes and investigates dependencies, interactions, and connections. She is an alumna of the Institute of Studies in Art and Art Education and graduated in 2021.",[4388],{"type":918,"attrs":4389},{"color":3231},{"_uid":4391,"component":121,"propRichtext":4392},"e9716a37-371b-4381-9750-03be6143f7a8",{"type":114,"content":4393},[4394,4405],{"type":117,"attrs":4395,"content":4396},{"textAlign":34},[4397],{"text":4398,"type":129,"marks":4399},"Laura Stoll",[4400,4402,4403],{"type":918,"attrs":4401},{"color":3231},{"type":211},{"type":350,"attrs":4404},{"class":352},{"type":117,"attrs":4406,"content":4407},{"textAlign":34},[4408],{"text":4409,"type":129,"marks":4410},"works in the fields of sculpture, installation, and performance. After earning a degree in medicine in Berlin, she graduated from the University of Applied Arts Vienna in the Department of Art & Science in 2021. In her projects, she operates at the intersection of medicine, psychology, and philosophy, applying individual methodologies from these fields to her artistic practice. Using a variety of formats, she investigates questions of personal identity and what constitutes our sense of being.",[4411],{"type":918,"attrs":4412},{"color":3231},{"_uid":4414,"component":121,"propRichtext":4415},"0a5d7961-f6da-4dc3-830d-0877eaff7975",{"type":114,"content":4416},[4417,4428],{"type":117,"attrs":4418,"content":4419},{"textAlign":34},[4420],{"text":4421,"type":129,"marks":4422},"Martin Veigl",[4423,4425,4426],{"type":918,"attrs":4424},{"color":3231},{"type":211},{"type":350,"attrs":4427},{"class":352},{"type":117,"attrs":4429,"content":4430},{"textAlign":34},[4431],{"text":4432,"type":129,"marks":4433},"is a painter, interested in the smallest gestures and daily situations that convey social and historical codes and messages. Each found configuration can be seen as an unconscious, natural, and authentic fragment of reality. His paintings often do not fill the entire canvas, are fragmentary in nature, and suggest moments of memory. Veigl graduated from the Department of Painting in 2016.",[4434],{"type":918,"attrs":4435},{"color":3231},[4437],{"_uid":4438,"component":221,"propColor":4439,"propSubheadline":4441,"propPreviewImage":4442,"propPreviewVideo":4446,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":4448,"propMetadescription":4451,"propDescriptionShort":4452},"c9c312cb-b133-42de-9749-781fd38a9f22",{"_uid":4440,"color":3138,"plugin":225},"85dba1e1-35f6-49aa-b3cc-9ff94f2484b3","Intervention at Counter 13 with Hubert Blanz, Margareta Klose, Marlene Lahmer, Rafael Lippuner, Mona Rith, Laura Stoll and Martin Veigl",{"id":4443,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4444,"copyright":21,"fieldtype":230,"meta_data":4445,"is_external_url":37},82306865870119,"https://a.storyblok.com/f/98682/1920x2880/c5ca6dc264/rafael-lippuner-o-t-feuerloscher-xii-2025-studioansicht-1.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":4447},{},{"type":114,"content":4449},[4450],{"type":117},"\n","Showcase of artistic projects by alumni of the University of Applied Arts Vienna ","2025-10-15 11:00","ail-ping-pong-2-sample","program/ail-ping-pong-2-sample",-1010,[],"3e1e8483-f2cc-4e59-83ca-0ccf18e3bcf0","2025-08-21T13:42:23.337Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1453,"etag":4464,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":499,"x-amz-cf-id":4465,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":4466,"x-runtime":4467,"x-xss-protection":68},"W/\"6ffead5fa49ca9a6d70f6884fec88f6f\"","3pSmSl9pCeo7wn1FSCbx4yktnOllkA09kaMHNPZiN122AYcuEI_8mQ==","fd6e515e-c63e-48e1-b6a6-f82cb85925ff","0.030757",{"data":4469,"headers":4603},{"story":4470,"cv":43,"rels":4601,"links":4602},{"name":4471,"created_at":4472,"published_at":4473,"updated_at":4474,"id":4475,"uuid":4476,"content":4477,"slug":4594,"full_slug":4595,"sort_by_date":34,"position":4596,"tag_list":4597,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":4598,"first_published_at":4599,"release_id":34,"lang":41,"path":34,"alternates":4600,"default_full_slug":34,"translated_slugs":34},"Pessimism Is a Privilege","2026-01-07T13:54:09.405Z","2026-03-03T10:28:52.211Z","2026-03-03T10:28:52.227Z",131499824803491,"0ea486fb-b9f8-4cd3-9eb9-0ae6c54cf287",{"_uid":4478,"component":106,"propDateEnd":4479,"propCategory":2867,"propIsOnline":37,"propDateStart":21,"propMainContent":4480,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":4576,"propDateAndTimeOfOpening":4593},"34a7adbe-8bab-46dd-a8f8-a13036c0ca8e","2026-03-12 19:30",[4481],{"_uid":4482,"component":112,"propCredits":4483,"propEntryInMainContent":4490},"cd692e97-446d-43e4-867f-1792855ca01b",{"type":114,"content":4484},[4485],{"type":117,"attrs":4486,"content":4487},{"textAlign":34},[4488],{"text":4489,"type":129},"Preview Photo of Payal Arora: Julia Powalacz",[4491,4510,4530,4542,4559],{"_uid":4492,"component":121,"propRichtext":4493},"fc5ddb91-ba0d-445f-a6ab-59b3baffb236",{"type":114,"content":4494},[4495],{"type":117,"attrs":4496,"content":4497},{"textAlign":34},[4498,4502,4504,4508],{"text":4499,"type":129,"marks":4500},"This Talk will be held in English ",[4501],{"type":132},{"text":4503,"type":129},"and is part of the conference series",{"text":4505,"type":129,"marks":4506}," Critical AI",[4507],{"type":132},{"text":4509,"type":129},", curated by Ramón Reichert, Department of Cultural Studies. ",{"_uid":4511,"component":121,"propRichtext":4512},"6283b60a-1ade-4b52-bbee-3c4d6fb945e0",{"type":114,"content":4513},[4514,4519],{"type":117,"attrs":4515,"content":4516},{"textAlign":34},[4517],{"text":4518,"type":129},"In the West, AI is increasingly framed through fear, regret, and apocalypse. Once celebrated as progress, technology is now met with what I call pessimism paralysis – a luxury of those who can afford to opt out. ",{"type":117,"attrs":4520,"content":4521},{"textAlign":34},[4522,4524,4528],{"text":4523,"type":129},"Drawing on her latest book ",{"text":4525,"type":129,"marks":4526},"From Pessimism to Promise",[4527],{"type":132},{"text":4529,"type":129},", Payal Arora argues that tech optimism is not naïve but rational. For communities confronting inequality, climate risk, corruption, and invisibility, AI is a practical tool for survival, creativity, and self-determination. From hyperlocal flood alerts and community health diagnostics to gender-safety systems and refugee storytelling, AI is being shaped as a collaborator, not a saviour. Reclaiming tech optimism does not deny harm – it expands possibility. The future of AI will not be defined by how fast it scales, but by how well it listens.",{"_uid":4531,"component":121,"propRichtext":4532},"dae5ba69-6e74-42db-a4b5-04d32dd8df87",{"type":114,"content":4533},[4534],{"type":433,"attrs":4535,"content":4536},{"level":435,"textAlign":34},[4537],{"text":4538,"type":129,"marks":4539},"About the guest:",[4540],{"type":350,"attrs":4541},{"class":352},{"_uid":4543,"component":121,"propRichtext":4544},"e70b1542-beae-4711-a2d4-0a1a77ba6e96",{"type":114,"content":4545},[4546,4554],{"type":117,"attrs":4547,"content":4548},{"textAlign":34},[4549],{"text":4550,"type":129,"marks":4551},"Payal Arora ",[4552],{"type":350,"attrs":4553},{"class":352},{"type":117,"attrs":4555,"content":4556},{"textAlign":34},[4557],{"text":4558,"type":129},"is a Professor at Utrecht University and founder of the Inclusive AI Lab. She is an acclaimed digital anthropologist, with two decades of user-experiences in the Global South. She is an award-winning author of several books including “The Next Billion Users (Harvard) and ‘From Pessimism to Promise’ (MIT). She has been listed in the 100 Brilliant Women in AI Ethics 2025 and won the 2025 Women in AI Benelux Award for her work on Diversifying AI. Forbes called her the ‘next billion champion’ and the ‘right kind of person to reform tech.’ 250+ international media outlets have covered her work including the Financial Times, Wired, and The Economist. She has consulted for the public and the private sector including UNHCR, Spotify, KPMG, Adobe, IDEO, Google, and GE and sits on several boards including for UN EGOV, and LIRNE-Asia. She has given 350+ keynotes and invited talks in 85 countries for events such as Copenhagen Tech Festival, re:publica, and COP26, and TEDx talks on the future of the internet and innovation. She is a Harvard and Columbia University, and Rockefeller Bellagio Resident Fellow alumni, and currently lives in Amsterdam.",{"_uid":4560,"component":121,"propRichtext":4561},"e5623613-2dd8-42aa-90f6-b9500f926bba",{"type":114,"content":4562},[4563,4571],{"type":117,"attrs":4564,"content":4565},{"textAlign":34},[4566],{"text":4567,"type":129,"marks":4568},"Sagal Hussein ",[4569],{"type":350,"attrs":4570},{"class":352},{"type":117,"attrs":4572,"content":4573},{"textAlign":34},[4574],{"text":4575,"type":129},"(she/her) is a researcher in the field of International Political Economy and Political Ecology, with a particular focus on Eco-Marxism and the histories of state violence and racism(s). She currently teaches courses in Global Inequality and Development Politics as well as Academic Writing in the Department of Social Work at the University of Applied Sciences Campus Wien.",[4577],{"_uid":4578,"component":221,"propColor":4579,"propSubheadline":4582,"propPreviewImage":4583,"propPreviewVideo":4587,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":4589,"propMetadescription":21,"propDescriptionShort":4592},"6bf38c48-0cde-4e50-9741-c232c6122bc0",{"_uid":4580,"color":4581,"plugin":225},"77f5dc1b-60ec-4b10-a83a-d66e28109e23","#c452e0","Reclaiming Tech Optimism in an Unequal AI World",{"id":4584,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4585,"copyright":21,"fieldtype":230,"meta_data":4586,"is_external_url":37},136397091894343,"https://a.storyblok.com/f/98682/1920x2088/3d0df2691e/credit2-julia-powalacz.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":4588},{},{"type":114,"content":4590},[4591],{"type":117},"Payal Arora in Conversation with Sagal Hussein","2026-03-12 17:00","pessimism","program/pessimism",-1610,[],"060b6e48-06bb-4e3c-bbce-e864c2dcd3b9","2026-01-21T09:54:12.319Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":4604,"etag":4605,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":4606,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":4607,"x-runtime":4608,"x-xss-protection":68},"Thu, 21 May 2026 13:51:54 GMT","W/\"68d81ebbeb59cdca541036100ebbcf9a\"","JjUxV5UaAwTDwDCpBBPY_USFKPKclExwzbf9wrR5Q8S8RkE0GbvC3g==","029e9cfc-7fd6-4662-8929-e726e3132dc9","0.018044",{"data":4610,"headers":4746},{"story":4611,"cv":43,"rels":4744,"links":4745},{"name":4612,"created_at":4613,"published_at":4614,"updated_at":4615,"id":4616,"uuid":4617,"content":4618,"slug":4737,"full_slug":4738,"sort_by_date":34,"position":4739,"tag_list":4740,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":4741,"first_published_at":4742,"release_id":34,"lang":41,"path":34,"alternates":4743,"default_full_slug":34,"translated_slugs":34},"Languages of AI","2025-11-18T09:26:09.952Z","2026-01-07T10:42:54.461Z","2026-01-07T10:42:54.490Z",113739243356506,"42f7371f-b20c-4ead-a551-03476a91d003",{"_uid":4619,"component":106,"propDateEnd":4620,"propCategory":3524,"propIsOnline":37,"propDateStart":21,"propMainContent":4621,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":4721,"propDateAndTimeOfOpening":4736},"c549416c-535b-4f4b-9fec-e8394c67f815","2025-12-04 18:30",[4622],{"_uid":4623,"component":112,"propCredits":4624,"propEntryInMainContent":4627},"899df007-19cb-46d6-8815-64d8b565b112",{"type":114,"content":4625},[4626],{"type":117},[4628,4647,4688,4699,4710],{"_uid":4629,"component":121,"propRichtext":4630},"2d821347-0c41-4d9b-8f38-f8768aa273d0",{"type":114,"content":4631},[4632,4642],{"type":117,"attrs":4633,"content":4634},{"textAlign":34},[4635],{"text":4636,"type":129,"marks":4637},"When machines process and produce language, what philosophical frameworks help us understand their operations? ",[4638,4640],{"type":918,"attrs":4639},{"color":21},{"type":350,"attrs":4641},{"class":352},{"type":117,"attrs":4643,"content":4644},{"textAlign":34},[4645],{"text":4646,"type":129},"Philosophers M. Beatrice Fazi and Anna Longo bring contemporary philosophical perspectives to AI, interrogating how computational systems construct meaning beyond human categories. This dialogue explores whether large language models constitute new semiotic agents, challenging anthropocentric assumptions about thinking and linguistic possibility.",{"_uid":4648,"component":121,"propRichtext":4649},"2e83113d-4114-4869-9dd6-9fda5554f282",{"type":114,"content":4650},[4651,4658,4663,4668,4673,4678,4683],{"type":117,"attrs":4652,"content":4653},{"textAlign":34},[4654],{"text":3617,"type":129,"marks":4655},[4656],{"type":350,"attrs":4657},{"class":352},{"type":117,"attrs":4659,"content":4660},{"textAlign":34},[4661],{"text":4662,"type":129},"18.00 - 19:30  ",{"type":117,"attrs":4664,"content":4665},{"textAlign":34},[4666],{"text":4667,"type":129},"Presentations and conversation: ",{"type":117,"attrs":4669,"content":4670},{"textAlign":34},[4671],{"text":4672,"type":129},"M. Beatrice Fazi and Anna Longo",{"type":117,"attrs":4674,"content":4675},{"textAlign":34},[4676],{"text":4677,"type":129},"moderated by Mikkel Rørbo",{"type":117,"attrs":4679,"content":4680},{"textAlign":34},[4681],{"text":4682,"type":129},"20.00 - 20:30 ",{"type":117,"attrs":4684,"content":4685},{"textAlign":34},[4686],{"text":4687,"type":129},"Sound performance: Dario Sanfilippo",{"_uid":4689,"component":121,"propRichtext":4690},"45789c20-6389-4455-9482-4d8af996151a",{"type":114,"content":4691},[4692],{"type":202,"content":4693},[4694],{"type":117,"attrs":4695,"content":4696},{"textAlign":34},[4697],{"text":4698,"type":129},"M. Beatrice Fazi is a philosopher working on computation, technology, and media. Her research focuses on the ontologies and epistemologies produced by contemporary technoscience. She has published extensively on the limits and potentialities of the computational method, on digital aesthetics, and on the automation of thought. She is Associate Professor at the University of Sussex (United Kingdom), the author of Contingent Computation: Abstraction, Experience, and Indeterminacy in Computational Aesthetics (2018), and co-author of Digital Theory (2025).",{"_uid":4700,"component":121,"propRichtext":4701},"a40ed499-7751-45f3-83fd-36e8a1f6859b",{"type":114,"content":4702},[4703],{"type":202,"content":4704},[4705],{"type":117,"attrs":4706,"content":4707},{"textAlign":34},[4708],{"text":4709,"type":129},"Anna Longo is a philosopher affiliated to the University of Paris. Her research crosses the philosophy of technology, French post-structuralism and aesthetics. She is author of two books: The Game of Induction: Automatisation of Knowledge and Philosophical Reflection (Mimesis 2022) and Deleuze, A Philosophy of Multiplicity (Ellipses 2024).",{"_uid":4711,"component":121,"propRichtext":4712},"317a1606-05e5-416f-a1f5-055dfc586f8f",{"type":114,"content":4713},[4714],{"type":202,"content":4715},[4716],{"type":117,"attrs":4717,"content":4718},{"textAlign":34},[4719],{"text":4720,"type":129},"Dario Sanfilippo is a composer, performer, audio programmer, and researcher specialised in musical complex adaptive systems. He has a  PhD in Creative Music Practice from the University of Edinburgh and his artistic research focuses on the exploration of new music through artificial intelligence (in the broadest sense) and artificial life implemented via adaptive audio feedback networks. His work combines principles of agency, autopoiesis, evolvability, and radical constructivism to design systems that are deployed in live performance for human-machine interaction or autonomous music. ",[4722],{"_uid":4723,"component":221,"propColor":4724,"propSubheadline":4727,"propPreviewImage":4728,"propPreviewVideo":4730,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":4732,"propMetadescription":21,"propDescriptionShort":4735},"1c633e71-4c55-4786-bfa0-1f56dbd8858c",{"_uid":4725,"color":4726,"plugin":225},"79c5f431-f4f8-4bfa-b83f-75bfb27ad792","#a752e0","M. Beatrice Fazi and Anna Longo in Conversation, Soundperformance by Dario Sanfilippo",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":4729},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":4731},{},{"type":114,"content":4733},[4734],{"type":117},"Organized by Weibel Institute for Digital Cultures (part of M. Beatrice Fazi's fellowship and the Weibel Lectures series) in cooperation with the AIL","2025-12-04 17:00","languages-of-ai","program/languages-of-ai",-1440,[],"af4824fd-d893-4494-aa42-8df85e109702","2025-11-18T09:46:15.137Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":4604,"etag":4747,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":4748,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":4749,"x-runtime":4750,"x-xss-protection":68},"W/\"82a56765014fe33497d32e5a5b93ecb8\"","Q15yxFxtLY1RTnXmt7jHYk4xlICtq8_u1g2ZLcuhqSAGNUgkrIoCKg==","b626d6ef-3cf4-4b5e-a9e5-9743e91d7292","0.026295",{"data":4752,"headers":4898},{"story":4753,"cv":43,"rels":4896,"links":4897},{"name":4754,"created_at":4755,"published_at":4756,"updated_at":4757,"id":4758,"uuid":4759,"content":4760,"slug":4889,"full_slug":4890,"sort_by_date":34,"position":4891,"tag_list":4892,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":4893,"first_published_at":4894,"release_id":34,"lang":41,"path":34,"alternates":4895,"default_full_slug":34,"translated_slugs":34},"To watch: AI & Creativity ","2025-11-07T13:13:05.056Z","2025-12-15T12:17:23.165Z","2025-12-15T12:17:23.185Z",109902172424264,"f9e93515-d3c5-41c6-8ab9-21c3adb261ed",{"_uid":4761,"component":2699,"propCategory":4762,"propMainContent":4763,"propHeaderInformation":4874},"aa801c89-c76a-465b-8127-04e0dbf342b5","video",[4764],{"_uid":4765,"component":112,"propCredits":4766,"propEntryInMainContent":4785},"5234b57f-ab56-42b2-a937-2bb6c0207afe",{"type":114,"content":4767},[4768,4775,4780],{"type":117,"attrs":4769,"content":4770},{"textAlign":34},[4771],{"text":4772,"type":129,"marks":4773},"About the series ‘(Re)imagining freedom of expression in postdigital societies’",[4774],{"type":211},{"type":117,"attrs":4776,"content":4777},{"textAlign":34},[4778],{"text":4779,"type":129},"This event series brings together academics, artists, cultural practitioners and activists to discuss freedom of expression in the context of digitalization. At a historical moment when private technology companies have become key players in reshaping public space and discourse, it is important to collectively reflect on the values, goals and boundaries of freedom of expression.",{"type":117,"attrs":4781,"content":4782},{"textAlign":34},[4783],{"text":4784,"type":129},"With financial support from the City of Vienna and the Federal Ministry of Housing, Arts, Culture, Media and Sport",[4786,4791,4813,4850],{"_uid":4787,"component":4788,"propVideoId":4789,"propVideoType":4790},"a95faa1d-4128-4fbb-93c3-31c728c2f76d","Component_Nested_Video","Mui6UOCpBtU?si=cUKSZcXjJVdbMOxo","youtube",{"_uid":4792,"component":121,"propRichtext":4793},"ab01babc-9086-49e8-8c03-d806257a9456",{"type":114,"content":4794},[4795,4803,4808],{"type":117,"attrs":4796,"content":4797},{"textAlign":34},[4798],{"text":4799,"type":129,"marks":4800},"How can the diversity and freedom of cultural expression be protected in post-digital societies, and how can transparency and access be strengthened? Should attributes such as creativity, self-determination and freedom be ascribed exclusively to (specific) human beings?",[4801],{"type":350,"attrs":4802},{"class":352},{"type":117,"attrs":4804,"content":4805},{"textAlign":34},[4806],{"text":4807,"type":129},"​​The conference provides a common space for thought for actors from art, culture, science and activism and attempts to decode existing power relations and find collective approaches to change them.",{"type":117,"attrs":4809,"content":4810},{"textAlign":34},[4811],{"text":4812,"type":129},"This conference uses the 20th anniversary of the Austrian Commission for UNESCO as an opportunity to discuss the importance of the diversity of cultural expression in the digital environment for democratic societies and to raise awareness for their protection in the context of artificial intelligence.",{"_uid":4814,"component":121,"propRichtext":4815},"2e6a40cb-812e-4026-9d21-c1d66d70e771",{"type":114,"content":4816},[4817,4825,4830,4835,4840,4845],{"type":117,"attrs":4818,"content":4819},{"textAlign":34},[4820],{"text":4821,"type":129,"marks":4822},"Program (EN)",[4823],{"type":350,"attrs":4824},{"class":352},{"type":117,"attrs":4826,"content":4827},{"textAlign":34},[4828],{"text":4829,"type":129},"18:00",{"type":117,"attrs":4831,"content":4832},{"textAlign":34},[4833],{"text":4834,"type":129},"Welcome",{"type":117,"attrs":4836,"content":4837},{"textAlign":34},[4838],{"text":4839,"type":129},"Anke Schad Spindler, Educult, Alexandra Graupner, AIL, Martin Fritz, ÖUK",{"type":117,"attrs":4841,"content":4842},{"textAlign":34},[4843],{"text":4844,"type":129},"18:15",{"type":117,"attrs":4846,"content":4847},{"textAlign":34},[4848],{"text":4849,"type":129},"Magdalena Reiter, network policy expert and cultural worker, in conversation with Clemens Apprich; Vice-Rector and Head of the Department of Media Theory and the Peter Weibel Institute for Digital Cultures, University of Applied Arts Vienna",{"_uid":4851,"component":121,"propRichtext":4852},"94db0d9a-3fe4-439d-b499-688330a63038",{"type":114,"content":4853},[4854,4859,4864,4869],{"type":117,"attrs":4855,"content":4856},{"textAlign":34},[4857],{"text":4858,"type":129},"19:00–20:30",{"type":117,"attrs":4860,"content":4861},{"textAlign":34},[4862],{"text":4863,"type":129},"Discussion with Carina Zehetmair, Ali Nikrang, Eva Fischer and Sofia Braga ",{"type":117,"attrs":4865,"content":4866},{"textAlign":34},[4867],{"text":4868,"type":129},"Moderation: Giulia Pelillo",{"type":117,"attrs":4870,"content":4871},{"textAlign":34},[4872],{"text":4873,"type":129},"The digital revolution has the potential to unlearn anthropocentrism and reorganize power relations. In reality, things look different: The market-dominating platforms have privatized the sum of global creative content and siphoned it off for the development of ‘new’ systems. Dead celebrities are supposedly brought back to life post mortem by generative AI - AI-generated likenesses create deceptively real images of people and thus manipulate realities.The panel ‘Hybrid Realities’ focuses on the possibility of in-between spaces and poses the question of how creativity in the face of digital technologies can lead to new visions of alternative, democratic futures.",[4875],{"_uid":4876,"type":21,"component":221,"propColor":4877,"propSubheadline":4880,"propPreviewImage":4881,"propPreviewVideo":4883,"propMakeTextWhite":37,"propDescriptionLong":4885,"propMetaInformation":4886,"propMetadescription":21,"propDescriptionShort":21},"aa9bd14b-45e6-4c9a-822d-2556eed18b0d",{"_uid":4878,"color":4879,"plugin":225},"6ff6c9e1-791d-48ec-9b4a-d620901c8750","#a7e1e7","Diversity and freedom of cultural expression in post-digital societies. Talk in English from Oct 2025",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":4882},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":4884},{},"Presented by the Austrian Commission for UNESCO in coop. with AIL, EDUCULT and the Research Area Cultural Studies of the Diplomatic Academy Vienna ",{"type":114,"content":4887},[4888],{"type":117},"to-watch-ai-creativity","explore/to-watch-ai-creativity",-1510,[],"2c21ee5f-4bae-4e58-ab7e-18dbecfbe608","2025-11-07T13:22:50.972Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":4899,"etag":4900,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":4901,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":4902,"x-runtime":4903,"x-xss-protection":68},"Thu, 21 May 2026 13:51:55 GMT","W/\"e84928dfc60cc71dedf6b48801d0a548\"","tvltwWEXFOC3Dkp6thlup_4rTXpl2KRKvm1qIC3RfAKtaoSwaA2l-A==","614e9145-a895-491d-b4b7-400a4b79e400","0.026580",{"data":4905,"headers":4977},{"story":4906,"cv":43,"rels":4975,"links":4976},{"name":4907,"created_at":4908,"published_at":4909,"updated_at":4910,"id":4911,"uuid":4912,"content":4913,"slug":4968,"full_slug":4969,"sort_by_date":34,"position":4970,"tag_list":4971,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":4972,"first_published_at":4973,"release_id":34,"lang":41,"path":34,"alternates":4974,"default_full_slug":34,"translated_slugs":34},"The Dark Sides of Digital Humanism ","2024-06-26T11:45:10.945Z","2024-07-01T13:29:36.663Z","2024-07-01T13:29:36.683Z",515579806,"6f99901c-7dcc-4df8-bc4c-9db87d3b4cab",{"_uid":4914,"component":2699,"propCategory":4762,"propMainContent":4915,"propHeaderInformation":4951},"8f6f1d34-94a1-40f8-8ad8-16ad4be50e40",[4916],{"_uid":4917,"component":112,"propCredits":4918,"propEntryInMainContent":4921},"bb8c2159-c125-4296-b1a2-5827a395f99a",{"type":114,"content":4919},[4920],{"type":117},[4922,4926,4934,4946],{"_uid":4923,"component":4788,"propVideoId":4924,"propVideoType":4925},"ce32bf4a-f1cd-427e-94d9-ae356d72a235","941904384","vimeo",{"_uid":4927,"component":121,"propRichtext":4928},"9c7306b4-40f4-4860-b9ef-32852fab8995",{"type":114,"content":4929},[4930],{"type":117,"content":4931},[4932],{"text":4933,"type":129},"Humanity has always been digital. Practices of counting, calculating, and writing are all digital, and define the ‘human’ as much as supposedly analog techniques such as painting, doing philosophy, or making music. Considering recent attempts to reintegrate human values into the digital, in order to build, regulate and develop future technologies, we will explore what the human in digitality could mean. ",{"_uid":4935,"component":121,"propRichtext":4936},"deb7d58e-f9b7-4edc-8283-8d75b0ce8610",{"type":114,"content":4937},[4938,4942],{"type":117,"content":4939},[4940],{"text":4941,"type":129},"Bringing together international scholars in critical media studies, we will discuss central topics of digital humanism.",{"type":117,"content":4943},[4944],{"text":4945,"type":129},"How can we define digital humanism? What are its dark sides? And what role can the humanities and arts play in shaping the debate?",{"_uid":4947,"component":121,"propRichtext":4948},"61b54955-af1f-40b3-866b-74f43b5243ff",{"type":114,"content":4949},[4950],{"type":117},[4952],{"_uid":4953,"component":221,"propColor":4954,"propSubheadline":4957,"propPreviewImage":4958,"propPreviewVideo":4960,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":4964,"propMetadescription":21,"propDescriptionShort":4967},"1f3cdfc8-0c47-46db-b338-6ffef075af24",{"_uid":4955,"color":4956,"plugin":225},"01cbb002-c523-4672-b9f0-a99666818fbf","#f49000","Wendy Hui Kyong Chun, Claus Pias and McKenzie Wark – in conversation with Clemens Apprich (from Apr 2024, in English)",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":4959},{},{"id":4961,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4962,"copyright":21,"fieldtype":230,"meta_data":4963,"is_private":37,"is_external_url":37},16425133,"https://a.storyblok.com/f/98682/x/51e7e67e94/1ail_discussion-_the_dark_sides_of_digital_humanism_-live_s.mp4",{},{"type":114,"content":4965},[4966],{"type":117},"Presented by the Weibel Institute for Digital Cultures ","the-dark-sides-of-digital-humanism","explore/the-dark-sides-of-digital-humanism",-1030,[],"8b60d47b-0029-46e9-b9d1-5f5642a2940f","2024-07-01T13:15:31.173Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":4899,"etag":4978,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":4979,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":4980,"x-runtime":4981,"x-xss-protection":68},"W/\"7378e3072e8f26dbfb346cf1d2a28136\"","ndILA_bVErPdYt5pZVM0dp5RjBvyzaILFpQc3oYCQzZdzXenZyBanw==","52000d50-dc83-4630-b771-8e47e9f7b763","0.027613",{"data":4983,"headers":5287},{"story":4984,"cv":43,"rels":5285,"links":5286},{"name":4985,"created_at":4986,"published_at":4987,"updated_at":4988,"id":4989,"uuid":4990,"content":4991,"slug":5278,"full_slug":5279,"sort_by_date":34,"position":5280,"tag_list":5281,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":5282,"first_published_at":5283,"release_id":34,"lang":41,"path":34,"alternates":5284,"default_full_slug":34,"translated_slugs":34},"Exhibition View:  The Unexpected ","2025-05-14T15:21:54.621Z","2026-01-21T09:32:38.563Z","2026-01-21T09:32:38.577Z",670708087,"61d63c97-d196-4437-9c27-70e8263d9780",{"_uid":4992,"component":2699,"propCategory":3176,"propMainContent":4993,"propHeaderInformation":5261},"0be0f7c9-ba32-4df2-9b29-245f02105daa",[4994],{"_uid":4995,"component":112,"propCredits":4996,"propEntryInMainContent":5002},"78adb242-41fb-46b0-8ac2-c7dc2b49fe92",{"type":114,"content":4997},[4998],{"type":117,"content":4999},[5000],{"text":5001,"type":129},"Photos: Lea Dörl",[5003,5035,5042,5056,5151,5157,5179,5186,5195,5201,5244],{"_uid":5004,"component":121,"propRichtext":5005},"5eccdd78-fc80-4d29-8088-06f4e5baf144",{"type":114,"content":5006},[5007,5015,5026],{"type":117,"attrs":5008,"content":5009},{"textAlign":34},[5010],{"text":5011,"type":129,"marks":5012},"How do we navigate the intricate dance between human agency and artificial intelligence? This exhibition stands as a profound exploration of the emotional and cognitive landscapes reshaped by AI, prompting a critical speculation of our future.",[5013],{"type":350,"attrs":5014},{"class":352},{"type":117,"attrs":5016,"content":5017},{"textAlign":34},[5018,5020,5024],{"text":5019,"type":129},"In an era marked by rapid technological evolution, the interplay between human cognition and artificial intelligence (AI) invites both fascination and trepidation. The exhibition ",{"text":5021,"type":129,"marks":5022},"The Unexpected. Enquiries on Human-AI Interactions ",[5023],{"type":132},{"text":5025,"type":129},"explores these dynamics and serves as the culminating event of the PEEK project with the same title. This exhibition features the works of project leader Pamela Breda and the project collaborators Patrícia J. Reis and Ruth Schnell – artists whose pursuit traverse complex landscapes of emotional, cognitive and exploitative responses to AI.",{"type":117,"attrs":5027,"content":5028},{"textAlign":34},[5029,5033],{"text":5030,"type":129,"marks":5031},"The Unexpected",[5032],{"type":132},{"text":5034,"type":129}," invites you to a deeper contemplation of the philosophical, ethical and societal ramifications of AI. The shown artworks tell us about the labyrinth of human-AI relations with a critical and reflective lens and also address broader themes of human behavior – like the fear of change, and the relentless drive of capitalism that propels technological advancement, underscoring the duality of AI as both a marvel of human ingenuity and a potential harbinger of unforeseen challenges.",{"_uid":5036,"component":2747,"propImage":5037,"propAltText":21,"propCaption":5041},"e645e6be-44b2-42e9-83ac-7add6a397574",{"id":5038,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":5039,"copyright":21,"fieldtype":230,"meta_data":5040,"is_external_url":37},135734935045393,"https://a.storyblok.com/f/98682/2048x1365/c858d8684b/20250506_leafabienne_ail_the-unexpected-367.jpg",{},"Traces of Control, Interactive mixed media installation, 2025\n",{"_uid":5043,"component":121,"propRichtext":5044},"bf1dc9f2-803c-4a16-af28-784e2bc96e8d",{"type":114,"content":5045},[5046,5051],{"type":117,"attrs":5047,"content":5048},{"textAlign":34},[5049],{"text":5050,"type":129},"Patrícia J. Reis and Ruth Schnell extend this topic through an interactive mixed reality installation that reconfigures the very space of the exhibition. Utilizing 3D mapping technologies and the head mounted display – HoloLens, they create an immersive environment that references the application of AI in several controversial domains resulting in the proliferation of autonomous weapons, brain hacking technologies, data labor exploitation, sexbots, and the relentless persistence of extractivism practices.",{"type":117,"attrs":5052,"content":5053},{"textAlign":34},[5054],{"text":5055,"type":129},"The central topics extend from the virtual environment into the physical exhibition space through the materialization of objects and artifacts made from materials that are integral within the AI technosphere. Reis's and Schnell's pieces invite viewers to engage critically in a speculative narrative that navigates between physical and virtual space.",{"_uid":5057,"component":121,"propRichtext":5058},"589e9c55-8443-4d7a-8322-d877e8a3cdbf",{"type":114,"content":5059},[5060],{"type":202,"content":5061},[5062,5072,5081,5093,5100,5107,5116,5127,5144],{"type":117,"attrs":5063,"content":5064},{"textAlign":34},[5065],{"text":5066,"type":129,"marks":5067},"Credits:",[5068,5069],{"type":132},{"type":350,"attrs":5070},{"class":5071},"h4",{"type":117,"attrs":5073,"content":5074},{"textAlign":34},[5075],{"text":5076,"type":129,"marks":5077},"Mixed media installation:",[5078,5079],{"type":132},{"type":350,"attrs":5080},{"class":5071},{"type":117,"attrs":5082,"content":5083},{"textAlign":34},[5084,5088,5089],{"text":5085,"type":129,"marks":5086},"Concept and production:",[5087],{"type":132},{"type":796},{"text":5090,"type":129,"marks":5091},"Patrícia J. Reis and Ruth Schnell",[5092],{"type":132},{"type":117,"attrs":5094,"content":5095},{"textAlign":34},[5096],{"text":5097,"type":129,"marks":5098},"3D printing: Klemens Kohlweis",[5099],{"type":132},{"type":117,"attrs":5101,"content":5102},{"textAlign":34},[5103],{"text":5104,"type":129,"marks":5105},"Tailoring and Embroidery: Erika Farina",[5106],{"type":132},{"type":117,"attrs":5108,"content":5109},{"textAlign":34},[5110],{"text":5111,"type":129,"marks":5112},"Interactive mixed reality headset (HoloLens 2):",[5113,5114],{"type":132},{"type":350,"attrs":5115},{"class":5071},{"type":117,"attrs":5117,"content":5118},{"textAlign":34},[5119,5123,5124],{"text":5120,"type":129,"marks":5121},"Artistic concept and direction:",[5122],{"type":132},{"type":796},{"text":5090,"type":129,"marks":5125},[5126],{"type":132},{"type":117,"attrs":5128,"content":5129},{"textAlign":34},[5130,5134,5135,5139,5140],{"text":5131,"type":129,"marks":5132},"Technology architect: Thomas Hochwallner",[5133],{"type":132},{"type":796},{"text":5136,"type":129,"marks":5137},"Actors: Sarah Jeanne Babits, Therese Cafasso,",[5138],{"type":132},{"type":796},{"text":5141,"type":129,"marks":5142},"Randall Galera, Deborah Gzesh",[5143],{"type":132},{"type":117,"attrs":5145,"content":5146},{"textAlign":34},[5147],{"text":5148,"type":129,"marks":5149},"Harmony (3D animation): Joanna Zabielska",[5150],{"type":132},{"_uid":5152,"component":2747,"propImage":5153,"propAltText":21,"propCaption":21},"5517aa5a-8682-43bb-8be0-52965ea7f8ea",{"id":5154,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":5155,"copyright":21,"fieldtype":230,"meta_data":5156,"is_external_url":37},135735556527417,"https://a.storyblok.com/f/98682/2048x1365/a5ecd0e2e0/20250506_leafabienne_ail_the-unexpected-32.jpg",{},{"_uid":5158,"component":121,"propRichtext":5159},"8ff66b69-3642-4201-abe3-0d3f1c73a738",{"type":114,"content":5160},[5161,5169,5174],{"type":433,"attrs":5162,"content":5163},{"level":435,"textAlign":34},[5164],{"text":5165,"type":129,"marks":5166},"About the artist Patrícia J. Reis and Ruth Schnell:",[5167],{"type":350,"attrs":5168},{"class":352},{"type":117,"attrs":5170,"content":5171},{"textAlign":34},[5172],{"text":5173,"type":129},"Patrícia J. Reis (PT) is a media artist and researcher exploring human and more-than-human entanglements with technology. Drawing from media theory, gender studies, and new materialism, she examines parallels between human and machine operations, playfully engaging with bodily sensory mechanisms. She is a Postdoctoral Senior Researcher leading Hacking the Body as the Black Box (Elise Richter-Programm) at the University of Applied Arts Vienna, where she has lectured at the department of Digital Arts since 2015.",{"type":117,"attrs":5175,"content":5176},{"textAlign":34},[5177],{"text":5178,"type":129},"Ruth Schnell (AT) headed the Department of Digital Art at the University of Applied Arts Vienna until fall 2023. Her work particularly encompasses interactive video environments, dynamic projections, and light installations, engaging intensely with questions of perception. A central aspect of her practice is the exploration of political and social issues, as well as the nature of the world and society. Her current artistic research focuses on the immersive aspects of mixed-reality environments.",{"_uid":5180,"component":2747,"propImage":5181,"propAltText":21,"propCaption":5185},"9be16001-f08f-4b4f-a012-28f616f0e4d3",{"id":5182,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":5183,"copyright":21,"fieldtype":230,"meta_data":5184,"is_external_url":37},135734041797847,"https://a.storyblok.com/f/98682/2048x1365/786a37dc46/20250506_leafabienne_ail_the-unexpected-610.jpg",{},"Synthetic Dreams, Experimental documentary, 4K, 1.77:1, 117’, 2025",{"_uid":5187,"component":121,"propRichtext":5188},"5a9ba24c-fb13-4a92-bd1f-2e5fbe6f084b",{"type":114,"content":5189},[5190],{"type":117,"attrs":5191,"content":5192},{"textAlign":34},[5193],{"text":5194,"type":129},"Pamela Breda presents a filmic narrative delving into the future of humanity entwined with AI. Her work will pose philosophical inquiries into the symbiosis and potential friction between human intellect and machine learning. Drawing on the insights of contemporary philosophers such as Luciano Floridi and Rosi Braidotti, Breda's film contemplates the ontological shifts precipitated by AI. It challenges viewers to ponder whether our evolving relationship with artificial intelligence augments human experience or subtly erodes the essence of our humanity.",{"_uid":5196,"component":2747,"propImage":5197,"propAltText":21,"propCaption":21},"0743a3cb-c88c-4501-94f8-213db2f6bc61",{"id":5198,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":5199,"copyright":21,"fieldtype":230,"meta_data":5200,"is_external_url":37},135734041781462,"https://a.storyblok.com/f/98682/1365x2048/97c68726b4/20250506_leafabienne_ail_the-unexpected-612.jpg",{},{"_uid":5202,"component":121,"propRichtext":5203},"415ec61d-4bcc-4674-ae5c-861bffdf6e70",{"type":114,"content":5204},[5205],{"type":202,"content":5206},[5207,5214,5219,5224,5229,5234,5239],{"type":117,"attrs":5208,"content":5209},{"textAlign":34},[5210],{"text":5066,"type":129,"marks":5211},[5212],{"type":350,"attrs":5213},{"class":5071},{"type":117,"attrs":5215,"content":5216},{"textAlign":34},[5217],{"text":5218,"type":129},"Actors: Sara Herrlander, Yoachim Auvray",{"type":117,"attrs":5220,"content":5221},{"textAlign":34},[5222],{"text":5223,"type":129},"Soundtrack: Emanuele Wiltsch Barberio",{"type":117,"attrs":5225,"content":5226},{"textAlign":34},[5227],{"text":5228,"type":129},"Sound Design: Alessandro Peiretti",{"type":117,"attrs":5230,"content":5231},{"textAlign":34},[5232],{"text":5233,"type":129},"Camera Assistant: Lorenzo Truco",{"type":117,"attrs":5235,"content":5236},{"textAlign":34},[5237],{"text":5238,"type":129},"Bibliographical references:",{"type":117,"attrs":5240,"content":5241},{"textAlign":34},[5242],{"text":5243,"type":129},"James Bridle, The New Dark Age: Technology and the End of the Future, London, Verso (2018), Henry Kissinger, Eric Schmidt, Daniel Huttenlocher, The Age of AI: And Our Human Future, New York, Houghton Mifflin Harcourt (2021) Patricia MacCormack, Posthumanism: The Future of Homo Sapiens, Cambridge, Polity Press (2020), Stuart Russell, If We Succeed, New York, Penguin (2022), Alvin Toffler, Future Shock, New York, Random House (1970), Sherry Turkle, The Second Self: Computers and the Human Spirit, Cambridge, MA, MIT Press (2005)",{"_uid":5245,"component":121,"propRichtext":5246},"edef76c7-eedc-456e-9c34-4a665fd0ca90",{"type":114,"content":5247},[5248,5256],{"type":433,"attrs":5249,"content":5250},{"level":435,"textAlign":34},[5251],{"text":5252,"type":129,"marks":5253},"About the artist Pamela Breda:",[5254],{"type":350,"attrs":5255},{"class":352},{"type":117,"attrs":5257,"content":5258},{"textAlign":34},[5259],{"text":5260,"type":129},"Pamela Breda (IT) is an artist, filmmaker, and researcher, currently a Module Leader in Cinema at Arts University Bournemouth. Her research explores contemporary image-making, focusing on digital imagery’s impact on perception, memory, and how history is transformed through technological mediation. She has held residencies at Villa Medici (Rome), Cité Internationale des Arts (Paris), and Pratt Institute (New York). Her films have been featured in global festivals, including Sheffield DocFest and Visions du Réel.",[5262],{"_uid":5263,"component":221,"propColor":5264,"propSubheadline":5267,"propPreviewImage":5268,"propPreviewVideo":5272,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":5274,"propMetadescription":21,"propDescriptionShort":5277},"73588072-aa01-42cb-8149-1c8d6d62e73b",{"_uid":5265,"color":5266,"plugin":225},"11822975-26fc-4232-8093-3a3b3130bfae","#81c1b3"," Enquiries on Human-AI Interaction\n\n",{"id":5269,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":5270,"copyright":21,"fieldtype":230,"meta_data":5271,"is_external_url":37},135741036848909,"https://a.storyblok.com/f/98682/1365x2048/3e35566880/20250506_leafabienne_ail_the-unexpected-374.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":5273},{},{"type":114,"content":5275},[5276],{"type":117},"Exhibition from May–July 2025. Artists: Pamela Breda, Patrícia J. Reis, Ruth Schnell","exhibition-view-the-unexpected","explore/exhibition-view-the-unexpected",-1350,[],"f7298ac2-8f03-4a12-b162-f898cd1a6c61","2025-05-14T15:24:29.680Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":4899,"etag":5288,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":499,"x-amz-cf-id":5289,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":5290,"x-runtime":5291,"x-xss-protection":68},"W/\"c2dc8ecc03a28a196cc890638b98d717\"","rmRb6Fsh1lP29tvxu_R4Uw-9_cEvw695P5V2S3nnMzDvNd-YTIYyaQ==","4ae76c88-fb1b-4c03-87b7-6b006199b886","0.027782",{"data":5293,"headers":5372},{"story":5294,"cv":43,"rels":5370,"links":5371},{"name":5295,"created_at":5296,"published_at":5297,"updated_at":5298,"id":5299,"uuid":5300,"content":5301,"slug":5363,"full_slug":5364,"sort_by_date":34,"position":5365,"tag_list":5366,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":5367,"first_published_at":5368,"release_id":34,"lang":41,"path":34,"alternates":5369,"default_full_slug":34,"translated_slugs":34},"AI in Art: Exploration of AI-generated Art","2023-01-30T09:22:56.978Z","2023-04-05T07:59:54.726Z","2025-12-16T14:06:37.958Z",253976980,"466c0937-753c-45bb-a332-e5a7c788c556",{"_uid":5302,"component":2699,"propCategory":4762,"propMainContent":5303,"propHeaderInformation":5338},"394eb085-bc91-40cf-b5bf-59a4344defe4",[5304],{"_uid":5305,"component":112,"propCredits":21,"propEntryInMainContent":5306},"53cf8324-debe-446f-99fb-d8b8e9d09b79",[5307,5310,5318],{"_uid":5308,"component":4788,"propVideoId":5309,"propVideoType":4925},"241b0ffd-17b5-49a3-a270-0560485a3b64","726482796",{"_uid":5311,"component":121,"propRichtext":5312},"784ed79b-e308-4f8e-808b-a9974976633a",{"type":114,"content":5313},[5314],{"type":117,"content":5315},[5316],{"text":5317,"type":129},"Artistic duo Ina Conradi (USA, SG) and Mark Chavez (USA, SG), based in Singapore and Los Angeles, have collaborated on numerous art and new media projects for the last 20 years. They both hold a Master of Fine Arts Degree from UCLA. For their experimental animation, Ina and Mark are awarded the Hollywood Advanced Imaging Society's 2018 Lumiere Award and 2017 Lumiere Award Europe Chapter. The artist duo has shown their work at the Ars Electronica Festival, most recently with 2021 Nocturne a large-scale, immersive installation that combines interactive and audio-reactive visuals with emotive-abstraction animation, and real-time flow of a dance performance. Their art-sci inspired immersive installation Quantum Logos (vision serpent) premiered for the 40th Anniversary of Ars Electronica Festival at the Deep Space 8k. The work, done in collaboration with science producers from Germany and Austria, was featured on the Austrian Academy of Sciences website of the Institute for Quantum Optics and Quantum Information, as well as the CERN Social Media Network OriginPhysics. The film has received VFX award from the 2020 Raw Science Film Festival Los Angeles. Ina and Mark have exhibited and presented at the Beyond Festival ZKM Zentrum für Kunst und Medien, Germany (2013-till present) Ars Electronica (2010 till present), UCLA Art|Sci Center+Lab 2018, Media Architecture Biennial Beijing 2018, Singapore Inside Out Tokyo 2017, Web 3D Art Gallery Brisbane 2017, PISAF Korea and Visualisation Matters 2017, Siggraph Asia 2014, and ISEA among many others. Mark and Ina are the founding faculty of the School of Art Design and Media at the Nanyang technological University Singapore.",{"_uid":5319,"component":121,"propRichtext":5320},"bceaab7f-971e-4e46-a661-278e81555920",{"type":114,"content":5321},[5322,5328,5334],{"type":117,"content":5323},[5324],{"text":5325,"type":129,"marks":5326},"“We are not special. We are not crap or trash, either. We just are. We just are, and what happens just happens.”",[5327],{"type":132},{"type":117,"content":5329},[5330],{"text":5331,"type":129,"marks":5332},"― Chuck Palahniuk, Fight Club",[5333],{"type":132},{"type":117,"content":5335},[5336],{"text":5337,"type":129},"For the past five years Media Art Nexus Studio has been creating content for a large-scale LED platform at Nanyang Technological University Singapore where artists, scientists and engineers meet, exchange ideas and collaborate. Our talk will elaborate on a series of creative research initiatives ongoing from this project. From artworks that inform the casual audience of aspects of quantum mechanics with cultural archetypes, to cutting edge animated, co-immersive spaces the work is viewed by hundreds if not thousands of people at the university daily. Our most recent works explore the unique artistic potential of AI and Machine Learning, investigating how can we apply this technique to the creative process for both inspiration and as a final medium of expression. This collaboration with machine learning facilitates the creation of new landscapes where artists, poets, musicians, scientists and philosophers are more easily able to actuate incredible imaginary worlds.",[5339],{"_uid":5340,"component":221,"propColor":5341,"propSubheadline":5344,"propPreviewImage":5345,"propPreviewVideo":5346,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":5349,"propMetadescription":5361,"propDescriptionShort":5362},"70156025-c06a-4625-8f14-5e43466fed6c",{"_uid":5342,"color":5343,"plugin":225},"d61be3c1-606d-4f9d-bc7a-d2eb21640c83","#7a90e0","From the Media Art Nexus Studio, talk in English from May 2022",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":230},{"id":5347,"alt":21,"name":21,"focus":21,"title":21,"filename":5348,"copyright":21,"fieldtype":230,"is_external_url":37},7847847,"https://a.storyblok.com/f/98682/x/b5fc345672/pvra_ai_in_art-_exploration_of_ai-generated_art-720p.mp4",{"type":114,"content":5350},[5351],{"type":117,"content":5352},[5353,5355],{"text":5354,"type":129},"About",{"text":5356,"type":129,"marks":5357}," Media Art Nexus ",[5358],{"type":312,"attrs":5359},{"href":5360,"uuid":34,"anchor":34,"target":823,"linktype":485},"https://www.mediaartnexus.com/","Nexus Studio, AI, die Angewandte "," Artistic duo Ina Conradi and Mark Chavez about their current work – A cooperation with the department of Digital Arts ","ai-in-art-exploration-of-ai-generated-art","explore/ai-in-art-exploration-of-ai-generated-art",-510,[],"6e60365d-3893-48e6-aee3-d826f5abd303","2023-01-30T09:27:55.882Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":4899,"etag":5373,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":5374,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":5375,"x-runtime":5376,"x-xss-protection":68},"W/\"671f8cac7149000072aad1e11679d4c1\"","ImTbL20AuWZWWngEEo_iH5zE3eR0qkqzi0bx03T_czhCidP8sCtc5w==","c03194a4-c813-4f85-ba54-d28012b70a5f","0.027803",{"data":5378,"headers":5516},{"story":5379,"cv":43,"rels":5514,"links":5515},{"name":5380,"created_at":5381,"published_at":5382,"updated_at":5383,"id":5384,"uuid":5385,"content":5386,"slug":5507,"full_slug":5508,"sort_by_date":34,"position":5509,"tag_list":5510,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":5511,"first_published_at":5512,"release_id":34,"lang":41,"path":34,"alternates":5513,"default_full_slug":34,"translated_slugs":34},"Katharina Klappheck: The Joy of Being an Error ","2023-02-19T15:42:15.651Z","2025-12-16T14:05:24.203Z","2025-12-16T14:05:24.226Z",263204230,"f4895f7c-8843-4e9f-8817-fe5ece093102",{"_uid":5387,"component":2699,"propCategory":4762,"propMainContent":5388,"propHeaderInformation":5481},"e00c1313-1e4d-495d-9480-7dc08e862eec",[5389],{"_uid":5390,"component":112,"propCredits":21,"propEntryInMainContent":5391},"47605d6a-6fa1-42e4-b0a9-5e56353953cc",[5392,5395,5437,5464],{"_uid":5393,"component":4788,"propVideoId":5394,"propVideoType":4925},"d9d92aa3-a500-4f0d-9dd7-6c9380dfc1f0","792896736",{"_uid":5396,"component":121,"propRichtext":5397},"9dd2c1b0-b653-468c-8c3b-e751acaed4e8",{"type":114,"content":5398},[5399,5404,5412,5417,5422,5427,5432],{"type":117,"attrs":5400,"content":5401},{"textAlign":34},[5402],{"text":5403,"type":129},"Artificial Intelligence (AI) as digital infrastructure raises the question of its mode of production:",{"type":117,"attrs":5405,"content":5406},{"textAlign":34},[5407],{"text":5408,"type":129,"marks":5409},"Who is creating seemingly invisible technologies? What are the material foundations? Who is paying for their service?",[5410],{"type":350,"attrs":5411},{"class":352},{"type":117,"attrs":5413,"content":5414},{"textAlign":34},[5415],{"text":5416,"type":129},"Katharina Klappheck want to explore these and other questions in their lecture from a disabled perspective.",{"type":117,"attrs":5418,"content":5419},{"textAlign":34},[5420],{"text":5421,"type":129},"The argument will be that disability is a condition of possibility for AI.",{"type":117,"attrs":5423,"content":5424},{"textAlign":34},[5425],{"text":5426,"type":129},"This can be traced back to the beginnings of scientific disciplines and their contemporary configurations.",{"type":117,"attrs":5428,"content":5429},{"textAlign":34},[5430],{"text":5431,"type":129},"Accordingly, disability represents the limits of AI. It symbolizes its failings as well as its supposed achievements as a transhuman artefact.",{"type":117,"attrs":5433,"content":5434},{"textAlign":34},[5435],{"text":5436,"type":129},"This ambivalence results in moments of oppression, but it also holds subversive potential. The chance of a different world is a critical point of refuge for reflections on alternative design and politics of digital infrastructures.",{"_uid":5438,"component":121,"propRichtext":5439},"8cf9997a-4d59-4ec2-a116-702443e13d9e",{"type":114,"content":5440},[5441,5449,5454,5459],{"type":433,"attrs":5442,"content":5443},{"level":435,"textAlign":34},[5444],{"text":5445,"type":129,"marks":5446},"Katharina Klappheck",[5447],{"type":350,"attrs":5448},{"class":352},{"type":117,"attrs":5450,"content":5451},{"textAlign":34},[5452],{"text":5453,"type":129},"is a disabled political scientist. Their research interests include disability, queerness and AI as well as the politics of design. Katharina Klappheck completed her Master's dissertation on the gender binary and automated facial recognition systems under the supervision of Professor Barbara Prainsack at the University of Vienna.",{"type":117,"attrs":5455,"content":5456},{"textAlign":34},[5457],{"text":5458,"type":129},"They previously worked at the German Hygiene Museum as part of an interdisciplinary research team, analyzing accessibility and knowledge hierarchies regarding AI. At the Technical University of Dresden, Katharina Klappheck came up with a playful concept for a hackathon which envisioned the democratic digitalization of university administration.",{"type":117,"attrs":5460,"content":5461},{"textAlign":34},[5462],{"text":5463,"type":129},"They then went on to work on political equality issues, such as digitalization in terms of gender equality, at the German Bundestag. Currently, Katharina Klappheck is Head of Feminist Internet Policy at the Gunda Werner Institute at the Heinrich Böll Foundation where they are creating a Crippled Low Tech Lab.",{"_uid":5465,"component":121,"propRichtext":5466},"f0af1664-cd6b-41c4-bc39-fa8144da03c0",{"type":114,"content":5467},[5468,5476],{"type":433,"attrs":5469,"content":5470},{"level":435,"textAlign":34},[5471],{"text":5472,"type":129,"marks":5473},"Katta Spiel ",[5474],{"type":350,"attrs":5475},{"class":352},{"type":117,"attrs":5477,"content":5478},{"textAlign":34},[5479],{"text":5480,"type":129},"research marginalised perspectives on technology. Their work informs design and engineering in critical ways to support the development of technologies that account for the diverse realities they operate in. The research is situated at the intersection of Computer Science, Design and Cultural Studies. Drawing on methods from (Critical) Participatory Design and Action Research, Katta Spiel collaborates with neurodivergent and/or nonbinary peers in conducting explorations of novel potentials for designs, methodological contributions to Human-Computer Interaction and innovative technological artefacts.",[5482],{"_uid":5483,"component":221,"propColor":5484,"propSubheadline":5487,"propPreviewImage":5488,"propPreviewVideo":5489,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":5492,"propMetadescription":5505,"propDescriptionShort":5506},"fb5b3f65-407d-4470-9fe4-2c1b92bd77ba",{"_uid":5485,"color":5486,"plugin":225},"6e69ff16-065a-471c-90f9-3eb1a4de4d66","#3ea7e8","Lecture by Katharina Klappheck followed by a dialogue with Katta Spiel from Jan 2023 in German",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":230},{"id":5490,"alt":21,"name":21,"focus":21,"title":21,"filename":5491,"copyright":21,"fieldtype":230,"is_external_url":37},7840367,"https://a.storyblok.com/f/98682/x/e4270dc315/pv02_joy_of_being_an_error_ra-720p.mp4",{"type":114,"content":5493},[5494],{"type":117,"content":5495},[5496,5498],{"text":5497,"type":129},"Part of the series ",{"text":5499,"type":129,"marks":5500},"Decolonizing Technology",[5501],{"type":312,"attrs":5502},{"href":5503,"uuid":5504,"anchor":34,"target":823,"linktype":2741},"/explore/decolonizing-technology","08681223-0146-4ad4-8a67-52eebf7cecd0","Technology, AI, Katharina Klappheck, die Angewandte, Angewandte Interdisciplinary Lab","The argument will be that disability is a condition of possibility for AI. ","katharina-klappheck-the-joy-of-being-an-error","explore/katharina-klappheck-the-joy-of-being-an-error",-530,[],"78051646-1b10-4e34-9fd4-4a34652dfad5","2023-02-19T15:46:41.663Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":4899,"etag":5517,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":5518,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":5519,"x-runtime":5520,"x-xss-protection":68},"W/\"8ca7bafa7830c18e9b69efe9dc2b99c2\"","VKCfmrd8oVJe3ZO_IynfnnPATencMDP2_LWBdTOnEgAEvW4ADL_fGA==","5b8ec4d5-bc9c-4edf-8165-6995bef7835c","0.029025",{"data":5522,"headers":5824},{"story":5523,"cv":43,"rels":5822,"links":5823},{"name":5524,"created_at":5525,"published_at":5526,"updated_at":5527,"id":5528,"uuid":5529,"content":5530,"slug":5815,"full_slug":5816,"sort_by_date":34,"position":5817,"tag_list":5818,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":5819,"first_published_at":5820,"release_id":34,"lang":41,"path":34,"alternates":5821,"default_full_slug":34,"translated_slugs":34},"Rewatch: In Terms of Media… ","2025-04-01T08:34:52.687Z","2025-12-15T12:27:09.578Z","2025-12-15T12:27:09.599Z",648395042,"bc09e345-e700-4c54-ab4b-b854038ea682",{"_uid":5531,"component":2699,"propCategory":4762,"propMainContent":5532,"propHeaderInformation":5800},"333c93c1-dc8c-43c1-aa7b-10561350b96a",[5533],{"_uid":5534,"component":112,"propCredits":5535,"propEntryInMainContent":5538},"8d5dc7a7-ec57-4890-8c98-c17c57d3c554",{"type":114,"content":5536},[5537],{"type":117},[5539,5554,5557,5560,5563,5566,5574,5590,5728],{"_uid":5540,"component":121,"propRichtext":5541},"8056be34-7c51-4877-b3c3-85fc93a6067b",{"type":114,"content":5542},[5543],{"type":117,"content":5544},[5545,5547,5552],{"text":5546,"type":129},"With its 2024 symposium, the ",{"text":3083,"type":129,"marks":5548},[5549],{"type":312,"attrs":5550},{"href":5551,"uuid":34,"anchor":34,"target":315,"linktype":485},"https://www.dieangewandte.at/institute/peterweibel",{"text":5553,"type":129}," continues its ongoing examination of the logics of digital cultures. The symposium takes on current debates and integrates them with(in) other fields of research, cultural practices, and the arts.",{"_uid":5555,"component":4788,"propVideoId":5556,"propVideoType":4925},"fd2c6e39-0656-46b1-864a-aeb9b86769fc","1034844566",{"_uid":5558,"component":4788,"propVideoId":5559,"propVideoType":4925},"6581f4f8-b961-43e7-999d-e85b66d918c1","036697585",{"_uid":5561,"component":4788,"propVideoId":5562,"propVideoType":4925},"932da5f2-1635-4ef6-8741-4011a483e6ea","1036765288",{"_uid":5564,"component":4788,"propVideoId":5565,"propVideoType":4925},"ff13e40b-459d-4e95-876d-5de42a701302","1037028853",{"_uid":5567,"component":121,"propRichtext":5568},"4a595da7-f692-4b8b-85ad-cf4e244618a9",{"type":114,"content":5569},[5570],{"type":117,"content":5571},[5572],{"text":5573,"type":129},"Our present is heavily influenced by machine learning processes, technological infrastructures, newly emerging data worlds as well as their material paradigms. In turn, this urges us to rethink the agency we are afforded as we navigate these techno-social systems and ecologies.",{"_uid":5575,"component":121,"propRichtext":5576},"85c7fa03-ba05-4d29-a7c6-91bb324e8e40",{"type":114,"content":5577},[5578,5582,5586],{"type":117,"content":5579},[5580],{"text":5581,"type":129},"What are the conditions, potentials, and limits defining media environments and digital cultures today? What are the current conditions that technological agents produce and are produced by? And how do they relate to concepts such as data materialism, techno aesthetics and poetics, infrastructures of conflict, and planetary interfaces?",{"type":117,"content":5583},[5584],{"text":5585,"type":129},"With a commitment to ongoing discourse, social and environmental matters, our discussions will explore how digital cultures are evolving beyond the limitations of current data-centric paradigms.",{"type":117,"content":5587},[5588],{"text":5589,"type":129},"In line with the ‘Terms of Media’-project organised by Leuphana University & Brown University, the symposium aims to re-examine fundamental questions in media theory and history while integrating them in the interdisciplinary research conducted at the Weibel Institute.",{"_uid":5591,"component":121,"propRichtext":5592},"45485909-76ac-4f52-875b-46b41b79346d",{"type":114,"content":5593},[5594,5602,5610,5618,5626,5660,5668,5676,5698,5706],{"type":117,"attrs":5595,"content":5596},{"textAlign":34},[5597],{"text":5598,"type":129,"marks":5599},"Symposium Program:",[5600],{"type":350,"attrs":5601},{"class":352},{"type":117,"attrs":5603,"content":5604},{"textAlign":34},[5605],{"text":5606,"type":129,"marks":5607},"21–22 Nov, 15:00–19:00",[5608],{"type":350,"attrs":5609},{"class":352},{"type":117,"attrs":5611,"content":5612},{"textAlign":34},[5613],{"text":5614,"type":129,"marks":5615},"Opening: 20 Nov, 18:00",[5616],{"type":350,"attrs":5617},{"class":352},{"type":117,"attrs":5619,"content":5620},{"textAlign":34},[5621],{"text":5622,"type":129,"marks":5623},"Wednesday",[5624],{"type":350,"attrs":5625},{"class":352},{"type":202,"content":5627},[5628,5633,5649],{"type":117,"attrs":5629,"content":5630},{"textAlign":34},[5631],{"text":5632,"type":129},"18:00 Welcome w/ Clemens Apprich",{"type":117,"attrs":5634,"content":5635},{"textAlign":34},[5636,5638,5642,5643,5647],{"text":5637,"type":129},"19:00 ",{"text":5639,"type":129,"marks":5640},"Live Performance: Ghost in the Cog",[5641],{"type":132},{"text":3203,"type":129},{"text":5644,"type":129,"marks":5645},"w/ ",[5646],{"type":132},{"text":5648,"type":129},"Kenneth Constance Loe/Moritz Nahold (Subletvis)",{"type":117,"attrs":5650,"content":5651},{"textAlign":34},[5652,5654,5658],{"text":5653,"type":129},"20:00 ",{"text":5655,"type":129,"marks":5656},"Live Performance: EXTC",[5657],{"type":132},{"text":5659,"type":129}," w/ Joanna Coleman/Martina Moro",{"type":117,"attrs":5661,"content":5662},{"textAlign":34},[5663],{"text":5664,"type":129,"marks":5665},"Thursday",[5666],{"type":350,"attrs":5667},{"class":352},{"type":117,"attrs":5669,"content":5670},{"textAlign":34},[5671],{"text":5672,"type":129,"marks":5673},"Techno-Poetics (15:00—16:30)",[5674],{"type":350,"attrs":5675},{"class":352},{"type":202,"content":5677},[5678,5683,5688,5693],{"type":117,"attrs":5679,"content":5680},{"textAlign":34},[5681],{"text":5682,"type":129},"15:00—15:15 Budhaditya Chattopadhyay",{"type":117,"attrs":5684,"content":5685},{"textAlign":34},[5686],{"text":5687,"type":129},"15:15—15:30 DeForrest Brown Jr.",{"type":117,"attrs":5689,"content":5690},{"textAlign":34},[5691],{"text":5692,"type":129},"15:30—15:45 Margarida Mendes",{"type":117,"attrs":5694,"content":5695},{"textAlign":34},[5696],{"text":5697,"type":129},"15:45—16:30 Q&A moderated by Nelly Y. Pinkrah",{"type":117,"attrs":5699,"content":5700},{"textAlign":34},[5701],{"text":5702,"type":129,"marks":5703},"Data Materialism (17:00—18:30)",[5704],{"type":350,"attrs":5705},{"class":352},{"type":202,"content":5707},[5708,5722],{"type":117,"attrs":5709,"content":5710},{"textAlign":34},[5711,5713,5714,5716,5717,5719,5720],{"text":5712,"type":129},"17:00—17:15 Orit Halpern",{"type":796},{"text":5715,"type":129},"17:15—17:30 Elisa Giardina Papa",{"type":796},{"text":5718,"type":129},"17:30—17:45 Luciana Parisi",{"type":796},{"text":5721,"type":129},"17:45—18:30 Q&A moderated by Clemens Apprich",{"type":117,"attrs":5723,"content":5724},{"textAlign":34},[5725,5726],{"type":796},{"text":5727,"type":129},"19:30—20:30 Performance w/ Speaker Music",{"_uid":5729,"component":121,"propRichtext":5730},"a7dd60c8-2e8d-41df-9b4f-3efd8c231a5c",{"type":114,"content":5731},[5732,5740,5748,5770,5778],{"type":117,"attrs":5733,"content":5734},{"textAlign":34},[5735],{"text":5736,"type":129,"marks":5737},"Friday",[5738],{"type":350,"attrs":5739},{"class":352},{"type":117,"attrs":5741,"content":5742},{"textAlign":34},[5743],{"text":5744,"type":129,"marks":5745},"Planetary Interfaces (15:00—16:30)",[5746],{"type":350,"attrs":5747},{"class":352},{"type":202,"content":5749},[5750,5755,5760,5765],{"type":117,"attrs":5751,"content":5752},{"textAlign":34},[5753],{"text":5754,"type":129},"15:00—15:15 Thomas Lamarre",{"type":117,"attrs":5756,"content":5757},{"textAlign":34},[5758],{"text":5759,"type":129},"15:15—15:30 Patricia Reed",{"type":117,"attrs":5761,"content":5762},{"textAlign":34},[5763],{"text":5764,"type":129},"15:30—15:45 Lukáš Likavčan",{"type":117,"attrs":5766,"content":5767},{"textAlign":34},[5768],{"text":5769,"type":129},"15:45—16:30 Q&A moderated by Sophie Publig",{"type":117,"attrs":5771,"content":5772},{"textAlign":34},[5773],{"text":5774,"type":129,"marks":5775},"Atmospheres of Conflict (17:00—18:30)",[5776],{"type":350,"attrs":5777},{"class":352},{"type":202,"content":5779},[5780,5785,5790,5795],{"type":117,"attrs":5781,"content":5782},{"textAlign":34},[5783],{"text":5784,"type":129},"17:00—17:15 Alex Quicho",{"type":117,"attrs":5786,"content":5787},{"textAlign":34},[5788],{"text":5789,"type":129},"17:15—17:30 Steve Goodman",{"type":117,"attrs":5791,"content":5792},{"textAlign":34},[5793],{"text":5794,"type":129},"17:30—17:45 Asia Bazdyrieva",{"type":117,"attrs":5796,"content":5797},{"textAlign":34},[5798],{"text":5799,"type":129},"17:45—18:30 Q&A moderated by Lisa Stuckey",[5801],{"_uid":5802,"component":221,"propColor":5803,"propSubheadline":5806,"propPreviewImage":5807,"propPreviewVideo":5809,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":5811,"propMetadescription":21,"propDescriptionShort":5814},"48e7e06f-f1e1-4e83-b59f-100e884a1b89",{"_uid":5804,"color":5805,"plugin":225},"7696faa0-8457-494d-9ab7-ac3f66af4abe","#7100f1","On Data Materialism, Techno Poetics, Atmospheres of Conflict, and Planetary Interfaces. Presented by The Weibel Institute for Digital Cultures ",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":5808},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":5810},{},{"type":114,"content":5812},[5813],{"type":117},"Symposium in English from Nov 2024 ","symposium-in-terms-of-media","explore/symposium-in-terms-of-media",-1290,[],"ce3accbb-dec4-4764-b923-af4284dd357c","2025-04-01T08:40:07.601Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":5825,"etag":5826,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":5827,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":5828,"x-runtime":5829,"x-xss-protection":68},"Thu, 21 May 2026 13:51:56 GMT","W/\"f366c397b7a7d0784fe66f5f31772148\"","jOXbW35GEAPf0pMlK1p61yS0S9Xe7Bi5t2hXT-6dQM-p1ZwEIaKKpQ==","c7d30b50-f67a-4428-b0f5-13983c3a581a","0.024456",{"data":5831,"headers":6125},{"story":5832,"cv":43,"rels":6123,"links":6124},{"name":5833,"created_at":5834,"published_at":5835,"updated_at":5836,"id":5837,"uuid":5838,"content":5839,"slug":6116,"full_slug":6117,"sort_by_date":34,"position":6118,"tag_list":6119,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":6120,"first_published_at":6121,"release_id":34,"lang":41,"path":34,"alternates":6122,"default_full_slug":34,"translated_slugs":34},"Model Collapse: The Cascading Failures of Algorithms, Ecosystems, and Economies ","2025-04-14T08:17:34.371Z","2026-01-12T13:07:39.761Z","2026-01-12T13:07:39.780Z",654943518,"905a06a9-70b3-4084-a301-005a2fa00405",{"_uid":5840,"component":106,"propDateEnd":5841,"propCategory":2867,"propIsOnline":37,"propDateStart":21,"propMainContent":5842,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":6091,"propDateAndTimeOfOpening":6115},"20c53b23-5208-4f61-9531-d59fb8921932","2025-05-05 16:00",[5843],{"_uid":5844,"component":112,"propCredits":5845,"propEntryInMainContent":5881},"8ceb3539-70d2-4907-9423-80a650d084f2",{"type":114,"content":5846},[5847,5855,5865],{"type":117,"content":5848},[5849,5853],{"text":5850,"type":129,"marks":5851},"Vienna Digital Cultures",[5852],{"type":132},{"text":5854,"type":129}," is a new festival jointly organised by Foto Arsenal Wien and Kunsthalle Wien that takes place between 5–18 May. It consolidates both institutions’ commitment to exploring how new technologies impact culture, via a two-week programme of art, performance and discourse. Curated by Nadim Samman, the theme of the 2025 edition is ‘Model Collapse’.",{"type":117,"content":5856},[5857,5859,5863],{"text":5858,"type":129},"The festival’s physical exhibition takes place at Kunsthalle Wien Karlsplatz and features five international artists known for probing the intersection of politics and digital culture. In the public area around Kunsthalle Wien Karlsplatz, an Augmented Reality (AR) installation by Vienna-based artists Belma Bešlić-Gál, Catherine Spet and Markus Wintersberger is presented under the title ",{"text":5860,"type":129,"marks":5861},"//ONTOLOGICAL_GLITCH://",[5862],{"type":132},{"text":5864,"type":129}," – in collaboration with Kultur 1. Two evenings at REAKTOR showcase artist videos that explore generative AI in both form and content, shining cinematic light on some of the darker corners of our latent reality. ",{"type":117,"content":5866},[5867,5871,5873,5879],{"text":5868,"type":129,"marks":5869},"Model Collapse",[5870],{"type":132},{"text":5872,"type":129}," is generously supported by ",{"text":5874,"type":129,"marks":5875},"Autotelic Foundation",[5876],{"type":312,"attrs":5877},{"href":5878,"uuid":34,"anchor":34,"target":823,"linktype":485},"https://autotelic-foundation.org/",{"text":5880,"type":129},", a key partner of the 2025 Vienna Digital Cultures festival.",[5882,5888,5910,5922,5958,5975,6018,6040],{"_uid":5883,"component":2747,"propImage":5884,"propAltText":21,"propCaption":21},"beccd16e-d630-4780-b7d1-689f7bf7aba4",{"id":5885,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":5886,"copyright":21,"fieldtype":230,"meta_data":5887,"is_external_url":37},21950321,"https://a.storyblok.com/f/98682/2100x812/a1a8d5fab9/9_logo-vdc.jpg",{},{"_uid":5889,"component":121,"propRichtext":5890},"72b814f0-22de-414a-8f5e-c8655a96a440",{"type":114,"content":5891},[5892,5896,5906],{"type":117,"content":5893},[5894],{"text":5895,"type":129},"Vienna Digital Cultures 2025 contributes to discourse around machine learning, culture and politics through a programme of talks. The festival kicks off with a keynote by Kate Crawford – author of the international bestseller ‘Atlas of AI’ – exploring the multiple collapses driven by planetary-scale AI. The mass production of synthetic data is destabilizing AI models, creating a world of distorted outputs. Meanwhile, the infrastructure supporting the demands of generative AI is polluting our ecosystems and threatening economies – ushering in the era of AI slop.",{"type":117,"content":5897},[5898,5900,5904],{"text":5899,"type":129},"Crawford is a leading scholar of AI and its impacts. A professor at USC, Senior Principal Researcher at MSR, and the director of the interdisciplinary lab ‘",{"text":5901,"type":129,"marks":5902},"Knowing Machines",[5903],{"type":132},{"text":5905,"type":129},"’. Her work is focused on understanding large scale data systems, machine learning and AI in the wider contexts of history, politics, labour, and the environment. She's also an artist whose works are in the permanent collections of in MoMA, Victoria and Albert Museum and the Design Museum in London.",{"type":117,"content":5907},[5908],{"text":5909,"type":129},"Her work ‘Calculating Empires’ (2024) with Vladan Joler will be part of the exhibition at Kunsthalle Wien Karlsplatz.",{"_uid":5911,"component":121,"propRichtext":5912},"64e8ef0f-ef8b-454c-affb-e67e82c5608d",{"type":114,"content":5913},[5914],{"type":117,"attrs":5915,"content":5916},{"textAlign":34},[5917],{"text":5918,"type":129,"marks":5919},"The mass production of synthetic data is destabilizing AI models, creating a world of distorted outputs. Meanwhile, the infrastructure supporting the demands of generative AI is polluting our ecosystems and threatening economies – ushering in the era of AI slop. In this talk, we will explore the multiple collapses driven by planetary-scale AI. ",[5920],{"type":350,"attrs":5921},{"class":352},{"_uid":5923,"component":121,"propRichtext":5924},"b29e5974-9bc7-4a79-a2c3-b681058f70aa",{"type":114,"content":5925},[5926,5934,5956],{"type":433,"attrs":5927,"content":5928},{"level":435,"textAlign":34},[5929],{"text":5930,"type":129,"marks":5931},"Kate Crawford ",[5932],{"type":350,"attrs":5933},{"class":352},{"type":117,"attrs":5935,"content":5936},{"textAlign":34},[5937,5939,5942,5944,5948,5950,5954],{"text":5938,"type":129},"born in Sydney, Australia, is a leading scholar of AI and its impacts. Her work is focused on understanding large scale data systems, machine learning and AI in the wider contexts of history, politics, labour, and the environment. She is a Professor at the University of Southern California in LA, a Senior Principal Researcher at MSR New York, and the inaugural visiting chair of AI and Justice at the École Normale Supérieure in Paris. She founded multiple research centers around the world, and leads the interdisciplinary lab called ",{"text":5901,"type":129,"marks":5940},[5941],{"type":132},{"text":5943,"type":129},". Her book, ",{"text":5945,"type":129,"marks":5946},"Atlas of AI,",[5947],{"type":132},{"text":5949,"type":129}," has been translated into twelve languages, won three international prizes, and was named a best book of the year by The Financial Times and New Scientist. In addition to her scholarly work, Crawford is an artist whose works are in the permanent collections of the Museum of Modern Art (MoMA), the Victoria and Albert Museum (V&A), and the Design Museum in London. Her most recent work, ",{"text":5951,"type":129,"marks":5952},"Vienna Digital Cultures 3 Calculating Empires: A Genealogy of Power and Technology Since 1500",[5953],{"type":132},{"text":5955,"type":129}," will be shown at the 2025 Venice Biennale. Kate Crawford lives and works in New York.",{"type":117,"attrs":5957},{"textAlign":34},{"_uid":5959,"component":121,"propRichtext":5960},"c29a1b9a-17bc-4d0a-9909-8403bfba71a7",{"type":114,"content":5961},[5962,5970],{"type":433,"attrs":5963,"content":5964},{"level":435,"textAlign":34},[5965],{"text":5966,"type":129,"marks":5967},"Clemens Apprich ",[5968],{"type":350,"attrs":5969},{"class":352},{"type":117,"attrs":5971,"content":5972},{"textAlign":34},[5973],{"text":5974,"type":129},"is head of the Department of Media Theory and the Weibel Institute for Digital Cultures at the University of Applied Arts Vienna, where he has been Professor of Media Theory and History since 2021. He is also Vice-Rector for Research and Digitality at the University of Applied Arts Vienna.",{"_uid":5976,"component":121,"propRichtext":5977},"be3fd417-2f21-4bc0-960e-a788177aeca9",{"type":114,"content":5978},[5979,5987,6016],{"type":433,"attrs":5980,"content":5981},{"level":435,"textAlign":34},[5982],{"text":5983,"type":129,"marks":5984},"Wendy Hui Kyong Chun ",[5985],{"type":350,"attrs":5986},{"class":352},{"type":117,"attrs":5988,"content":5989},{"textAlign":34},[5990,5992,5996,5998,6002,6004,6008,6010,6014],{"text":5991,"type":129},"studied Systems Design Engineering and English Literature, which she combines and transforms in her research on digital media. She has authored numerous books, including: ",{"text":5993,"type":129,"marks":5994},"Control and Freedom: Power and Paranoia in the Age of Fiber Optics",[5995],{"type":132},{"text":5997,"type":129}," (MIT, 2006), ",{"text":5999,"type":129,"marks":6000},"Programmed Visions: Software and Memory",[6001],{"type":132},{"text":6003,"type":129}," (MIT 2011), ",{"text":6005,"type":129,"marks":6006},"Updating to Remain the Same: Habitual New Media",[6007],{"type":132},{"text":6009,"type":129}," (MIT 2016), and ",{"text":6011,"type":129,"marks":6012},"Discriminating Data: Correlation, Neighborhoods, and the New Politics of Recognition",[6013],{"type":132},{"text":6015,"type":129}," (2021, MIT Press).",{"type":117,"attrs":6017},{"textAlign":34},{"_uid":6019,"component":121,"propRichtext":6020},"0797c4af-27a5-4101-8c3d-885180afc8c7",{"type":114,"content":6021},[6022,6032],{"type":117,"content":6023},[6024,6026,6027,6029,6030],{"text":6025,"type":129},"Individual events: € 5",{"type":796},{"text":6028,"type":129},"Festival pass: € 25",{"type":796},{"text":6031,"type":129},"Free entry to all events with the Kunsthalle Wien annual pass for € 29",{"type":117,"content":6033},[6034],{"text":6035,"type":129,"marks":6036},"All tickets via Kunsthalle",[6037],{"type":312,"attrs":6038},{"href":6039,"uuid":34,"anchor":34,"target":315,"linktype":485},"https://kupfticket.com/events/vdc-2025-model-collapse",{"_uid":6041,"component":121,"propRichtext":6042},"5ca9d828-6199-47ea-b7da-ffab2611459a",{"type":114,"content":6043},[6044,6048,6052,6056,6084],{"type":117,"content":6045},[6046],{"text":6047,"type":129},"After the Keynote the festival will open at  KUNSTHALLE WIEN KARLSPLATZ",{"type":117,"content":6049},[6050],{"text":6051,"type":129},"19:00–21:00",{"type":117,"content":6053},[6054],{"text":6055,"type":129},"WITH SPEECHES BY",{"type":6057,"content":6058},"bullet_list",[6059,6066,6072,6078],{"type":6060,"content":6061},"list_item",[6062],{"type":117,"content":6063},[6064],{"text":6065,"type":129},"Veronica Kaup-Hasler, Executive City Councillor for Cultural Affairs and Science",{"type":6060,"content":6067},[6068],{"type":117,"content":6069},[6070],{"text":6071,"type":129},"Michelle Cotton, Artistic Director Kunsthalle Wien",{"type":6060,"content":6073},[6074],{"type":117,"content":6075},[6076],{"text":6077,"type":129},"Felix Hoffmann, Artistic Director FOTO ARSENAL WIEN",{"type":6060,"content":6079},[6080],{"type":117,"content":6081},[6082],{"text":6083,"type":129},"Nadim Samman, Curator Model Collapse",{"type":117,"content":6085},[6086,6088,6089],{"text":6087,"type":129},"FOLLOWED BY",{"type":796},{"text":6090,"type":129},"DJ-Set by Inou Ki Endo (Unsafe+Sounds) at Kunsthalle Karlsplatz",[6092],{"_uid":6093,"component":221,"propColor":6094,"propSubheadline":6097,"propPreviewImage":6098,"propPreviewVideo":6102,"propMakeTextWhite":37,"propDescriptionLong":6104,"propMetaInformation":6105,"propMetadescription":21,"propDescriptionShort":21},"9dfe8ee7-6729-40ac-b44e-50606619cb7d",{"_uid":6095,"color":6096,"plugin":225},"3635265a-8964-42de-a40f-11e667ae9680","#52e065","Keynote by Kate Crawford. Followed by a discussion with Clemens Apprich and Wendy Chun, moderated by Nadim Samman",{"id":6099,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":6100,"copyright":21,"fieldtype":230,"meta_data":6101,"is_external_url":37},21949996,"https://a.storyblok.com/f/98682/1920x2400/fdaae91178/kate-crawford-kopie.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":6103},{},"Vienna Digital Cultures is a new festival jointly organised by Foto Arsenal Wien and Kunsthalle Wien ",{"type":114,"content":6106},[6107],{"type":117,"content":6108},[6109],{"text":6110,"type":129,"marks":6111},"Vienna Digital Cultures ",[6112],{"type":312,"attrs":6113},{"href":6114,"uuid":34,"anchor":34,"target":315,"linktype":485},"https://viennadigitalcultures.at/","2025-05-05 15:00","vienna-digital-cultures-kate-crawford","program/vienna-digital-cultures-kate-crawford",-1110,[],"e7548f6c-9b57-4d11-8d7d-a8c54dd46eb8","2025-04-14T08:26:59.417Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":5825,"etag":6126,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":6127,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":6128,"x-runtime":6129,"x-xss-protection":68},"W/\"3639d4498b9305fde869fd72ffa8f32d\"","qqVQNDPgiMR6h_O8K5IjxpsbMsr0qWFJgCKX9OF9udnhyuesiVkpmg==","54598c51-06ce-4a0c-9abc-2a57f0d296d1","0.026692",{"data":6131,"headers":6284},{"story":6132,"cv":43,"rels":6282,"links":6283},{"name":6133,"created_at":6134,"published_at":6135,"updated_at":6136,"id":6137,"uuid":6138,"content":6139,"slug":6275,"full_slug":6276,"sort_by_date":34,"position":6277,"tag_list":6278,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":6279,"first_published_at":6280,"release_id":34,"lang":41,"path":34,"alternates":6281,"default_full_slug":34,"translated_slugs":34},"The Wetness of Hacking ","2022-07-13T14:47:23.529Z","2026-01-12T11:11:15.128Z","2026-01-12T11:11:15.142Z",162853102,"06c5b050-ece6-43a9-a3a1-7b1dcfac001b",{"_uid":6140,"component":2699,"propCategory":4762,"propMainContent":6141,"propHeaderInformation":6252},"81c1b8db-7091-4766-869a-63c8f6dd70b8",[6142],{"_uid":6143,"component":112,"propCredits":6144,"propEntryInMainContent":6162},"e2571f4c-99ee-4690-821f-9ebc36b7c83b",{"type":114,"content":6145},[6146,6150,6154,6158],{"type":117,"content":6147},[6148],{"text":6149,"type":129},"SUPPORTERS: Institut ramon llull, Government of Catalonia (Delegation to Central Europe)",{"type":117,"content":6151},[6152],{"text":6153,"type":129},"Bioxeno project has had the support of the “Premios Barcelona 2020” Grants from the Barcelona City Council and with the support of Hangar.org for our two-year residency at the wetlab (Gaia Leandra + Ce Quimera 2020-2022).",{"type":117,"content":6155},[6156],{"text":6157,"type":129},"PARTNERS: Mz* Baltazar´s Laboratory",{"type":117,"content":6159},[6160],{"text":6161,"type":129},"Images: Martina Lajczak",[6163,6166,6182,6188,6196,6202,6222],{"_uid":6164,"component":4788,"propVideoId":6165,"propVideoType":4925},"2a308ec9-c41f-44da-8952-58ae6899d523","726433365",{"_uid":6167,"component":121,"propRichtext":6168},"62475fd0-52d5-4081-8a73-9b7bba35293a",{"type":114,"content":6169},[6170,6174,6178],{"type":117,"content":6171},[6172],{"text":6173,"type":129},"Gaia Leandra and Ce Quimera, currently artists in residence at Hangar’s wetlab in Barcelona, will present their artistic work and the projects developed at the well-known bioart laboratory.",{"type":117,"content":6175},[6176],{"text":6177,"type":129},"Since 2021 they have been carrying out Bioxeno, a project that aims to generate new narratives at the intersection of science and art, using different tools, techniques, disciplines and practices. They understand bioart as a place of strength, taking a critical point of view to the movement of knowledge and its scientific production. The project was inspired by Lynn Margullis, who studied microorganisms in the ecosystem of the Catalunya territory for several years. By establishing interspecies relations with bacterial communities, specifically the cyanobacteria of the Ebro Delta (Catalunya, Spain), and by taking into account our human limitations and the need for technology to mediate interspecies relations, the outset of their research questions will be:",{"type":117,"content":6179},[6180],{"text":6181,"type":129},"Which artistic formats could show/translate this type of link without reproducing anthropocentric or colonial views? How to account for biodiversity and the extractivism present in the ecosystems we inhabit? In what ways do we think of the bio as life? How do we think of our lives? Or rather, how do we live them?",{"_uid":6183,"component":2747,"propImage":6184,"propAltText":6187,"propCaption":21},"e487c06e-13fb-487c-b633-d4b72f808bc2",{"id":6185,"alt":21,"name":21,"focus":21,"title":21,"filename":6186,"copyright":21,"fieldtype":230,"is_external_url":37},5553407,"https://a.storyblok.com/f/98682/2500x1667/e403a3d0fc/dsc_3264.jpg","The three guests of the artist talk",{"_uid":6189,"component":121,"propRichtext":6190},"669913a1-4037-4790-ba55-e866a821f915",{"type":114,"content":6191},[6192],{"type":117,"content":6193},[6194],{"text":6195,"type":129},"The research into bioart is closely linked to Hangar’s wetlab. Based on a transhackfeminist vision, wetlab is a space where hybrid interactions take place that disrupt the boundaries generally established between art and science, while also informing a critical revision of science as an institution. Workshops, presentations, research residences, collective work processes and discussions are carried out at the lab. In the context of the current ecological debacle, we want to promote projects that are propositive and offer alternative perspectives in order to rethink possible futures. The wetlab space is currently coordinated by resident artists Gaia Leandra + Ce Quimera.",{"_uid":6197,"component":2747,"propImage":6198,"propAltText":6201,"propCaption":21},"f977aaac-5224-4d03-8f3e-a0c9b2b22aae",{"id":6199,"alt":21,"name":21,"focus":21,"title":21,"filename":6200,"copyright":21,"fieldtype":230,"is_external_url":37},5553405,"https://a.storyblok.com/f/98682/2500x1667/931e090d1d/dsc_3321.jpg","Audience during the talk",{"_uid":6203,"component":121,"propRichtext":6204},"5b169ebf-2999-43c4-bbd4-e47e1daf6740",{"type":114,"content":6205},[6206],{"type":202,"content":6207},[6208,6217],{"type":117,"attrs":6209,"content":6210},{"textAlign":34},[6211],{"text":6212,"type":129,"marks":6213},"Gaia Leandra ",[6214,6215],{"type":132},{"type":350,"attrs":6216},{"class":352},{"type":117,"attrs":6218,"content":6219},{"textAlign":34},[6220],{"text":6221,"type":129},"holds a degree in biology. She worked at the Institute for Microelectronics and Microsystems (IMM) of the Italian National Research Council CNR. After university, one of her first artistic collaborations was with Paula Pin as part of the project »Fotosintetika«. She participates in the Maker Faire (Rome). She exhibited sound work at the Flussi media arts festival in Avellino. She also collaborates with the collective »Riot Studio« on DIY biology workshops and works with Mary Magicc’s project »Hormons«. Together with the artist Oskar Martin, she offers workshops on sound biology and electronics. She is part of the Italian collective »Merda Elettronica«. She teaches DIY synth workshops together with artist Corazón de Robota. She curates independent music festivals such as FTS, Multiversal, Ràdio Black Out and TPA I 76A Napolitan squatt. From 2020 until 2022, she is part of the art collective residing at Hangar’s Wetlab in Barcelona.",{"_uid":6223,"component":121,"propRichtext":6224},"f4838054-1839-4956-a1b9-16b1eaf4408a",{"type":114,"content":6225},[6226],{"type":202,"content":6227},[6228,6237,6242,6247],{"type":117,"attrs":6229,"content":6230},{"textAlign":34},[6231],{"text":6232,"type":129,"marks":6233},"Ce Quimera",[6234,6235],{"type":132},{"type":350,"attrs":6236},{"class":352},{"type":117,"attrs":6238,"content":6239},{"textAlign":34},[6240],{"text":6241,"type":129},"is Artist and researcher, born in Argentina and resident in Europe since 2000, living between Barcelona and Bourges. She studied Social Anthropology in Buenos Aires while doing internships in the performing arts field.",{"type":117,"attrs":6243,"content":6244},{"textAlign":34},[6245],{"text":6246,"type":129},"In 2008, she created the lab Quimera Rosa together with Kina Madno. From this point on, she focused her corporal and investigative work on post-identity gender policies and corporal, identity and technoscience experiments with a trans*feminist perspective.",{"type":117,"attrs":6248,"content":6249},{"textAlign":34},[6250],{"text":6251,"type":129},"Her work currently focuses on the development of performances, transdisciplinary projects and interactive installations as well as elaborate devices that function through corporal activity and experimentation in biohacking. Her work is characterized by long periods of research/experimentation, generally as part of residencies. In 2016, she began working with Quimera Rosa on the project Trans*Plant, carried out and produced by Ars Electrónica and the European Media Artists in Residence Exchange (EMARE), Hangar and the Barcelona Biomedical Research Park (PRBB), the University of California in Davis and L'Antre Peaux. In 2019, she participated in Acá soy la que se fue: relatos sudakas en la Europa fortaleza, a pioneer collection of real stories of and for migrants arriving in Europe from Abya Yala and the Caribbean. She is artist in residence at the Hangar Wetlab, together with Gaia Leandra (2020/2022), where she carries out investigative and experimental projects in art and science with a transhackfeminist vision. Most of her work is collaborative and free of patents and ownership codes and has been presented in streets, galleries, universities, freelance spaces, okupas, art centres, festivals and museums.",[6253],{"_uid":6254,"component":221,"propColor":6255,"propSubheadline":6258,"propPreviewImage":6259,"propPreviewVideo":6260,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":6263,"propMetadescription":6273,"propDescriptionShort":6274},"6bd231cd-7902-4a1d-ad68-7431807ec920",{"_uid":6256,"color":6257,"plugin":225},"f42a46dd-020c-4178-8a8f-04aa6a4e9275","#73de45","Transhacking Feminist Perspectives from Wetlab Barcelona ",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":230},{"id":6261,"alt":21,"name":21,"focus":21,"title":21,"filename":6262,"copyright":21,"fieldtype":230,"is_external_url":37},7848075,"https://a.storyblok.com/f/98682/x/a10d97ac3a/pvra_wetness_of_hacking-720p.mp4",{"type":114,"content":6264},[6265],{"type":117,"content":6266},[6267],{"text":6268,"type":129,"marks":6269},"About Wetlab",[6270],{"type":312,"attrs":6271},{"href":6272,"uuid":34,"anchor":34,"target":823,"linktype":485},"https://hangar.org/ca/category/recerca/wetlab/","die Angewandte, Angewandte Interdisciplinary Lab, Café Exchange, Otto Wagner","Artist Talk by Gaia Leandra and Ce Quimera in English from 2022","the-wetness-of-hacking","explore/the-wetness-of-hacking",-330,[],"39846e79-69b5-4d5e-af9b-8e6c0a0a5948","2022-09-07T13:14:59.143Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":5825,"etag":6285,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":499,"x-amz-cf-id":6286,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":6287,"x-runtime":6288,"x-xss-protection":68},"W/\"19eba884f0add8cf0f3fbee7926a7d3e\"","wbDjp8E-v7CJ57-BOmUCAcxsAaAFSw9VApjydrXdicPSF8WXhvKRfA==","369b8d43-6a36-40db-b0e7-b95454b8db19","0.020668",{"data":6290,"headers":6384},{"story":6291,"cv":43,"rels":6382,"links":6383},{"name":6292,"created_at":6293,"published_at":6294,"updated_at":6295,"id":6296,"uuid":6297,"content":6298,"slug":6375,"full_slug":6376,"sort_by_date":34,"position":6377,"tag_list":6378,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":6379,"first_published_at":6380,"release_id":34,"lang":41,"path":34,"alternates":6381,"default_full_slug":34,"translated_slugs":34},"Sonia Bernac: The Influencing Machine: Latent Moods, Emergent Bias and Distributed Ontologies ","2025-07-29T11:26:29.798Z","2025-12-15T12:21:15.566Z","2025-12-15T12:21:15.585Z",74132643039378,"87de7495-dcea-4a4a-9047-35c685b1a1e2",{"_uid":6299,"component":2699,"propCategory":4762,"propMainContent":6300,"propHeaderInformation":6358},"a73dd0d7-13fa-422b-9bd0-9ebd6f140242",[6301],{"_uid":6302,"component":112,"propCredits":6303,"propEntryInMainContent":6306},"227e81df-328a-4ec9-b8c0-b46d7f37c951",{"type":114,"content":6304},[6305],{"type":117},[6307,6310,6318,6335],{"_uid":6308,"component":4788,"propVideoId":6309,"propVideoType":4925},"c63d2b29-a971-45a3-80ba-f36b36a9bd09","1098763517",{"_uid":6311,"component":121,"propRichtext":6312},"8f9d1c2e-8fd8-4b05-93e9-c95aa17234ab",{"type":114,"content":6313},[6314],{"type":117,"content":6315},[6316],{"text":6317,"type":129},"This talk examines the problem of synthetic emergence: how AI generators, even when guided by loosely defined objectives, tend to produce commonsensical associations, aesthetic stereotypes, and familiar patterns of meaning. Rather than enabling radical experimentation, these systems often resolve into a ‘canny valley’ – a zone of overfamiliar coherence. Though bias, synthetic ‘moods,’ and aesthetics are not embedded in advance but emerge through systemic operations, their emergence is frequently steered toward a telos of the familiar. Without reducing the issue to flawed datasets or dismissing AI as a merely regurgitative ‘stochastic parrot,’ the talk explores the potential of synthetic intelligence and AI media generators as instruments of poietic praxis – requiring careful attunement to the novel patterns that arise through their experimentation. It emphasises the importance of distinguishing between different forms of the unknown within these systems, particularly the differences between randomness, undecidability, and noncomputability – each implying distinct artistic strategies. The ideas presented are practice-led, discussed through the experimental architecture of Polymorphs – a collaborative series of artworks and a complex generative AI system developed at the Artificial and Distributed Intelligence Lab, Royal College of Art, London.",{"_uid":6319,"component":121,"propRichtext":6320},"c3bb81c8-1c04-445d-9992-bfef61abbd19",{"type":114,"content":6321},[6322,6330],{"type":117,"attrs":6323,"content":6324},{"textAlign":34},[6325],{"text":6326,"type":129,"marks":6327},"Sonia Bernac",[6328],{"type":350,"attrs":6329},{"class":352},{"type":117,"attrs":6331,"content":6332},{"textAlign":34},[6333],{"text":6334,"type":129},"is an artist, writer, and technologist. Her research investigates the ontological tensions of old and new materialisms, synthetic teratologies, intuitions of science-fiction, and pre-Enlightenment systems of knowledge. Framed as a bestiary of distributed intelligence, her work makes sense of hallucinations in generative AI, latent spaces, and emergent moods within synthetic environments. Without equating the non-human with the inhumane, she pays particular attention to the emergence of pathological systemic formations – exclusionary, compulsive, or sadistic imaginaries. Most recently, she was a senior researcher at Antikythera and the Artificial and Distributed Intelligence Lab at the Royal College of Art.",{"_uid":6336,"component":121,"propRichtext":6337},"c5c03949-7237-4b2a-a01f-7424401964a7",{"type":114,"content":6338},[6339,6347],{"type":117,"attrs":6340,"content":6341},{"textAlign":34},[6342],{"text":6343,"type":129,"marks":6344},"Monika Halkort",[6345],{"type":350,"attrs":6346},{"class":352},{"type":117,"attrs":6348,"content":6349},{"textAlign":34},[6350,6352,6356],{"text":6351,"type":129},"is assistant professor and head of the ",{"text":6353,"type":129,"marks":6354},"Art x Science School for Transformation",[6355],{"type":132},{"text":6357,"type":129}," at the University of Applied Arts Vienna. Her research and teaching focus on the political ecology of transformation processes, emphasising, in particular, the role of bio/geo-chemical substances and materials in mediating historical (in)justice and change.",[6359],{"_uid":6360,"component":221,"propColor":6361,"propSubheadline":6364,"propPreviewImage":6365,"propPreviewVideo":6367,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":6371,"propMetadescription":21,"propDescriptionShort":6374},"7377cf11-82c1-4875-ab2e-bd74884e2fee",{"_uid":6362,"color":6363,"plugin":225},"565970fc-b598-4b64-9456-2c876b926da2","#f3a700","Talk in English from April 2025, with Monika Halkort",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":6366},{},{"id":6368,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":6369,"copyright":21,"fieldtype":230,"meta_data":6370,"is_external_url":37},103864390964787,"https://a.storyblok.com/f/98682/x/844092dedd/soniabernac_raster.mp4",{},{"type":114,"content":6372},[6373],{"type":117},"Part of the lecture series ‘Aesthetics of Transformation’, curated by the School for Transformation ","the-influencing-machine","explore/the-influencing-machine",-1380,[],"1acf01d9-0eb5-4f81-becb-300a9dc7c906","2025-07-29T11:28:59.745Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":5825,"etag":6385,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":6386,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":6387,"x-runtime":6388,"x-xss-protection":68},"W/\"51a450a5809720408ecdbb4f117f2845\"","qji0UC6iWZl42YkJMYX6FqMzSuqhDfnmIvzHFpG9UcKfs021aLMhyw==","4e0d1339-6f99-4990-a4b4-0e8a4a16542b","0.021133",{"data":6390,"headers":6462},{"story":6391,"cv":43,"rels":6460,"links":6461},{"name":6392,"created_at":6393,"published_at":6394,"updated_at":6395,"id":6396,"uuid":6397,"content":6398,"slug":6453,"full_slug":6454,"sort_by_date":34,"position":6455,"tag_list":6456,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":6457,"first_published_at":6458,"release_id":34,"lang":41,"path":34,"alternates":6459,"default_full_slug":34,"translated_slugs":34},"Digital Emotions","2022-01-18T13:54:12.718Z","2022-02-09T11:17:26.644Z","2022-02-09T11:17:26.665Z",99347468,"b3c8b0de-34ac-4028-8d1e-5c79e44c3370",{"_uid":6399,"component":2699,"propCategory":4762,"propMainContent":6400,"propHeaderInformation":6440},"79b39e16-5fa1-44bb-9297-acbdd7a38223",[6401],{"_uid":6402,"component":112,"propCredits":6403,"propEntryInMainContent":6409},"cb573838-249d-4ac8-a481-453f70e6f37c",{"type":114,"content":6404},[6405],{"type":117,"content":6406},[6407],{"text":6408,"type":129},"Dr. Katharina Gsöllpointner is a media and art theoretician with a habilitiation in media studies. Her focus is on the crossover of media aesthetics, digital technologies, and the cybernetics of art, and she has a passion for inter-, trans- and crossdisciplinarity. Beside working as a university lecturer and researcher at the Department Digital Art at the University of Applied Arts Vienna, since 2017 she also is a staff member of the Department Cross-Disciplinary Strategies where she teaches Artistic Strategies from a cross-disciplinary perspective.",[6410,6413,6416,6432],{"_uid":6411,"component":4788,"propVideoId":6412,"propVideoType":4925},"4665d61f-2eb5-4e2f-9fe3-05d0bbe2b98c","264028228",{"_uid":6414,"component":4788,"propVideoId":6415,"propVideoType":4925},"0049a16f-f72d-421d-852b-13b28e8889fc","264934285",{"_uid":6417,"component":121,"propRichtext":6418},"5bf80470-5658-4bc1-a13c-e2a8276facc0",{"type":114,"content":6419},[6420,6424,6428],{"type":117,"content":6421},[6422],{"text":6423,"type":129},"Robotics and Artificial Intelligence (AI) currently are experiencing a powerful renaissance of scientific and public attention. We believe that the advance of these technologies will have an enormous impact on our ways of living, working, learning, communicating, travelling, caressing, curing, and even dying.",{"type":117,"content":6425},[6426],{"text":6427,"type":129},"However, there still remain two big issues to be solved in order to allow for a fruitful human–machine–interaction: In order to become trustworthy to humans, how can machines develop emotional behavior, and how do they have to look like?",{"type":117,"content":6429},[6430],{"text":6431,"type":129},"In the lecture series four international experts from AI, robotics, and biology discuss the state of the art in their respective research fields. ",{"_uid":6433,"component":121,"propRichtext":6434},"0b3c4eb2-bb80-4978-b947-1d593d3809d0",{"type":114,"content":6435},[6436],{"type":117,"content":6437},[6438],{"text":6439,"type":129},"Idea, concept & moderation: Katharina Gsöllpointner",[6441],{"_uid":6442,"component":221,"propColor":6443,"propSubheadline":6446,"propPreviewImage":6447,"propPreviewVideo":6448,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":21,"propMetadescription":6451,"propDescriptionShort":6452},"df7a6b19-7afe-4076-9055-7c4b161f27b0",{"_uid":6444,"color":6445,"plugin":225},"f8cd5a26-da68-4fca-adda-f1366f2156a9","#5252e0","Katharina Gsöllpointner in Conversation with Robert Trappl & Adam Miklosi (I), Eva Hudlicka & Helmut Leder (II) about Robotics and Artificial Intelligence ",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":34,"copyright":34,"fieldtype":230},{"id":6449,"alt":21,"name":21,"focus":34,"title":21,"filename":6450,"copyright":21,"fieldtype":230},3719144,"https://a.storyblok.com/f/98682/x/c9f8e5ff01/digital-emotions-ii-eva-hudlicka-_-helmut-leder_2.mp4","Helmut Leder, Katharina Gsöllpointner, Artificial Intelligence","Talk Series in English from 2018 ","digital-emotions","explore/digital-emotions",640,[],"615753ef-292f-4b80-bdd3-702414c1ad4f","2022-01-26T11:14:39.663Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":6463,"etag":6464,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":6465,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":6466,"x-runtime":6467,"x-xss-protection":68},"Thu, 21 May 2026 13:51:57 GMT","W/\"82c066a48e646ecbbc475a89c66f700e\"","zcTba-Qoi2A1PMDQDtZd00BjqtnwwKZ5Y7YtJ5oKC4a6PJVUL5VIqA==","7624a9e3-b043-4b1c-b1f1-74986e9d1bb5","0.025835",{"data":6469,"headers":6916},{"story":6470,"cv":43,"rels":6914,"links":6915},{"name":6471,"created_at":6472,"published_at":6473,"updated_at":6474,"id":6475,"uuid":6476,"content":6477,"slug":6907,"full_slug":6908,"sort_by_date":34,"position":6909,"tag_list":6910,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":6911,"first_published_at":6912,"release_id":34,"lang":41,"path":34,"alternates":6913,"default_full_slug":34,"translated_slugs":34},"In Conversation with Clemens Apprich on ‘Decolonizing Technology’","2022-09-29T15:51:55.343Z","2025-12-16T14:15:01.607Z","2025-12-16T14:15:01.628Z",196747861,"608036d1-0426-4006-9b85-09decef661c2",{"_uid":6478,"component":2699,"propCategory":129,"propMainContent":6479,"propHeaderInformation":6885},"5095fad5-2e95-428e-8b67-a092481cc234",[6480],{"_uid":6481,"component":112,"propCredits":6482,"propEntryInMainContent":6485},"ce4289a8-cdf9-4c79-81e4-84c78ae8d21a",{"type":114,"content":6483},[6484],{"type":117},[6486,6492,6541,6620,6698,6811],{"_uid":6487,"component":2747,"propImage":6488,"propAltText":21,"propCaption":6491},"a295b23c-0462-4b28-bea3-8f06e57b51e9",{"id":6489,"alt":21,"name":21,"focus":21,"title":21,"filename":6490,"copyright":21,"fieldtype":230,"is_external_url":37},5970773,"https://a.storyblok.com/f/98682/1200x800/83a8a44ec6/transmediale_apprich.jpg","Foto: Universität für angewandte Kunst / Adam Berry, transmediale",{"_uid":6493,"component":121,"propRichtext":6494},"fa8f7b37-ba3d-4df8-b528-61362e56cd05",{"type":114,"content":6495},[6496,6504,6532],{"type":433,"attrs":6497,"content":6498},{"level":435,"textAlign":34},[6499],{"text":6500,"type":129,"marks":6501},"Clemens Apprich",[6502],{"type":350,"attrs":6503},{"class":352},{"type":117,"attrs":6505,"content":6506},{"textAlign":34},[6507,6509,6515,6517,6521,6523,6530],{"text":6508,"type":129},"is full professor and head of the department of ",{"text":6510,"type":129,"marks":6511},"Media Theory",[6512],{"type":312,"attrs":6513},{"href":6514,"uuid":34,"anchor":34,"target":34,"linktype":485},"https://medientheorie.uni-ak.ac.at/",{"text":6516,"type":129}," at Angewandte. His current research focuses on filter algorithms and their use in data analysis procedures as well as machine learning methods. He is author of ",{"text":6518,"type":129,"marks":6519},"Technotopia: A Media Genealogy of Net Cultures ",[6520],{"type":132},{"text":6522,"type":129},"(Rowman & Littlefield International, 2017) and co-editor of the book ",{"text":6524,"type":129,"marks":6525},"Pattern Discrimination",[6526,6529],{"type":312,"attrs":6527},{"href":6528,"uuid":34,"anchor":34,"target":34,"linktype":485},"https://meson.press/books/pattern-discrimination/",{"type":132},{"text":6531,"type":129}," together with Hito Steyerl, Florian Cramer and Wendy Chun (University of Minnesota Press, 2018)",{"type":117,"attrs":6533,"content":6534},{"textAlign":34},[6535],{"text":6536,"type":129,"marks":6537},"Elisabeth Falkensteiner (Curator and Co-Head of AIL) talked to Clemens Apprich about media technology and its political implications in terms of identity politics and the importance of critical thinking in digital cultures.",[6538,6539],{"type":132},{"type":350,"attrs":6540},{"class":352},{"_uid":6542,"component":121,"propRichtext":6543},"3e84f950-50d5-4561-81d0-8c5b6256a476",{"type":114,"content":6544},[6545,6550,6555,6560,6568,6575,6582,6592,6599,6613],{"type":117,"attrs":6546,"content":6547},{"textAlign":34},[6548],{"text":6549,"type":129},"Elisabeth Falkensteiner (EF)",{"type":117,"attrs":6551,"content":6552},{"textAlign":34},[6553],{"text":6554,"type":129},"In recent times, the political visions or, rather, the naïve utopian dream of a fundamental democratization of the internet has been dulled just as the hope has faded that artificial intelligence and machine learning will develop ‘neutral’ digital worlds. ",{"type":117,"attrs":6556,"content":6557},{"textAlign":34},[6558],{"text":6559,"type":129},"In fact, new technologies are even more likely to entrench inequality, reinforce racist and sexist tendencies and promote reactionary identity politics – which will have consequences in virtual space as well as in real life. After all, most 90s online cultures had their roots in activism and subcultures. ",{"type":117,"attrs":6561,"content":6562},{"textAlign":34},[6563],{"text":6564,"type":129,"marks":6565},"Where did we go wrong?",[6566],{"type":350,"attrs":6567},{"class":352},{"type":202,"content":6569},[6570],{"type":117,"attrs":6571,"content":6572},{"textAlign":34},[6573],{"text":6574,"type":129},"Clemens Apprich (CA)",{"type":202,"content":6576},[6577],{"type":117,"attrs":6578,"content":6579},{"textAlign":34},[6580],{"text":6581,"type":129},"Many technologies that constitute what we call the online world were created in the 90s – at a time when the future of the internet was still undecided and subject of passionate debates. The mass distribution of so-called web 2.0 applications, building on the initial internet infrastructure and known as ‘social media’ platforms today, has led to a shift in the balance of power: away from public, social and artistic positions towards commercial interests. The use of these new media platforms has also led to a staggering increase in digital data. However, an enormous amount of computational power is required to generate ‘valuable’ information from this data, something only global corporations can afford these days. ",{"type":202,"content":6583},[6584],{"type":117,"attrs":6585,"content":6586},{"textAlign":34},[6587],{"text":6588,"type":129,"marks":6589},"And these automated pattern recognition systems are anything but impartial. On the contrary, algorithms learn from our data and therefore adopt everything that is part of it, including our racist, sexist, classist and ableist prejudices as well as heteronormative concepts. We are thus confronted with self-fulfilling prophecies, which are then relabeled as objective decision-making processes.",[6590],{"type":350,"attrs":6591},{"class":352},{"type":202,"content":6593},[6594],{"type":117,"attrs":6595,"content":6596},{"textAlign":34},[6597],{"text":6598,"type":129},"One of these prophecies is the assumption that any proximity between data points is ‘significant’ as such. This homophilic premise, which translates as ‘birds of a feather flock together’, is based in the US-history of segregated housing.",{"type":202,"content":6600},[6601],{"type":117,"attrs":6602,"content":6603},{"textAlign":34},[6604,6611],{"text":6605,"type":129,"marks":6606},"Wendy Hui Kyong Chun",[6607],{"type":312,"attrs":6608},{"href":6609,"uuid":6610,"anchor":34,"target":823,"linktype":2741},"/program/the-rage-of-data","6eee6d18-3137-4f35-a839-6df456f6294b",{"text":6612,"type":129},", who will give a talk as part of our lecture series, reminds us in her new book that it is precisely this principle of segregation that continues to govern our online world.",{"type":202,"content":6614},[6615],{"type":117,"attrs":6616,"content":6617},{"textAlign":34},[6618],{"text":6619,"type":129},"Every time Amazon, Facebook, TikTok or Tinder recommend and suggest new products, friends, content or lovers, we come across homophilic clusters that fuel the toxic online-climate today. However, instead of being inherent to the technology, the issue of data bias and algorithmic discrimination concerns the logics these technologies are made to implement and establish; logics that come from retrograde – not to say reactionary – identity politics, and a cancel culture actually deserving that name, which blocks all non-identitarian content, eventually filtering out all we prefer not to see.",{"_uid":6621,"component":121,"propRichtext":6622},"d2d96796-d974-42e4-80ca-fc117b87d255",{"type":114,"content":6623},[6624,6629,6634,6642,6649,6656,6666,6673,6691],{"type":117,"attrs":6625,"content":6626},{"textAlign":34},[6627],{"text":6628,"type":129},"EF",{"type":117,"attrs":6630,"content":6631},{"textAlign":34},[6632],{"text":6633,"type":129},"In summary one can therefore say basic technologies are driven by a capitalist logic and hegemonic politics. Which current alternative methods and systems promote anti-discriminatory behavior? ",{"type":117,"attrs":6635,"content":6636},{"textAlign":34},[6637],{"text":6638,"type":129,"marks":6639},"Is there a way out of this mess?",[6640],{"type":350,"attrs":6641},{"class":352},{"type":202,"content":6643},[6644],{"type":117,"attrs":6645,"content":6646},{"textAlign":34},[6647],{"text":6648,"type":129},"CA",{"type":202,"content":6650},[6651],{"type":117,"attrs":6652,"content":6653},{"textAlign":34},[6654],{"text":6655,"type":129},"At the heart of machine learning, which mostly catches our eye in the form of algorithmic recommender systems, is the simple logic of sifting through big chunks of data and turning them into information. This requires a particular logic or pattern that reflects our social behavior. After all, it is not the technologies that are male and white but the ideas they are fed. And this might be an opening for us: if we think about technologies as being a part of us, as reflections of ourselves, then we can finally engage with them properly.",{"type":202,"content":6657},[6658],{"type":117,"attrs":6659,"content":6660},{"textAlign":34},[6661],{"text":6662,"type":129,"marks":6663},"Hito Steyerl’s work is certainly a prime example in this regard: she does not concern herself with technical solutions or simply downplays the technological conditions we live in; instead she focuses on the beliefs, myths and concrete ideological interests that are portrayed and adopted by these technologies.",[6664],{"type":350,"attrs":6665},{"class":352},{"type":202,"content":6667},[6668],{"type":117,"attrs":6669,"content":6670},{"textAlign":34},[6671],{"text":6672,"type":129},"Her narrative and visual language reject the glossy aesthetics of most digital art. Instead of reviewing the latest computer hardware or software, she presents ‘poor images’ that stir and enable discussions about digital technologies – ranging from social media and virtual worlds to recent AI applications.",{"type":202,"content":6674},[6675,6683],{"type":117,"attrs":6676,"content":6677},{"textAlign":34},[6678],{"text":6679,"type":129,"marks":6680},"Obviously, no technological innovation will be able to solve our social problems.",[6681],{"type":350,"attrs":6682},{"class":352},{"type":117,"attrs":6684,"content":6685},{"textAlign":34},[6686],{"text":6687,"type":129,"marks":6688},"You simply cannot fight racism by using better data or algorithms. It is a political fight which requires political organization; online media can only ever play a supportive role here. This also applies to any critique of techno-capitalism, which needs to take place in a political context.",[6689],{"type":350,"attrs":6690},{"class":352},{"type":202,"content":6692},[6693],{"type":117,"attrs":6694,"content":6695},{"textAlign":34},[6696],{"text":6697,"type":129},"Big digital corporations must play by the rules of society – especially in terms of taxation and collective data management (‘data trusts’) – and need internal reorganization. And the solutions to meet these challenges are as old as the algorithms themselves. This can be best illustrated by the unionization of Amazon workers on Staten Island, New York, an event taking place while their boss, Jeff Bezos, was busy exploring outer space. One of the richest men on earth tries to escape this planet, while his workers unionize and fight for its and their survival. This is a poignant, almost cartoonish depiction of our current situation.",{"_uid":6699,"component":121,"propRichtext":6700},"345eff5c-8c36-4578-9ea8-00702bf9d033",{"type":114,"content":6701},[6702,6708,6715,6724,6730,6737,6747,6754,6766,6773,6798],{"type":117,"attrs":6703,"content":6704},{"textAlign":34},[6705],{"text":6628,"type":129,"marks":6706},[6707],{"type":132},{"type":117,"attrs":6709,"content":6710},{"textAlign":34},[6711],{"text":6712,"type":129,"marks":6713},"Can art or media art and interdisciplinary practices assist in decolonizing technology? ",[6714],{"type":132},{"type":117,"attrs":6716,"content":6717},{"textAlign":34},[6718],{"text":6719,"type":129,"marks":6720},"What role can art play?",[6721,6722],{"type":132},{"type":350,"attrs":6723},{"class":352},{"type":202,"content":6725},[6726],{"type":117,"attrs":6727,"content":6728},{"textAlign":34},[6729],{"text":6648,"type":129},{"type":202,"content":6731},[6732],{"type":117,"attrs":6733,"content":6734},{"textAlign":34},[6735],{"text":6736,"type":129},"I think we need to be careful when using context-specific terminology and concepts – especially when they are derived from certain historical contexts that range from the Haitian Revolution to the struggles for independence after the Second World War. ",{"type":202,"content":6738},[6739],{"type":117,"attrs":6740,"content":6741},{"textAlign":34},[6742],{"text":6743,"type":129,"marks":6744},"After all, the ‘decolonization of technology’ seems to be a conflicting term, not least because decolonization describes the retrieval of stolen land, whereas in the case of technology our concern is with the understanding of our own cultural practices. ",[6745],{"type":350,"attrs":6746},{"class":352},{"type":202,"content":6748},[6749],{"type":117,"attrs":6750,"content":6751},{"textAlign":34},[6752],{"text":6753,"type":129},"In an extended sense, though, we might speak of a decentralization of this knowledge by analyzing the – oftentimes violent – origins of technology.",{"type":202,"content":6755},[6756,6761],{"type":117,"attrs":6757,"content":6758},{"textAlign":34},[6759],{"text":6760,"type":129},"There are several good examples, such as Luiza Prado de O Martins’ work, which focuses on alternative forms of knowledge and modern technology’s divergent points of origin – covering not only digital media but also other areas of interest like birth control. ",{"type":117,"attrs":6762,"content":6763},{"textAlign":34},[6764],{"text":6765,"type":129},"And then there are also the artworks of Simon Denny, which render visible and thereby discuss the material conditions of our online world. His project ‘Mine’, for example, illustrates the nexus between the mining data and minerals – since both are integral to the functioning of our digital culture.",{"type":202,"content":6767},[6768],{"type":117,"attrs":6769,"content":6770},{"textAlign":34},[6771],{"text":6772,"type":129},"Especially the way artistic practices can engage with the production processes of our digital culture makes them viable to transcend current debates – which are mostly concerned with better data or better models – and create new technological visions.",{"type":202,"content":6774},[6775],{"type":117,"attrs":6776,"content":6777},{"textAlign":34},[6778,6780,6787,6789,6796],{"text":6779,"type":129},"In my opinion, ",{"text":6781,"type":129,"marks":6782},"Ramon Amaro",[6783],{"type":312,"attrs":6784},{"href":6785,"uuid":6786,"anchor":34,"target":315,"linktype":2741},"/explore/the-trouble-with-visibility","8cd034b5-c870-4d3a-8859-7351d383a1c4",{"text":6788,"type":129},", who will give a talk in early December, together with ",{"text":6790,"type":129,"marks":6791},"Tiara Roxanne",[6792],{"type":312,"attrs":6793},{"href":6794,"uuid":6795,"anchor":34,"target":315,"linktype":2741},"/program/trouble","b5c7656f-5e08-4ee2-bc30-cd58b953ffc9",{"text":6797,"type":129},", is one of few people who have truly accepted this challenge. Referencing theories by Frantz Fanon and Gilbert Simondon, he demands a radical break in the relationship with our technologies.",{"type":202,"content":6799},[6800],{"type":117,"attrs":6801,"content":6802},{"textAlign":34},[6803,6805,6809],{"text":6804,"type":129},"With a background in mechanical engineering as well as art history, he interprets technological systems, and especially AI, as reflections of ourselves with all the problems that come with it. His upcoming book, ",{"text":6806,"type":129,"marks":6807},"The Black Technical Object: On Machine Learning and the Aspiration of Black Being",[6808],{"type":132},{"text":6810,"type":129},", focuses on the highly problematic and mostly racist history and logic of modern statistics, which form the basis of today’s machine learning systems. His demands therefore do not stop at improving these processes but press for an epistemological break, so as to be able to create something new.",{"_uid":6812,"component":121,"propRichtext":6813},"3e8ee750-7ed2-452d-a8cb-24b53890e5b6",{"type":114,"content":6814},[6815,6821,6828,6834,6841,6851,6858,6868,6880],{"type":117,"attrs":6816,"content":6817},{"textAlign":34},[6818],{"text":6628,"type":129,"marks":6819},[6820],{"type":132},{"type":117,"attrs":6822,"content":6823},{"textAlign":34},[6824],{"text":6825,"type":129,"marks":6826},"When we look at social media and its news feed algorithms, which do not only fuel the attention economy of its users but also divide them into separate bubbles, we can see it losing its utopian and emancipatory potential. The pandemic and the surrounding debate have instead underlined how social media contributes to social divisiveness. Still, what were the initial principles and ideas of social networks?",[6827],{"type":132},{"type":202,"content":6829},[6830],{"type":117,"attrs":6831,"content":6832},{"textAlign":34},[6833],{"text":6648,"type":129},{"type":202,"content":6835},[6836],{"type":117,"attrs":6837,"content":6838},{"textAlign":34},[6839],{"text":6840,"type":129},"In the early 2000s, the media theorist Tiziana Terranova already emphasised the significance of ‘free labour’ in digital societies. Her analysis has become even more relevant with social media platforms: on and with these platforms we produce a digital economy and profits that only benefit a few instead of the many. Sadly, we do this in the belief of ‘authenticity’; ",{"type":202,"content":6842},[6843],{"type":117,"attrs":6844,"content":6845},{"textAlign":34},[6846],{"text":6847,"type":129,"marks":6848},"everyone is convinced they are being creative, while in fact being caught in the behavioral patterns and restrictions imposed by tech companies. Bernard Stiegler once called this the ‘systemic stupidity’ of our digital culture.",[6849],{"type":350,"attrs":6850},{"class":352},{"type":202,"content":6852},[6853],{"type":117,"attrs":6854,"content":6855},{"textAlign":34},[6856],{"text":6857,"type":129},"However, what I like about Tiziana Terranova’s work is that she never tires to stress the ‘social’ in social media. As a matter of fact, social media algorithms are not interested in the individual person – their holiday photos or music collections – but rather in the relationships to other individuals in a given network; this ever-changing trans-individuality is still an important, yet underrated fact which we need to take into account when critiquing our capitalist digital society.",{"type":202,"content":6859},[6860],{"type":117,"attrs":6861,"content":6862},{"textAlign":34},[6863],{"text":6864,"type":129,"marks":6865},"Generally, all technologies are no more than cristallisations of our social relations. For this reason, we also need to find new ways to engage with them. The theoretical field of Disability Studies could be an interesting point of departure, as it traditionally focuses on scrutinizing what we perceive as ‘normal’ in our culture.",[6866],{"type":350,"attrs":6867},{"class":352},{"type":202,"content":6869},[6870,6875],{"type":117,"attrs":6871,"content":6872},{"textAlign":34},[6873],{"text":6874,"type":129},"As part of our lecture series, Katharina Klappheck will talk about machine learning processes in terms of disability and the unruly. And in March, Tung-Hui Hu will speak to us in a similar way about non-Western concepts of digital cultures in his lecture on analogue internet culture.",{"type":117,"attrs":6876,"content":6877},{"textAlign":34},[6878],{"text":6879,"type":129},"If we want to counter the divisive potential of these technologies, we should not – even in the face of justified criticism of our excessive mediated society – submit to any kind of cultural pessimism or technophobia. For there is always a playful approach to deal with our neuroses and technological dependencies.",{"type":117,"attrs":6881,"content":6882},{"textAlign":34},[6883],{"text":6884,"type":129},"Thank you Clemens Apprich for the Interview!",[6886],{"_uid":6887,"component":221,"propColor":6888,"propSubheadline":6891,"propPreviewImage":6892,"propPreviewVideo":6893,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":6894,"propMetadescription":21,"propDescriptionShort":6906},"e28919cf-27f9-4674-b69e-7a65ee8c6079",{"_uid":6889,"color":6890,"plugin":225},"a23e4a5b-ac20-4415-b9ff-08015f06c993","#e79050","About media technology and its political implications in terms of identity politics and the importance of critical thinking in digital cultures. What does it mean to ‘decolonize’ technology, and how can it be that technology generates a ‘colonizing’ practice in the first place? ",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":230},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":230},{"type":114,"content":6895},[6896],{"type":117,"content":6897},[6898,6904],{"text":6899,"type":129,"marks":6900},"Read more",[6901],{"type":312,"attrs":6902},{"href":6903,"uuid":34,"anchor":34,"target":823,"linktype":485},"https://science.apa.at/mehrzumthema/man-kann-nicht-nicht-diskriminieren/",{"text":6905,"type":129}," on the subject (in German)","Clemens Apprich is head of the department of Media Theory, which co-hosts AIL’s Talk Series on the topic of ‘Decolonizing Technology’ ","in-conversation-with-clemens-apprich","explore/in-conversation-with-clemens-apprich",-400,[],"356f5c10-2650-48cb-9903-2439378ec3b0","2022-09-29T16:29:10.425Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":6463,"etag":6917,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":6918,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":6919,"x-runtime":6920,"x-xss-protection":68},"W/\"0f723d28309c125512bd6577d802361f\"","02spK5-huVAddD8REj_BeaPzNb70HN5Ir_YOn5bFgNBoelijhG495A==","39361db0-249c-4ab5-aa3d-01e1165e88f8","0.027069",{"data":6922,"headers":7019},{"story":6923,"cv":43,"rels":7017,"links":7018},{"name":6924,"created_at":6925,"published_at":6926,"updated_at":6927,"id":6928,"uuid":6786,"content":6929,"slug":7010,"full_slug":7011,"sort_by_date":34,"position":7012,"tag_list":7013,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":7014,"first_published_at":7015,"release_id":34,"lang":41,"path":34,"alternates":7016,"default_full_slug":34,"translated_slugs":34},"Ramon Amaro: The Trouble with Visibility ","2023-03-30T14:18:58.030Z","2025-12-16T14:03:25.462Z","2025-12-16T14:03:25.477Z",284575571,{"_uid":6930,"component":2699,"propCategory":4762,"propMainContent":6931,"propHeaderInformation":6985},"ca4572e5-facc-4fe1-aaf9-18bdc8a62629",[6932],{"_uid":6933,"component":112,"propCredits":6934,"propEntryInMainContent":6937},"09229096-fd3c-425d-a4da-01d4d5c74af3",{"type":114,"content":6935},[6936],{"type":117},[6938,6941,6953,6969],{"_uid":6939,"component":4788,"propVideoId":6940,"propVideoType":4925},"47941372-6d46-4c0b-b69c-5f9b35004cf8","779559009",{"_uid":6942,"component":121,"propRichtext":6943},"805d2383-d679-4c52-a5bb-5d0a95253be5",{"type":114,"content":6944},[6945,6949],{"type":117,"content":6946},[6947],{"text":6948,"type":129},"Ramon Amaro explores how the history of data and statistical analysis provide a clear (and often sudden) grasp of the complex relationship between race and machine learning.",{"type":117,"content":6950},[6951],{"text":6952,"type":129},"Amaro juxtaposes a practical analysis of machine learning with a theory of Black alienation in order to inspire alternative approaches to contemporary algorithmic practice. In doing so, Amaro offers a continuous contemplation on the abstruse nature of machine learning, mathematics, and the deep incursion of racial hierarchy.",{"_uid":6954,"component":121,"propRichtext":6955},"b7c7ca25-bb40-43d9-83bd-ecba882df2aa",{"type":114,"content":6956},[6957,6961,6965],{"type":117,"content":6958},[6959],{"text":6960,"type":129},"Ramon Amaro’s writing, research and practice emerge at the intersections of Black Study, psychopathology, digital culture, and the critique of computation reason. He draws on Frantz Fanon’s theory of sociogenic alienation to problematise the de-localisation of the Black psyché in contemporary computational systems, such as machine learning and artificial intelligence.",{"type":117,"content":6962},[6963],{"text":6964,"type":129},"His recent book The Black Technical Objectaims to introduce the history of statistical analysis and a knowledge of sociogenesis – a system of racism amenable to scientific explanation – into machine learning research as an act of impairing the racial ordering of the world.",{"type":117,"content":6966},[6967],{"text":6968,"type":129},"While machine learning – computer programming designed for taxonomic patterning – provides useful insight into racism and racist behavior, a gap is present in the relationship between machine learning, the racial history of scientific explanation, and the Black lived experience. ",{"_uid":6970,"component":121,"propRichtext":6971},"5549ea55-be26-4ff0-90dc-fd077ff573ba",{"type":114,"content":6972},[6973,6977,6981],{"type":117,"content":6974},[6975],{"text":6976,"type":129},"Tiara Roxanne is a Postdoctoral Fellow at Data & Society in NYC. They are a Tarascan Mestiza scholar and artist based in Berlin. Their research and artistic practice investigates the encounter between Indigeneity and AI by interrogating colonial structures embedded within machine learning systems.  As a performance artist and practitioner, Roxanne works between the digital and the material using textile. Currently their work is mediated through the color red.",{"type":117,"content":6978},[6979],{"text":6980,"type":129},"Roxanne has presented at Images Festival (Toronto), Squeaky Wheel Film and Media Art Center (NY), Trinity Square Video (Toronto),  European Media Art Festival (Osnabrück), University of Applied Arts (Vienna),  SOAS (London), SLU (Madrid), Transmediale (Berlin), Duke University (NC), Tech Open Air (Berlin), AMOQA (Athens), Zurich University of the Arts (Zurich), Autonomous Intercultural Indigenous University (Columbia), Utrecht University (NL), University of California (San Diego), Münchener Kammerspiele (Munich),  Laboratorio Arte Alameda, (Mexico City),  among others.",{"type":117,"content":6982},[6983],{"text":6984,"type":129},"Nelly Y. Pinkrah is a cultural and media theorist and political activist, mainly involved in anti-racist, empowerment, and community-building projects. Areas of interest: (digital) media and technology, black studies & black feminist theory, political thoughts and practices, and cultural history.",[6986],{"_uid":6987,"component":221,"propColor":6988,"propSubheadline":6991,"propPreviewImage":6992,"propPreviewVideo":6993,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":6996,"propMetadescription":21,"propDescriptionShort":7009},"8259a3c7-7b06-4408-8f72-8ecc48830fe6",{"_uid":6989,"color":6990,"plugin":225},"5fb2b3a2-b436-4b34-b1b9-17b61bb06cef","#6e25e2","Lecture in English from 2022",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":230},{"id":6994,"alt":21,"name":21,"focus":21,"title":21,"filename":6995,"copyright":21,"fieldtype":230,"is_external_url":37},7848669,"https://a.storyblok.com/f/98682/x/18a5385d17/pvra_the_trouble_with_visibility-720p.mp4",{"type":114,"content":6997},[6998],{"type":117,"content":6999},[7000,7002,7007],{"text":7001,"type":129},"About the Series ‘",{"text":5499,"type":129,"marks":7003},[7004],{"type":312,"attrs":7005},{"href":5503,"uuid":5504,"anchor":34,"custom":7006,"target":823,"linktype":2741},{},{"text":7008,"type":129},"’","Accompanied by a  Dialogue with Tiara Roxanne, moderated by Nelly Y. Pinkrah","the-trouble-with-visibility","explore/the-trouble-with-visibility",-560,[],"fadbb02e-ec88-4738-812e-d32d62f6adcf","2023-03-30T14:23:14.788Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":6463,"etag":7020,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":7021,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":7022,"x-runtime":7023,"x-xss-protection":68},"W/\"be7547ee045ca9d530c37ab355ed418b\"","wIPuo9Vd5yFBGWQv8RHS_-viHcNoDxKIZ_yU0QIubk11h542EYTr6w==","00714de0-3396-44e0-8ccb-91dd2b2253b0","0.020494",{"data":7025,"headers":7089},{"story":7026,"cv":43,"rels":7087,"links":7088},{"name":7027,"created_at":7028,"published_at":7029,"updated_at":7030,"id":7031,"uuid":7032,"content":7033,"slug":7080,"full_slug":7081,"sort_by_date":34,"position":7082,"tag_list":7083,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":7084,"first_published_at":7085,"release_id":34,"lang":41,"path":34,"alternates":7086,"default_full_slug":34,"translated_slugs":34},"Julia Voss: The Digitalization and Evolution of Art","2022-01-11T13:51:45.270Z","2026-01-12T11:57:40.479Z","2026-01-12T11:57:40.489Z",97630798,"41ab82c4-0086-4637-9aab-939704202150",{"_uid":7034,"component":2699,"propCategory":4762,"propMainContent":7035,"propHeaderInformation":7068},"b270fa58-60c8-463f-88bc-038ae082df1e",[7036],{"_uid":7037,"component":112,"propCredits":21,"propEntryInMainContent":7038},"0e81e870-6a9a-4b81-8446-907b19552f4e",[7039,7042,7054],{"_uid":7040,"component":4788,"propVideoId":7041,"propVideoType":4925},"44ad9cb1-9f80-41b1-abff-1955c0fe8b70","188138031",{"_uid":7043,"component":121,"propRichtext":7044},"92c23b20-89ab-44da-b615-41b779f3e896",{"type":114,"content":7045},[7046,7050],{"type":117,"content":7047},[7048],{"text":7049,"type":129},"The third revolution has brought about new art forms. The best known might be Post-internet Art, created by a generation of artists who grew up with the internet and have naturally made digital techniques part of their artistic repertoire. Post-internet Art has been widely successful at many art fairs over the last few years, especially at the Biennale in Venice and in Berlin. However, changes in the art world due to digitalization are more extensive than one might think. This lecture will present a taxonomy of new art forms, while it also compares the latest developments with changes in the art system of the 19th century, an epoch of two differing styles: the art of the Paris Salon and Modern Art.",{"type":117,"content":7051},[7052],{"text":7053,"type":129},"Is there one distinctive style of the early 21st century? What is its distinctive quality? And what does the aesthetic dimension reveal about society?",{"_uid":7055,"component":121,"propRichtext":7056},"0e6932c0-2721-4994-968a-ea1dc9b262d7",{"type":114,"content":7057},[7058],{"type":117,"content":7059},[7060,7062,7066],{"text":7061,"type":129},"Julia Voss is currently a fellow at the Berlin Institute for Advanced Study. She is deputy editor in chief of the arts and culture supplement at Frankfurter Allgemeine Zeitung. Her dissertation on ",{"text":7063,"type":129,"marks":7064},"Darwin’s images",[7065],{"type":132},{"text":7067,"type":129}," was published by S. Fischer Verlag in 2007 and was awarded the Sigmund Freud Prize by the German Academy for Language and Literature in 2009. She is honorary professor at Leuphana University of Lüneburg.",[7069],{"_uid":7070,"component":221,"propColor":7071,"propSubheadline":7074,"propPreviewImage":7075,"propPreviewVideo":7076,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":21,"propMetadescription":21,"propDescriptionShort":7079},"1c34104a-de1b-4da9-842a-30a0529d7346",{"_uid":7072,"color":7073,"plugin":225},"9e199d12-8e6a-451c-b262-7b4f8d20f345","#52e081","Talk in German from 2016",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":230},{"id":7077,"alt":21,"name":21,"focus":34,"title":21,"filename":7078,"copyright":21,"fieldtype":230},3624173,"https://a.storyblok.com/f/98682/x/69a987be38/julia-voss-die-digitalisierung_prev_hf1_1r.mp4","Is there one distinctive style of the early 21st century? And what does the aesthetic dimension reveal about society?","julia-voss-the-digitalization-and-evolution-of-art-video","explore/julia-voss-the-digitalization-and-evolution-of-art-video",510,[],"6db707b6-db3a-41e8-b24d-7e6716e476fa","2022-01-26T11:09:08.910Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":7090,"etag":7091,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":499,"x-amz-cf-id":7092,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":7093,"x-runtime":7094,"x-xss-protection":68},"Thu, 21 May 2026 13:51:58 GMT","W/\"74b02b7d207d2361a42b418bd1763665\"","bDQbfp-1gseyCE7ibAMeBuSHpYDS2wRUex575MVhcBXpONVLWDrxXg==","546b559f-8f02-4cf8-bb38-8f7f0ba92eec","0.028657",{"data":7096,"headers":7636},{"story":7097,"cv":43,"rels":7634,"links":7635},{"name":7098,"created_at":7099,"published_at":7100,"updated_at":7101,"id":7102,"uuid":7103,"content":7104,"slug":7627,"full_slug":7628,"sort_by_date":34,"position":7629,"tag_list":7630,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":7631,"first_published_at":7632,"release_id":34,"lang":41,"path":34,"alternates":7633,"default_full_slug":34,"translated_slugs":34},"AIL Ping-Pong #3: Collapse","2026-02-04T11:12:28.308Z","2026-02-25T13:46:10.013Z","2026-02-25T13:46:10.039Z",141369132369189,"b85acf3d-73e6-4c84-b5d9-955c28a2fedb",{"_uid":4128,"component":106,"propDateEnd":7105,"propCategory":108,"propIsOnline":37,"propDateStart":7106,"propMainContent":7107,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":7612,"propDateAndTimeOfOpening":7626},"2026-07-31 16:00","2026-03-20 00:00",[7108],{"_uid":4133,"component":112,"propCredits":7109,"propEntryInMainContent":7302},{"type":114,"content":7110},[7111,7128,7135,7147,7165,7173,7181,7195,7212,7228,7239,7255,7272,7286],{"type":117,"attrs":7112,"content":7113},{"textAlign":34},[7114,7118,7123],{"text":4139,"type":129,"marks":7115},[7116],{"type":918,"attrs":7117},{"color":3231},{"text":4144,"type":129,"marks":7119},[7120,7122],{"type":918,"attrs":7121},{"color":3231},{"type":132},{"text":7124,"type":129,"marks":7125},") of the Otto Wagner Museum in the Kassenhalle – to showcase artistic projects by alumni of the University of Applied Arts Vienna. ",[7126],{"type":918,"attrs":7127},{"color":3231},{"type":117,"attrs":7129,"content":7130},{"textAlign":34},[7131],{"text":4157,"type":129,"marks":7132},[7133],{"type":918,"attrs":7134},{"color":3231},{"type":117,"attrs":7136,"content":7137},{"textAlign":34},[7138,7142,7143],{"text":4164,"type":129,"marks":7139},[7140],{"type":918,"attrs":7141},{"color":3231},{"type":796},{"text":4170,"type":129,"marks":7144},[7145],{"type":918,"attrs":7146},{"color":3231},{"type":117,"attrs":7148,"content":7149},{"textAlign":34},[7150,7154,7155,7160,7161],{"text":4177,"type":129,"marks":7151},[7152],{"type":918,"attrs":7153},{"color":3231},{"type":796},{"text":7156,"type":129,"marks":7157},"Katrin Hornek (Site-Specific Art",[7158],{"type":918,"attrs":7159},{"color":3231},{"text":3883,"type":129},{"text":4190,"type":129,"marks":7162},[7163],{"type":918,"attrs":7164},{"color":3231},{"type":117,"attrs":7166,"content":7167},{"textAlign":34},[7168],{"text":7169,"type":129,"marks":7170},"Preview image: Merve Sahin, Close-up the 3D-printed terrain panel",[7171],{"type":918,"attrs":7172},{"color":3231},{"type":117,"attrs":7174,"content":7175},{"textAlign":34},[7176],{"text":7177,"type":129,"marks":7178},"Weblinks to artists: ",[7179],{"type":918,"attrs":7180},{"color":3231},{"type":117,"attrs":7182,"content":7183},{"textAlign":34},[7184],{"text":7185,"type":129,"marks":7186},"www.thespacearound.me",[7187,7190,7193],{"type":312,"attrs":7188},{"href":7189,"uuid":34,"anchor":34,"target":34,"linktype":485},"https://www.thespacearound.me/info/about/",{"type":918,"attrs":7191},{"color":7192},"#0563C1",{"type":7194},"underline",{"type":117,"attrs":7196,"content":7197},{"textAlign":34},[7198,7207],{"text":7199,"type":129,"marks":7200},"www.anneglassner.at",[7201,7204,7206],{"type":312,"attrs":7202},{"href":7203,"uuid":34,"anchor":34,"target":34,"linktype":485},"http://www.anneglassner.at",{"type":918,"attrs":7205},{"color":7192},{"type":7194},{"text":825,"type":129,"marks":7208},[7209,7211],{"type":918,"attrs":7210},{"color":3231},{"type":211},{"type":117,"attrs":7213,"content":7214},{"textAlign":34},[7215,7224],{"text":7216,"type":129,"marks":7217},"www.sebastiangrande.com",[7218,7221,7223],{"type":312,"attrs":7219},{"href":7220,"uuid":34,"anchor":34,"target":34,"linktype":485},"http://www.sebastiangrande.com",{"type":918,"attrs":7222},{"color":7192},{"type":7194},{"text":825,"type":129,"marks":7225},[7226],{"type":918,"attrs":7227},{"color":3231},{"type":117,"attrs":7229,"content":7230},{"textAlign":34},[7231],{"text":7232,"type":129,"marks":7233},"www.thehatdesign.com",[7234,7237],{"type":312,"attrs":7235},{"href":7236,"uuid":34,"anchor":34,"target":315,"linktype":485}," www.thehatdesign.com",{"type":918,"attrs":7238},{"color":3231},{"type":117,"attrs":7240,"content":7241},{"textAlign":34},[7242,7251],{"text":7243,"type":129,"marks":7244},"www.matthiaskendler.com",[7245,7248,7250],{"type":312,"attrs":7246},{"href":7247,"uuid":34,"anchor":34,"target":34,"linktype":485},"http://www.matthiaskendler.com",{"type":918,"attrs":7249},{"color":7192},{"type":7194},{"text":825,"type":129,"marks":7252},[7253],{"type":918,"attrs":7254},{"color":3231},{"type":117,"attrs":7256,"content":7257},{"textAlign":34},[7258,7267],{"text":7259,"type":129,"marks":7260},"www.mervesahin.me",[7261,7264,7266],{"type":312,"attrs":7262},{"href":7263,"uuid":34,"anchor":34,"target":34,"linktype":485},"http://www.mervesahin.me",{"type":918,"attrs":7265},{"color":7192},{"type":7194},{"text":7268,"type":129,"marks":7269},"  ",[7270],{"type":918,"attrs":7271},{"color":3231},{"type":117,"attrs":7273,"content":7274},{"textAlign":34},[7275,7282],{"text":7259,"type":129,"marks":7276},[7277,7279,7281],{"type":312,"attrs":7278},{"href":7263,"uuid":34,"anchor":34,"target":34,"linktype":485},{"type":918,"attrs":7280},{"color":7192},{"type":7194},{"text":825,"type":129,"marks":7283},[7284],{"type":918,"attrs":7285},{"color":3231},{"type":117,"attrs":7287,"content":7288},{"textAlign":34},[7289,7298],{"text":7290,"type":129,"marks":7291},"www.tsaijuw.com",[7292,7295,7297],{"type":312,"attrs":7293},{"href":7294,"uuid":34,"anchor":34,"target":34,"linktype":485},"http://www.tsaijuw.com",{"type":918,"attrs":7296},{"color":7192},{"type":7194},{"text":825,"type":129,"marks":7299},[7300],{"type":918,"attrs":7301},{"color":3231},[7303,7326,7342,7354,7370,7401,7431,7465,7526,7547,7578],{"_uid":4203,"component":121,"propRichtext":7304},{"type":114,"content":7305},[7306,7324],{"type":117,"attrs":7307,"content":7308},{"textAlign":34},[7309,7314,7319],{"text":7310,"type":129,"marks":7311},"In its third edition, AIL Ping-Pong circles around the term and meaning of “collapse.”",[7312],{"type":350,"attrs":7313},{"class":352},{"type":796,"marks":7315},[7316,7318],{"type":918,"attrs":7317},{"color":3231},{"type":211},{"text":7320,"type":129,"marks":7321},"Presented in the small vitrine of the Otto Wagner Postsparkasse, eight graduates of the University of Applied Arts Vienna open a window into their diverse artistic practices, offering a range of perspectives that explore parallels, contrasts, or extensions within the given thematic framework.",[7322],{"type":918,"attrs":7323},{"color":3231},{"type":117,"attrs":7325},{"textAlign":34},{"_uid":4227,"component":121,"propRichtext":7327},{"type":114,"content":7328},[7329,7337],{"type":117,"attrs":7330,"content":7331},{"textAlign":34},[7332],{"text":7333,"type":129,"marks":7334},"How do we navigate the tension between resistance and surrender? What forms of care, adaptation, or creativity can arise from breakdown?",[7335],{"type":350,"attrs":7336},{"class":352},{"type":117,"attrs":7338,"content":7339},{"textAlign":34},[7340],{"text":7341,"type":129},"Collapse can be both an ending and a beginning – a sudden breakdown or a quiet unraveling. It might describe the fall of systems: ecological, economic, or political structures that no longer sustain themselves. It can also speak to personal or emotional states, the moments when bodies, relationships, or identities falter under pressure. Collapse is not only destruction; it is also transformation – the point at which something gives way so that something else might emerge.",{"_uid":7343,"component":121,"propRichtext":7344},"0c481a7c-a907-46f6-bdb0-16341f0f471e",{"type":114,"content":7345},[7346],{"type":433,"attrs":7347,"content":7348},{"level":435,"textAlign":34},[7349],{"text":7350,"type":129,"marks":7351},"About the artists: ",[7352],{"type":350,"attrs":7353},{"class":352},{"_uid":7355,"component":121,"propRichtext":7356},"efe530cd-999d-4e46-90e4-fe4b74e6d53b",{"type":114,"content":7357},[7358,7368],{"type":117,"attrs":7359,"content":7360},{"textAlign":34},[7361,7366],{"text":7362,"type":129,"marks":7363},"Francesca Aldegani ",[7364],{"type":350,"attrs":7365},{"class":352},{"text":7367,"type":129},"graduated in 2019 from the Department of Site-Specific Art. In her artistic practice Aldegani dives into archetypal forms and geometries, interested in opening up dialogues between ancestral collective perception and today’s digital language. Her artistic work often focuses on the production of textile sculptures, experimental prints and ephemeral installations. Within her work she investigates the ways history’s layers, accumulated energy, and unseen possibilities exist within everything around us. ",{"type":117,"attrs":7369},{"textAlign":34},{"_uid":7371,"component":121,"propRichtext":7372},"48a7d0a7-9145-4da4-981a-a3814d4b3818",{"type":114,"content":7373},[7374],{"type":117,"attrs":7375,"content":7376},{"textAlign":34},[7377,7385,7390,7396],{"text":7378,"type":129,"marks":7379},"Rosa Andraschek ",[7380,7382,7383],{"type":918,"attrs":7381},{"color":3231},{"type":211},{"type":350,"attrs":7384},{"class":352},{"text":7386,"type":129,"marks":7387},"is an artist living in Vienna whose work engages with the hidden layers of Austria’s past. Through photography, video, sound and public space interventions, she investigates how history permeates everyday environments. Rooted in political science and contemporary history, her practice makes visible the quiet traces and unresolved echoes of historical narratives in public space. At the University of Applied Arts Vienna, she studied in the Department of ",[7388],{"type":918,"attrs":7389},{"color":3231},{"text":7391,"type":129,"marks":7392},"Site-Specific Art",[7393,7395],{"type":918,"attrs":7394},{"color":3231},{"type":132},{"text":7397,"type":129,"marks":7398}," and graduated in 2025.",[7399],{"type":918,"attrs":7400},{"color":3231},{"_uid":7402,"component":121,"propRichtext":7403},"a70a85e0-a476-4aa6-b30f-3f8ffc917cfc",{"type":114,"content":7404},[7405],{"type":117,"attrs":7406,"content":7407},{"textAlign":34},[7408,7416,7421,7427],{"text":7409,"type":129,"marks":7410},"Anne Glassner",[7411,7413,7414],{"type":918,"attrs":7412},{"color":3231},{"type":211},{"type":350,"attrs":7415},{"class":352},{"text":7417,"type":129,"marks":7418},"is a visual artist and performer based in Vienna. Her performances, videos, installations and drawings deal with intensive observations of recurring, everyday acts. In her works she blurs the boundaries between art and life as well as fiction and reality, and she raises questions concerning self perception and external perception as well as the intersections of the private and the public. The theme of sleep has been a central point of her artistic work for some time now. Glassner graduated from the University of Applied Arts Vienna in 2016 from the ",[7419],{"type":918,"attrs":7420},{"color":3231},{"text":7422,"type":129,"marks":7423},"Painting Department (Henning Bohl)",[7424,7426],{"type":918,"attrs":7425},{"color":3231},{"type":132},{"text":3783,"type":129,"marks":7428},[7429],{"type":918,"attrs":7430},{"color":3231},{"_uid":7432,"component":121,"propRichtext":7433},"5545fffd-9cec-4ac0-8cc7-0ce884ff91e0",{"type":114,"content":7434},[7435,7463],{"type":117,"attrs":7436,"content":7437},{"textAlign":34},[7438,7446,7452,7458],{"text":7439,"type":129,"marks":7440},"Sebastian Grande",[7441,7443,7444],{"type":918,"attrs":7442},{"color":3231},{"type":211},{"type":350,"attrs":7445},{"class":352},{"text":7447,"type":129,"marks":7448}," graduated in 2019 from the Department of Drawing and Printmaking.",[7449,7451],{"type":918,"attrs":7450},{"color":3231},{"type":211},{"text":7453,"type":129,"marks":7454}," A central theme of his work is the transformation of everyday objects into independent protagonists. Objects of daily use shape our environment – they fulfill practical purposes, are consumed, and discarded. ",[7455],{"type":918,"attrs":7456},{"color":7457},"#0C1208",{"text":7459,"type":129,"marks":7460},"He approaches his projects as environments that reflect a society‘s collective ideas, longings, and personal histories.",[7461],{"type":918,"attrs":7462},{"color":3231},{"type":117,"attrs":7464},{"textAlign":34},{"_uid":7466,"component":121,"propRichtext":7467},"0e1cf912-1b41-41d1-b53b-39ac081b1e11",{"type":114,"content":7468},[7469,7524],{"type":117,"attrs":7470,"content":7471},{"textAlign":34},[7472,7480,7485,7490,7495,7502,7507,7511,7515,7520],{"text":7473,"type":129,"marks":7474},"Theresa Hattinger",[7475,7477,7478],{"type":918,"attrs":7476},{"color":3231},{"type":211},{"type":350,"attrs":7479},{"class":352},{"text":3203,"type":129,"marks":7481},[7482,7484],{"type":918,"attrs":7483},{"color":3231},{"type":211},{"text":7486,"type":129,"marks":7487},"graduated in 2017 from the ",[7488],{"type":918,"attrs":7489},{"color":3231},{"text":7491,"type":129,"marks":7492},"Department of ",[7493],{"type":918,"attrs":7494},{"color":7457},{"text":7496,"type":129,"marks":7497},"Graphic Design ",[7498,7501],{"type":918,"attrs":7499},{"color":7500},"#333333",{"type":132},{"text":7503,"type":129,"marks":7504},"(now: Design und narrative Medien",[7505],{"type":918,"attrs":7506},{"color":7500},{"text":3883,"type":129,"marks":7508},[7509],{"type":918,"attrs":7510},{"color":3231},{"text":3783,"type":129,"marks":7512},[7513],{"type":918,"attrs":7514},{"color":7457},{"text":7516,"type":129,"marks":7517}," She is a multidisciplinary designer and artist based in Vienna and works with language, typography, textiles, drawing and the public space. Hattinger explores the tension between strict graphic order and poetic openness, leaving room for interpretation. Her works invite viewers to reflect on the perception of signs and symbols in everyday environments and to explore shifts in their meanings.",[7518],{"type":918,"attrs":7519},{"color":3231},{"type":796,"marks":7521},[7522],{"type":918,"attrs":7523},{"color":3231},{"type":117,"attrs":7525},{"textAlign":34},{"_uid":7527,"component":121,"propRichtext":7528},"e202a6a3-e899-403f-a59a-0a9c71e2519f",{"type":114,"content":7529},[7530],{"type":117,"attrs":7531,"content":7532},{"textAlign":34},[7533,7541],{"text":7534,"type":129,"marks":7535},"Matthias Kendler",[7536,7538,7539],{"type":918,"attrs":7537},{"color":3231},{"type":211},{"type":350,"attrs":7540},{"class":352},{"text":7542,"type":129,"marks":7543}," graduated in 2013 from the Institute of Studies in Art and Art Education. He works at the Albertina in Collection Management and as a visual artist in Vienna. His artistic practice focuses on minimalist kinetic works made of metal, wood, acrylic glass, PLA, and electronics. He uses manufacturing techniques such as CNC milling, laser cutting, engraving, 3D printing, as well as anodizing and powder coating. However, closer inspection reveals a deliberate visibility of the handmade and a precise painterly design.",[7544,7546],{"type":918,"attrs":7545},{"color":3231},{"type":211},{"_uid":7548,"component":121,"propRichtext":7549},"4a012f82-d2b6-4cb2-8ef5-9fa43faf7ad3",{"type":114,"content":7550},[7551],{"type":117,"attrs":7552,"content":7553},{"textAlign":34},[7554,7562,7567,7573],{"text":7555,"type":129,"marks":7556},"Merve Sahin",[7557,7559,7560],{"type":918,"attrs":7558},{"color":3231},{"type":211},{"type":350,"attrs":7561},{"class":352},{"text":7563,"type":129,"marks":7564},"graduated in 2021 from the ",[7565],{"type":918,"attrs":7566},{"color":3231},{"text":7568,"type":129,"marks":7569},"Department of Architecture",[7570,7572],{"type":918,"attrs":7571},{"color":3231},{"type":132},{"text":7574,"type":129,"marks":7575},". She is an architect and researcher addressing ecological, technological and political challenges of contemporary architecture through speculative storytelling and works with immersive media environments and parametric architecture. Within her practice she focuses on post-digital public spaces through world building, media ecologies and material experiments in the form of transmedia installations. Her recent projects reclaim agency through architecture in ecologically, socially and politically compromised environments. ",[7576],{"type":918,"attrs":7577},{"color":3231},{"_uid":7579,"component":121,"propRichtext":7580},"a432bd8f-a7d9-4af9-906d-df0c8e36c5b9",{"type":114,"content":7581},[7582],{"type":117,"attrs":7583,"content":7584},{"textAlign":34},[7585,7592,7597,7602,7607],{"text":7586,"type":129,"marks":7587},"Tsai-Ju Wu ",[7588,7590],{"type":918,"attrs":7589},{"color":7457},{"type":350,"attrs":7591},{"class":352},{"text":7593,"type":129,"marks":7594},"graduated from the Department of ",[7595],{"type":918,"attrs":7596},{"color":7457},{"text":7391,"type":129,"marks":7598},[7599,7601],{"type":918,"attrs":7600},{"color":7457},{"type":132},{"text":7603,"type":129,"marks":7604}," in 2022. ",[7605],{"type":918,"attrs":7606},{"color":7457},{"text":7608,"type":129,"marks":7609},"She is a visual artist, curator, and graphic designer. Her work  is rooted in close observation of everyday objects and phenomena, where  playfulness meets a quiet, grounded presence. In contrast, her drawing  practice is monochromatic and abstract, moving away from recognizable  forms and fixed definitions. ",[7610],{"type":918,"attrs":7611},{"color":3231},[7613],{"_uid":4438,"component":221,"propColor":7614,"propSubheadline":7616,"propPreviewImage":7617,"propPreviewVideo":7621,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":7623,"propMetadescription":4451,"propDescriptionShort":4452},{"_uid":4440,"color":7615,"plugin":225},"#e052ba","Intervention at Counter 13 with Francesca Aldegani, Rosa Andraschek, Sebastian Grande, Anne Glassner, Theresa Hattinger, Matthias Kendler, Merve Sahin, Tsai-Ju Wu",{"id":7618,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":7619,"copyright":21,"fieldtype":230,"meta_data":7620,"is_external_url":37},142102852060099,"https://a.storyblok.com/f/98682/500x800/7b0e82421d/merve_pingpong.png",{"alt":21,"title":21,"source":21,"copyright":21},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":7622},{},{"type":114,"content":7624},[7625],{"type":117},"2026-03-19 12:00","ail-ping-pong-3-collapse","program/ail-ping-pong-3-collapse",-1000,[],"1836eb8e-bfa3-4ad2-b5ea-f21974b3915b","2026-02-06T11:37:07.139Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":7637,"etag":7638,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":2333,"x-amz-cf-id":7639,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":7640,"x-runtime":7641,"x-xss-protection":68},"Thu, 21 May 2026 13:51:52 GMT","W/\"f491a34e79ed849a4ae6efa19a24a4b7\"","Ec2UlzRBtrqo00eK1fAH4YCWc7bNrRfcZtwW-fiQI8aE1_nISaiDAg==","6f8a2785-0373-4cc6-bd74-ef87fbff85fc","0.033669",{"data":7643,"headers":7756},{"story":7644,"cv":43,"rels":7754,"links":7755},{"name":7645,"created_at":7646,"published_at":7647,"updated_at":7648,"id":7649,"uuid":7650,"content":7651,"slug":7747,"full_slug":7748,"sort_by_date":34,"position":7749,"tag_list":7750,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":7751,"first_published_at":7752,"release_id":34,"lang":41,"path":34,"alternates":7753,"default_full_slug":34,"translated_slugs":34},"TAKING HOME VIENNA","2026-04-14T11:27:40.047Z","2026-04-20T10:23:13.899Z","2026-04-20T10:23:13.918Z",165791580382020,"7e856787-554a-4399-8937-d9b355494571",{"_uid":7652,"component":2699,"propCategory":2700,"propMainContent":7653,"propHeaderInformation":7729},"6a17b646-9a32-4572-b56f-3a03d96db067",[7654],{"_uid":7655,"component":112,"propCredits":7656,"propEntryInMainContent":7668},"95a4ac3a-6a35-4856-8aa0-59836dc56ccc",{"type":114,"content":7657},[7658,7663],{"type":117,"attrs":7659,"content":7660},{"textAlign":34},[7661],{"text":7662,"type":129},"The projects were developed in a seminar by Johanna Schindler, department Expanded Museum Studies (University of Applied Arts Vienna) ",{"type":117,"attrs":7664,"content":7665},{"textAlign":34},[7666],{"text":7667,"type":129},"Preview Photo: Carlotta Niewels",[7669,7685],{"_uid":7670,"component":121,"propRichtext":7671},"ddcad405-3bff-4ca9-b921-0374049ef6e9",{"type":114,"content":7672},[7673,7678,7683],{"type":117,"attrs":7674,"content":7675},{"textAlign":34},[7676],{"text":7677,"type":129},"TAKING HOME VIENNA looks at museum shops as a space where narratives continue, shift, and can be questioned. What might appear as an afterthought to an exhibition reveals itself as a compendium of various fields of research and meaning often overlooked by visitors and academia. ",{"type":117,"attrs":7679,"content":7680},{"textAlign":34},[7681],{"text":7682,"type":129},"The installation at the museum shop counter at Postsparkasse (PSK) / Counter 14 comprises results of several research projects developed in the seminar \"Mit Museumsshops forschen\" (Doing Research with Museum Shops). Multiple methods, ranging from ethnographic observation and sketching to quantitative surveys and questionnaires, enabled each research group to develop its own approach to the specific shop(s) under investigation. The research conducted explores a range of problem areas and discourses surrounding contemporary museum shops. The exhibited findings highlight the multifaceted character of museum shops.",{"type":117,"attrs":7684},{"textAlign":34},{"_uid":7686,"component":121,"propRichtext":7687},"e69c698c-42df-4e88-ad70-e813392102e1",{"type":114,"content":7688},[7689,7698,7703,7708,7713,7718],{"type":433,"attrs":7690,"content":7691},{"level":435,"textAlign":34},[7692],{"text":7693,"type":129,"marks":7694},"Projects:",[7695,7696],{"type":211},{"type":350,"attrs":7697},{"class":352},{"type":117,"attrs":7699,"content":7700},{"textAlign":34},[7701],{"text":7702,"type":129},"“Klasse (und) Shop” – Carlotta Niewels",{"type":117,"attrs":7704,"content":7705},{"textAlign":34},[7706],{"text":7707,"type":129},"“Imperial Shop”– Aliza Peisker, Bastian Rieker, Katharina Wurzinger, Naomi Lüderitz",{"type":117,"attrs":7709,"content":7710},{"textAlign":34},[7711],{"text":7712,"type":129},"“Souvenirshop” – Franziska Richardsen, Lea Struck, Lisa Martha Janka, Lisa Pairits, Nora O‘Grady-Sommer",{"type":117,"attrs":7714,"content":7715},{"textAlign":34},[7716],{"text":7717,"type":129},"“Between Silk and Socks” – Anna Werner, Christina Müller",{"type":117,"attrs":7719,"content":7720},{"textAlign":34},[7721,7723,7727],{"text":7722,"type":129},"“Remember me(?) ",{"text":7724,"type":129,"marks":7725},"On the commodified iconography of Sigmund Freud",[7726],{"type":132},{"text":7728,"type":129},"“ – Stephanie Bauer, Sara Poropat Vesić, Melanie Brandstetter",[7730],{"_uid":7731,"component":221,"propColor":7732,"propSubheadline":7735,"propPreviewImage":7736,"propPreviewVideo":7740,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":7742,"propMetadescription":7745,"propDescriptionShort":7746},"a9e02936-8d5c-43f5-ac47-669b3ce48921",{"_uid":7733,"color":7734,"plugin":225},"c6bbcf06-d3f4-4ebf-9225-26a6d4f1fdda","#32dd2a","Researching (with) Museum Shops",{"id":7737,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":7738,"copyright":21,"fieldtype":230,"meta_data":7739,"is_external_url":37},167898037981460,"https://a.storyblok.com/f/98682/4000x5333/f185284061/shop_museum.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":7741},{},{"type":114,"content":7743},[7744],{"type":117},"\n\n","Installation and Research Presentation by Expanded Museum Studies at Counter 14 / On view between May 8 and July 4, 2026","taking-home-vienna","explore/taking-home-vienna",-1620,[],"1a6c2656-f75a-47e1-ad82-cf2942f76aaf","2026-04-20T10:16:18.230Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":7637,"etag":7757,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":7758,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":7759,"x-runtime":7760,"x-xss-protection":68},"W/\"338bdc2c1ff00d2755e6b3dd8834c6e6\"","H_jczj7CkrRv_lmXzMC4O8viAe5T4346MUxt0UqukBReW1H-Yw2k9A==","0a6b2944-6d66-45cc-890d-a1bf0233dbc1","0.056141",{"data":7762,"headers":7920},{"story":7763,"cv":43,"rels":7918,"links":7919},{"name":7764,"created_at":7765,"published_at":7766,"updated_at":7767,"id":7768,"uuid":7769,"content":7770,"slug":7911,"full_slug":7912,"sort_by_date":34,"position":7913,"tag_list":7914,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":7915,"first_published_at":7916,"release_id":34,"lang":41,"path":34,"alternates":7917,"default_full_slug":34,"translated_slugs":34},"THE WORLD IN MY ROOM","2026-02-03T12:28:54.573Z","2026-03-16T10:16:44.273Z","2026-03-16T10:16:44.288Z",141034023258079,"0ab7f20c-86dd-417c-ae1f-29eef3b45f18",{"_uid":7771,"component":106,"propDateEnd":7772,"propCategory":7773,"propIsOnline":37,"propDateStart":21,"propMainContent":7774,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":7893,"propDateAndTimeOfOpening":7910},"786e2a3a-9497-43ae-877a-2e921ac07fce","2026-05-31 16:00","research presentation",[7775],{"_uid":7776,"component":112,"propCredits":7777,"propEntryInMainContent":7799},"9a6d8d34-9ad8-4cbf-8a92-7cf2f0cd4c95",{"type":114,"content":7778},[7779,7787,7795,7797],{"type":117,"attrs":7780,"content":7781},{"textAlign":34},[7782],{"text":7783,"type":129,"marks":7784},"FWF PEEK-Project DOI: 10.55776/AR 776 ",[7785],{"type":918,"attrs":7786},{"color":7457},{"type":117,"attrs":7788,"content":7789},{"textAlign":34},[7790],{"text":7791,"type":129,"marks":7792},"Photo: MUELLER-DIVJAK",[7793],{"type":918,"attrs":7794},{"color":7457},{"type":117,"attrs":7796},{"textAlign":34},{"type":117,"attrs":7798},{"textAlign":34},[7800,7820,7839,7847,7866,7873,7882],{"_uid":7801,"component":121,"propRichtext":7802},"bd68809c-520f-4836-8775-8938e3adbd4a",{"type":114,"content":7803},[7804,7812],{"type":117,"attrs":7805,"content":7806},{"textAlign":34},[7807],{"text":7808,"type":129,"marks":7809},"Can you sit still?",[7810],{"type":350,"attrs":7811},{"class":352},{"type":117,"attrs":7813,"content":7814},{"textAlign":34},[7815],{"text":7816,"type":129,"marks":7817},"What do you hear?",[7818],{"type":350,"attrs":7819},{"class":352},{"_uid":7821,"component":121,"propRichtext":7822},"3bea5d97-105c-484f-9fbd-b8f6808caaed",{"type":114,"content":7823},[7824,7829,7834],{"type":117,"attrs":7825,"content":7826},{"textAlign":34},[7827],{"text":7828,"type":129},"Living systems – such as trees and ant colonies, oceans and rivers, ­humans and other animals, bacteria and fungi, as well as societies, cities, organizations, and entire ecosystems – generate and shape diverse soundscapes. ",{"type":117,"attrs":7830,"content":7831},{"textAlign":34},[7832],{"text":7833,"type":129},"Living systems exist in constant exchange and ongoing interaction with their environments, continuously transforming themselves in the process. ",{"type":117,"attrs":7835,"content":7836},{"textAlign":34},[7837],{"text":7838,"type":129},"By listening also to the sounds of more-than-human nature, we may begin to perceive these dynamic relationships more consciously – and perhaps sense new forms of resonance, and connectedness.",{"_uid":7840,"component":2747,"propImage":7841,"propAltText":7845,"propCaption":7846},"1c479fa0-442b-47c6-b4a1-f319aae5e91e",{"id":7842,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":7843,"copyright":21,"fieldtype":230,"meta_data":7844,"is_external_url":37},153020951282589,"https://a.storyblok.com/f/98682/3024x4032/e0eac55746/twimr_1_-c-mueller-divjak.jpeg",{},"grey voting box standing in wooden cabin in cashier cabin","Installation view, main cabin, cashier hall, Otto Wagner-Postsparkasse",{"_uid":7848,"component":121,"propRichtext":7849},"bb5a7945-bff6-4078-8b02-1a47fdebe2ff",{"type":114,"content":7850},[7851,7856,7861],{"type":117,"attrs":7852,"content":7853},{"textAlign":34},[7854],{"text":7855,"type":129},"THE WORLD IN MY ROOM provides a scenographic listening laboratory, a space for pausing and perceiving reciprocal influences through sound.",{"type":117,"attrs":7857,"content":7858},{"textAlign":34},[7859],{"text":7860,"type":129},"The sounds originate from various contexts of the artistic research project SENSING LIVING SYSTEMS. They do not form a narrative, but an open, non-linear field of experience – a multi-layered acoustic space between inside and outside, near and far, the personal and the shared. THE WORLD IN MY ROOM explores listening as an embodied and relational practice. By directing attention to sound, it becomes possible to experience how inner states and external environments continuously co-produce perception.",{"type":117,"attrs":7862,"content":7863},{"textAlign":34},[7864],{"text":7865,"type":129},"A set of questions invites visitors to reflect on their own hearing in relation to emotional and situational states and living systems that exist in and around us.",{"_uid":7867,"component":2747,"propImage":7868,"propAltText":7872,"propCaption":7846},"c8d928c5-00f2-4041-a459-419b1cb2a727",{"id":7869,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":7870,"copyright":21,"fieldtype":230,"meta_data":7871,"is_external_url":37},153020951466910,"https://a.storyblok.com/f/98682/3024x4032/9fbda6f748/twimr_2_-c-mueller-divjak.jpeg",{},"Chair standin in wooden cabin",{"_uid":7874,"component":121,"propRichtext":7875},"67f0252d-3d9b-4aa2-870b-821df702b861",{"type":114,"content":7876},[7877],{"type":117,"attrs":7878,"content":7879},{"textAlign":34},[7880],{"text":7881,"type":129},"Artists / Researchers (core team): Jeanette Müller, Paul Divjak, Alexandra Graupner, Anna-Maria Irgang",{"_uid":7883,"component":121,"propRichtext":7884},"2cb1f63f-1ab4-4d69-ab58-76bfe8d9ac52",{"type":114,"content":7885},[7886],{"type":202,"content":7887},[7888],{"type":117,"attrs":7889,"content":7890},{"textAlign":34},[7891],{"text":7892,"type":129},"Since fall 2023 AIL is part of the research project SENSING LIVING SYSTEMS together with the artist duo MUELLER-DIVJAK. The main cabin in the former cashier hall of Otto Wagner Postsparkasse offers a special opportunity to give insights to processes and activities of SENSING LIVING SYSTEMS. For the first time, the historical cabin in the hall is used for ongoing artistic installations to make methods more visible, relatable and comprehensible for a public broad audience. The cabin offers a chance to gather feedback and reactions to the project and the specific stages of studies that will be incorporated into the project outcome.",[7894],{"_uid":7895,"component":221,"propColor":7896,"propSubheadline":7899,"propPreviewImage":7900,"propPreviewVideo":7904,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":7906,"propMetadescription":21,"propDescriptionShort":7909},"8f0291d7-dbb7-41df-a186-05bfe83930fb",{"_uid":7897,"color":7898,"plugin":225},"1be9b2be-8bf8-4a44-997a-44397d9b707e","#6e52e0","Arts-based Research-Installation by MUELLER-DIVJAK in the course of the artistic project SENSING LIVING SYSTEMS",{"id":7901,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":7902,"copyright":21,"fieldtype":230,"meta_data":7903,"is_external_url":37},141086265468993,"https://a.storyblok.com/f/98682/1920x2560/2bbbd32144/image-photo-cabin-viii-c-mueller-divjak.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":7905},{},{"type":114,"content":7907},[7908],{"type":117},"Series of Scenographic Studies / Part VIII, March–May 2026","2026-03-03 17:00","the-world-in-my-room","program/the-world-in-my-room",-640,[],"8b9dbdbe-630d-41eb-9c1d-cdc924834074","2026-02-03T16:01:55.842Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1068,"etag":7921,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":499,"x-amz-cf-id":7922,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":7923,"x-runtime":7924,"x-xss-protection":68},"W/\"0e9207fb3dbc757e7abb0c1a0b454224\"","YUXe90PNsGvvoabY8LdK8-BWpDgTUOVU5E4xI7XaGJvyjXsV40VY4Q==","03f71c49-6338-44cb-a8a1-0ba1d26acf38","0.026408",{"data":7926,"headers":8105},{"story":7927,"cv":43,"rels":8103,"links":8104},{"name":7928,"created_at":7929,"published_at":7930,"updated_at":7931,"id":7932,"uuid":7933,"content":7934,"slug":8096,"full_slug":8097,"sort_by_date":34,"position":8098,"tag_list":8099,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":8100,"first_published_at":8101,"release_id":34,"lang":41,"path":34,"alternates":8102,"default_full_slug":34,"translated_slugs":34},"AIL Postcard Edition Nr. 3 – Algorithmic Vertigo ","2026-02-24T13:56:18.199Z","2026-04-08T09:30:40.912Z","2026-04-08T09:30:41.382Z",148487283536079,"6ff07f03-bb74-4e4d-8d45-2180d1b465a1",{"_uid":7935,"component":2699,"propCategory":2700,"propMainContent":7936,"propHeaderInformation":8079},"0db0e80d-0864-47ff-a7ab-276411790194",[7937],{"_uid":7938,"component":112,"propCredits":7939,"propEntryInMainContent":7956},"03f93c4b-458e-4b7e-8c63-da470b1df8f0",{"type":114,"content":7940},[7941,7949,7954],{"type":117,"attrs":7942,"content":7943},{"textAlign":34},[7944,7946,7947],{"text":7945,"type":129},"Layout and Production Edition #3: Bernhard Faiß",{"type":796},{"text":7948,"type":129},"Concept Postcard Editions: Eva Weber",{"type":117,"attrs":7950,"content":7951},{"textAlign":34},[7952],{"text":7953,"type":129},"Preview image: Rage, Paramygdala, 2025",{"type":117,"attrs":7955},{"textAlign":34},[7957,8003,8012,8020,8057],{"_uid":7958,"component":121,"propRichtext":7959},"a58a54e8-e703-4bf1-9653-96da72fde245",{"type":114,"content":7960},[7961],{"type":202,"content":7962},[7963,7971,7979,7987,7995],{"type":117,"attrs":7964,"content":7965},{"textAlign":34},[7966],{"text":7967,"type":129,"marks":7968},"Speculative storytelling becomes a tool for remoulding the present by imagining possible futures. We address tensions between control and freedom in a world of pervasive digital mediation. ",[7969],{"type":350,"attrs":7970},{"class":352},{"type":117,"attrs":7972,"content":7973},{"textAlign":34},[7974],{"text":7975,"type":129,"marks":7976},"We see the fatigue.",[7977],{"type":350,"attrs":7978},{"class":352},{"type":117,"attrs":7980,"content":7981},{"textAlign":34},[7982],{"text":7983,"type":129,"marks":7984},"We acknowledge that the relationship between reality and the imagined future is shifting. ",[7985],{"type":350,"attrs":7986},{"class":352},{"type":117,"attrs":7988,"content":7989},{"textAlign":34},[7990],{"text":7991,"type":129,"marks":7992},"We prompt ourselves towards new ways of experiencing (digital) existence, exploring reconfigurations of self and body. ",[7993],{"type":350,"attrs":7994},{"class":352},{"type":117,"attrs":7996,"content":7997},{"textAlign":34},[7998],{"text":7999,"type":129,"marks":8000},"Navigating vertigo.",[8001],{"type":350,"attrs":8002},{"class":352},{"_uid":8004,"component":121,"propRichtext":8005},"de48992c-dc32-4b6a-a938-23ec34cc78d0",{"type":114,"content":8006},[8007],{"type":117,"attrs":8008,"content":8009},{"textAlign":34},[8010],{"text":8011,"type":129},"AIL is presenting the third postcard edition, installed in the former cashier hall of Otto Wagner-Postsparkasse, in the center of Café Exchange. ",{"_uid":8013,"component":2747,"propImage":8014,"propAltText":8018,"propCaption":8019},"9d927273-868a-4af8-bed2-dc9e2944e0ca",{"id":8015,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8016,"copyright":21,"fieldtype":230,"meta_data":8017,"is_external_url":37},163636069475463,"https://a.storyblok.com/f/98682/4269x9143/5b9a6bcff8/010-bojan_markovic.jpeg",{},"colourful illustration of plants and mushrooms","Bojan Markovic, After Haeckel. Visual Studies on Morphodynamics, 2025",{"_uid":8021,"component":121,"propRichtext":8022},"ef8aa1d4-6fdd-4ba5-9b24-974aebd9fd07",{"type":114,"content":8023},[8024,8053,8055],{"type":117,"attrs":8025,"content":8026},{"textAlign":34},[8027,8029,8033,8035,8039,8041,8045,8047,8051],{"text":8028,"type":129},"This postcard series emerges from the exhibition ",{"text":8030,"type":129,"marks":8031},"Algorithmic Vertigo",[8032],{"type":132},{"text":8034,"type":129}," (2025), which was developed from the seminar ",{"text":8036,"type":129,"marks":8037},"Techniques of Presentation",[8038],{"type":132},{"text":8040,"type":129}," at the department of ­",{"text":8042,"type":129,"marks":8043},"Digital Arts",[8044],{"type":132},{"text":8046,"type":129},". The student exhibition was created for FOTO WIEN 2025 in cooperation with the AIL and the theme of the exhibition was based on the idea of ­Expanded Photography and FOTO WIEN’s yearly topic ",{"text":8048,"type":129,"marks":8049},"Dynamic Futures",[8050],{"type":132},{"text":8052,"type":129},". The exhibited works explored new configurations of reality, the body, and its position within the topographies of the post-digital.",{"type":117,"attrs":8054},{"textAlign":34},{"type":117,"attrs":8056},{"textAlign":34},{"_uid":8058,"component":121,"propRichtext":8059},"13967c20-c725-42e0-8c9d-7968dfbdb776",{"type":114,"content":8060},[8061,8069,8077],{"type":117,"attrs":8062,"content":8063},{"textAlign":34},[8064],{"text":8065,"type":129,"marks":8066},"Artists: ",[8067],{"type":350,"attrs":8068},{"class":352},{"type":117,"attrs":8070,"content":8071},{"textAlign":34},[8072],{"text":8073,"type":129,"marks":8074},"Daki Rolex, Element Lee, Flynn by Malpractice, Ulrike Fritzsche, Hartwin Haselbauer & Tina Grüll, Anahi Juárez, Zita Kayser, Klára Klimas, Koschka & Ivy Keye, Rita Kulyk, Bojan Markovic, Rage, Ivan Sai, Matthias Sanoll & Lea Gander",[8075],{"type":350,"attrs":8076},{"class":352},{"type":117,"attrs":8078},{"textAlign":34},[8080],{"_uid":8081,"component":221,"propColor":8082,"propSubheadline":8085,"propPreviewImage":8086,"propPreviewVideo":8090,"propMakeTextWhite":2834,"propDescriptionLong":8092,"propMetaInformation":8093,"propMetadescription":21,"propDescriptionShort":21},"04b5b25a-a8a5-4bc4-a469-b7056a6c67ba",{"_uid":8083,"color":8084,"plugin":225},"42e6b79c-1b2b-479e-9b79-a40e030ec990","#5964e4","A cooperation with Digitale Kunst / UBERMORGEN (Digital Arts) ",{"id":8087,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8088,"copyright":21,"fieldtype":230,"meta_data":8089,"is_external_url":37},163638654383627,"https://a.storyblok.com/f/98682/500x800/adcbf05d48/08-rage-kopie.png",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":8091},{},"Students of the course ‘Techniques of Presentation’ at the department of ­Digital Arts developed a series of postcards installed in the former cashier hall, Apr 2026 – Jul 2026 ",{"type":114,"content":8094},[8095],{"type":117},"schoene-gruesse-algorithmic-vertigo","explore/schoene-gruesse-algorithmic-vertigo",-1580,[],"ee2794af-0a49-4c08-945d-cd6d2d0d51b0","2026-04-08T09:21:08.071Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":8106,"etag":8107,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":8108,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":8109,"x-runtime":8110,"x-xss-protection":68},"Thu, 21 May 2026 13:51:53 GMT","W/\"96c4ea5e492851c1aa43e14826214382\"","8yaju0IF3r8lZr39wvmOhJIuKQpkJYFDeKwlTRj4_xrxppGYvJJUeA==","669efcb6-261b-41cc-81de-af79db3c125a","0.036096",{"data":8112,"headers":8232},{"story":8113,"cv":43,"rels":8230,"links":8231},{"name":8114,"created_at":8115,"published_at":8116,"updated_at":8117,"id":8118,"uuid":8119,"content":8120,"slug":8223,"full_slug":8224,"sort_by_date":34,"position":8225,"tag_list":8226,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":8227,"first_published_at":8228,"release_id":34,"lang":41,"path":34,"alternates":8229,"default_full_slug":34,"translated_slugs":34},"Angewandte Publications at AIL","2024-09-02T11:25:39.334Z","2026-01-07T11:41:27.070Z","2026-01-07T11:41:27.082Z",542776964,"2b4b6424-89e0-4c3a-ac4c-3f44297bc76c",{"_uid":8121,"component":2699,"propCategory":2700,"propMainContent":8122,"propHeaderInformation":8206},"a1c78f68-9bde-497a-904c-22b44568f679",[8123],{"_uid":8124,"component":112,"propCredits":8125,"propEntryInMainContent":8128},"c15cf886-d36b-40d9-957d-34162c5ad3c2",{"type":114,"content":8126},[8127],{"type":117},[8129,8135,8159,8170,8176,8182],{"_uid":8130,"component":2747,"propImage":8131,"propAltText":21,"propCaption":21},"3ae97bf8-5cf8-4b05-a4af-87a545e8bbf1",{"id":8132,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8133,"copyright":21,"fieldtype":230,"meta_data":8134,"is_external_url":37},17516849,"https://a.storyblok.com/f/98682/1920x2560/7ee5ec1d25/img_8937.jpeg",{},{"_uid":8136,"component":121,"propRichtext":8137},"4a08aa0e-9c88-499c-b603-0474e6dd4cd7",{"type":114,"content":8138},[8139],{"type":117,"content":8140},[8141,8147,8151,8153],{"text":8142,"type":129,"marks":8143},"A selection of publications from the arts and sciences by the University of Applied Arts Vienna is now at display at counter 9/10 of Kassenhalle and give you insights into the manifold acitivities. With around 200 publications released, Angewandte is the most active university in Austria in terms of publishing.",[8144],{"type":918,"attrs":8145},{"color":8146},"#000000D8",{"text":825,"type":129,"marks":8148},[8149],{"type":918,"attrs":8150},{"color":21},{"text":8152,"type":129},"Find all Angewandte publications ",{"text":8154,"type":129,"marks":8155},"here",[8156],{"type":312,"attrs":8157},{"href":8158,"uuid":34,"anchor":34,"target":315,"linktype":485},"https://www.dieangewandte.at/publications_angewandte",{"_uid":8160,"component":121,"propRichtext":8161},"85d8d84e-3e99-4a10-ac66-af48b1ef51d6",{"type":114,"content":8162},[8163],{"type":117,"content":8164},[8165],{"text":8166,"type":129,"marks":8167},"Browse and leaf through some preview copies while enjoying the unique atmosphere of Kassenhalle!",[8168],{"type":918,"attrs":8169},{"color":21},{"_uid":8171,"component":2747,"propImage":8172,"propAltText":21,"propCaption":21},"6caa1a80-2c1a-458e-97ce-bfbc7953207f",{"id":8173,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8174,"copyright":21,"fieldtype":230,"meta_data":8175,"is_external_url":37},17516852,"https://a.storyblok.com/f/98682/1920x2560/81279f373d/img_8934.jpeg",{},{"_uid":8177,"component":2747,"propImage":8178,"propAltText":21,"propCaption":21},"0ecada2e-82d3-419f-9d69-2da08f32d5ab",{"id":8179,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8180,"copyright":21,"fieldtype":230,"meta_data":8181,"is_external_url":37},17516850,"https://a.storyblok.com/f/98682/1920x2560/82437800b7/img_8936.jpeg",{},{"_uid":8183,"component":121,"propRichtext":8184},"429f198e-82b8-4b10-83c5-25dc34516864",{"type":114,"content":8185},[8186],{"type":202,"content":8187},[8188],{"type":117,"content":8189},[8190,8196,8201],{"text":8191,"type":129,"marks":8192},"AIL is located",[8193],{"type":918,"attrs":8194},{"color":8195},"black",{"text":8197,"type":129,"marks":8198}," in the center of the Otto Wagner Postsparkasse building: in the former cash hall (Kassenhalle) and its two adjoining rooms. ",[8199],{"type":918,"attrs":8200},{"color":21},{"text":8202,"type":129,"marks":8203},"A space, designed for money transactions, is now being given a new lease of life as a public place of exchange. We think these times call for a space to get together, mix up ideas, put heads together, get in contact and exchange thoughts, knowledge, visions and utopias. ",[8204],{"type":918,"attrs":8205},{"color":8195},[8207],{"_uid":8208,"component":221,"propColor":8209,"propSubheadline":8212,"propPreviewImage":8213,"propPreviewVideo":8217,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":8219,"propMetadescription":8222,"propDescriptionShort":21},"7e3a6359-639a-4b0b-92e6-dbc5da3e391b",{"_uid":8210,"color":8211,"plugin":225},"05dee5bf-bfd8-4d61-904b-aef4b4ba53cf","#3510df","Arts and science books by the University of Applied Arts Vienna now on display at the Kassenhalle of Otto Wagner Postsparkasse ",{"id":8214,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8215,"copyright":21,"fieldtype":230,"meta_data":8216,"is_external_url":37},17517018,"https://a.storyblok.com/f/98682/1920x2560/4c5d05ff45/img_8949.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":8218},{},{"type":114,"content":8220},[8221],{"type":117},"die Angewandte, Publications, Otto Wagner Postsparkasse ","angewandte-publications-at-ail","explore/angewandte-publications-at-ail",-1070,[],"ad923d73-ee49-40b6-ab95-fd47798fbc7d","2024-10-02T11:06:30.077Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":8106,"etag":8233,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":8234,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":8235,"x-runtime":8236,"x-xss-protection":68},"W/\"d63e913f21745cfdd5e58f84563a0556\"","uTlt0UPFHT07jPiluWe_rxZANJZXoSVJad2xpm7ZBCD7jUtWfDDepw==","4e2bfbd8-decd-4bd6-967c-5016b6ef2425","0.022448",{"data":8238,"headers":8401},{"story":8239,"cv":43,"rels":8399,"links":8400},{"name":8240,"created_at":8241,"published_at":8242,"updated_at":8243,"id":8244,"uuid":8245,"content":8246,"slug":8392,"full_slug":8393,"sort_by_date":34,"position":8394,"tag_list":8395,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":8396,"first_published_at":8397,"release_id":34,"lang":41,"path":34,"alternates":8398,"default_full_slug":34,"translated_slugs":34},"On View: Supersachen","2023-09-24T11:48:54.907Z","2026-01-15T08:10:28.584Z","2026-01-15T08:10:28.598Z",375431120,"afe47318-3a53-4471-9901-571c136d4bdb",{"_uid":8247,"component":2699,"propCategory":3176,"propMainContent":8248,"propHeaderInformation":8374},"3abfd0b1-be27-4710-bc15-1d0bfa04af75",[8249],{"_uid":8250,"component":112,"propCredits":8251,"propEntryInMainContent":8273},"2ea2733f-c0b4-437a-b87a-5fdcb2ec6ff4",{"type":114,"content":8252},[8253,8257,8261,8265,8269],{"type":117,"content":8254},[8255],{"text":8256,"type":129},"All images: Paul Pibernig",{"type":117,"content":8258},[8259],{"text":8260,"type":129},"Project management and concept: ",{"type":117,"content":8262},[8263],{"text":8264,"type":129},"Edda Thürriedl, Eva Weber",{"type":117,"content":8266},[8267],{"text":8268,"type":129},"Display Architecture: Wolfgang Fiel ",{"type":117,"content":8270},[8271],{"text":8272,"type":129},"Graphic Design Display: Atelier Dreibholz",[8274,8281,8287,8293,8311,8317,8323,8331,8337,8343,8350,8366],{"_uid":8275,"component":2747,"propImage":8276,"propAltText":21,"propCaption":8280},"c0e7d8a7-1075-492f-a782-24d71ed4c0a8",{"id":8277,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8278,"copyright":21,"fieldtype":230,"meta_data":8279,"is_external_url":37},11451450,"https://a.storyblok.com/f/98682/3000x2000/2b34358076/supersachen-doku_c-paul-pibernig-web-01.jpg",{},"Opening: 28 Sep, 18:00 / Shop Opening Hours 29-30 Sep 10:00–18:00",{"_uid":8282,"component":2747,"propImage":8283,"propAltText":21,"propCaption":21},"8d28545c-870c-4cea-bcc2-25c3b6821439",{"id":8284,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8285,"copyright":21,"fieldtype":230,"meta_data":8286,"is_external_url":37},11451447,"https://a.storyblok.com/f/98682/3000x2000/b54498d995/supersachen-opening_c-paul-pibernig-web-28.jpg",{},{"_uid":8288,"component":2747,"propImage":8289,"propAltText":21,"propCaption":21},"5189c611-5dcb-480f-ac85-795f2034e958",{"id":8290,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8291,"copyright":21,"fieldtype":230,"meta_data":8292,"is_external_url":37},11451458,"https://a.storyblok.com/f/98682/2000x3000/86572b5f81/supersachen-doku_c-paul-pibernig-web-42.jpg",{},{"_uid":8294,"component":121,"propRichtext":8295},"9c758df6-61dd-4da6-abda-d481c4212868",{"type":114,"content":8296},[8297,8307],{"type":117,"content":8298},[8299,8301,8305],{"text":8300,"type":129},"As part of Vienna Design Week 2023 AIL and ARTist, the alumni association of the University of Applied Arts, put up for sale a selection of works and ",{"text":8302,"type":129,"marks":8303},"Supersachen",[8304],{"type":132},{"text":8306,"type":129}," (awesome things) by former students.",{"type":117,"content":8308},[8309],{"text":8310,"type":129},"Around 100 pieces of work – ranging from design objects, artworks, products, unique pieces and small editions – from 41 alumni were presented in this pop up shop project. ",{"_uid":8312,"component":2747,"propImage":8313,"propAltText":21,"propCaption":21},"46b88d9a-32fc-4a42-a736-8308aceacb5f",{"id":8314,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8315,"copyright":21,"fieldtype":230,"meta_data":8316,"is_external_url":37},11451442,"https://a.storyblok.com/f/98682/3000x2000/2f13328a56/supersachen-opening_c-paul-pibernig-web-10.jpg",{},{"_uid":8318,"component":2747,"propImage":8319,"propAltText":21,"propCaption":21},"5aa2b680-2ea5-4e17-922f-122b16c2bb71",{"id":8320,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8321,"copyright":21,"fieldtype":230,"meta_data":8322,"is_external_url":37},11451448,"https://a.storyblok.com/f/98682/3000x2000/cd0f47cf8b/supersachen-opening_c-paul-pibernig-web-34.jpg",{},{"_uid":8324,"component":121,"propRichtext":8325},"c1ec2dba-8ea8-4ec8-977d-e45f9c1808b9",{"type":114,"content":8326},[8327],{"type":117,"content":8328},[8329],{"text":8330,"type":129},"The leading questions are: What do former students work on these days? What ‘treasure’ do you want to take with you? Which Angewandte souvenir could you pick? Where do special editions, unique items, test products and side projects end up? Which works of art are in search of a new home and might be the cornerstones of a new and singular art and design collection?",{"_uid":8332,"component":2747,"propImage":8333,"propAltText":21,"propCaption":21},"813491e7-ec3d-49bd-adb1-f663fafc8fc9",{"id":8334,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8335,"copyright":21,"fieldtype":230,"meta_data":8336,"is_external_url":37},11451456,"https://a.storyblok.com/f/98682/2000x3000/eb11080063/supersachen-doku_c-paul-pibernig-web-04.jpg",{},{"_uid":8338,"component":2747,"propImage":8339,"propAltText":21,"propCaption":21},"7dcb3cf5-5000-462d-a8b6-c93a8a024643",{"id":8340,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8341,"copyright":21,"fieldtype":230,"meta_data":8342,"is_external_url":37},11451444,"https://a.storyblok.com/f/98682/3000x2000/e1a21aa1f1/supersachen-opening_c-paul-pibernig-web-13.jpg",{},{"_uid":8344,"component":2747,"propImage":8345,"propAltText":21,"propCaption":8349},"ad9b5d90-ac4c-45aa-b978-fe3ff460c89f",{"id":8346,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8347,"copyright":21,"fieldtype":230,"meta_data":8348,"is_external_url":37},11451449,"https://a.storyblok.com/f/98682/3000x2000/caa49e5f79/supersachen-opening_c-paul-pibernig-web-35.jpg",{},"From the Opening Night on 28 Sep 2023",{"_uid":8351,"component":121,"propRichtext":8352},"fc6073e6-c31e-4d22-aead-c2e38c50fe18",{"type":114,"content":8353},[8354,8361],{"type":433,"attrs":8355,"content":8356},{"level":435,"textAlign":34},[8357],{"text":208,"type":129,"marks":8358},[8359],{"type":350,"attrs":8360},{"class":352},{"type":117,"attrs":8362,"content":8363},{"textAlign":34},[8364],{"text":8365,"type":129},"Georg Adam, Zeynep Aksöz und Mark Balzar, Sonja Bischur, Laura Dominici, Lara Erel, Bernhard Faiss, Juliane Fink, Max Freund, Jakob Glasner, Simone Göstl (sicago), Martin Grödl & Moritz Resl (Process Studio), Theresa Hattinger, Anna Holly (hollyaroh), Norma Kiskan, Matthias Krinzinger, Daniela Kröhnert (DARK), Ivana Lazić, Julia Neckel, Silvia Pachler, Wolfgang M. Pachler, Nayeun Park, Kerstin Pfleger und Peter Paulhart (Reduce Design), Johanna Pichlbauer, Simon Platzgummer, Jakob Posch (Aito), Katja Protchenko, Mona Rith, Hedwig Rotter, Simon Sailer, Georg Sampl, Emanuel Scheib, Laura Schreiber, Vanessa Schreiner, Alessia Scuderi, Raphael Volkmer und Max Scheidl, zusammen mit Julian Jankovic und Florian Schäfer (FANTOPLAST), Astrid Seme, Szidonia Szep, Tanja Taborin, Valerie Tiefenbacher, Vera Wiedermann, Bettina Willnauer, Petra Zimmermann, Sicc.Zine (Lukas Brunner, Merlin Dickie Marlene Heidinger, Silvia Knödlstorfer, Lenz Mosbacher, Miryana Sarandeva)",{"_uid":8367,"component":121,"propRichtext":8368},"d71c17d4-d9ba-4d91-98af-2eedaa749ad7",{"type":114,"content":8369},[8370],{"type":117,"content":8371},[8372],{"text":8373,"type":129},"This ‘Werkshop’ is supposed to act as a blueprint for similar future editions that will take place on a regular basis and might become an integral part of the University of Applied Arts.",[8375],{"_uid":8376,"component":221,"propColor":8377,"propSubheadline":8380,"propPreviewImage":8381,"propPreviewVideo":8385,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":8387,"propMetadescription":8390,"propDescriptionShort":8391},"32607c9c-f7ad-492a-adb1-e9ba3fb6559e",{"_uid":8378,"color":8379,"plugin":225},"8afb6f23-0495-40a6-b0ec-bd0d2c43ba06","#8972df","Impressions from the first ANGEWANDTE ALUMNI WERKSHOP / Part of Vienna Design Week 2023",{"id":8382,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8383,"copyright":21,"fieldtype":230,"meta_data":8384,"is_external_url":37},11451495,"https://a.storyblok.com/f/98682/1920x2880/f4d00ed126/supersachen-doku_c-paul-pibernig-web-13.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":8386},{},{"type":114,"content":8388},[8389],{"type":117},"Supersachen, die angewandte, AIL, art school, Alumni","A cooperation with ARTist – Alumni Association of the University of Applied Arts Vienna","on-view-supersachen","explore/on-view-supersachen",-760,[],"1649edc5-0c36-4423-8296-c266935761ad","2023-09-30T09:09:06.910Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":8106,"etag":8402,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":499,"x-amz-cf-id":8403,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":8404,"x-runtime":8405,"x-xss-protection":68},"W/\"a830177ced9ca2fb116e17df989baff3\"","j-IfUvq61eXr-PMYjNF7gkv8mjqGxrFLRoxv2CU-bLGVeI-wkHIvoQ==","ba1fb741-6ffa-4a81-8db1-8e061220920b","0.046827",{"data":8407,"headers":8542},{"story":8408,"cv":43,"rels":8540,"links":8541},{"name":8409,"created_at":8410,"published_at":8411,"updated_at":8412,"id":8413,"uuid":8414,"content":8415,"slug":8533,"full_slug":8534,"sort_by_date":34,"position":8535,"tag_list":8536,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":8537,"first_published_at":8538,"release_id":34,"lang":41,"path":34,"alternates":8539,"default_full_slug":34,"translated_slugs":34},"Exhibition View: Showing Echoes","2024-07-04T10:31:10.399Z","2026-01-07T11:55:34.134Z","2026-01-07T11:55:34.147Z",519091386,"7fb00d6a-8cfa-4927-8855-67d46d9150d1",{"_uid":8416,"component":2699,"propCategory":3176,"propMainContent":8417,"propHeaderInformation":8516},"586377a9-c8a6-4b47-8b5a-3e4896693e39",[8418],{"_uid":8419,"component":112,"propCredits":8420,"propEntryInMainContent":8426},"9b5e6a84-2e47-4cca-860d-d21111cf7b19",{"type":114,"content":8421},[8422],{"type":117,"content":8423},[8424],{"text":8425,"type":129},"All images: Hannah Mayr",[8427,8434,8440,8447,8454,8461,8467,8474,8480,8487,8495,8507],{"_uid":8428,"component":2747,"propImage":8429,"propAltText":21,"propCaption":8433},"9b275b31-e700-4e4f-aa90-81af49845872",{"id":8430,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8431,"copyright":21,"fieldtype":230,"meta_data":8432,"is_private":37,"is_external_url":37},16517080,"https://a.storyblok.com/f/98682/1000x1500/80105413d4/kassenhalle_-c-hannahmayr_25.jpg",{},"Canal Dipping Community, 2024 / Malak Hamadeh, Egor Safronov, Sarah Zelt from the department Transformation Studies. Art x Science",{"_uid":8435,"component":2747,"propImage":8436,"propAltText":21,"propCaption":21},"c7f08b9a-b88b-4319-b344-1246b4415476",{"id":8437,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8438,"copyright":21,"fieldtype":230,"meta_data":8439,"is_private":37,"is_external_url":37},16526130,"https://a.storyblok.com/f/98682/1500x1000/f4371a635d/kassenhalle_-c-hannahmayr_26.jpg",{},{"_uid":8441,"component":2747,"propImage":8442,"propAltText":21,"propCaption":8446},"e4919d39-8aeb-402f-a5cc-ea6e517f9a08",{"id":8443,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8444,"copyright":21,"fieldtype":230,"meta_data":8445,"is_private":37,"is_external_url":37},16517084,"https://a.storyblok.com/f/98682/1000x1500/486c56192a/kassenhalle_-c-hannahmayr_54.jpg",{},"Decisions, 2024 / Final thesis of the Bachelor graduates from the department Cross-Disciplinary Strategies",{"_uid":8448,"component":2747,"propImage":8449,"propAltText":21,"propCaption":8453},"f65d3fee-aee5-4158-b10a-10232d3acfa4",{"id":8450,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8451,"copyright":21,"fieldtype":230,"meta_data":8452,"is_private":37,"is_external_url":37},16517085,"https://a.storyblok.com/f/98682/1000x1500/e56cc2b83d/kassenhalle_-c-hannahmayr_24.jpg",{},"Eco-Circuitry: Moss and Machine, 2024 / Catalina Escalona / Image created using a deep generative artificial neural network together with the Coding Lab",{"_uid":8455,"component":2747,"propImage":8456,"propAltText":21,"propCaption":8460},"2e1a898a-1a80-48bc-aba3-3accf245899e",{"id":8457,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8458,"copyright":21,"fieldtype":230,"meta_data":8459,"is_private":37,"is_external_url":37},16517086,"https://a.storyblok.com/f/98682/1000x1500/3eec6f589e/kassenhalle_-c-hannahmayr_51.jpg",{},"Portal, 2024 / Clara Hirschmanner, Georg Luif, Margarete Jahrmann from the department of Experimental Game Cultures",{"_uid":8462,"component":2747,"propImage":8463,"propAltText":21,"propCaption":21},"baaec2fc-31cd-45e5-95b2-1565932709a9",{"id":8464,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8465,"copyright":21,"fieldtype":230,"meta_data":8466,"is_private":37,"is_external_url":37},16517075,"https://a.storyblok.com/f/98682/1000x1500/7c8be3c1c1/kassenhalle_-c-hannahmayr_67.jpg",{},{"_uid":8468,"component":2747,"propImage":8469,"propAltText":21,"propCaption":8473},"19035fe5-1c46-4257-a226-49721f9f0189",{"id":8470,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8471,"copyright":21,"fieldtype":230,"meta_data":8472,"is_private":37,"is_external_url":37},16526091,"https://a.storyblok.com/f/98682/1500x1000/7e14426691/kassenhalle_-c-hannahmayr_18.jpg",{},"Pseudomorphia, 2024 / Rage from the department of Digitale Kunst",{"_uid":8475,"component":2747,"propImage":8476,"propAltText":21,"propCaption":21},"96185e1a-c886-40b6-ae4e-2e2909632743",{"id":8477,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8478,"copyright":21,"fieldtype":230,"meta_data":8479,"is_private":37,"is_external_url":37},16517082,"https://a.storyblok.com/f/98682/1000x1500/ed32ce66da/kassenhalle_-c-hannahmayr_44.jpg",{},{"_uid":8481,"component":2747,"propImage":8482,"propAltText":21,"propCaption":8486},"df7de66d-7f2f-450a-a3d0-542fbf2bcf4c",{"id":8483,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8484,"copyright":21,"fieldtype":230,"meta_data":8485,"is_private":37,"is_external_url":37},16517079,"https://a.storyblok.com/f/98682/1000x1500/ce42c1b41e/kassenhalle_-c-hannahmayr_38.jpg",{},"Out of the Frying Pan into the Fire / Sophie Olivia Taleja Schmidt, Márton Zalka from the department of Art&Science",{"_uid":8488,"component":2747,"propImage":8489,"propAltText":8493,"propCaption":8494},"944d374a-dddb-41fd-8360-19112a66e888",{"id":8490,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8491,"copyright":21,"fieldtype":230,"meta_data":8492,"is_external_url":37},131470465590935,"https://a.storyblok.com/f/98682/1000x1500/ff1290790c/kassenhalle_-c-hannahmayr_58.jpg",{},"megaphone hanging from ceiling, in the back projector putting a circle of light on the wall","huānyíng noise, 2024  (Megaphone) / Maria Bürger, Olivia Cavallari, Famkje Elgersma, Marcus Kautz,\nMirjam Kislinger from the department IPSD / International Programmes in Sustainable Developments — \nOpen Stage, 2024 (Projector) / from Angewandte Performance Lab ",{"_uid":8496,"component":121,"propRichtext":8497},"38d6c97e-8486-4003-88c3-7c5392502db8",{"type":114,"content":8498},[8499],{"type":117,"attrs":8500,"content":8501},{"textAlign":34},[8502],{"text":8503,"type":129,"marks":8504},"In the heart of the former postal savings bank, the AIL interweaves references to the themes and questions addressed in the exhibitions and projects of the various classes and departments housed within Otto Wagner's building during the Angewandte Festival 2024.",[8505],{"type":350,"attrs":8506},{"class":352},{"_uid":8508,"component":121,"propRichtext":8509},"a47b61c5-1000-40cb-b5dc-66b6e8676e7e",{"type":114,"content":8510},[8511],{"type":117,"attrs":8512,"content":8513},{"textAlign":34},[8514],{"text":8515,"type":129},"Students and members of the various departments (Digital Arts, Art & Science, Angewandte Performance Lab, Peter Weibel Institute, Art&Science School for Transformation, Coding Lab, Experimental Game Cultures, Global Challenges and Sustainable Development) show snippets, add-ons or playful hints of the main exhibition in their calssrooms. They provide concentrated insights into artistic discussions and methodologies, offering a comprehensive view of the contributions throughout the building.",[8517],{"_uid":8518,"component":221,"propColor":8519,"propSubheadline":8522,"propPreviewImage":8523,"propPreviewVideo":8527,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":8529,"propMetadescription":21,"propDescriptionShort":8532},"b63cdf9e-057f-4d2e-9bf5-2d2014422fa6",{"_uid":8520,"color":8521,"plugin":225},"150bc64d-5e74-44fa-89da-7477f2a4ac40","#7585a7"," From counter to encounter / Part of Angewandte Festival 2024",{"id":8524,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8525,"copyright":21,"fieldtype":230,"meta_data":8526,"is_private":37,"is_external_url":37},16526939,"https://a.storyblok.com/f/98682/1920x2880/1c3689d9eb/kassenhalle_-c-hannahmayr_58.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":8528},{},{"type":114,"content":8530},[8531],{"type":117},"Elisabeth Falkensteiner and Nora Mayr in cooperation with departments from the Postsparkasse building ","exhibition-view-showing-echoes","explore/exhibition-view-showing-echoes",-1050,[],"fca0d72f-4359-4fc5-9ef4-29c1240b21ba","2024-07-04T12:04:12.356Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":8106,"etag":8543,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":8544,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":8545,"x-runtime":8546,"x-xss-protection":68},"W/\"668d92c9ddde5592959cdc66d3756cf9\"","8KFh159ESPG5qa47Va97KXQWpxhkJ6LWfDEYTPz0cg7hvNuzoPokfg==","7f91c4b3-8ca8-4e27-990a-a63f40cc8a4d","0.052531",{"data":8548,"headers":8669},{"story":8549,"cv":43,"rels":8667,"links":8668},{"name":8550,"created_at":8551,"published_at":8552,"updated_at":8553,"id":8554,"uuid":8555,"content":8556,"slug":8660,"full_slug":8661,"sort_by_date":34,"position":8662,"tag_list":8663,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":8664,"first_published_at":8665,"release_id":34,"lang":41,"path":34,"alternates":8666,"default_full_slug":34,"translated_slugs":34},"Installation View: Cycloïd-E ","2024-10-31T12:39:44.200Z","2026-01-07T11:28:01.930Z","2026-01-07T11:28:01.942Z",572091300,"693d7164-b157-4aff-a1ff-02c925aad38e",{"_uid":8557,"component":2699,"propCategory":3176,"propMainContent":8558,"propHeaderInformation":8643},"e3a12c89-92ec-4c0f-9453-77fc28b8c7ae",[8559],{"_uid":8560,"component":112,"propCredits":8561,"propEntryInMainContent":8567},"81044fa5-7ca0-4db5-b2c9-928aad3db0d5",{"type":114,"content":8562},[8563],{"type":117,"content":8564},[8565],{"text":8566,"type":129},"All images: eSeL.at/Wien Modern",[8568,8574,8580,8607,8613,8623,8629],{"_uid":8569,"component":2747,"propImage":8570,"propAltText":21,"propCaption":21},"c80e87b7-decc-42cc-b325-ec6696e7a075",{"id":8571,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8572,"copyright":21,"fieldtype":230,"meta_data":8573,"is_external_url":37},18209590,"https://a.storyblok.com/f/98682/2757x4134/8ee308de4c/esel2410.jpg",{},{"_uid":8575,"component":2747,"propImage":8576,"propAltText":21,"propCaption":21},"faaf1086-29ba-4e8a-9d39-7ce687f4e3a2",{"id":8577,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8578,"copyright":21,"fieldtype":230,"meta_data":8579,"is_external_url":37},18209587,"https://a.storyblok.com/f/98682/2757x4134/6771d67caa/esel2097.jpg",{},{"_uid":8581,"component":121,"propRichtext":8582},"4d4f7ed5-50e5-4b42-bbef-a5cdbe99ed83",{"type":114,"content":8583},[8584,8592],{"type":117,"content":8585},[8586,8590],{"text":8587,"type":129,"marks":8588},"Cycloïd-E",[8589],{"type":132},{"text":8591,"type":129}," arose from the desire to develop a mechanism that produces visible wave movements and to relate this to the development of sound waves.",{"type":117,"content":8593},[8594,8596,8599,8601,8605],{"text":8595,"type":129},"A pendulum is placed horizontally and gravity is replaced by a motor. The pendulum consists of metal tubes equipped with sound sources and measuring devices that cause the tubes to resonate depending on their rotational movements. The result is a sequence of unpredictable movements. The balance of energy exchange in the different parts approaches perfection, the resulting trajectories are surprisingly precise and natural. It is all about absolute harmony. During its fascinating and hypnotic dance, ",{"text":8587,"type":129,"marks":8597},[8598],{"type":132},{"text":8600,"type":129}," explores the space created by the sound trajectories of this unique kinetic and polyphonic work of art – a little like the ‘Cosmic Ballet’ referred to by Johannes Kepler in his ",{"text":8602,"type":129,"marks":8603},"Music of the Spheres",[8604],{"type":132},{"text":8606,"type":129}," in 1619. (Cod.Act)",{"_uid":8608,"component":2747,"propImage":8609,"propAltText":21,"propCaption":21},"6ba9a7e0-b298-4eb9-810a-adf8241da297",{"id":8610,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8611,"copyright":21,"fieldtype":230,"meta_data":8612,"is_external_url":37},18209591,"https://a.storyblok.com/f/98682/4134x2757/242ba91bfb/241030_2024-festivalgalerie_cycloid-e_c_esel_4.jpg",{},{"_uid":8614,"component":121,"propRichtext":8615},"bef2196b-cb6d-4da8-9503-fcdf2f10dff3",{"type":114,"content":8616},[8617],{"type":202,"content":8618},[8619],{"type":117,"content":8620},[8621],{"text":8622,"type":129},"Cod.Act: Duo (André Décosterd: Installation, Music) and Michel Décosterd: Installation, Music",{"_uid":8624,"component":2747,"propImage":8625,"propAltText":21,"propCaption":21},"f2940900-c09b-4bbe-812f-cb639c1075f9",{"id":8626,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8627,"copyright":21,"fieldtype":230,"meta_data":8628,"is_external_url":37},18209588,"https://a.storyblok.com/f/98682/4134x2757/d5ce8c58ac/esel2139.jpg",{},{"_uid":8630,"component":121,"propRichtext":8631},"af1a6052-4c6c-4bc3-9a69-6a2e7cc011a9",{"type":114,"content":8632},[8633],{"type":202,"content":8634},[8635,8639],{"type":117,"content":8636},[8637],{"text":8638,"type":129},"André Décosterd completed an apprenticeship as an organ builder in Neuchâtel before studying at the École de Jazz et de musique actuelle (Ejma) in Lausanne, where he subsequently specialized in programmed music and algorithmic composition. Michel Décosterd studied architecture at the engineering school in Biel (graduated in 1994). The visual artist began his career as a photographer before turning to the construction of translucent kinetic devices. In 1997, the two brothers founded the Cod.Act group, which worked closely with the engineer Jacques Décosterd (1936-2024) in the fields of industrial informatics and automation until his death.",{"type":117,"content":8640},[8641],{"text":8642,"type":129},"The group's artistic and scientific work focuses on machines and objects that translate spaces and movements into sound and thereby develop a surprising, quasi-organic life of their own. The sound objects developed by the brothers often move autonomously and thus open up a surprising encounter between sculptures and their viewers. Cod.Act operates at the interface of sculpture, architecture, performance, sound and music. André and Michael Décosterd have realized numerous international exhibitions and received a number of prestigious awards, including the Golden Nica at Ars Electronica Linz and three times a main prize at the Japan Media Arts Festival. In 2019, Cod.Act was awarded the Swiss Grand Prix for Music.",[8644],{"_uid":8645,"component":221,"propColor":8646,"propSubheadline":8649,"propPreviewImage":8650,"propPreviewVideo":8654,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":8656,"propMetadescription":21,"propDescriptionShort":8659},"e59ee3c8-cd4b-4598-96f6-de3ec44a41bd",{"_uid":8647,"color":8648,"plugin":225},"e0e976b8-c16d-4d82-b636-00d9af42e6fc","#8ea4c3","Sound installation by COD.ACT, part of Wien Modern 2024 ",{"id":8651,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8652,"copyright":21,"fieldtype":230,"meta_data":8653,"is_external_url":37},18211269,"https://a.storyblok.com/f/98682/800x1281/d4530ec17e/esel1978-kopie.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":8655},{},{"type":114,"content":8657},[8658],{"type":117},"Find the second part COD.ACT: πTON/2 at MAK Forum ","installation-view:-cycloid-e","explore/installation-view:-cycloid-e",-1170,[],"3c7cd3bb-fe73-4119-b071-a003a2cc8189","2024-11-07T14:48:51.428Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":8106,"etag":8670,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":8671,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":8672,"x-runtime":8673,"x-xss-protection":68},"W/\"b477ecf0ac1ddbb285233e230af01be5\"","07Q529yZaQyKMl33EqAdioxQ_yL5zgRAhRvXDF343qDwnHFgfoD7gQ==","9001a6d2-d57a-4f05-bdd4-4827861e7ba1","0.141326",{"data":8675,"headers":8847},{"story":8676,"cv":43,"rels":8845,"links":8846},{"name":8677,"created_at":8678,"published_at":8679,"updated_at":8680,"id":8681,"uuid":8682,"content":8683,"slug":8838,"full_slug":8839,"sort_by_date":34,"position":8840,"tag_list":8841,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":8842,"first_published_at":8843,"release_id":34,"lang":41,"path":34,"alternates":8844,"default_full_slug":34,"translated_slugs":34},"Posthuman Social Club at AIL ","2024-04-30T13:23:02.883Z","2026-01-08T13:37:17.682Z","2026-01-08T13:37:17.696Z",487370590,"ac9e6cc7-6f4b-4704-b444-d56745b282ce",{"_uid":8684,"component":2699,"propCategory":3176,"propMainContent":8685,"propHeaderInformation":8821},"b8c36740-e37e-482b-9dd0-01f27d4cdc05",[8686],{"_uid":8687,"component":112,"propCredits":8688,"propEntryInMainContent":8747},"8afaf8d9-c7d4-4f52-9022-4f104f5b5b66",{"type":114,"content":8689},[8690,8694,8698,8707,8711,8715,8719,8723,8727,8731,8739,8743],{"type":117,"content":8691},[8692],{"text":8693,"type":129},"Isabella Forciniti – analogue synthesizers, electronics, performance",{"type":117,"content":8695},[8696],{"text":8697,"type":129},"Kilian Jörg – performance, lecture",{"type":117,"content":8699},[8700,8702,8706],{"text":8701,"type":129},"Mirjam Klebel ",{"text":8703,"type":129,"marks":8704},"– ",[8705],{"type":211},{"text":1296,"type":129},{"type":117,"content":8708},[8709],{"text":8710,"type":129},"Otto Krause – costume-contribution",{"type":117,"content":8712},[8713],{"text":8714,"type":129},"Alfredo Ovalles – keyboards, electronics",{"type":117,"content":8716},[8717],{"text":8718,"type":129},"David Panzl – percussion",{"type":117,"content":8720},[8721],{"text":8722,"type":129},"Jorge Sánchez-Chiong – turntables, electronics",{"type":117,"content":8724},[8725],{"text":8726,"type":129},"Samuel Toro Pérez – e-guitar, electronics",{"type":117,"content":8728},[8729],{"text":8730,"type":129},"Brigitte Wilfing – voice, turntables, performance",{"type":117,"content":8732},[8733,8737],{"text":8734,"type":129,"marks":8735},"andother stage – transdisciplinary assemble for choreographic composition and artistic research ",[8736],{"type":132},{"text":8738,"type":129},"– is not the longing for another stage, but for slipping and wriggling between spaces and discourses, be it at the kitchen table or on a large stage. Assemble refers to music because of its proximity to the ensemble, but we also want to affirm an assemblage of people, disciplines, media, instruments, objects and discourses alongside other forms of playing together. Founded in 2019 by Brigitte Wilfing (choreographer) and Jorge Sánchez-Chiong (composer).",{"type":117,"content":8740},[8741],{"text":8742,"type":129},"A production by andother stage in cooperation with Angewandte Interdisciplinary Lab (AIL) Supported by the City of Vienna Culture (MA7).",{"type":117,"content":8744},[8745],{"text":8746,"type":129},"All images: eSeL",[8748,8754,8760,8766,8772,8778,8784,8790,8808],{"_uid":8749,"component":2747,"propImage":8750,"propAltText":21,"propCaption":21},"3031466e-72ec-45fd-b292-551363b55c0c",{"id":8751,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8752,"copyright":21,"fieldtype":230,"meta_data":8753,"is_private":37,"is_external_url":37},15674442,"https://a.storyblok.com/f/98682/4134x2757/f26832b56a/1_eselat_1348.jpg",{},{"_uid":8755,"component":2747,"propImage":8756,"propAltText":21,"propCaption":21},"704189be-c83d-4bdd-b90b-6b33b600bc24",{"id":8757,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8758,"copyright":21,"fieldtype":230,"meta_data":8759,"is_private":37,"is_external_url":37},15674441,"https://a.storyblok.com/f/98682/4134x2757/d70367ef1e/6_eselat_0515.jpg",{},{"_uid":8761,"component":2747,"propImage":8762,"propAltText":21,"propCaption":21},"2ec9a408-0074-4f77-873a-cd8f624ee523",{"id":8763,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8764,"copyright":21,"fieldtype":230,"meta_data":8765,"is_private":37,"is_external_url":37},15674443,"https://a.storyblok.com/f/98682/4134x2757/9e430c43c9/3_eselat_0772.jpg",{},{"_uid":8767,"component":2747,"propImage":8768,"propAltText":21,"propCaption":21},"23136622-9c32-4c1b-9510-6db97784481f",{"id":8769,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8770,"copyright":21,"fieldtype":230,"meta_data":8771,"is_private":37,"is_external_url":37},15674448,"https://a.storyblok.com/f/98682/2757x4134/2087595a4a/eselat_0059.jpg",{},{"_uid":8773,"component":2747,"propImage":8774,"propAltText":21,"propCaption":21},"7c895288-cc59-4d4a-8eb8-92e49826028e",{"id":8775,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8776,"copyright":21,"fieldtype":230,"meta_data":8777,"is_private":37,"is_external_url":37},15674440,"https://a.storyblok.com/f/98682/4134x2757/44bdf3e712/eselat_0341.jpg",{},{"_uid":8779,"component":2747,"propImage":8780,"propAltText":21,"propCaption":21},"802edf0c-be33-4425-b1d3-eebf75b5505e",{"id":8781,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8782,"copyright":21,"fieldtype":230,"meta_data":8783,"is_private":37,"is_external_url":37},15674450,"https://a.storyblok.com/f/98682/4134x2757/177ad38740/5_eselat_1198.jpg",{},{"_uid":8785,"component":2747,"propImage":8786,"propAltText":21,"propCaption":21},"b8965ebe-6f6b-4b64-8df0-bd6c3b3e7f5c",{"id":8787,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8788,"copyright":21,"fieldtype":230,"meta_data":8789,"is_private":37,"is_external_url":37},15674446,"https://a.storyblok.com/f/98682/4134x2757/175ccfd1b4/eselat_1469.jpg",{},{"_uid":8791,"component":121,"propRichtext":8792},"3bbefde9-d0df-4d0e-a703-85e54a40d553",{"type":114,"content":8793},[8794,8804],{"type":117,"content":8795},[8796,8798,8802],{"text":8797,"type":129},"This 3rd edition of the ",{"text":8799,"type":129,"marks":8800},"posthuman social club",[8801],{"type":132},{"text":8803,"type":129}," is devoted to the philosopher Isabelle Stengers. We will be hosting the Austrian premiere of her biopic Isabelle Stengers – Building Hope on the Edge of the Abyss, by Fabrizzio Terranova and curating a program of performance, music and somatic lecture devoted to her extensive body of work.",{"type":117,"content":8805},[8806],{"text":8807,"type":129},"Isabelle Stengers is not only known as one of the leading thinkers for ‘post-humanist’ discourses and practices, but also for her ecologically oriented philosophy in general. Her decades of work on sciences, politics and ecology has influenced many prominent scholars such as Donna Haraway and Bruno Latour.",{"_uid":8809,"component":121,"propRichtext":8810},"2a7ca9ff-c183-4b1e-a085-6f0480cbcfa8",{"type":114,"content":8811},[8812],{"type":117,"content":8813},[8814,8816,8819],{"text":8815,"type":129},"With the event series ",{"text":8799,"type":129,"marks":8817},[8818],{"type":132},{"text":8820,"type":129}," we want to think outside of the box of what has been labeled ‘the human realm of reason’ and develop new regimes of perception, sensuality and physicality, that can with care and consideration, lead us on the path from our humanist-exclusivist tradition to more inclusive approaches of sharing our many worlds with other forms of existence. In the permeation of choreography and composition, with club culture, philosophy, ecology and media art, we want to explore what a post-human social – or even a post-human society – could actually mean. We cannot overcome the euro- and anthropocentric, often misogynistic and racist tendencies of the ‘Enlightenment’ tradition overnight. The 'posthuman social clubs’ are a sensual approach, cultivation, celebration, differentiation and problematization of these [post-human] desires.",[8822],{"_uid":8823,"component":221,"propColor":8824,"propSubheadline":8827,"propPreviewImage":8828,"propPreviewVideo":8832,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":8834,"propMetadescription":21,"propDescriptionShort":8837},"159245e1-5f7b-42ac-9b7d-b02d7fddfabf",{"_uid":8825,"color":8826,"plugin":225},"4bbf77c5-9505-400f-bcbf-8756992ecb86","#9d89df"," Performance and film screening from April 2024",{"id":8829,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":8830,"copyright":21,"fieldtype":230,"meta_data":8831,"is_private":37,"is_external_url":37},15674583,"https://a.storyblok.com/f/98682/1920x2879/87bdfa5355/eselat_0560.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":8833},{},{"type":114,"content":8835},[8836],{"type":117},"An event presented by andother stage","posthuman-social-club-at-ail","explore/posthuman-social-club-at-ail",-960,[],"23d69e4f-1a36-48da-8923-5575fb122df1","2024-04-30T13:30:53.721Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":4604,"etag":8848,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":8849,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":8850,"x-runtime":8851,"x-xss-protection":68},"W/\"17f0b997bc6baea65a0dbd071c8e27c9\"","L9Kd-wBpiyUhEJ6_v17f_U6Z915j3tqkZcuxl2HCM7s9YaYUDyiUQg==","be5cbf35-ec48-404e-8e99-d172c2e1f10b","0.027157",{"data":8853,"headers":8973},{"story":8854,"cv":43,"rels":8971,"links":8972},{"name":8855,"created_at":8856,"published_at":8857,"updated_at":8858,"id":8859,"uuid":8860,"content":8861,"slug":8964,"full_slug":8965,"sort_by_date":34,"position":8966,"tag_list":8967,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":8968,"first_published_at":8969,"release_id":34,"lang":41,"path":34,"alternates":8970,"default_full_slug":34,"translated_slugs":34},"Pop Up Book Shop: o*books","2022-11-22T10:33:22.414Z","2022-11-29T12:41:34.189Z","2025-12-16T14:08:07.976Z",223376625,"bed8e26a-08c3-4b2a-b87d-a250f847a7ba",{"_uid":8862,"component":2699,"propCategory":2700,"propMainContent":8863,"propHeaderInformation":8943},"0b453d3c-17cf-4b1f-9f29-c7b17062aa6a",[8864],{"_uid":8865,"component":112,"propCredits":8866,"propEntryInMainContent":8884},"111c50b5-52cf-490a-8488-00a003a7ba70",{"type":114,"content":8867},[8868],{"type":117,"content":8869},[8870,8872,8873,8875,8876,8878,8879,8881,8882],{"text":8871,"type":129},"o*books is orginally located at ",{"type":796},{"text":8874,"type":129},"Bruno-Marek-Allee 24 ",{"type":796},{"text":8877,"type":129},"Top 1 1020 Wien",{"type":796},{"text":8880,"type":129},"Mon–Fri 10:00–19:00",{"type":796},{"text":8883,"type":129},"Sat: 10:00– 16:00",[8885,8919,8928,8937],{"_uid":8886,"component":121,"propRichtext":8887},"4e6bb660-25b4-4332-b7c3-12ddeccc95a5",{"type":114,"content":8888},[8889,8894,8898,8902,8906,8918],{"type":433,"attrs":8890,"content":8891},{"level":2758},[8892],{"text":8893,"type":129},"‘Inspiration, motivation, courage, diversity, knowledge, but also fun, relaxation and excitement, inventiveness, curiosity and a heap of imagination, books can do all that, in whatever form. We want to deal with all of this, but also with the imbalance that is just as prevalent in the book industry.",{"type":117,"content":8895},[8896],{"text":8897,"type":129},"That’s why we’ve decided to focus on issues that can bring needed change for us and our society. We see feminism, queerness, LGBTIQ*, anti-racism, diversity and inclusion not just as buzzwords, but learn them, live them and read them every day.",{"type":117,"content":8899},[8900],{"text":8901,"type":129},"We want to see and appreciate the world in all its diversity. All those books that already exist and those that will exist create this space.",{"type":117,"content":8903},[8904],{"text":8905,"type":129},"We just have to read them.’ ",{"type":117,"content":8907},[8908,8910,8916],{"text":8909,"type":129},"This is how Bianca and Katja from the newly opened book shop ",{"text":8911,"type":129,"marks":8912},"o*books",[8913],{"type":312,"attrs":8914},{"href":8915,"uuid":34,"anchor":34,"target":823,"linktype":485},"https://www.o-books.at/",{"text":8917,"type":129}," describe their vision and program, we are more than happy to welcome them in December with a special selection. ",{"type":117},{"_uid":8920,"component":121,"propRichtext":8921},"3fdf0a7c-b570-408e-8aff-5551f3d2ff12",{"type":114,"content":8922},[8923],{"type":433,"attrs":8924,"content":8925},{"level":2758},[8926],{"text":8927,"type":129},"Choose your topic, choose your book, choose to read!",{"_uid":8929,"component":121,"propRichtext":8930},"cc4e562e-a17b-49e6-9a82-98fcfa7c193e",{"type":114,"content":8931},[8932],{"type":433,"attrs":8933,"content":8934},{"level":2758},[8935],{"text":8936,"type":129},"The Pop Up Book Shop will be open Tue–Fri 12:00–18.00",{"_uid":8938,"component":2747,"propImage":8939,"propAltText":8942,"propCaption":21},"c7d3c2ab-83ec-4db3-ab95-2615d33266de",{"id":8940,"alt":21,"name":21,"focus":34,"title":21,"filename":8941,"copyright":21,"fieldtype":230},6543328,"https://a.storyblok.com/f/98682/517x746/c33c482db9/image001kopie.jpg","Event flyer from o*books",[8944],{"_uid":8945,"component":221,"propColor":8946,"propSubheadline":8949,"propPreviewImage":8950,"propPreviewVideo":8953,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":8954,"propMetadescription":8962,"propDescriptionShort":8963},"d7e5be75-07fd-4fbd-8eb5-8912c72eefdd",{"_uid":8947,"color":8948,"plugin":225},"2ba96500-a8f4-4da4-92d0-9992518deb7f","#c35ee5","o*books is a place full of diverse stories that inspires, motivates and communicates diversity.\nNewly opened in 1020 Vienna, we are happy to host o*books with a special selection",{"id":8951,"alt":21,"name":21,"focus":34,"title":21,"filename":8952,"copyright":21,"fieldtype":230},6503455,"https://a.storyblok.com/f/98682/4000x6403/a70c0e710e/obooksnews.png",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":230},{"type":114,"content":8955},[8956],{"type":117,"content":8957},[8958],{"text":8911,"type":129,"marks":8959},[8960],{"type":312,"attrs":8961},{"href":8915,"uuid":34,"anchor":34,"target":823,"linktype":485},"o*books, die Angewandte, Angewandte Interdisciplinary Lab","1 Dec–16 Dec 2022 // Tue–Fri 12:00–18:00","obooks","explore/obooks",-480,[],"ccee228e-5a2f-480f-b342-7370a56cb627","2022-11-29T10:27:56.512Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":4604,"etag":8974,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":8975,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":8976,"x-runtime":8977,"x-xss-protection":68},"W/\"72367e1dd6162d969f22b45d9bae2b40\"","9gSoO6ygbJZ96PeOFIl0L04QqJlf4-TuqML_R8S8nV23ppWRKR3Rbw==","7b018952-1b60-411b-b50c-0f2579248b7a","0.030861",{"data":8979,"headers":9120},{"story":8980,"cv":43,"rels":9118,"links":9119},{"name":8981,"created_at":8982,"published_at":8983,"updated_at":8984,"id":8985,"uuid":8986,"content":8987,"slug":9111,"full_slug":9112,"sort_by_date":34,"position":9113,"tag_list":9114,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":9115,"first_published_at":9116,"release_id":34,"lang":41,"path":34,"alternates":9117,"default_full_slug":34,"translated_slugs":34},"Performance View: Salon de Passage #3 – Gathering, Hunting, Cultivating: Green","2022-07-13T14:27:21.613Z","2026-01-12T11:13:13.761Z","2026-01-12T11:13:13.778Z",162845462,"5465978e-28fe-4263-9516-ee0bdb843cd4",{"_uid":8988,"component":2699,"propCategory":3176,"propMainContent":8989,"propHeaderInformation":9095},"2fb19abc-ee8f-4721-855f-94f4801cb6d1",[8990],{"_uid":8991,"component":112,"propCredits":8992,"propEntryInMainContent":8998},"03712b08-65eb-4daa-b990-ccf08a07b1b3",{"type":114,"content":8993},[8994],{"type":117,"content":8995},[8996],{"text":8997,"type":129},"All images: Lea Fabienna Dörl",[8999,9005,9010,9015,9020,9025,9030,9035,9040,9045,9050,9055,9063,9075],{"_uid":9000,"component":2747,"propImage":9001,"propAltText":9004,"propCaption":21},"5775f488-dda4-4471-979f-0b8b268c4649",{"id":9002,"alt":21,"name":21,"focus":21,"title":21,"filename":9003,"copyright":21,"fieldtype":230,"is_external_url":37},5553288,"https://a.storyblok.com/f/98682/2048x1365/5e51c40067/20220506_ail-_-passangers-diaries-45.jpg","Salon de Passage Performance setting with carpets, flowers, tea and pastries",{"_uid":9006,"component":2747,"propImage":9007,"propAltText":9004,"propCaption":21},"9cf66d2b-de59-4d77-987c-9d9dd284eb1f",{"id":9008,"alt":21,"name":21,"focus":21,"title":21,"filename":9009,"copyright":21,"fieldtype":230,"is_external_url":37},5553287,"https://a.storyblok.com/f/98682/1365x2048/5c553bdcd1/20220506_ail-_-passangers-diaries-28.jpg",{"_uid":9011,"component":2747,"propImage":9012,"propAltText":9004,"propCaption":21},"d1365c22-343b-4a8f-be7f-f8fbae803641",{"id":9013,"alt":21,"name":21,"focus":21,"title":21,"filename":9014,"copyright":21,"fieldtype":230,"is_external_url":37},5553286,"https://a.storyblok.com/f/98682/2048x1365/3c69397021/20220506_ail-_-passangers-diaries-96.jpg",{"_uid":9016,"component":2747,"propImage":9017,"propAltText":9004,"propCaption":21},"a19ea5cb-f978-4471-9ee8-9c59bad29a36",{"id":9018,"alt":21,"name":21,"focus":21,"title":21,"filename":9019,"copyright":21,"fieldtype":230,"is_external_url":37},5553285,"https://a.storyblok.com/f/98682/2048x1365/dcc091b327/20220506_ail-_-passangers-diaries-48.jpg",{"_uid":9021,"component":2747,"propImage":9022,"propAltText":9004,"propCaption":21},"80b6a9bd-aac3-493e-818b-59e2dbadca90",{"id":9023,"alt":21,"name":21,"focus":21,"title":21,"filename":9024,"copyright":21,"fieldtype":230,"is_external_url":37},5553284,"https://a.storyblok.com/f/98682/2048x1365/85146217ea/20220506_ail-_-passangers-diaries-78.jpg",{"_uid":9026,"component":2747,"propImage":9027,"propAltText":9004,"propCaption":21},"9dff0cdf-1fe5-41bb-b16d-d21a9af12000",{"id":9028,"alt":21,"name":21,"focus":21,"title":21,"filename":9029,"copyright":21,"fieldtype":230,"is_external_url":37},5553283,"https://a.storyblok.com/f/98682/2048x1365/aca5b424c8/20220506_ail-_-passangers-diaries-212.jpg",{"_uid":9031,"component":2747,"propImage":9032,"propAltText":9004,"propCaption":21},"799a1ba7-565a-44a6-9189-0f09e5e9749f",{"id":9033,"alt":21,"name":21,"focus":21,"title":21,"filename":9034,"copyright":21,"fieldtype":230,"is_external_url":37},5553282,"https://a.storyblok.com/f/98682/2048x1365/9450d0f8ad/20220506_ail-_-passangers-diaries-176.jpg",{"_uid":9036,"component":2747,"propImage":9037,"propAltText":9004,"propCaption":21},"042ff20a-4b80-47b4-8913-b0dfa095de37",{"id":9038,"alt":21,"name":21,"focus":21,"title":21,"filename":9039,"copyright":21,"fieldtype":230,"is_external_url":37},5553278,"https://a.storyblok.com/f/98682/2048x1365/f702aa7798/20220506_ail-_-passangers-diaries-51.jpg",{"_uid":9041,"component":2747,"propImage":9042,"propAltText":9004,"propCaption":21},"a7a5225e-18c7-4b7d-b14c-2ef28ef54dc5",{"id":9043,"alt":21,"name":21,"focus":21,"title":21,"filename":9044,"copyright":21,"fieldtype":230,"is_external_url":37},5553279,"https://a.storyblok.com/f/98682/1365x2048/38c1aaeb6f/20220506_ail-_-passangers-diaries-26.jpg",{"_uid":9046,"component":2747,"propImage":9047,"propAltText":9004,"propCaption":21},"c93187ea-4719-44c8-a039-1d32449d7aad",{"id":9048,"alt":21,"name":21,"focus":21,"title":21,"filename":9049,"copyright":21,"fieldtype":230,"is_external_url":37},5553275,"https://a.storyblok.com/f/98682/2048x1365/0ee05894c3/20220506_ail-_-passangers-diaries-2.jpg",{"_uid":9051,"component":2747,"propImage":9052,"propAltText":9004,"propCaption":21},"33593c49-1993-4496-b3dd-7dbc7030c1e3",{"id":9053,"alt":21,"name":21,"focus":21,"title":21,"filename":9054,"copyright":21,"fieldtype":230,"is_external_url":37},5553276,"https://a.storyblok.com/f/98682/2048x1365/12ef592f96/20220506_ail-_-passangers-diaries-125.jpg",{"_uid":9056,"component":121,"propRichtext":9057},"9ad16cc2-d5e4-424e-843c-49e25affa08f",{"type":114,"content":9058},[9059],{"type":117,"content":9060},[9061],{"text":9062,"type":129},"We are living in strange times as all around us our relationships with our diverse environments change, and must change. We are already used to calling this change ‘climate change’. But have we already understood what this really means? The experimental project Passenger Diaries keeps a diary of a journey into another life in the close neighborhood – life that is as personal as it is oriented towards the environment, urban and suburban spaces. To enter this close range is itself the passage we seek. The researchers turn collectively into The Passenger, inspired by Iggy Pop’s mythical song and understood as a ‘cloud’, a ‘state of mind and body’, with pronouns they, them and theirs.",{"_uid":9064,"component":121,"propRichtext":9065},"66bcbee7-0586-4757-bbbe-49c086416ec9",{"type":114,"content":9066},[9067,9071],{"type":117,"content":9068},[9069],{"text":9070,"type":129},"The Passenger will share diary entries that tell of cruising through ‘trans-urban spaces’ and newly discovered psychogeographies. In particular, the colour green and how it can be found along Vienna's railings will be explored in the form of contributions by invited guests and experts from the fields of architecture, visual arts, heritage conservation, media theory and curatorial practice: ",{"type":117,"content":9072},[9073],{"text":9074,"type":129},"To this end, Heinrich Büchel draws on a green board spatially structural about ‘everything inside, everything outside - because what is inside is outside’, Thomas Feuerstein talks about green unicorns in paradisiacal gardens and how he finally married a plant, Jens Hauser introduces the practice of ‘hunting for green’ and discovers this very colour to be particularly anthropocentric, Robert Linke deconstructs the myth of the so-called ‘Otto Wagner green’ using the example of Vienna’s city railway, while Judith Reichart asks how red-green color blindness has an impact on art and design production and perception.",{"_uid":9076,"component":121,"propRichtext":9077},"2f93da68-6c9b-4ce0-aaec-597077d2bd42",{"type":114,"content":9078},[9079,9083,9087,9091],{"type":117,"content":9080},[9081],{"text":9082,"type":129},"Salonnières: Mariella Greil, Lucie Strecker, KT Zakravsky",{"type":117,"content":9084},[9085],{"text":9086,"type":129},"Contributors:  Heinrich Büchel, Thomas Feuerstein, Jens Hauser, Robert Linke, Judith Reichart",{"type":117,"content":9088},[9089],{"text":9090,"type":129},"Design consultancy: Daniel Büchel",{"type":117,"content":9092},[9093],{"text":9094,"type":129},"Teatime provision: Alexander Afrough",[9096],{"_uid":9097,"component":221,"propColor":9098,"propSubheadline":9101,"propPreviewImage":9102,"propPreviewVideo":9105,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":9106,"propMetadescription":9109,"propDescriptionShort":9110},"68c264c6-56a4-4f72-afcb-e603e8c3408c",{"_uid":9099,"color":9100,"plugin":225},"32616088-fdc3-468b-bc70-a38a3e9fca9d","#85e89d","Passenger Diaries – Performative Research on Emergent Subjectivities in Trans-Urban Space ",{"id":9103,"alt":21,"name":21,"focus":34,"title":21,"filename":9104,"copyright":21,"fieldtype":230,"is_external_url":37},5557206,"https://a.storyblok.com/f/98682/920x1839/2e36826678/20220506_ail-_-passangers-diaries-1.jpg",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":230},{"type":114,"content":9107},[9108],{"type":117},"Salon de Passage, die Angewandte, Café Exchange, Angewandte Interdisciplinary Lab","Reserach Presentation at Café Exchange from May 2022","performance-view-salon-de-passage-3-gathering-hunting-cultivating-green","explore/performance-view-salon-de-passage-3-gathering-hunting-cultivating-green",-300,[],"d6f48441-589a-4a5a-bdc1-b14c70e0c91e","2022-08-12T20:30:18.394Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":4604,"etag":9121,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":499,"x-amz-cf-id":9122,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":9123,"x-runtime":9124,"x-xss-protection":68},"W/\"c80188718e5462c18d25ae591f12e1d0\"","GZsI_X4XH-GzyPGxB1mhIu9MIpbIZWGYb4gRcnywYdp9DVTCELll9Q==","22b94328-b318-4cd2-b848-ed6af140902c","0.031370",{"data":9126,"headers":9361},{"story":9127,"cv":43,"rels":9359,"links":9360},{"name":5030,"created_at":9128,"published_at":9129,"updated_at":9130,"id":9131,"uuid":9132,"content":9133,"slug":9352,"full_slug":9353,"sort_by_date":34,"position":9354,"tag_list":9355,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":9356,"first_published_at":9357,"release_id":34,"lang":41,"path":34,"alternates":9358,"default_full_slug":34,"translated_slugs":34},"2025-01-08T09:29:20.967Z","2026-01-12T13:42:03.159Z","2026-01-12T13:42:03.174Z",605464342,"6109ea2c-586f-4ddf-a60f-7057c5191329",{"_uid":9134,"component":106,"propDateEnd":9135,"propCategory":108,"propIsOnline":37,"propDateStart":21,"propMainContent":9136,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":9334,"propDateAndTimeOfOpening":9351},"ed43d185-1434-43a7-920e-255f2a702c47","2025-06-28 16:00",[9137],{"_uid":9138,"component":112,"propCredits":9139,"propEntryInMainContent":9149},"2a1d6bf9-a952-4231-a62f-50d98b97a220",{"type":114,"content":9140},[9141,9145],{"type":117,"content":9142},[9143],{"text":9144,"type":129},"PEEK Projekt AR 650",{"type":117,"content":9146},[9147],{"text":9148,"type":129},"Film Still: Pamela Breda",[9150,9157,9174,9186,9196,9203,9211,9218,9230,9242,9262],{"_uid":9151,"component":2747,"propImage":9152,"propAltText":21,"propCaption":9156},"d015b87a-b3ad-4e33-904e-40e71e8d26f3",{"id":9153,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":9154,"copyright":21,"fieldtype":230,"meta_data":9155,"is_external_url":37},21963044,"https://a.storyblok.com/f/98682/1024x672/e203db5c7b/openart-image_6k4c_0t4_1735504448261_raw.jpg",{},"Pamela Breda, AI generated image with openart.ai",{"_uid":9158,"component":121,"propRichtext":9159},"201b5380-accd-49fd-9e74-3bf9f8ded6a0",{"type":114,"content":9160},[9161,9169],{"type":117,"attrs":9162,"content":9163},{"textAlign":34},[9164],{"text":9165,"type":129,"marks":9166},"How do we navigate the intricate dance between human agency and artificial intelligence? ",[9167],{"type":350,"attrs":9168},{"class":352},{"type":117,"attrs":9170,"content":9171},{"textAlign":34},[9172],{"text":9173,"type":129},"This exhibition stands as a profound exploration of the emotional and cognitive landscapes reshaped by AI, prompting a critical speculation of our future.",{"_uid":9175,"component":121,"propRichtext":9176},"16e18aa1-0115-4210-9ce6-ac50a2e75758",{"type":114,"content":9177},[9178,9185],{"type":117,"content":9179},[9180,9181,9184],{"text":5019,"type":129},{"text":5021,"type":129,"marks":9182},[9183],{"type":132},{"text":5025,"type":129},{"type":117},{"_uid":9187,"component":121,"propRichtext":9188},"d584605f-8694-4765-a1fe-656ed7ea97ec",{"type":114,"content":9189},[9190],{"type":117,"content":9191},[9192,9195],{"text":5030,"type":129,"marks":9193},[9194],{"type":132},{"text":5034,"type":129},{"_uid":9197,"component":2747,"propImage":9198,"propAltText":21,"propCaption":9202},"4b3f1cf1-3a60-4f5a-9b5d-84261593abcf",{"id":9199,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":9200,"copyright":21,"fieldtype":230,"meta_data":9201,"is_external_url":37},19787767,"https://a.storyblok.com/f/98682/1005x566/6e091065ab/kmkm0.jpg",{},"Filmstill. Photo: Pamela Breda",{"_uid":9204,"component":121,"propRichtext":9205},"59082d36-eb43-4361-b108-6245acd648b0",{"type":114,"content":9206},[9207],{"type":117,"content":9208},[9209],{"text":9210,"type":129},"Pamela Breda will present a filmic narrative delving into the future of humanity entwined with AI. Her work will pose philosophical inquiries into the symbiosis and potential friction between human intellect and machine learning. Drawing on the insights of contemporary philosophers such as Luciano Floridi and Rosi Braidotti, Breda's film contemplates the ontological shifts precipitated by AI. It challenges viewers to ponder whether our evolving relationship with artificial intelligence augments human experience or subtly erodes the essence of our humanity.",{"_uid":9212,"component":2747,"propImage":9213,"propAltText":21,"propCaption":9217},"4f896c83-6e55-44a9-bb0e-2d8d98e43bac",{"id":9214,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":9215,"copyright":21,"fieldtype":230,"meta_data":9216,"is_external_url":37},20759751,"https://a.storyblok.com/f/98682/640x452/c2b2eb6397/mesh-reduced.png",{},"DIY kamikaze drone. Photo © Klemens Kohlweis ",{"_uid":9219,"component":121,"propRichtext":9220},"6d1dd18e-9e92-43fa-a4b5-12882be8de35",{"type":114,"content":9221},[9222,9226],{"type":117,"content":9223},[9224],{"text":9225,"type":129},"Patrícia J. Reis and Ruth Schnell will extend this topic through an interactive mixed reality installation that reconfigures the very space of the exhibition. Utilizing 3D mapping technologies and the head mounted display – HoloLens, they will create an immersive environment that references the application of AI in several controversial domains resulting in the proliferation of autonomous weapons, brain hacking technologies, data labor exploitation, sexbots, and the relentless persistence of extractivism practices.",{"type":117,"content":9227},[9228],{"text":9229,"type":129},"The central topics will extend from the virtual environment into the physical exhibition space through the materialization of objects and artifacts made from materials that are integral within the AI technosphere. Reis's and Schnell's pieces will invite viewers to engage critically in a speculative narrative that navigates between physical and virtual space.",{"_uid":9231,"component":121,"propRichtext":9232},"b29730fd-4f34-40fe-aeb0-85a8348bcd86",{"type":114,"content":9233},[9234],{"type":117,"attrs":9235,"content":9236},{"textAlign":34},[9237],{"text":9238,"type":129,"marks":9239},"Guided Tours: 20 May / 5 Jun, 17:00",[9240],{"type":350,"attrs":9241},{"class":352},{"_uid":9243,"component":121,"propRichtext":9244},"3622b3a0-0f17-4652-bcbd-f5c23e2ae985",{"type":114,"content":9245},[9246,9254],{"type":117,"attrs":9247,"content":9248},{"textAlign":34},[9249],{"text":9250,"type":129,"marks":9251},"Exhibition Opening Hours: ",[9252],{"type":350,"attrs":9253},{"class":352},{"type":117,"attrs":9255,"content":9256},{"textAlign":34},[9257],{"text":9258,"type":129,"marks":9259},"Mon–Fri: 11:00–18:00",[9260],{"type":350,"attrs":9261},{"class":352},{"_uid":9263,"component":121,"propRichtext":9264},"26dcc7d5-1dcf-42ae-8c68-433a435c75cb",{"type":114,"content":9265},[9266,9274,9282,9289,9296,9307,9317],{"type":433,"attrs":9267,"content":9268},{"level":435,"textAlign":34},[9269],{"text":9270,"type":129,"marks":9271},"Double Opening Night",[9272],{"type":350,"attrs":9273},{"class":352},{"type":433,"attrs":9275,"content":9276},{"level":435,"textAlign":34},[9277],{"text":9278,"type":129,"marks":9279},"6 May, 18:00",[9280],{"type":350,"attrs":9281},{"class":352},{"type":117,"attrs":9283,"content":9284},{"textAlign":34},[9285],{"text":9286,"type":129,"marks":9287},"On this date two exhibitions will open at AIL",[9288],{"type":132},{"type":202,"content":9290},[9291],{"type":117,"attrs":9292,"content":9293},{"textAlign":34},[9294],{"text":9295,"type":129},"Welcome: Maria Zettler (Managing Rector)",{"type":202,"content":9297},[9298],{"type":117,"attrs":9299,"content":9300},{"textAlign":34},[9301,9303],{"text":9302,"type":129},"Introduction exhibition ",{"text":9304,"type":129,"marks":9305},"The Unexpected. Enquiries on Human-AI Interaction",[9306],{"type":132},{"type":202,"content":9308},[9309],{"type":117,"attrs":9310,"content":9311},{"textAlign":34},[9312,9313],{"text":9302,"type":129},{"text":9314,"type":129,"marks":9315},"Monkeys, Machines, and Multiperspectivities. Transmissions from Within the Ludic Mind",[9316],{"type":132},{"type":202,"content":9318},[9319,9329],{"type":117,"attrs":9320,"content":9321},{"textAlign":34},[9322,9324],{"text":9323,"type":129},"Performance by Psycho-Ludic Research Groug (PLRG) – ",{"text":9325,"type":129,"marks":9326},"250506_PLRG_LabMeeting",[9327,9328],{"type":211},{"type":132},{"type":117,"attrs":9330,"content":9331},{"textAlign":34},[9332],{"text":9333,"type":129},"In a situational lab setting the Psycho-Ludic Research Groug (PLRG) combines physical and virtual artefacts, methods and practices, malfunctions and noise of our psycho-ludic research in a performative arrangement. PLRG wants to allow itself to reflect on its various strands of playful research and development and deep dives into an array of overlapping objects, actions, sounds and mechanics. PLRG encourages the audience to become participants to help us out doing so.",[9335],{"_uid":9336,"component":221,"propColor":9337,"propSubheadline":9340,"propPreviewImage":9341,"propPreviewVideo":9345,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":9347,"propMetadescription":21,"propDescriptionShort":9350},"a4f4945c-4d48-443f-9798-61a705b0793f",{"_uid":9338,"color":9339,"plugin":225},"2494b9ca-d050-450f-b1f1-fc5775c135fd","#52e094","Enquiries on Human-AI Interaction",{"id":9342,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":9343,"copyright":21,"fieldtype":230,"meta_data":9344,"is_external_url":37},19787768,"https://a.storyblok.com/f/98682/1920x1081/7f2c470335/fqf0-n-kopie.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":9346},{},{"type":114,"content":9348},[9349],{"type":117},"Artists: Pamela Breda, Patrícia J. Reis, Ruth Schnell","2025-05-06 16:00","the-unexpected","program/the-unexpected",-910,[],"2cb1bf5c-f779-4a2f-821c-5595bd16f09e","2025-01-08T09:35:09.775Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":2850,"etag":9362,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":9363,"x-amz-cf-id":9364,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":9365,"x-runtime":9366,"x-xss-protection":68},"W/\"6fb5f248f894a8638f01516e5a9dbca8\"","1.1 190ae6ea0d79db91b07e8f1e3a82c672.cloudfront.net (CloudFront)","kGanTa9z5V2arFIumyZLrXco2Ex22kvvMj0sQyghEkJFJeIKqAmLhg==","52571e3a-554c-447f-873b-b643cebd9a4f","0.025252",{"data":9368,"headers":9604},{"story":9369,"cv":43,"rels":9602,"links":9603},{"name":9370,"created_at":9371,"published_at":9372,"updated_at":9373,"id":9374,"uuid":9375,"content":9376,"slug":9595,"full_slug":9596,"sort_by_date":34,"position":9597,"tag_list":9598,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":9599,"first_published_at":9600,"release_id":34,"lang":41,"path":34,"alternates":9601,"default_full_slug":34,"translated_slugs":34},"Monkeys, Machines, and Multi-perspectivities","2025-01-15T12:25:34.680Z","2026-01-12T13:32:34.300Z","2026-01-12T13:32:34.318Z",609489100,"cd274ad1-9176-4afb-86d2-fae7764b6523",{"_uid":9377,"component":106,"propDateEnd":9135,"propCategory":108,"propIsOnline":37,"propDateStart":9378,"propMainContent":9379,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":9579,"propDateAndTimeOfOpening":9351},"10b6ca40-aefc-4379-b968-de26a0b3fcd3","2025-05-07 00:00",[9380],{"_uid":9381,"component":112,"propCredits":9382,"propEntryInMainContent":9385},"4f33576a-e304-494e-bedf-ca79b8986094",{"type":114,"content":9383},[9384],{"type":117},[9386,9398,9404,9416,9430,9438,9446,9454,9497,9515],{"_uid":9387,"component":121,"propRichtext":9388},"300e1618-2c23-43b8-97da-d9734dce49ab",{"type":114,"content":9389},[9390],{"type":117,"attrs":9391,"content":9392},{"textAlign":34},[9393],{"text":9394,"type":129,"marks":9395},"Public Lab Meetings:  Every Thursday, 15:00",[9396],{"type":350,"attrs":9397},{"class":352},{"_uid":9399,"component":2747,"propImage":9400,"propAltText":21,"propCaption":21},"22672e76-5665-4d77-8cef-c28731f605e3",{"id":9401,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":9402,"copyright":21,"fieldtype":230,"meta_data":9403,"is_external_url":37},19915055,"https://a.storyblok.com/f/98682/1000x600/42167a7f10/1920-1080-max-1000x600.png",{},{"_uid":9405,"component":121,"propRichtext":9406},"54db2ede-8234-4385-bb47-20c769139302",{"type":114,"content":9407},[9408],{"type":117,"content":9409},[9410,9414],{"text":9411,"type":129,"marks":9412},"Monkeys, Machines, and Multiperspectivities",[9413],{"type":132},{"text":9415,"type":129}," is a call to embrace the transformative power of play. As visitors move through this experimental landscape, they will encounter new perspectives, rethink their roles in the world, and explore how small shifts in perspective can unlock vast potential for creative and collective action. Through this dynamic intersection of art, science, and play, the project offers a vision of a future defined by empathy, interconnectedness, and the endless possibilities of the ludic mind.",{"_uid":9417,"component":121,"propRichtext":9418},"b3a7e88a-85a5-42c0-9b70-cb8efd469d77",{"type":114,"content":9419},[9420],{"type":117,"content":9421},[9422,9424,9428],{"text":9423,"type":129},"Presented through the lens of the ",{"text":9425,"type":129,"marks":9426},"Psycho-Ludic Approach ",[9427],{"type":132},{"text":9429,"type":129},"(with methods by artistic research, experimental psychology and neuroscience), this exhibition challenges conventional ideas of agency, perspective, and societal structures and explore alternative motivations for play. The current global crises show that humanity's exploitation-based strategies have come to an end: conquering new worlds, accumulating possessions and winning. These strategies, which are now failing, are reflected in games and their mechanisms.",{"_uid":9431,"component":121,"propRichtext":9432},"2c25b742-6a97-4d73-aab2-f176ad095408",{"type":114,"content":9433},[9434],{"type":117,"content":9435},[9436],{"text":9437,"type":129},"Situated within the physical manifestation of a game engine—a world-machine-conglomerate—this exhibition environment becomes a space where the playful mind engages with pressing universal issues, exploring them through experimental games. Multiperspectivity is the key concept driving this exhibition. It emerges as the first result of the experimental game series: a revolutionary game mechanic that enables rapid, unpredictable shifts in perspective. What happens when we change the lens through which we view the world? How can shifting our perspective alter the way we relate to our surroundings and to each other? Rather than seeking radical, sweeping change through traditional “revolutionary” means, we propose that change can occur situationally and continuously – by adjusting the way we see and understand things.",{"_uid":9439,"component":121,"propRichtext":9440},"c70b55ce-33be-4648-8018-dc8fa0c8c3dc",{"type":114,"content":9441},[9442],{"type":117,"content":9443},[9444],{"text":9445,"type":129},"This mechanism, applied here in a series of playful experiments, serves as both an artistic practice and a social principle. In our increasingly fragmented world, it offers a powerful tool for rethinking everything from democratic processes to environmental consciousness.",{"_uid":9447,"component":121,"propRichtext":9448},"517d56fb-e362-4906-977a-fb511e9353aa",{"type":114,"content":9449},[9450],{"type":117,"content":9451},[9452],{"text":9453,"type":129},"Through a self-reflexive exhibition game, the project offers an opportunity to actively participate in the unfolding experiments. Here, individuals are not passive observers but dynamic players within a fluid system of roles: whether as \"involuntary\" players, NPCs (non-playing characters), agents, researchers, or as curious lovers of ludic art. The exhibition blurs the lines between audience and performer, inviting participants to step into multiple roles, shifting from one perspective to another as they engage with the work. The exhibition also introduces non-human players into the role-play, expanding the concept of agency and offering a more inclusive view of interaction. These alternative modes of play, underpinned by computational neuroscience devices and techniques, transform scientific tools into artistic expressions focusing on empathy, creativity, and participation – can become vehicles for addressing ecological and social challenges.",{"_uid":9455,"component":121,"propRichtext":9456},"3cde0919-0497-42a8-9520-7fa08b004e6a",{"type":114,"content":9457},[9458,9465,9474,9481,9490],{"type":117,"attrs":9459,"content":9460},{"textAlign":34},[9461],{"text":9462,"type":129,"marks":9463},"An exhibition by the PSYCHOLUDIC / ROBOPSY researchgroup.",[9464],{"type":132},{"type":433,"attrs":9466,"content":9467},{"level":435,"textAlign":34},[9468],{"text":9469,"type":129,"marks":9470},"Artistic researchers: ",[9471,9472],{"type":132},{"type":350,"attrs":9473},{"class":352},{"type":117,"attrs":9475,"content":9476},{"textAlign":34},[9477],{"text":9478,"type":129,"marks":9479},"Thomas Brandstetter, Stefan Glasauer, Clara Hirschmanner, Margarete Jahrmann, Talos Kedl, Louise Linsenbolz, Georg Luif, Stefan Maier, ­Barbi Markovic, Max Moswitzer, Fabian Navarro, Tamás Páll,­ Thomas Wagensommerer, and Experimental Game Cultures & citizen science/student/everyday life experts.",[9480],{"type":132},{"type":433,"attrs":9482,"content":9483},{"level":435,"textAlign":34},[9484],{"text":9485,"type":129,"marks":9486},"This show is informed by the research projects:",[9487,9488],{"type":132},{"type":350,"attrs":9489},{"class":352},{"type":117,"attrs":9491,"content":9492},{"textAlign":34},[9493],{"text":9494,"type":129,"marks":9495},"The Psycholudic Approach. Exploring Play for a viable Future (AR 787), Austrian Science Fund FWF/ PEEK. / ROBOPSY. An Artistic Exploration of Collective Memory through Role-Playing with AI Language Models (ICT23-020), WWTF Vienna Science and Technology Fund / INTRA Project NEST, by Tamás Pall, Experimental Game ­Cultures.",[9496],{"type":132},{"_uid":9498,"component":121,"propRichtext":9499},"9c3d350b-9398-4689-aab2-63d34824c41d",{"type":114,"content":9500},[9501,9508],{"type":117,"attrs":9502,"content":9503},{"textAlign":34},[9504],{"text":9250,"type":129,"marks":9505},[9506],{"type":350,"attrs":9507},{"class":352},{"type":117,"attrs":9509,"content":9510},{"textAlign":34},[9511],{"text":9258,"type":129,"marks":9512},[9513],{"type":350,"attrs":9514},{"class":352},{"_uid":9516,"component":121,"propRichtext":9517},"456e9c02-1f4a-48c5-8163-b4b1bf63bd4c",{"type":114,"content":9518},[9519,9527,9534,9540,9546,9555,9564],{"type":433,"attrs":9520,"content":9521},{"level":435,"textAlign":34},[9522],{"text":9523,"type":129,"marks":9524},"Double Opening Night ",[9525],{"type":350,"attrs":9526},{"class":352},{"type":433,"attrs":9528,"content":9529},{"level":435,"textAlign":34},[9530],{"text":9278,"type":129,"marks":9531},[9532],{"type":350,"attrs":9533},{"class":352},{"type":117,"attrs":9535,"content":9536},{"textAlign":34},[9537],{"text":9286,"type":129,"marks":9538},[9539],{"type":132},{"type":202,"content":9541},[9542],{"type":117,"attrs":9543,"content":9544},{"textAlign":34},[9545],{"text":9295,"type":129},{"type":202,"content":9547},[9548],{"type":117,"attrs":9549,"content":9550},{"textAlign":34},[9551,9552],{"text":9302,"type":129},{"text":9304,"type":129,"marks":9553},[9554],{"type":132},{"type":202,"content":9556},[9557],{"type":117,"attrs":9558,"content":9559},{"textAlign":34},[9560,9561],{"text":9302,"type":129},{"text":9314,"type":129,"marks":9562},[9563],{"type":132},{"type":202,"content":9565},[9566,9575],{"type":117,"attrs":9567,"content":9568},{"textAlign":34},[9569,9571],{"text":9570,"type":129},"Performance by Psycho-Ludic Research Groug (PLRG)  – ",{"text":9325,"type":129,"marks":9572},[9573,9574],{"type":211},{"type":132},{"type":117,"attrs":9576,"content":9577},{"textAlign":34},[9578],{"text":9333,"type":129},[9580],{"_uid":9581,"component":221,"propColor":9582,"propSubheadline":9584,"propPreviewImage":9585,"propPreviewVideo":9589,"propMakeTextWhite":37,"propDescriptionLong":9591,"propMetaInformation":9592,"propMetadescription":21,"propDescriptionShort":21},"d98e7332-1701-4664-b7ed-5a7ab64b60f9",{"_uid":9583,"color":3817,"plugin":225},"f6d75f05-cf36-45ae-817a-9a980a6dfe23","Transmissions from Within the Ludic Mind",{"id":9586,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":9587,"copyright":21,"fieldtype":230,"meta_data":9588,"is_external_url":37},19915097,"https://a.storyblok.com/f/98682/1152x1920/de65caba86/1920-1080-max-1000x600-kopie.png",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":9590},{},"An exhibition by the PSYCHOLUDIC /\nROBOPSY research group, PI Margarete Jahrmann (Experimental Game Cultures, University of Applied Arts Vienna)",{"type":114,"content":9593},[9594],{"type":117},"monkeys-machines-and-multiperspectivities","program/monkeys-machines-and-multiperspectivities",-990,[],"fce4e788-f3e7-47d4-800a-55585c103e85","2025-01-15T12:33:26.615Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":2850,"etag":9605,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":9606,"x-amz-cf-id":9607,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":9608,"x-runtime":9609,"x-xss-protection":68},"W/\"11beb1640edfc2db89ed7f8c90d25b13\"","1.1 a71acf3216acd0176b844774db5aaf64.cloudfront.net (CloudFront)","MmHdN3GEIhgPKI25KMB1If62juvcNsCfVBmEy_0N_FPe33txs1YOIA==","516937ac-3790-4d1e-8cc3-bdb84a276ab5","0.034387",{"data":9611,"headers":9686},{"story":9612,"cv":43,"rels":9684,"links":9685},{"name":9613,"created_at":9614,"published_at":9615,"updated_at":9616,"id":9617,"uuid":9618,"content":9619,"slug":9677,"full_slug":9678,"sort_by_date":34,"position":9679,"tag_list":9680,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":9681,"first_published_at":9682,"release_id":34,"lang":41,"path":34,"alternates":9683,"default_full_slug":34,"translated_slugs":34},"PLRG LabMeeting","2025-05-22T14:08:51.710Z","2026-01-12T13:07:50.893Z","2026-01-12T13:07:50.908Z",675324703,"0b81c15e-9e39-46c3-8397-15290a59e7ea",{"_uid":9620,"component":106,"propDateEnd":9621,"propCategory":1296,"propIsOnline":37,"propDateStart":21,"propMainContent":9622,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":9659,"propDateAndTimeOfOpening":9676},"00d6489d-bc2d-4223-a10f-6e58f8153293","2025-06-26 19:00",[9623],{"_uid":9624,"component":112,"propCredits":9625,"propEntryInMainContent":9628},"1aec1dc6-4b9f-42dc-80f2-5d827cf953b1",{"type":114,"content":9626},[9627],{"type":117},[9629,9652],{"_uid":9630,"component":121,"propRichtext":9631},"093e99b2-1183-419c-b429-df6d7b745493",{"type":114,"content":9632},[9633,9648],{"type":117,"content":9634},[9635,9639,9641],{"text":9636,"type":129,"marks":9637},"The Psycho-Ludic Research Group (PLRG) ",[9638],{"type":132},{"text":9640,"type":129},"was formed in 2023 by Margarte Jahrmann, Stefan Glasauer, Thomas Brandstetter, Georg Luif, Stefan Maier, Max Moswitzer, Louise Linsenbolz and Thomas Wagensommerer as a vehicle for the research project ",{"text":9642,"type":129,"marks":9643},"The Psycho-Ludic Approach.",[9644,9647],{"type":312,"attrs":9645},{"href":9646,"uuid":34,"anchor":34,"target":315,"linktype":485},"https://psycholudic.uni-ak.ac.at/",{"type":132},{"type":117,"content":9649},[9650],{"text":9651,"type":129},"In a situational lab meeting setting PLRG combines physical and virtual artefacts, methods and practices, malfunctions and noise of the psycho-ludic research in a performative arrangement. PLRG wants to allow itself to reflect on its various strands of playful research and development and deep dives into an array of overlapping objects, actions, sounds and mechanics. PLRG creates a temporal space to involve, experience and feel translations of research data to pressure waves of various sorts. PLRG encourages the audience to become participants to help the group out doing so.",{"_uid":9653,"component":2747,"propImage":9654,"propAltText":21,"propCaption":9658},"0a270be5-5ed3-4c70-b416-40cd4c498750",{"id":9655,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":9656,"copyright":21,"fieldtype":230,"meta_data":9657,"is_external_url":37},22222179,"https://a.storyblok.com/f/98682/2048x1365/aedc9b12d7/20250506_leafabienne_ail_the-unexpected-461.jpg",{},"PLRG LabMeeting from the opening of the exhibition. Photo: Lea Dörl",[9660],{"_uid":9661,"component":221,"propColor":9662,"propSubheadline":9665,"propPreviewImage":9666,"propPreviewVideo":9670,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":9672,"propMetadescription":21,"propDescriptionShort":9675},"027ff536-7728-41b3-93a2-c38ee6a2891a",{"_uid":9663,"color":9664,"plugin":225},"e929da47-c008-4bbf-9206-d2a6d1bfcc16","#e05265","Performance by Psycho-Ludic Research Group (PLRG)",{"id":9667,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":9668,"copyright":21,"fieldtype":230,"meta_data":9669,"is_external_url":37},23074453,"https://a.storyblok.com/f/98682/1920x1280/8630324bf7/20250506_leafabienne_ail_the-unexpected-562.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":9671},{},{"type":114,"content":9673},[9674],{"type":117},"Part of Angewandte Festival 2025","2025-06-26 17:00","plrg-labmeeting","program/plrg-labmeeting",-1140,[],"51240477-e32f-461b-9b0c-b8d893936050","2025-05-27T12:45:30.516Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":2850,"etag":9687,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":9688,"x-amz-cf-id":9689,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":9690,"x-runtime":9691,"x-xss-protection":68},"W/\"2e21220116d422082c13bc4b9709dae7\"","1.1 e0985d0a4c5b8d661fa587271e718458.cloudfront.net (CloudFront)","X62zicMaCE2S0ucK2pPvPZSef4pkWF1amqeHwdrg1ZfT4GY9YYdujg==","2f8deacb-1b3a-4c04-ad1d-9091b3e337c0","0.155397",{"data":9693,"headers":9767},{"story":9694,"cv":43,"rels":9765,"links":9766},{"name":9695,"created_at":9696,"published_at":9697,"updated_at":9698,"id":9699,"uuid":9700,"content":9701,"slug":9758,"full_slug":9759,"sort_by_date":34,"position":9760,"tag_list":9761,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":9762,"first_published_at":9763,"release_id":34,"lang":41,"path":34,"alternates":9764,"default_full_slug":34,"translated_slugs":34},"Public Lab Meeting","2025-05-13T11:42:46.468Z","2026-01-12T13:33:52.823Z","2026-01-12T13:33:52.836Z",669497110,"71eb7fb0-dbb2-49a0-910d-eed654afba6f",{"_uid":9377,"component":106,"propDateEnd":9702,"propCategory":268,"propIsOnline":37,"propDateStart":21,"propMainContent":9703,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":9745,"propDateAndTimeOfOpening":9757},"2025-06-26 15:00",[9704],{"_uid":9381,"component":112,"propCredits":9705,"propEntryInMainContent":9708},{"type":114,"content":9706},[9707],{"type":117},[9709,9717,9725,9742],{"_uid":9710,"component":2747,"propImage":9711,"propAltText":9715,"propCaption":9716},"affdba75-067b-4866-b565-dd9097c90d82",{"id":9712,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":9713,"copyright":21,"fieldtype":230,"meta_data":9714,"is_external_url":37},62131063562945,"https://a.storyblok.com/f/98682/2000x1333/eceacd95c0/ail-22-06-08-c-paul-pibernig_22.jpg",{},"Two people laying on beds, surrounded by technical equipment to scan their brain waves while playing a computer games.","Photo: Paul Pibernig",{"_uid":9718,"component":121,"propRichtext":9719},"01cd1789-1668-4369-b13d-123faa97c3a1",{"type":114,"content":9720},[9721],{"type":117,"content":9722},[9723],{"text":9724,"type":129},"About this session: In the electroencephalogram (EEG) brain scans of players approved by an ethics committee of the Austrian Academy of Sciences (ÖAW), we collect data on game motivation and behavior - and transform it into forms of artistic expression. This results in new insights into cooperative play - and a new form of art.",{"_uid":9726,"component":121,"propRichtext":9727},"3ae81861-2185-46c3-9b1c-97424e487354",{"type":114,"content":9728},[9729,9737],{"type":117,"attrs":9730,"content":9731},{"textAlign":34},[9732],{"text":9733,"type":129,"marks":9734},"In the weekly public lab meetings, we reflect and play together with our invited guests and experts on experimental game culture. You are invited to play games and listen to the lectures and discussions coming from our research group at the University of Applied Arts Vienna.",[9735],{"type":350,"attrs":9736},{"class":352},{"type":117,"attrs":9738,"content":9739},{"textAlign":34},[9740],{"text":9741,"type":129},"This is a practise of our research group, which we open up for the duration of the exhibition. In 2025 we focus on the PSYCHOLUDIC APPROACH – on the exploration of play for a viable future and on ­ROBOPSY – where Robopsychology is understood as a form of role-playing in relation and (op)position to other forms of intelligence. The discourses stem from neuroscience and play, science and epistemic things, and cognitive science in a playful ‘ludic’ format – mirrored in a conceptual PLAY with data – as Ludic Art. We work on the question of how to interpret data, understand player motivation and what we can learn from this for game design that is viable for our world and democracy",{"_uid":9399,"component":2747,"propImage":9743,"propAltText":21,"propCaption":21},{"id":9401,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":9402,"copyright":21,"fieldtype":230,"meta_data":9744,"is_external_url":37},{},[9746],{"_uid":9581,"component":221,"propColor":9747,"propSubheadline":9748,"propPreviewImage":9749,"propPreviewVideo":9751,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":9753,"propMetadescription":21,"propDescriptionShort":9756},{"_uid":9583,"color":9664,"plugin":225},"Exhibition program: Monkeys, Machines, and Multiperspectivities. Transmissions from within the Ludic Mind",{"id":9586,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":9587,"copyright":21,"fieldtype":230,"meta_data":9750,"is_external_url":37},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":9752},{},{"type":114,"content":9754},[9755],{"type":117},"Brainwave Broadcast with Margarete Jahrmann and Stefan Glasauer","2025-06-26 13:00","public-lab-meetings-5","program/public-lab-meetings-5",-950,[],"0bc407ad-ffb3-4eac-9e56-27f0fe2d2c5e","2025-05-13T11:43:51.188Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":9768,"etag":9769,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":9770,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":9771,"x-runtime":9772,"x-xss-protection":68},"Thu, 21 May 2026 13:52:09 GMT","W/\"02de748e12c507d9604a36ae7172d902\"","oGjq_yBSyi0eTujmqyvok17QjqsqT_BmpbmyTSnkNqnMG8Rl0AR-FQ==","d7d26aea-2dec-42d9-b946-816fe8740e99","0.032621",{"data":9774,"headers":9899},{"story":9775,"cv":43,"rels":9897,"links":9898},{"name":9776,"created_at":9777,"published_at":9778,"updated_at":9779,"id":9780,"uuid":9781,"content":9782,"slug":9890,"full_slug":9891,"sort_by_date":34,"position":9892,"tag_list":9893,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":9894,"first_published_at":9895,"release_id":34,"lang":41,"path":34,"alternates":9896,"default_full_slug":34,"translated_slugs":34},"SΫS DANCE: Sound and scent installation","2025-06-10T11:09:57.027Z","2026-01-12T14:05:22.277Z","2026-01-12T14:05:22.290Z",685491301,"9b9675f7-49dd-4092-8930-f32f45288c33",{"_uid":7771,"component":106,"propDateEnd":9783,"propCategory":7773,"propIsOnline":37,"propDateStart":21,"propMainContent":9784,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":9875,"propDateAndTimeOfOpening":9889},"2025-10-31 17:00",[9785],{"_uid":7776,"component":112,"propCredits":9786,"propEntryInMainContent":9796},{"type":114,"content":9787},[9788,9795],{"type":117,"content":9789},[9790],{"text":7783,"type":129,"marks":9791},[9792,9793],{"type":211},{"type":918,"attrs":9794},{"color":7457},{"type":117},[9797,9807,9821,9828,9840,9852,9866],{"_uid":9798,"component":121,"propRichtext":9799},"386bc457-6143-475c-9413-f104a462ab3e",{"type":114,"content":9800},[9801],{"type":117,"content":9802},[9803],{"text":9804,"type":129,"marks":9805},"Please note: this installation and the cashier hall are closed in August. ",[9806],{"type":132},{"_uid":9808,"component":121,"propRichtext":9809},"b9a7f5c0-ef95-416a-971d-7639b715a0fb",{"type":114,"content":9810},[9811],{"type":202,"content":9812},[9813,9817],{"type":117,"content":9814},[9815],{"text":9816,"type":129},"We are all living systems: sensitive beings embedded in and connected to other living Systems. The art-based research project SENSING LIVING SYSTEMS (SLS) explores how sensory experiences – especially through smell, touch and sound – can foster a deeper awareness of our interconnected world and provide an understanding of ­living, complex ­systems – whether in nature, society or art.",{"type":117,"content":9818},[9819],{"text":9820,"type":129},"The work of the artist duo MUELLER-DIVJAK has given emergence to an as yet intangible being called SΫS. A mythological and at the same time contemporary real being, who has developed systems awareness. An embodiment that can cope with diverse developments and crises in the socio-, eco- and  techno-spheres and with a wide variety of people and entities – and takes great pleasure in life itself.",{"_uid":9822,"component":2747,"propImage":9823,"propAltText":9827,"propCaption":21},"ea208ea9-029b-4cdc-851e-4c2c2c024284",{"id":9824,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":9825,"copyright":21,"fieldtype":230,"meta_data":9826,"is_external_url":37},23158521,"https://a.storyblok.com/f/98682/480x640/d91e2e1bc2/sys_dance.jpeg",{},"View into central counter at former Kassenhalle, disco ball with colorful lights.",{"_uid":9829,"component":121,"propRichtext":9830},"b68af522-7fbe-48fd-8eec-3fdbde643518",{"type":114,"content":9831},[9832,9836],{"type":117,"content":9833},[9834],{"text":9835,"type":129},"2,367 people took part in the scent-based vote which was the fifth installation in the Series of Scenographic Studies ‘Conception of SΫS – THE SMELL OF A MYSTERIOUS BEING’, primarily at AIL Vienna, but also at MIT Boston, the SAR Artistic Research Conference in Porto, the Austrian Embassy in Bangkok, the Songkhla Art Centre (TH) and other temporary voting booths. Visitors responded to the prompt: ‘Imagine a being that knows and feels everything about connectedness and interactions. How would it smell like?’ Voters were able to choose one of six specially composed smells.",{"type":117,"content":9837},[9838],{"text":9839,"type":129},"The voting results are now presented in the sixth multisensory installation ‘SΫS DANCE’ – the SΫS dance floor – which smells and sounds like SΫS. The scent installation introduces the favourite of the international electorate. Informed by the latest advancements in generative AI, the sound artist collective of the SLS-research-team aka THE LIVING SYSTEMS meticulously experiments with the dynamic interplay between human and the machine, interrogating (co-)agency, and expanding arts-based research.",{"_uid":9841,"component":121,"propRichtext":9842},"185d1193-8926-46af-9b22-90ea14baa8ef",{"type":114,"content":9843},[9844,9848],{"type":117,"content":9845},[9846],{"text":9847,"type":129},"The lyrics of the four different tracks are based on poetic interpretations of systems theory and quotes from the Systems Awareness Conference at MIT (2025). The tracks, presented as house and electroclash artefacts in the staged mini club, take up the idea of emerging SΫS beings and explore spaces of (co-)existence. ",{"type":117,"content":9849},[9850],{"text":9851,"type":129},"SΫS DANCE is an invitation to immerse yourself into scent and sound, into a human and not-just-human world – for a dance and embodied experience that celebrate connectedness and empathy. Get yourself connected!",{"_uid":7874,"component":121,"propRichtext":9853},{"type":114,"content":9854},[9855,9858,9862],{"type":117,"content":9856},[9857],{"text":7881,"type":129},{"type":117,"content":9859},[9860],{"text":9861,"type":129},"Special thanks to Michael Ellinger",{"type":117,"content":9863},[9864],{"text":9865,"type":129},"Sounds and scents by MUELLER-DIVJAK",{"_uid":7883,"component":121,"propRichtext":9867},{"type":114,"content":9868},[9869],{"type":202,"content":9870},[9871],{"type":117,"content":9872},[9873],{"text":9874,"type":129},"Since fall 2023 AIL is part of the research project SENSING LIVING SYSTEMS together with the artist duo MUELLER-DIVJAK. The Otto Wagner Cashier Hall offers a special opportunity to give insights to processes and activities of SENSING LIVING SYSTEMS. For the first time, the historical cabin in the hall is used for ongoing artistic installations to make methods more visible, relatable and comprehensible for a public audience. As the cabin is surrounded by a broad audience coming together in the cashier hall, it offers a chance to gather feedback and reactions to the project and the specific stages of studies that will be incorporated into the project outcome.",[9876],{"_uid":7895,"component":221,"propColor":9877,"propSubheadline":7899,"propPreviewImage":9879,"propPreviewVideo":9883,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":9885,"propMetadescription":21,"propDescriptionShort":9888},{"_uid":7897,"color":9878,"plugin":225},"#d752e0",{"id":9880,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":9881,"copyright":21,"fieldtype":230,"meta_data":9882,"is_external_url":37},23158558,"https://a.storyblok.com/f/98682/1920x2560/d53679760d/sys_dance_cover.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":9884},{},{"type":114,"content":9886},[9887],{"type":117},"Series of Scenographic Studies / Part VI, Jun – Oct 2025 ","2025-09-01 09:00","sys-dance-sound-and-scent-installation","program/sys-dance-sound-and-scent-installation",-660,[],"fb20bb0d-b944-4743-abad-12b5184dbe5f","2025-06-10T11:13:53.527Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1068,"etag":9900,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":9901,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":9902,"x-runtime":9903,"x-xss-protection":68},"W/\"9fbc54db45cb2050590d334b80d9af37\"","w7nWuqKH9t2152x8cefybN06kzZyq-yRSWEOPJEP3474FvElnvzLTQ==","0d0c27c0-69e0-40e6-8daf-4bbb905dd0c2","0.026138",{"data":9905,"headers":10215},{"story":9906,"cv":43,"rels":10213,"links":10214},{"name":9907,"created_at":9908,"published_at":9909,"updated_at":9910,"id":9911,"uuid":9912,"content":9913,"slug":10206,"full_slug":10207,"sort_by_date":34,"position":10208,"tag_list":10209,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":10210,"first_published_at":10211,"release_id":34,"lang":41,"path":34,"alternates":10212,"default_full_slug":34,"translated_slugs":34},"AIL Postcard Edition Nr. 2 – (dis)honest images","2025-05-28T12:09:21.437Z","2026-05-05T12:00:18.545Z","2026-05-05T12:00:18.564Z",678700583,"0e18b12b-9f42-40e9-a331-2f2c9b1c35b3",{"_uid":9914,"component":2699,"propCategory":2700,"propMainContent":9915,"propHeaderInformation":10189},"86445d35-a71c-487a-a206-7cd524e2506f",[9916],{"_uid":9917,"component":112,"propCredits":9918,"propEntryInMainContent":9944},"7ddc045c-1cb0-4549-a6fb-8fb948fc1667",{"type":114,"content":9919},[9920,9925,9934],{"type":117,"attrs":9921,"content":9922},{"textAlign":34},[9923],{"text":9924,"type":129},"(dis)honest images, AIL Postcard Edition Nr. 2",{"type":117,"attrs":9926,"content":9927},{"textAlign":34},[9928,9930,9931,9932,9933],{"text":9929,"type":129},"AIL in cooperation with the department Applied Photography & Time-Based Media",{"type":796},{"text":2720,"type":129},{"type":796},{"text":2725,"type":129},{"type":117,"attrs":9935,"content":9936},{"textAlign":34},[9937,9939],{"text":9938,"type":129},"Preview image: ",{"text":9940,"type":129,"marks":9941},"Daniel Wendt",[9942],{"type":918,"attrs":9943},{"color":21},[9945,10066,10070,10084,10167,10175],{"_uid":9946,"component":121,"propRichtext":9947},"8c5d8c32-e3b4-4d6a-9acf-934256d1f53c",{"type":114,"content":9948},[9949],{"type":202,"content":9950},[9951,9960,9968,9976,9984,9992,10000,10008,10016,10024,10032,10040,10048,10056,10064],{"type":117,"attrs":9952,"content":9953},{"textAlign":34},[9954],{"text":9955,"type":129,"marks":9956},"(dis)honest images",[9957],{"type":350,"attrs":9958},{"class":9959},"h2",{"type":117,"attrs":9961,"content":9962},{"textAlign":34},[9963],{"text":9964,"type":129,"marks":9965},"beauty in ugliness,",[9966],{"type":350,"attrs":9967},{"class":352},{"type":117,"attrs":9969,"content":9970},{"textAlign":34},[9971],{"text":9972,"type":129,"marks":9973},"uncanny reality of human life.",[9974],{"type":350,"attrs":9975},{"class":352},{"type":117,"attrs":9977,"content":9978},{"textAlign":34},[9979],{"text":9980,"type":129,"marks":9981},"against the supposed order of the body",[9982],{"type":350,"attrs":9983},{"class":352},{"type":117,"attrs":9985,"content":9986},{"textAlign":34},[9987],{"text":9988,"type":129,"marks":9989},"something closer to truth, rawness and complexity. ",[9990],{"type":350,"attrs":9991},{"class":352},{"type":117,"attrs":9993,"content":9994},{"textAlign":34},[9995],{"text":9996,"type":129,"marks":9997},"silent performance of transformation.",[9998],{"type":350,"attrs":9999},{"class":352},{"type":117,"attrs":10001,"content":10002},{"textAlign":34},[10003],{"text":10004,"type":129,"marks":10005},"nature seems synthetic ",[10006],{"type":350,"attrs":10007},{"class":352},{"type":117,"attrs":10009,"content":10010},{"textAlign":34},[10011],{"text":10012,"type":129,"marks":10013},"and art is instinctively honest.",[10014],{"type":350,"attrs":10015},{"class":352},{"type":117,"attrs":10017,"content":10018},{"textAlign":34},[10019],{"text":10020,"type":129,"marks":10021},"reconstruct the inherited identity.",[10022],{"type":350,"attrs":10023},{"class":352},{"type":117,"attrs":10025,"content":10026},{"textAlign":34},[10027],{"text":10028,"type":129,"marks":10029},"it makes you uncomfortable ",[10030],{"type":350,"attrs":10031},{"class":352},{"type":117,"attrs":10033,"content":10034},{"textAlign":34},[10035],{"text":10036,"type":129,"marks":10037},"thinking everything is a lie for a moment.",[10038],{"type":350,"attrs":10039},{"class":352},{"type":117,"attrs":10041,"content":10042},{"textAlign":34},[10043],{"text":10044,"type":129,"marks":10045},"it’s also about humans,",[10046],{"type":350,"attrs":10047},{"class":352},{"type":117,"attrs":10049,"content":10050},{"textAlign":34},[10051],{"text":10052,"type":129,"marks":10053},"everything we have done and can do and we have to live with.",[10054],{"type":350,"attrs":10055},{"class":352},{"type":117,"attrs":10057,"content":10058},{"textAlign":34},[10059],{"text":10060,"type":129,"marks":10061},"Iconic drama – rage mode is on.",[10062],{"type":350,"attrs":10063},{"class":352},{"type":117,"attrs":10065},{"textAlign":34},{"_uid":10067,"component":2747,"propImage":10068,"propAltText":21,"propCaption":21},"d6ffbd4e-fd16-4f30-9b23-0a3173828e06",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":34,"copyright":34,"fieldtype":230,"meta_data":10069,"is_external_url":37},{},{"_uid":10071,"component":121,"propRichtext":10072},"41693ecd-4cee-48a5-86dd-07c21f0fb338",{"type":114,"content":10073},[10074],{"type":117,"content":10075},[10076,10078,10082],{"text":10077,"type":129},"In collaboration with the Angewandte Interdisciplinary Lab, Claudia Holzinger’s ",{"text":10079,"type":129,"marks":10080},"Photographic Narration in Publication Formats ",[10081],{"type":132},{"text":10083,"type":129},"course created a series of DIN A6-format postcards. Following the principle of silent mail, participants develop ideas and subjects through dialogue to create a ­coherent series together. Presented as an installation in the former cashier’s hall of the Postsparkasse, postcards can be taken and sent. In this place of exchange, we ­encourage you to stay ­connected.",{"_uid":10085,"component":121,"propRichtext":10086},"7626a2fb-c793-4c51-89ae-c30188327652",{"type":114,"content":10087},[10088,10095],{"type":117,"content":10089},[10090],{"text":10091,"type":129,"marks":10092},"With photographies from:",[10093],{"type":918,"attrs":10094},{"color":3231},{"type":117,"content":10096},[10097,10102,10103,10108,10109,10114,10115,10120,10121,10126,10127,10132,10133,10138,10139,10144,10145,10150,10151,10156,10157,10162,10163],{"text":10098,"type":129,"marks":10099},"Pavle Banović",[10100],{"type":918,"attrs":10101},{"color":3231},{"type":796},{"text":10104,"type":129,"marks":10105},"Amina Ben Hassen",[10106],{"type":918,"attrs":10107},{"color":3231},{"type":796},{"text":10110,"type":129,"marks":10111},"Francis Grill",[10112],{"type":918,"attrs":10113},{"color":3231},{"type":796},{"text":10116,"type":129,"marks":10117},"Yevheniia Kriuk",[10118],{"type":918,"attrs":10119},{"color":3231},{"type":796},{"text":10122,"type":129,"marks":10123},"Yaroslava Melnychenko",[10124],{"type":918,"attrs":10125},{"color":3231},{"type":796},{"text":10128,"type":129,"marks":10129},"Mihaly Mundruczo",[10130],{"type":918,"attrs":10131},{"color":3231},{"type":796},{"text":10134,"type":129,"marks":10135},"Darryl Oswald",[10136],{"type":918,"attrs":10137},{"color":3231},{"type":796},{"text":10140,"type":129,"marks":10141},"Almut Rist",[10142],{"type":918,"attrs":10143},{"color":3231},{"type":796},{"text":10146,"type":129,"marks":10147},"Dunja Savić",[10148],{"type":918,"attrs":10149},{"color":3231},{"type":796},{"text":10152,"type":129,"marks":10153},"Yuliia Sudarchykova",[10154],{"type":918,"attrs":10155},{"color":3231},{"type":796},{"text":10158,"type":129,"marks":10159},"Zinaida Tsyhliuk",[10160],{"type":918,"attrs":10161},{"color":3231},{"type":796},{"text":9940,"type":129,"marks":10164},[10165],{"type":918,"attrs":10166},{"color":3231},{"_uid":10168,"component":121,"propRichtext":10169},"288bdfa0-f0c2-400f-a7af-74e3e836354a",{"type":114,"content":10170},[10171],{"type":117,"content":10172},[10173],{"text":10174,"type":129},"The postcard edition will launch with Angewandte Festival.",{"_uid":10176,"component":121,"propRichtext":10177},"27324f33-8eb3-4b67-9846-679a9619086e",{"type":114,"content":10178},[10179],{"type":117,"content":10180},[10181,10183],{"text":10182,"type":129},"This is the second postcard edition by AIL. F",{"text":10184,"type":129,"marks":10185},"ind more info abou the first edition here. ",[10186],{"type":312,"attrs":10187},{"href":10188,"uuid":2696,"anchor":34,"target":315,"linktype":2741},"/explore/greetings-from-the-university-of-applied-arts-vienna",[10190],{"_uid":10191,"component":221,"propColor":10192,"propSubheadline":10195,"propPreviewImage":10196,"propPreviewVideo":10200,"propMakeTextWhite":2834,"propDescriptionLong":10202,"propMetaInformation":10203,"propMetadescription":21,"propDescriptionShort":21},"3e00f198-a4fd-4b27-8d18-4062d287c89b",{"_uid":10193,"color":10194,"plugin":225},"11ab084c-0c5c-42a9-a347-0e720a5ddf36","#02c278","In cooperation with the department Applied Photography & Time-Based Media ",{"id":10197,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":10198,"copyright":21,"fieldtype":230,"meta_data":10199,"is_external_url":37},81876072444390,"https://a.storyblok.com/f/98682/1920x2692/262c34fbde/preview_postkarten.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":10201},{},"Students of the course ‘Photographic Narration in Publication Formats’ led by Claudia Holzinger develop a series of postcards installed in the former cashier hall, Jun 2025 – Feb 2026 ",{"type":114,"content":10204},[10205],{"type":117},"postcard-series-2","explore/postcard-series-2",-1360,[],"b05b037b-db13-4135-afca-fb75bafa36cd","2025-06-10T08:42:34.464Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":2850,"etag":10216,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":10217,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":10218,"x-runtime":10219,"x-xss-protection":68},"W/\"f8c6adc28b735cd807b5375d888a21f4\"","d-co915k-1COCnZkc218vCbwAZioIOMq1qm0x8J4H1Gs6jr1cTADBQ==","9b133141-1e30-4814-8a5b-1fe557deca9e","0.027849",{"data":10221,"headers":10443},{"story":10222,"cv":43,"rels":10441,"links":10442},{"name":10223,"created_at":10224,"published_at":10225,"updated_at":10226,"id":10227,"uuid":10228,"content":10229,"slug":10434,"full_slug":10435,"sort_by_date":34,"position":10436,"tag_list":10437,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":10438,"first_published_at":10439,"release_id":34,"lang":41,"path":34,"alternates":10440,"default_full_slug":34,"translated_slugs":34},"AIL Ping-Pong #1: Liquidity ","2025-01-24T12:22:13.687Z","2026-03-30T06:23:13.071Z","2026-03-30T06:23:13.087Z",614462949,"831da09f-352e-42ea-8318-f7ffb6a23f60",{"_uid":4128,"component":106,"propDateEnd":10230,"propCategory":108,"propIsOnline":37,"propDateStart":21,"propMainContent":10231,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":10419,"propDateAndTimeOfOpening":10433},"2025-07-31 13:00",[10232],{"_uid":4133,"component":112,"propCredits":10233,"propEntryInMainContent":10265},{"type":114,"content":10234},[10235,10241,10253],{"type":117,"content":10236},[10237],{"text":4157,"type":129,"marks":10238},[10239],{"type":918,"attrs":10240},{"color":3231},{"type":117,"content":10242},[10243,10247,10248],{"text":4164,"type":129,"marks":10244},[10245],{"type":918,"attrs":10246},{"color":3231},{"type":796},{"text":10249,"type":129,"marks":10250},"Nora Mayr, Eva Weber (AIL)",[10251],{"type":918,"attrs":10252},{"color":3231},{"type":117,"content":10254},[10255,10259,10260],{"text":4177,"type":129,"marks":10256},[10257],{"type":918,"attrs":10258},{"color":3231},{"type":796},{"text":10261,"type":129,"marks":10262},"Elisabeth Falkensteiner, Nora Mayr, Eva Weber (AIL)",[10263],{"type":918,"attrs":10264},{"color":3231},[10266,10278,10289,10295,10316,10337,10370,10391],{"_uid":10267,"component":121,"propRichtext":10268},"38a131c5-5633-4e59-a1ac-cb7b8cfc46c2",{"type":114,"content":10269},[10270],{"type":117,"attrs":10271,"content":10272},{"textAlign":34},[10273],{"text":10274,"type":129,"marks":10275},"While primarily an economic term, ‘liquidity’ can be interpreted in various ways and across many contexts – from reflections on fluidity and adaptability to explorations of the shifting nature of social structures, relationships, or identities, as well as interpretations of transactions and value. ",[10276],{"type":350,"attrs":10277},{"class":352},{"_uid":4203,"component":121,"propRichtext":10279},{"type":114,"content":10280},[10281],{"type":117,"attrs":10282,"content":10283},{"textAlign":34},[10284],{"text":10285,"type":129,"marks":10286},"Drawing on the history of the ‘Postsparkasse’ as a former bank, AIL invited five artists to engage with a concept known for its economic context. Presented in the small vitrine of the Otto Wagner Postsparkasse five graduates of the University of Applied Arts Vienna open a window into the diverse artistic practices and languages of Angewandte alumni, offering a range of perspectives that explore parallels, contrasts, or extensions within the given thematic framework.",[10287],{"type":918,"attrs":10288},{"color":3231},{"_uid":10290,"component":2747,"propImage":10291,"propAltText":21,"propCaption":21},"53afa362-8612-44d6-a6ac-1c6f5c13cca7",{"id":10292,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":10293,"copyright":21,"fieldtype":230,"meta_data":10294,"is_external_url":37},22537787,"https://a.storyblok.com/f/98682/1983x1322/1a95d8321f/20250506_leafabienne_ail_the-unexpected-605-kopie.jpg",{},{"_uid":10296,"component":121,"propRichtext":10297},"66e4ee62-dcf0-452c-ad6b-b19c7636d1a2",{"type":114,"content":10298},[10299],{"type":202,"content":10300},[10301],{"type":117,"attrs":10302,"content":10303},{"textAlign":34},[10304,10311],{"text":10305,"type":129,"marks":10306},"Manuel Cyrill Bachinger",[10307,10309],{"type":918,"attrs":10308},{"color":3231},{"type":350,"attrs":10310},{"class":352},{"text":10312,"type":129,"marks":10313}," deals in his work with auditory and visual forms of expression and often with transformative processes that manifest themselves in experimental and installation-based ways. In doing so, our perception and understanding of phenomena and technologies are challenged and encouraged to reflect on our interaction with them. Manuel Cyrill Bachinger is alumni of the department of Digital Art and graduated in 2024. ",[10314],{"type":918,"attrs":10315},{"color":3231},{"_uid":10317,"component":121,"propRichtext":10318},"f0dcc926-b483-4ea0-8137-06c87e8dd080",{"type":114,"content":10319},[10320],{"type":202,"content":10321},[10322],{"type":117,"attrs":10323,"content":10324},{"textAlign":34},[10325,10332],{"text":10326,"type":129,"marks":10327},"Bartosz Dolhun ",[10328,10330],{"type":918,"attrs":10329},{"color":3231},{"type":350,"attrs":10331},{"class":352},{"text":10333,"type":129,"marks":10334},"graduated 2016 in Drawing and Printmaking, and now focuses on object-oriented work. His sculptures combine materials, especially wood, starting with found objects and developing intuitively. His work emphasizes processes, using diverse techniques. The use of 'low-cost' materials contrasts their value with craftsmanship. This focus on process extends to his installative works, where the production journey becomes integral. ",[10335],{"type":918,"attrs":10336},{"color":3231},{"_uid":10338,"component":121,"propRichtext":10339},"2a145eaf-6243-4e0e-8cde-c8f92f660393",{"type":114,"content":10340},[10341],{"type":202,"content":10342},[10343],{"type":117,"attrs":10344,"content":10345},{"textAlign":34},[10346,10353,10358,10365],{"text":10347,"type":129,"marks":10348},"Annika Eschmann",[10349,10351],{"type":918,"attrs":10350},{"color":3231},{"type":350,"attrs":10352},{"class":352},{"text":10354,"type":129,"marks":10355}," studied Transdisciplinary Arts and Drawing & Printmaking at the University of Applied Arts Vienna and graduated in 2020",[10356],{"type":918,"attrs":10357},{"color":3231},{"text":10359,"type":129,"marks":10360},"; ",[10361,10363],{"type":918,"attrs":10362},{"color":3231},{"type":10364},"subscript",{"text":10366,"type":129,"marks":10367},"and also studied Contemporary Art Practices at the Srishti Institute of Art, Design and Technology in Bangalore. Annika’s artistic practice is rooted in drawing and printmaking, exploring processes of translation and abstraction in images. It investigates their influence, limitations, and potential as well as the meanings generated and transformed through these reproductive processes.",[10368],{"type":918,"attrs":10369},{"color":3231},{"_uid":10371,"component":121,"propRichtext":10372},"ecb3e4d1-6d48-4fe1-a67b-d84962c85907",{"type":114,"content":10373},[10374],{"type":202,"content":10375},[10376],{"type":117,"attrs":10377,"content":10378},{"textAlign":34},[10379,10386],{"text":10380,"type":129,"marks":10381},"Karina Fernandez",[10382,10384],{"type":918,"attrs":10383},{"color":3231},{"type":350,"attrs":10385},{"class":352},{"text":10387,"type":129,"marks":10388}," holds a Master’s degrees in Fine Arts and Visual Arts (UNA, Buenos Aires), and graduated at the department of Digital Art in 2023. Born in Buenos Aires, she lives and works in Vienna today. Her transdisciplinary practice addresses global issues such as environmental degradation and consumerism, operating at the verge of bio and multimedia art through site-specific, kinetic, and interactive works. Her installations feature plants, fibers, light, water, sound, bioplastics, motors, and microcomputers. ",[10389],{"type":918,"attrs":10390},{"color":3231},{"_uid":10392,"component":121,"propRichtext":10393},"309e4b08-e935-4b2d-9fd3-30a61869fa75",{"type":114,"content":10394},[10395],{"type":202,"content":10396},[10397],{"type":117,"attrs":10398,"content":10399},{"textAlign":34},[10400,10407,10412,10414],{"text":10401,"type":129,"marks":10402},"Miloš Vučićević ",[10403,10405],{"type":918,"attrs":10404},{"color":3231},{"type":350,"attrs":10406},{"class":352},{"text":10408,"type":129,"marks":10409},"is an artist and researcher whose work explores the intricate intersections of ecology and migration. ",[10410],{"type":918,"attrs":10411},{"color":3231},{"text":10413,"type":129},"With a passion for understanding the delicate balance between human movement and environmental change, and its impact on people, he delves into the stories and experiences that shape his own perspective and the world he documents. ",{"text":10415,"type":129,"marks":10416},"Most of his interests are associated with the political and social paradigms that exist in society, where he endeavours to express his ideas through performative, object-oriented, and video-based works. Miloš Vučićević graduated at the department of Art&Science in 2023.",[10417],{"type":918,"attrs":10418},{"color":3231},[10420],{"_uid":4438,"component":221,"propColor":10421,"propSubheadline":10423,"propPreviewImage":10424,"propPreviewVideo":10428,"propMakeTextWhite":37,"propDescriptionLong":4452,"propMetaInformation":10430,"propMetadescription":4451,"propDescriptionShort":21},{"_uid":4440,"color":10422,"plugin":225},"#e05278","Intervention at Counter 13 with Manuel Cyrill Bachinger, Bartosz Dolhun, Annika Eschmann, Karina Fernandez, Miloš Vučićević ",{"id":10425,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":10426,"copyright":21,"fieldtype":230,"meta_data":10427,"is_external_url":37},20591235,"https://a.storyblok.com/f/98682/1920x2566/da6243eb66/pingpong_1.png",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":10429},{},{"type":114,"content":10431},[10432],{"type":117},"2025-03-20 12:00","ail-ping-pong-1-liquidity","program/ail-ping-pong-1-liquidity",-1020,[],"77ca5a17-9b61-47ce-a1b6-62ddf2b9326d","2025-02-05T13:24:54.450Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1453,"etag":10444,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":2333,"x-amz-cf-id":10445,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":10446,"x-runtime":10447,"x-xss-protection":68},"W/\"2cb4a2058dd21aa0be9753826cb55199\"","qZTQ_nq5YVfA0YDGRyAKcsV7tu8rMYLIBgosuiHomUE_fc7_piKNXA==","8d605597-cb54-45fc-8922-ef07a6e66322","0.025288",{"data":10449,"headers":10642},{"story":10450,"cv":43,"rels":10640,"links":10641},{"name":10451,"created_at":10452,"published_at":10453,"updated_at":10454,"id":10455,"uuid":10456,"content":10457,"slug":10633,"full_slug":10634,"sort_by_date":34,"position":10635,"tag_list":10636,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":10637,"first_published_at":10638,"release_id":34,"lang":41,"path":34,"alternates":10639,"default_full_slug":34,"translated_slugs":34},"Performing Transformation","2025-03-11T13:11:53.994Z","2026-01-12T13:07:35.135Z","2026-01-12T13:07:35.150Z",638410040,"5334e2f5-c903-45ff-becc-1402b4c7f09a",{"_uid":10458,"component":106,"propDateEnd":10459,"propCategory":3524,"propIsOnline":37,"propDateStart":21,"propMainContent":10460,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":10599,"propDateAndTimeOfOpening":10632},"85758bbb-58fb-4e93-a945-1da22ae8e8a2","2025-04-11 17:00",[10461],{"_uid":10462,"component":112,"propCredits":10463,"propEntryInMainContent":10481},"4e800c95-71f1-4f78-b3be-a97e25700173",{"type":114,"content":10464},[10465],{"type":117,"content":10466},[10467,10469,10475,10476,10478,10479],{"text":10468,"type":129},"Preview image via ",{"text":10470,"type":129,"marks":10471},"planet.com",[10472],{"type":312,"attrs":10473},{"href":10474,"uuid":34,"anchor":34,"target":315,"linktype":485},"https://www.planet.com/latest-satellite-imagery-gallery/",{"type":796},{"text":10477,"type":129},"Photo1 : Z. Walsh & Francesca Centonze ",{"type":796},{"text":10480,"type":129},"Photo NH: via Nanna Heidenreich",[10482,10504,10511,10540,10557,10564],{"_uid":10483,"component":121,"propRichtext":10484},"797fbbaa-035f-4f85-bcbb-9a7a38facd6c",{"type":114,"content":10485},[10486,10490,10494,10498],{"type":117,"content":10487},[10488],{"text":10489,"type":129},"What’s it like to be a woman when the world’s on fire? What’s it like to be transgender when people want you dead? Was ‘Nature’ always Trans*? Can its destruction then be understood as transphobia – another mode of transfem erasure?",{"type":117,"content":10491},[10492],{"text":10493,"type":129},"If technology was always nature, and labor was always feminine, how might their interwoven worlding be shaped by artistic and academic modes of knowledge production?",{"type":117,"content":10495},[10496],{"text":10497,"type":129},"What do trans* bodies know that art and science must now learn? Drawing on Luce DeLire’s analysis of McKenzie Wark’s ouevre and Ms. Wark’s performance art collaboration with Ariadne Randall, Ms. Wark and Ms. Randall will discuss modes of knowing in performance, media, and trans* life; the challenges and benefits of interdisciplinary formal production; and ask if Cybele ever really left us. If World is a cybernetic, transgender goddess from the future – then, honey, who’s an alien now?",{"type":117,"content":10499},[10500],{"text":10501,"type":129,"marks":10502},"The event follows the premiere Reverse Cowgirl II: Ride to the Top, at BRUT, April 10th, on the night before this discussion.",[10503],{"type":132},{"_uid":10505,"component":2747,"propImage":10506,"propAltText":21,"propCaption":10510},"1116500f-4696-451d-b5e6-1948e483ca89",{"id":10507,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":10508,"copyright":21,"fieldtype":230,"meta_data":10509,"is_external_url":37},21547081,"https://a.storyblok.com/f/98682/3000x2121/bae9cc712c/credit-z-walsh-francesca-centonze.png",{},"McKenzie Wark (left) and Ariadne Randall (right)",{"_uid":10512,"component":121,"propRichtext":10513},"9619afb0-ead1-4196-af3a-211e6afbfd88",{"type":114,"content":10514},[10515,10523],{"type":433,"attrs":10516,"content":10517},{"level":435,"textAlign":34},[10518],{"text":10519,"type":129,"marks":10520},"McKenzie Wark ",[10521],{"type":350,"attrs":10522},{"class":352},{"type":117,"attrs":10524,"content":10525},{"textAlign":34},[10526,10528,10532,10534,10538],{"text":10527,"type":129},"is an Australian-born writer and scholar. Wark is known for her writings on media theory, critical theory, new media, and the Situationist International. Her best known works are ",{"text":10529,"type":129,"marks":10530},"A Hacker Manifesto and Gamer Theory.",[10531],{"type":132},{"text":10533,"type":129}," Her most recent, post-transition works of autofiction and autotheory – including ",{"text":10535,"type":129,"marks":10536},"Raving, Reverse Cowgirl and Love and Money, Sex and Death ",[10537],{"type":132},{"text":10539,"type":129},"– brought her new audiences. She is a professor of media and cultural theory at the New School in New York.",{"_uid":10541,"component":121,"propRichtext":10542},"6c8860cf-9464-4e3f-8f92-ce8c99ccc111",{"type":114,"content":10543},[10544,10552],{"type":433,"attrs":10545,"content":10546},{"level":435,"textAlign":34},[10547],{"text":10548,"type":129,"marks":10549},"Ariadne Randall",[10550],{"type":350,"attrs":10551},{"class":352},{"type":117,"attrs":10553,"content":10554},{"textAlign":34},[10555],{"text":10556,"type":129}," is an American artist, composer and writer based in Vienna. Her work practices worldbuilding through transmedia narrative. Through strategies of material depth and formal juxtaposition, she creates spaces for imagination in sound, language and image. She holds degrees in classical composition and contemporary art from UCLA and Bard MFA. Her work has been heard widely, from Lincoln Center and a recent song cycle for the Volksoper Wien to countless basements. Her Reverse Cowgirl Quartet rides her gender transition towards larger questions of identity and becoming. Her debut record as a transgender woman was released to critical acclaim in 2024 on Oxtail Recordings. She is represented by Galerie Peter Gaugy (Brussels/Vienna).",{"_uid":10558,"component":2747,"propImage":10559,"propAltText":21,"propCaption":10563},"3f8bb02a-fcab-4017-9aee-398d2e114e3c",{"id":10560,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":10561,"copyright":21,"fieldtype":230,"meta_data":10562,"is_external_url":37},21751301,"https://a.storyblok.com/f/98682/2000x1333/242387e36d/transformation_nanna.jpg",{},"Photo via Nanna Heidenreich",{"_uid":10565,"component":121,"propRichtext":10566},"6b50827b-9c21-4e0a-b3c5-1b422aa9d64d",{"type":114,"content":10567},[10568,10576],{"type":433,"attrs":10569,"content":10570},{"level":435,"textAlign":34},[10571],{"text":10572,"type":129,"marks":10573},"Nanna Heidenreich ",[10574],{"type":350,"attrs":10575},{"class":352},{"type":117,"attrs":10577,"content":10578},{"textAlign":34},[10579,10581,10585,10587,10591,10593,10597],{"text":10580,"type":129},"is a media & cultural studies scholar and professor for Transcultural Studies at the University of Applied Arts in Vienna. She is also a curator for film/video art and political and theoretical interventions. Her (book) publications include ",{"text":10582,"type":129,"marks":10583},"Spectacle and Space of Possibility. Art and the Long Summer of Migration ",[10584],{"type":132},{"text":10586,"type":129},"(in German, OA, 2022) and the anthologies ",{"text":10588,"type":129,"marks":10589},"fAKE hYBRID sITES pALIMPSEST: Essays on Leakages ",[10590],{"type":132},{"text":10592,"type":129},"(edited together with Madhusree Dutta, 2021) and ",{"text":10594,"type":129,"marks":10595},"Tidal Thinking. Research beyond the nation-state system",[10596],{"type":132},{"text":10598,"type":129}," (in German, edited together with Rana Dasgupta and Katrin Klingan, 2019). Her current research focuses on the discourse of invasive species and (rage) as a queer-feminist arena.",[10600],{"_uid":10601,"component":221,"propColor":10602,"propSubheadline":10604,"propPreviewImage":10605,"propPreviewVideo":10609,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":10611,"propMetadescription":21,"propDescriptionShort":10631},"5b27f09c-d345-4290-a818-0f122b4665a6",{"_uid":10603,"color":1765,"plugin":225},"9354304c-ea7f-4c6d-a40b-7a8d6bade1b1","McKenzie Wark and Ariadne Randall with Nanna Heidenreich \n",{"id":10606,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":10607,"copyright":21,"fieldtype":230,"meta_data":10608,"is_external_url":37},21323838,"https://a.storyblok.com/f/98682/1920x1440/ea73a8cdcb/29e73f982d28a0b0e4016b3e140935965d61e63d-2400x1800-kopie-jpg.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":10610},{},{"type":114,"content":10612},[10613,10621],{"type":117,"content":10614},[10615],{"text":10616,"type":129,"marks":10617},"School for Transformation",[10618],{"type":312,"attrs":10619},{"href":10620,"uuid":34,"anchor":34,"target":315,"linktype":485},"https://www.dieangewandte.at/art_science_school_transformation",{"type":117,"content":10622},[10623,10625],{"text":10624,"type":129},"Find all dates of the series ",{"text":8154,"type":129,"marks":10626},[10627],{"type":312,"attrs":10628},{"href":10629,"uuid":10630,"anchor":34,"target":315,"linktype":2741},"/explore/aesthetics-of-transformation","f708c7c4-03f1-4d3a-bbd0-0a8c2c00c10f","Part of the lecture series ‘Aesthetics of Transformation’, curated by the School for Transformation\n","2025-04-11 16:00","aesthetics-of-transformation-114","program/aesthetics-of-transformation-114",-1080,[],"84b7deb4-ba89-4043-9827-78dd5082569b","2025-03-12T10:26:44.000Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":9768,"etag":10643,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":499,"x-amz-cf-id":10644,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":10645,"x-runtime":10646,"x-xss-protection":68},"W/\"048ec6b72bde6d41376db532adb4ce35\"","KjrW98iIm6JsF8-TlpVxDyfNsmar_mdqCh8B-LKiFfBCCAjM80VQpg==","bcca6608-c1e2-4612-812a-d3947a74d239","0.082046",{"data":10648,"headers":10762},{"story":10649,"cv":43,"rels":10760,"links":10761},{"name":10650,"created_at":10651,"published_at":10652,"updated_at":10653,"id":10654,"uuid":10655,"content":10656,"slug":10753,"full_slug":10754,"sort_by_date":34,"position":10755,"tag_list":10756,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":10757,"first_published_at":10758,"release_id":34,"lang":41,"path":34,"alternates":10759,"default_full_slug":34,"translated_slugs":34},"The Influencing Machine: Latent Moods, Emergent Bias and Distributed Ontologies","2025-03-11T13:18:01.498Z","2025-04-28T15:29:11.163Z","2025-04-28T15:29:11.179Z",638411756,"fce68fa5-7ae6-450a-b57a-247b47482281",{"_uid":10458,"component":106,"propDateEnd":10657,"propCategory":3524,"propIsOnline":37,"propDateStart":21,"propMainContent":10658,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":10726,"propDateAndTimeOfOpening":10752},"2025-04-29 17:00",[10659],{"_uid":10462,"component":112,"propCredits":10660,"propEntryInMainContent":10680},{"type":114,"content":10661},[10662],{"type":117,"content":10663},[10664,10665,10669,10670,10672,10677,10678],{"text":10468,"type":129},{"text":10470,"type":129,"marks":10666},[10667],{"type":312,"attrs":10668},{"href":10474,"uuid":34,"anchor":34,"target":315,"linktype":485},{"type":796},{"text":10671,"type":129},"Photo SB: ",{"text":10673,"type":129,"marks":10674},"by Studio Krasun",[10675],{"type":918,"attrs":10676},{"color":21},{"type":796},{"text":10679,"type":129},"Photo MH: Georg Glaser",[10681,10691,10698,10710],{"_uid":10682,"component":121,"propRichtext":10683},"283881a0-18dc-4dbd-aab8-6596b0f9a3a4",{"type":114,"content":10684},[10685],{"type":117,"content":10686},[10687],{"text":6317,"type":129,"marks":10688},[10689],{"type":918,"attrs":10690},{"color":3231},{"_uid":10692,"component":2747,"propImage":10693,"propAltText":21,"propCaption":10697},"dbb6aa08-8a86-48b1-b973-011443124b02",{"id":10694,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":10695,"copyright":21,"fieldtype":230,"meta_data":10696,"is_external_url":37},21837604,"https://a.storyblok.com/f/98682/2000x1333/06daa3786a/transformation_2904.jpg",{},"Sonia Bernac (left) and Monika Halkort (right)\n",{"_uid":10699,"component":121,"propRichtext":10700},"f641aa1a-4c1b-48a0-9d2b-575918a47510",{"type":114,"content":10701},[10702,10707],{"type":433,"attrs":10703,"content":10704},{"level":2758},[10705],{"text":10706,"type":129},"Sonia Bernac ",{"type":117,"content":10708},[10709],{"text":6334,"type":129},{"_uid":10711,"component":121,"propRichtext":10712},"dc56376a-c44a-4cd2-b6c9-a51b21356b23",{"type":114,"content":10713},[10714,10719],{"type":433,"attrs":10715,"content":10716},{"level":2758},[10717],{"text":10718,"type":129},"Monika Halkort ",{"type":117,"content":10720},[10721,10722,10725],{"text":6351,"type":129},{"text":6353,"type":129,"marks":10723},[10724],{"type":132},{"text":6357,"type":129},[10727],{"_uid":10601,"component":221,"propColor":10728,"propSubheadline":10730,"propPreviewImage":10731,"propPreviewVideo":10735,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":10737,"propMetadescription":21,"propDescriptionShort":10631},{"_uid":10603,"color":10729,"plugin":225},"#52e052","Sonia Bernac with Monika Halkort\n\n",{"id":10732,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":10733,"copyright":21,"fieldtype":230,"meta_data":10734,"is_external_url":37},21323837,"https://a.storyblok.com/f/98682/1920x1080/38b6d081d9/30da6fadb0f3f415a75d8c5627bd5f0e243f7392-1920x1080-kopie-jpg.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":10736},{},{"type":114,"content":10738},[10739,10745],{"type":117,"content":10740},[10741],{"text":10616,"type":129,"marks":10742},[10743],{"type":312,"attrs":10744},{"href":10620,"uuid":34,"anchor":34,"target":315,"linktype":485},{"type":117,"content":10746},[10747,10748],{"text":10624,"type":129},{"text":8154,"type":129,"marks":10749},[10750],{"type":312,"attrs":10751},{"href":10629,"uuid":10630,"anchor":34,"target":315,"linktype":2741},"2025-04-29 16:00","aesthetics-of-transformation-294","program/aesthetics-of-transformation-294",-1090,[],"e2441c77-c7aa-4534-b301-4a2174c6cf46","2025-03-12T10:26:47.374Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":9768,"etag":10763,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":2333,"x-amz-cf-id":10764,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":10765,"x-runtime":10766,"x-xss-protection":68},"W/\"f06140a7aa25e1ff92471d8b2e978081\"","wHrGLVX39BWZf7aGnR-PBostdSt8SEDxu9UZgiYgAOILXfgjZt35Qg==","db83584c-600c-49bd-a3d3-381d1859f2f6","0.023175",{"data":10768,"headers":10889},{"story":10769,"cv":43,"rels":10887,"links":10888},{"name":10770,"created_at":10771,"published_at":10772,"updated_at":10773,"id":10774,"uuid":10775,"content":10776,"slug":10881,"full_slug":10882,"sort_by_date":34,"position":8535,"tag_list":10883,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":10884,"first_published_at":10885,"release_id":34,"lang":41,"path":34,"alternates":10886,"default_full_slug":34,"translated_slugs":34},"Synthetic Images | Dynamic Maps","2025-03-11T13:18:20.833Z","2026-01-12T13:27:00.551Z","2026-01-12T13:27:00.567Z",638411779,"8703924d-d19e-4d5a-bdf7-3285cfbb3be0",{"_uid":10458,"component":106,"propDateEnd":10777,"propCategory":3524,"propIsOnline":37,"propDateStart":21,"propMainContent":10778,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":10854,"propDateAndTimeOfOpening":10880},"2025-05-27 17:00",[10779],{"_uid":10462,"component":112,"propCredits":10780,"propEntryInMainContent":10804},{"type":114,"content":10781},[10782],{"type":117,"content":10783},[10784,10785,10789,10790,10792,10797,10798,10803],{"text":10468,"type":129},{"text":10470,"type":129,"marks":10786},[10787],{"type":312,"attrs":10788},{"href":10474,"uuid":34,"anchor":34,"target":315,"linktype":485},{"type":796},{"text":10791,"type":129},"Photo SM: ",{"text":10793,"type":129,"marks":10794},"Olga Zakrevska",[10795],{"type":918,"attrs":10796},{"color":21},{"type":796},{"text":10799,"type":129,"marks":10800},"Photo RR: Corn",[10801],{"type":918,"attrs":10802},{"color":21},{"type":796},[10805,10813,10820,10837],{"_uid":10806,"component":121,"propRichtext":10807},"fe520ee8-699e-41ea-8b06-8b9a25f761f2",{"type":114,"content":10808},[10809],{"type":117,"content":10810},[10811],{"text":10812,"type":129},"Maps of the war in Ukraine – and we know a good number of such tools – are typically not considered synthetic images in a sense of pure computer-generated simulations and visualizations. By focusing on one of them, DeepStateMap that is often regarded as “the most accurate map” of the war in Ukraine, the talk will consider its operational ability amid the war. Based on real-world geographic data, satellite imagery, intelligence reports, it still heavily relies on human analysts and data collectors. In other words, DeepStateMap constitutes a particular type of operational image that is, indeed, synthetic but in the most general sense of the word: it is written by a complex assemblage of human-machine collaboration. By looking at its synthetic nature and grass-roots origin, as well as its use as 1) a cognitive tool for understanding the evolving situation on the ground, including territorial control, troop movements, and the key strategic locations in the present, the talk will also address this map as a speculative tool for envisioning and modeling probable accidents and developments in the future, and 2) as a tool for negotiation between several radically different groups of viewers – not only Ukrainian forces and civilians, but also, the Russian aggressor.",{"_uid":10814,"component":2747,"propImage":10815,"propAltText":21,"propCaption":10819},"8c938e66-301d-4208-aa20-05e642683538",{"id":10816,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":10817,"copyright":21,"fieldtype":230,"meta_data":10818,"is_external_url":37},21949808,"https://a.storyblok.com/f/98682/2000x1333/718fcf3f39/transformation_270525.jpg",{},"Svitlana Matviyenko (left) and Ramón Reicher (right) ",{"_uid":10821,"component":121,"propRichtext":10822},"2cfe5d0f-7f4e-4ecb-ad92-c8616b422e68",{"type":114,"content":10823},[10824,10832],{"type":433,"attrs":10825,"content":10826},{"level":435,"textAlign":34},[10827],{"text":10828,"type":129,"marks":10829},"Svitlana Matviyenko",[10830],{"type":350,"attrs":10831},{"class":352},{"type":117,"attrs":10833,"content":10834},{"textAlign":34},[10835],{"text":10836,"type":129}," is an Associate Professor of Critical Media Analysis in the School of Communication and Associate Director of the Digital Democracies Institute. Her research and teaching, informed by science & technology studies and history of science, are focused on information and cyberwar, media and environment, critical infrastructure studies and postcolonial theory. Matviyenko’s current work on nuclear cultures & heritage investigates the practices of nuclear terror, weaponization of pollution and technogenic catastrophes during the Russian war in Ukraine. Matviyenko is a co-editor of two collections, The Imaginary App (MIT Press, 2014) and Lacan and the Posthuman (Palgrave Macmillan, 2018). She is a co-author of Cyberwar and Revolution: Digital Subterfuge in Global Capitalism (Minnesota UP, 2019), a winner of the 2019 book award of the Science Technology and Art in International Relations (STAIR) section of the International Studies Association and of the Canadian Communication Association 2020 Gertrude J. Robinson book prize.",{"_uid":10838,"component":121,"propRichtext":10839},"6e10a535-3aa0-4570-8ecd-b04a1812f3b5",{"type":114,"content":10840},[10841,10849],{"type":433,"attrs":10842,"content":10843},{"level":435,"textAlign":34},[10844],{"text":10845,"type":129,"marks":10846},"Ramón Reichert ",[10847],{"type":350,"attrs":10848},{"class":352},{"type":117,"attrs":10850,"content":10851},{"textAlign":34},[10852],{"text":10853,"type":129},"(Dr. phil. habil.) teaches and researches at the Department of Cultural Studies at the Universität für Angewandte Kunst in Vienna. Previously, he taught and researched in Basel, Berlin, Canberra, Fribourg, Helsinki, Johannesburg, Sankt Gallen, Stockholm and Zurich and was EU project coordinator for many years. His recent research project »Visual Politics and Protest. Artistic Research Project on the visual framing of the Russia-Ukraine War on internet portals and social media« (2022-2024) was dealing with the visual politics of violence, conflict and resistance. Recent publications:Warfeed on Telegram: The Russian Full Scale Invasion against Ukraine as Crowdsourced War, in: Special Issue, Comparative Southeast European Studies 2025/02; Austrian Postwar Cinema between \"Restoration\" and \"Modernism\" 1945-1955, in: Elana Shapira, Austria and Modernism, Bloomsbury: London 2025; Digital War: Media Strategies and Visual Politics during the Full-Scale Attack of Russia on Ukraine, Digital Culture & Society2024/1, (co-editor, together with Anna Näslund, Stockholm); Digital Warfare. The Russian Full Scale Invasion against Ukraine as Enacted on Telegram, in: Harun Farocki Institut (ed. by Tom Holert, 12/10/2023), https://www.harun-farocki-institut.org/; Networked Images in Surveillance Capitalism, Digital Culture & Society 2021/2 (co-editor, together with Olga Moskatova and Anna Polze).",[10855],{"_uid":10601,"component":221,"propColor":10856,"propSubheadline":10858,"propPreviewImage":10859,"propPreviewVideo":10863,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":10865,"propMetadescription":21,"propDescriptionShort":10631},{"_uid":10603,"color":10857,"plugin":225},"#5278e0","Svitlana Matviyenko with Ramón Reichert \n",{"id":10860,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":10861,"copyright":21,"fieldtype":230,"meta_data":10862,"is_external_url":37},21323841,"https://a.storyblok.com/f/98682/1920x1440/56bfae4070/c88cb5c03ffd39c2cd7088bf81699861ab698db4-3829x2873-kopie-jpg.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":10864},{},{"type":114,"content":10866},[10867,10873],{"type":117,"content":10868},[10869],{"text":10616,"type":129,"marks":10870},[10871],{"type":312,"attrs":10872},{"href":10620,"uuid":34,"anchor":34,"target":315,"linktype":485},{"type":117,"content":10874},[10875,10876],{"text":10624,"type":129},{"text":8154,"type":129,"marks":10877},[10878],{"type":312,"attrs":10879},{"href":10629,"uuid":10630,"anchor":34,"target":315,"linktype":2741},"2025-05-27 16:00","aesthetics-of-transformation-275","program/aesthetics-of-transformation-275",[],"52ef616c-2614-4072-a146-fde4d1f0f0dc","2025-03-12T10:26:36.213Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":9768,"etag":10890,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":10891,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":10892,"x-runtime":10893,"x-xss-protection":68},"W/\"dab6160a45308e03c4c7c438c2a46fc8\"","mTt4i0Ff0tC9rJ0SkCcEFadsYwUssGogA62pYog9co0p6jDNsLSaaQ==","2254bed5-0197-49ec-9ed6-82f598e6f255","0.027578",{"data":10895,"headers":11016},{"story":10896,"cv":43,"rels":11014,"links":11015},{"name":10897,"created_at":10898,"published_at":10899,"updated_at":10900,"id":10901,"uuid":10902,"content":10903,"slug":11008,"full_slug":11009,"sort_by_date":34,"position":8225,"tag_list":11010,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":11011,"first_published_at":11012,"release_id":34,"lang":41,"path":34,"alternates":11013,"default_full_slug":34,"translated_slugs":34},"The Paradoxes of Positionality","2025-03-11T13:21:14.965Z","2026-01-12T13:05:53.616Z","2026-01-12T13:05:53.635Z",638422876,"035c753f-2e0f-43f0-87db-cf9c84a9ebd7",{"_uid":10458,"component":106,"propDateEnd":10904,"propCategory":3524,"propIsOnline":37,"propDateStart":21,"propMainContent":10905,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":10982,"propDateAndTimeOfOpening":11007},"2025-06-10 17:00",[10906],{"_uid":10462,"component":112,"propCredits":10907,"propEntryInMainContent":10932},{"type":114,"content":10908},[10909],{"type":117,"content":10910},[10911,10912,10916,10917,10919,10924,10925,10927],{"text":10468,"type":129},{"text":10470,"type":129,"marks":10913},[10914],{"type":312,"attrs":10915},{"href":10474,"uuid":34,"anchor":34,"target":315,"linktype":485},{"type":796},{"text":10918,"type":129},"Photo NB: ",{"text":10920,"type":129,"marks":10921},"Niko Havranek",[10922],{"type":918,"attrs":10923},{"color":21},{"type":796},{"text":10926,"type":129},"Photo AH: ",{"text":10928,"type":129,"marks":10929},"via Amanda Holmes",[10930],{"type":918,"attrs":10931},{"color":21},[10933,10941,10948,10965],{"_uid":10934,"component":121,"propRichtext":10935},"c412547a-4dfd-44fe-baf7-a85a008d558b",{"type":114,"content":10936},[10937],{"type":117,"content":10938},[10939],{"text":10940,"type":129},"Since the 1980s, ‘positionality’ has become a critical methodology through which to deconstruct (western European) universal epistemologies and make visible ‘situated knowledges’ that have been rendered illegitimate, marginalized, repressed, or altogether silenced; at the same time, in more recent years, ‘positionality’ has become an opening towards increasingly rigid and reified models of particularized identity that have narrowed the bandwidth of the social imaginary by creating new orthodoxies, prohibitions, and techniques of disciplining. Starting from the premise that both diaspora aesthetics and transdisciplinary research materialize from the current paradoxes of positionality, I explore the potentials and limits of bringing these two fields into conversation within academic-aesthetic contexts and the mandates of the nation-state.",{"_uid":10942,"component":2747,"propImage":10943,"propAltText":21,"propCaption":10947},"4e1b68d9-9db6-488d-9729-e6ce2e86adc2",{"id":10944,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":10945,"copyright":21,"fieldtype":230,"meta_data":10946,"is_external_url":37},21837721,"https://a.storyblok.com/f/98682/2000x1333/b98c18e074/transformation_1006.jpg",{},"Noit Banai (left) and Amanda Holmes (right) ",{"_uid":10949,"component":121,"propRichtext":10950},"c82ef6ac-1f79-4320-80ae-48bdee1e4f85",{"type":114,"content":10951},[10952,10960],{"type":433,"attrs":10953,"content":10954},{"level":435,"textAlign":34},[10955],{"text":10956,"type":129,"marks":10957},"Noit Banai ",[10958],{"type":350,"attrs":10959},{"class":352},{"type":117,"attrs":10961,"content":10962},{"textAlign":34},[10963],{"text":10964,"type":129},"(Columbia University, PhD) is Professor of Diaspora Aesthetics at the Institute for Art Theory and Cultural Studies, Academy of Fine Arts, Vienna. An historian and critic, she specializes in modern and contemporary art with a focus on conditions of migration, exile, diaspora, border-regimes and statelessness in a transcultural and trans-disciplinary perspective. Her current book project is titled Stateless: Artistic Practices by Refugees in Shanghai, Hong Kong, Singapore, 1933-1953. She is also the author of Yves Klein (Reaktion Books, 2014), Being a Border (Paper Visual Arts, 2021) and many articles appearing in international journals.",{"_uid":10966,"component":121,"propRichtext":10967},"afe0b90a-e215-4c63-8293-79a3dd8e3982",{"type":114,"content":10968},[10969,10977],{"type":433,"attrs":10970,"content":10971},{"level":435,"textAlign":34},[10972],{"text":10973,"type":129,"marks":10974},"Amanda Holmes",[10975],{"type":350,"attrs":10976},{"class":352},{"type":117,"attrs":10978,"content":10979},{"textAlign":34},[10980],{"text":10981,"type":129}," is a university assistant in the Philosophy Department at the University of Applied Arts, Vienna. Her research is situated at the intersection of theoretical psychoanalysis and 20th century continental philosophy. She is currently completing her first book manuscript, which is under contract with SUNY Press and is tentatively titled “No Real Word for It: The Invention Lacan’s objet a.”",[10983],{"_uid":10601,"component":221,"propColor":10984,"propSubheadline":10985,"propPreviewImage":10986,"propPreviewVideo":10990,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":10992,"propMetadescription":21,"propDescriptionShort":10631},{"_uid":10603,"color":10729,"plugin":225},"Diaspora Aesthetics and Transdisciplinary Research. With Noit Banai and Amanda Holmes \n\n\n",{"id":10987,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":10988,"copyright":21,"fieldtype":230,"meta_data":10989,"is_external_url":37},21323839,"https://a.storyblok.com/f/98682/1920x1440/cbf0189820/73c78a2e6224ab2508f4e6fcf953bbaab2cff61a-4624x3469-kopie-jpg.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":10991},{},{"type":114,"content":10993},[10994,11000],{"type":117,"content":10995},[10996],{"text":10616,"type":129,"marks":10997},[10998],{"type":312,"attrs":10999},{"href":10620,"uuid":34,"anchor":34,"target":315,"linktype":485},{"type":117,"content":11001},[11002,11003],{"text":10624,"type":129},{"text":8154,"type":129,"marks":11004},[11005],{"type":312,"attrs":11006},{"href":10629,"uuid":10630,"anchor":34,"target":315,"linktype":2741},"2025-06-10 16:00","aesthetics-of-transformation-106","program/aesthetics-of-transformation-106",[],"7667b620-63e5-4d00-8b2e-8f5d5a1fcba4","2025-03-12T10:26:41.673Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":9768,"etag":11017,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":9363,"x-amz-cf-id":11018,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":11019,"x-runtime":11020,"x-xss-protection":68},"W/\"b5dfa6a965b2266ad115dc082040eb1b\"","ubegK6nmCKcohwE6otDCx_algQ9tTF01cLWT0Q67y7F18wXGWA9N7Q==","1607141b-2062-422b-8ee5-624f1bec1b39","0.028636",{"data":11022,"headers":11191},{"story":11023,"cv":43,"rels":11189,"links":11190},{"name":11024,"created_at":11025,"published_at":11026,"updated_at":11027,"id":11028,"uuid":11029,"content":11030,"slug":11182,"full_slug":11183,"sort_by_date":34,"position":11184,"tag_list":11185,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":11186,"first_published_at":11187,"release_id":34,"lang":41,"path":34,"alternates":11188,"default_full_slug":34,"translated_slugs":34},"Plastic Aesthetics","2025-03-11T13:23:00.202Z","2026-01-12T13:25:16.179Z","2026-01-12T13:25:16.194Z",638430892,"895fab36-08fd-4a6c-8e0c-593332ac3491",{"_uid":10458,"component":106,"propDateEnd":11031,"propCategory":3524,"propIsOnline":37,"propDateStart":21,"propMainContent":11032,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":11156,"propDateAndTimeOfOpening":11181},"2025-06-17 17:00",[11033],{"_uid":10462,"component":112,"propCredits":11034,"propEntryInMainContent":11049},{"type":114,"content":11035},[11036,11048],{"type":117,"content":11037},[11038,11039,11043,11044,11046,11047],{"text":10468,"type":129},{"text":10470,"type":129,"marks":11040},[11041],{"type":312,"attrs":11042},{"href":10474,"uuid":34,"anchor":34,"target":315,"linktype":485},{"type":796},{"text":11045,"type":129},"Photo HD: Heather Davis",{"type":796},{"text":10679,"type":129},{"type":117},[11050,11089,11096,11137],{"_uid":10682,"component":121,"propRichtext":11051},{"type":114,"content":11052},[11053,11082],{"type":117,"content":11054},[11055,11060,11067,11072,11077],{"text":11056,"type":129,"marks":11057},"This talk will address the question of transdisciplinary research between art, science, and the humanities through the work of the ",[11058],{"type":918,"attrs":11059},{"color":21},{"text":11061,"type":129,"marks":11062},"Synthetic Collective",[11063,11066],{"type":312,"attrs":11064},{"href":11065,"uuid":34,"anchor":34,"target":823,"linktype":485},"https://syntheticcollective.org/",{"type":7194},{"text":11068,"type":129,"marks":11069},". ",[11070],{"type":918,"attrs":11071},{"color":21},{"text":11061,"type":129,"marks":11073},[11074,11075],{"type":132},{"type":918,"attrs":11076},{"color":21},{"text":11078,"type":129,"marks":11079}," works together to sample, map, understand, and visualize the complexities of plastics and micro-plastics pollution in the Great Lakes Region. Crucial to this research methodology is the driving principle that artists and scientists conduct research together, from the outset of the inquiry. ",[11080],{"type":918,"attrs":11081},{"color":21},{"type":117,"content":11083},[11084],{"text":11085,"type":129,"marks":11086},"Additionally, Heather Davis will also present some questions drawing from the ongoing collaboration with a person who works in a plastic cup factory, and Heather Davis‘ theorization of plastic, to think through what these collective practices might effect, and how knowledge is made differently when it is produced together. ",[11087],{"type":918,"attrs":11088},{"color":21},{"_uid":11090,"component":2747,"propImage":11091,"propAltText":21,"propCaption":11095},"2806d447-9916-43c7-b2de-a212c59d19b3",{"id":11092,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":11093,"copyright":21,"fieldtype":230,"meta_data":11094,"is_external_url":37},21837667,"https://a.storyblok.com/f/98682/2000x1333/decf79e032/transformation_1706.jpg",{},"Heather Davis (left) and Monika Halkort (right) ",{"_uid":11097,"component":121,"propRichtext":11098},"e8aac9e8-0579-44eb-ab9c-47b2d5acc9e1",{"type":114,"content":11099},[11100,11108],{"type":433,"attrs":11101,"content":11102},{"level":435,"textAlign":34},[11103],{"text":11104,"type":129,"marks":11105},"Heather Davis ",[11106],{"type":350,"attrs":11107},{"class":352},{"type":117,"attrs":11109,"content":11110},{"textAlign":34},[11111,11116,11122,11127,11132],{"text":11112,"type":129,"marks":11113},"is an assistant professor of Culture and Media at the New School. She is the co-editor of Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments, and Epistemologies and editor of the award-winning collection Desire Change: Contemporary Feminist Art in Canada. Her most recent book, ",[11114],{"type":918,"attrs":11115},{"color":21},{"text":11117,"type":129,"marks":11118},"Plastic Matter",[11119,11121],{"type":918,"attrs":11120},{"color":21},{"type":132},{"text":11123,"type":129,"marks":11124}," (Duke UP, 2022), re-examines materiality in light of plastic’s saturation. Davis is a member of the ",[11125],{"type":918,"attrs":11126},{"color":21},{"text":11061,"type":129,"marks":11128},[11129,11131],{"type":918,"attrs":11130},{"color":21},{"type":132},{"text":11133,"type":129,"marks":11134},", an interdisciplinary team of scientists, humanities scholars, and artists, who investigate and make visible plastic pollution in the Great Lakes.",[11135],{"type":918,"attrs":11136},{"color":21},{"_uid":11138,"component":121,"propRichtext":11139},"e9c1ae80-b535-4747-8afc-4c5fec940686",{"type":114,"content":11140},[11141,11148],{"type":433,"attrs":11142,"content":11143},{"level":435,"textAlign":34},[11144],{"text":6343,"type":129,"marks":11145},[11146],{"type":350,"attrs":11147},{"class":352},{"type":117,"attrs":11149,"content":11150},{"textAlign":34},[11151,11152,11155],{"text":6351,"type":129},{"text":6353,"type":129,"marks":11153},[11154],{"type":132},{"text":6357,"type":129},[11157],{"_uid":10601,"component":221,"propColor":11158,"propSubheadline":11159,"propPreviewImage":11160,"propPreviewVideo":11164,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":11166,"propMetadescription":21,"propDescriptionShort":10631},{"_uid":10603,"color":7615,"plugin":225},"Heather Davies with Monika Halkort \n\n\n\n",{"id":11161,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":11162,"copyright":21,"fieldtype":230,"meta_data":11163,"is_external_url":37},21323840,"https://a.storyblok.com/f/98682/1920x1440/9516a7dba9/c9b9691904db3397ed0f1186e46910c6819e5494-3728x2796-kopie-jpg.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":11165},{},{"type":114,"content":11167},[11168,11174],{"type":117,"content":11169},[11170],{"text":10616,"type":129,"marks":11171},[11172],{"type":312,"attrs":11173},{"href":10620,"uuid":34,"anchor":34,"target":315,"linktype":485},{"type":117,"content":11175},[11176,11177],{"text":10624,"type":129},{"text":8154,"type":129,"marks":11178},[11179],{"type":312,"attrs":11180},{"href":10629,"uuid":10630,"anchor":34,"target":315,"linktype":2741},"2025-06-17 16:00","aesthetics-of-transformation-176","program/aesthetics-of-transformation-176",-1060,[],"85dcf9a9-7721-4f34-87ca-e0737b156299","2025-03-12T10:26:39.230Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":11192,"etag":11193,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":11194,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":11195,"x-runtime":11196,"x-xss-protection":68},"Thu, 21 May 2026 13:52:10 GMT","W/\"6ab39896d5c928a462017621b3801b45\"","hI7WaYBDxsjQnlPnJZjiHR2pk1Z_lTBPFZyBQV3td_RS3NVY_BRYUQ==","621523d2-cc72-437e-9300-f03f221cf9e4","0.033692",{"data":11198,"headers":11710},{"story":11199,"cv":43,"rels":11708,"links":11709},{"name":11200,"created_at":11201,"published_at":11202,"updated_at":11203,"id":11204,"uuid":11205,"content":11206,"slug":11701,"full_slug":11702,"sort_by_date":34,"position":11703,"tag_list":11704,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":11705,"first_published_at":11706,"release_id":34,"lang":41,"path":34,"alternates":11707,"default_full_slug":34,"translated_slugs":34},"AIL Residency Program – Open Call for Angewandte Alumni ","2026-05-05T10:03:49.077Z","2026-05-20T08:58:53.788Z","2026-05-20T08:58:53.806Z",173202755935370,"fda5cc70-266c-46ed-99d8-d4ffdd0e6bb6",{"_uid":11207,"component":2699,"propCategory":2700,"propMainContent":11208,"propHeaderInformation":11686},"6fd035bd-320a-4b70-b265-ba6721538c79",[11209],{"_uid":11210,"component":112,"propCredits":11211,"propEntryInMainContent":11218},"fd3efb33-0eaf-4fe4-b6c8-65c869fe31f8",{"type":114,"content":11212},[11213],{"type":117,"attrs":11214,"content":11215},{"textAlign":34},[11216],{"text":11217,"type":129},"The AIL is an experimental space and a platform for projects at the interface of art, science and artistic research and part of the University of Applied Arts Vienna. With the ‘AIL Residency Programi’, the AIL aims to promote and make visible the artistic work and interdisciplinary research of alumni of the University of Applied Arts.",[11219,11246,11260,11325,11378,11447,11531,11576],{"_uid":11220,"component":121,"propRichtext":11221},"b98bcbdc-6afa-4ee1-8bef-44a78589f96e",{"type":114,"content":11222},[11223,11231,11239],{"type":117,"attrs":11224,"content":11225},{"textAlign":34},[11226],{"text":11227,"type":129,"marks":11228},"The AIL Residency Program continues and AIL invites alumni* of the University of Applied Arts Vienna to work on their interdisciplinary projects with a strong focus on research. ",[11229],{"type":918,"attrs":11230},{"color":3231},{"type":117,"attrs":11232,"content":11233},{"textAlign":34},[11234],{"text":11235,"type":129,"marks":11236},"This Open Call is aimed at artists, designers, researchers or collectives, to use one of the AIL spaces as a workplace for artistic work or experimental formats and are interested in presenting their insights and practice to the public.",[11237],{"type":918,"attrs":11238},{"color":3231},{"type":117,"attrs":11240,"content":11241},{"textAlign":34},[11242],{"text":11243,"type":129,"marks":11244},"*Please note: The Open Call is addressed only to Alumni, who are currently NOT affiliated with the Angewandte via a Phd, teaching position or employment.",[11245],{"type":132},{"_uid":11247,"component":121,"propRichtext":11248},"0ab61a8f-56ff-449d-be15-6239756dec1b",{"type":114,"content":11249},[11250],{"type":117,"attrs":11251,"content":11252},{"textAlign":34},[11253],{"text":11254,"type":129,"marks":11255},"The AIL Residency Program 2027 focuses on the main topic of knowledge production. In the application one or both of the key areas below should be addressed within the proposed project:",[11256,11258],{"type":918,"attrs":11257},{"color":3231},{"type":350,"attrs":11259},{"class":352},{"_uid":11261,"component":121,"propRichtext":11262},"ff566843-5c52-4bdd-84b9-dbb5ea5c8bad",{"type":114,"content":11263},[11264,11299,11307,11315,11323],{"type":117,"attrs":11265,"content":11266},{"textAlign":34},[11267,11273,11280,11286,11293],{"text":11268,"type":129,"marks":11269},"1 | ",[11270,11272],{"type":918,"attrs":11271},{"color":3231},{"type":132},{"text":11274,"type":129,"marks":11275},"Ecologies of knowledge",[11276,11278,11279],{"type":918,"attrs":11277},{"color":3231},{"type":211},{"type":132},{"text":11281,"type":129,"marks":11282}," or",[11283,11285],{"type":918,"attrs":11284},{"color":3231},{"type":132},{"text":11287,"type":129,"marks":11288}," collective ways of knowing",[11289,11291,11292],{"type":918,"attrs":11290},{"color":3231},{"type":211},{"type":132},{"text":11294,"type":129,"marks":11295},":",[11296,11298],{"type":918,"attrs":11297},{"color":3231},{"type":132},{"type":117,"attrs":11300,"content":11301},{"textAlign":34},[11302],{"text":11303,"type":129,"marks":11304},"This strand focuses on knowledge as a relational and ecological process rather than an individual or isolated act of cognition. It highlights interdisciplinary, collaborative, and distributed forms of knowledge production, emphasizing collective, networked, and processual modes of thinking and making.",[11305],{"type":918,"attrs":11306},{"color":3231},{"type":117,"attrs":11308,"content":11309},{"textAlign":34},[11310],{"text":11311,"type":129,"marks":11312},"This includes para-academic practices as well as locally embedded or “endemic” epistemologies, which emerge from specific cultural, social, and material contexts. The emphasis lies on alternative knowledge ecologies that challenge dominant institutional and disciplinary boundaries.",[11313],{"type":918,"attrs":11314},{"color":3231},{"type":117,"attrs":11316,"content":11317},{"textAlign":34},[11318],{"text":11319,"type":129,"marks":11320},"In that sense we welcome collective or collaborative working practices, which approache a chosen topic via new forms of knowledge production. Maybe you are looking for a space to test out workshop formats, collective research-methods or other forms of experimental knowledge production. Projects are encouraged to consider how knowledge can be communicated beyond institutional settings and contribute to public-facing exchange and dialogue with non-academic contexts.",[11321],{"type":918,"attrs":11322},{"color":3231},{"type":117,"attrs":11324},{"textAlign":34},{"_uid":11326,"component":121,"propRichtext":11327},"68340b06-d8bd-4349-9e36-170319270714",{"type":114,"content":11328},[11329,11350,11358,11366],{"type":117,"attrs":11330,"content":11331},{"textAlign":34},[11332,11338,11345],{"text":11333,"type":129,"marks":11334},"2 | ",[11335,11337],{"type":918,"attrs":11336},{"color":3231},{"type":132},{"text":11339,"type":129,"marks":11340},"Questions of knowledge production",[11341,11343,11344],{"type":918,"attrs":11342},{"color":3231},{"type":211},{"type":132},{"text":11294,"type":129,"marks":11346},[11347,11349],{"type":918,"attrs":11348},{"color":3231},{"type":132},{"type":117,"attrs":11351,"content":11352},{"textAlign":34},[11353],{"text":11354,"type":129,"marks":11355},"We are welcoming research projects that focus on the topic of critical knowledge production itself: How is knowledge created, shared, challenged, legitimized or contested?",[11356],{"type":918,"attrs":11357},{"color":3231},{"type":117,"attrs":11359,"content":11360},{"textAlign":34},[11361],{"text":11362,"type":129,"marks":11363},"This strand engages with issues of epistemic justice and injustice, including questions of who is recognized as a legitimate “knower” within dominant knowledge systems. It also critically examines the power dynamics embedded in epistemic infrastructures, such as processes of canon formation, archival practices, and mechanisms of visibility and invisibility.",[11364],{"type":918,"attrs":11365},{"color":3231},{"type":117,"attrs":11367,"content":11368},{"textAlign":34},[11369,11374],{"text":11370,"type":129,"marks":11371},"In addition, it addresses non-discursive and more-than-textual forms of knowledge production, including embodied, situated, and affective epistemologies that exceed conventional academic frameworks.   ",[11372],{"type":918,"attrs":11373},{"color":3231},{"type":796,"marks":11375},[11376],{"type":918,"attrs":11377},{"color":3231},{"_uid":11379,"component":121,"propRichtext":11380},"4d4d6638-93b9-41ce-bf70-1ef2f6490ce0",{"type":114,"content":11381},[11382,11392,11402,11424,11434],{"type":433,"attrs":11383,"content":11384},{"level":435,"textAlign":34},[11385],{"text":11386,"type":129,"marks":11387},"RESIDENCY TIMESLOTS:",[11388,11390],{"type":918,"attrs":11389},{"color":3231},{"type":350,"attrs":11391},{"class":352},{"type":117,"attrs":11393,"content":11394},{"textAlign":34},[11395],{"text":11396,"type":129,"marks":11397},"Residency #1: ",[11398,11400],{"type":918,"attrs":11399},{"color":3231},{"type":350,"attrs":11401},{"class":352},{"type":117,"attrs":11403,"content":11404},{"textAlign":34},[11405,11410,11411,11416,11420],{"text":11406,"type":129,"marks":11407},"8 Feb–8 Mar 2027 ",[11408],{"type":918,"attrs":11409},{"color":3231},{"type":796},{"text":11412,"type":129,"marks":11413},"(dates can be slightly adapted if necessary)",[11414],{"type":918,"attrs":11415},{"color":3231},{"type":796,"marks":11417},[11418],{"type":918,"attrs":11419},{"color":3231},{"text":825,"type":129,"marks":11421},[11422],{"type":918,"attrs":11423},{"color":3231},{"type":117,"attrs":11425,"content":11426},{"textAlign":34},[11427],{"text":11428,"type":129,"marks":11429},"Residency #2: ",[11430,11432],{"type":918,"attrs":11431},{"color":3231},{"type":350,"attrs":11433},{"class":352},{"type":117,"attrs":11435,"content":11436},{"textAlign":34},[11437,11442,11443],{"text":11438,"type":129,"marks":11439},"15 Mar–19 Apr 2027 ",[11440],{"type":918,"attrs":11441},{"color":3231},{"type":796},{"text":11412,"type":129,"marks":11444},[11445],{"type":918,"attrs":11446},{"color":3231},{"_uid":11448,"component":121,"propRichtext":11449},"afc720fb-7387-49b9-b879-fe3e4236f5d8",{"type":114,"content":11450},[11451,11459,11469],{"type":117,"attrs":11452,"content":11453},{"textAlign":34},[11454],{"text":11455,"type":129,"marks":11456},"Application Overview: ",[11457],{"type":350,"attrs":11458},{"class":352},{"type":117,"attrs":11460,"content":11461},{"textAlign":34},[11462],{"text":11463,"type":129,"marks":11464},"WHAT YOU GET",[11465,11467,11468],{"type":918,"attrs":11466},{"color":3231},{"type":211},{"type":132},{"type":6057,"content":11470},[11471,11481,11491,11501,11511,11521],{"type":6060,"content":11472},[11473],{"type":117,"attrs":11474,"content":11475},{"textAlign":34},[11476],{"text":11477,"type":129,"marks":11478},"Workspace for 4 weeks (24/7 access, no overnight accommodation provided)",[11479],{"type":918,"attrs":11480},{"color":3231},{"type":6060,"content":11482},[11483],{"type":117,"attrs":11484,"content":11485},{"textAlign":34},[11486],{"text":11487,"type":129,"marks":11488},"1.500,- EUR (incl. VAT)  budget; available for the realization of the project, can be used for fees and material costs",[11489],{"type":918,"attrs":11490},{"color":3231},{"type":6060,"content":11492},[11493],{"type":117,"attrs":11494,"content":11495},{"textAlign":34},[11496],{"text":11497,"type":129,"marks":11498},"Technical infrastructure of the AIL (depending on the availability of equipment and facilities)",[11499],{"type":918,"attrs":11500},{"color":3231},{"type":6060,"content":11502},[11503],{"type":117,"attrs":11504,"content":11505},{"textAlign":34},[11506],{"text":11507,"type":129,"marks":11508},"Contact and network to interested public as well as other artists, teachers and students of the University",[11509],{"type":918,"attrs":11510},{"color":3231},{"type":6060,"content":11512},[11513],{"type":117,"attrs":11514,"content":11515},{"textAlign":34},[11516],{"text":11517,"type":129,"marks":11518},"We are also happy to organize visits with departments of the university, external curators, experts and representatives from other institutions ",[11519],{"type":918,"attrs":11520},{"color":3231},{"type":6060,"content":11522},[11523],{"type":117,"attrs":11524,"content":11525},{"textAlign":34},[11526],{"text":11527,"type":129,"marks":11528},"The AIL will actively promote the project/residents via the website and social media channels in order to reach a broad public",[11529],{"type":918,"attrs":11530},{"color":3231},{"_uid":11532,"component":121,"propRichtext":11533},"860e2941-e910-477e-a5b3-ac0a770d0326",{"type":114,"content":11534},[11535,11544],{"type":117,"attrs":11536,"content":11537},{"textAlign":34},[11538],{"text":11539,"type":129,"marks":11540},"RESIDENCY REQUIRMENTS",[11541,11543],{"type":918,"attrs":11542},{"color":3231},{"type":211},{"type":6057,"content":11545},[11546,11556,11566],{"type":6060,"content":11547},[11548],{"type":117,"attrs":11549,"content":11550},{"textAlign":34},[11551],{"text":11552,"type":129,"marks":11553},"Applicants agree to present their research, work to the public at least twice during their residency for 2-3 hours (e.g. live workshop, project presentation, performance), ",[11554],{"type":918,"attrs":11555},{"color":3231},{"type":6060,"content":11557},[11558],{"type":117,"attrs":11559,"content":11560},{"textAlign":34},[11561],{"text":11562,"type":129,"marks":11563},"participation at Open Studio Day",[11564],{"type":918,"attrs":11565},{"color":3231},{"type":6060,"content":11567},[11568],{"type":117,"attrs":11569,"content":11570},{"textAlign":34},[11571],{"text":11572,"type":129,"marks":11573},"at the end of the residency, AIL asks for a report (Q&A), which will be used for a feature on the AIL website",[11574],{"type":918,"attrs":11575},{"color":3231},{"_uid":11577,"component":121,"propRichtext":11578},"4125a503-5e6c-400e-a155-39b270f64b50",{"type":114,"content":11579},[11580,11585,11601,11609,11651,11661,11670,11678],{"type":117,"attrs":11581,"content":11582},{"textAlign":34},[11583],{"text":11584,"type":129},"HOW TO APPLY ",{"type":117,"attrs":11586,"content":11587},{"textAlign":34},[11588,11593],{"text":11589,"type":129,"marks":11590},"Please send all material in 1 PDF (max. 10 MB) to ",[11591],{"type":918,"attrs":11592},{"color":3231},{"text":11594,"type":129,"marks":11595},"elisabeth.falkensteiner@uni-ak.ac.at",[11596,11599],{"type":312,"attrs":11597},{"href":11598,"uuid":34,"anchor":34,"target":34,"linktype":485},"mailto:elisabeth.falkensteiner@uni-ak.ac.at",{"type":918,"attrs":11600},{"color":3231},{"type":117,"attrs":11602,"content":11603},{"textAlign":34},[11604],{"text":11605,"type":129,"marks":11606},"(Submissions can be in English or German!)",[11607],{"type":918,"attrs":11608},{"color":3231},{"type":6057,"content":11610},[11611,11621,11631,11641],{"type":6060,"content":11612},[11613],{"type":117,"attrs":11614,"content":11615},{"textAlign":34},[11616],{"text":11617,"type":129,"marks":11618},"Concept proposal: Submission of a short concept (max. 1000 characters) describing the planned project and explanation how your project fits into the focus areas of the Residency Program 2027",[11619],{"type":918,"attrs":11620},{"color":3231},{"type":6060,"content":11622},[11623],{"type":117,"attrs":11624,"content":11625},{"textAlign":34},[11626],{"text":11627,"type":129,"marks":11628},"Links to the artist portfolio or similar relevant information on artistic works",[11629],{"type":918,"attrs":11630},{"color":3231},{"type":6060,"content":11632},[11633],{"type":117,"attrs":11634,"content":11635},{"textAlign":34},[11636],{"text":11637,"type":129,"marks":11638},"Please state the year of your graduation and your degree program. (In case you apply as a collective, at least one person must be a graduate of the University of Applied Arts Vienna.)",[11639],{"type":918,"attrs":11640},{"color":3231},{"type":6060,"content":11642},[11643],{"type":117,"attrs":11644,"content":11645},{"textAlign":34},[11646],{"text":11647,"type":129,"marks":11648},"Please indicate the desired period for your residency",[11649],{"type":918,"attrs":11650},{"color":3231},{"type":117,"attrs":11652,"content":11653},{"textAlign":34},[11654],{"text":11655,"type":129,"marks":11656},"Deadline: 5 July 2026",[11657,11659],{"type":918,"attrs":11658},{"color":3231},{"type":350,"attrs":11660},{"class":352},{"type":117,"attrs":11662,"content":11663},{"textAlign":34},[11664],{"text":11665,"type":129,"marks":11666},"Please note: The Open Call is open exclusively to Alumni who are not currently affiliated with the University of Applied Arts Vienna (Angewandte) through a PhD program, teaching position, or employment.",[11667,11669],{"type":918,"attrs":11668},{"color":3231},{"type":132},{"type":117,"attrs":11671,"content":11672},{"textAlign":34},[11673],{"text":11674,"type":129,"marks":11675},"Timeline: Over the summer, the selection process will be carried out and the applications will be reviewed.",[11676],{"type":918,"attrs":11677},{"color":3231},{"type":117,"attrs":11679,"content":11680},{"textAlign":34},[11681],{"text":11682,"type":129,"marks":11683},"Applicants will be informed in October 2026. ",[11684],{"type":918,"attrs":11685},{"color":3231},[11687],{"_uid":11688,"component":221,"propColor":11689,"propSubheadline":11692,"propPreviewImage":11693,"propPreviewVideo":11695,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":11697,"propMetadescription":21,"propDescriptionShort":11700},"11ae2a98-e05a-4a2f-9ab5-6ebc79bc4999",{"_uid":11690,"color":11691,"plugin":225},"ce8880da-f2c6-48bc-bb36-811a0c806529","#ccbcf6","Deadline for Submissions: 5 July 2026",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":11694},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":11696},{},{"type":114,"content":11698},[11699],{"type":117},"Are you a graduate of the University of Applied Arts Vienna? Apply to work on your projects and share your work routine and research at AIL!","open-call-alumni-in-residence-2027","explore/open-call-alumni-in-residence-2027",-1660,[],"02528480-8aac-4e2f-ae88-0e38e95ecfbb","2026-05-19T12:49:24.369Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":7090,"etag":11711,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":11712,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":11713,"x-runtime":11714,"x-xss-protection":68},"W/\"d9c45f45bc5cc176593672c85941c886\"","C3PMcywJRvh6UFxxO_oeroXP_QuA3-VM9N44-tVSTz5pbDyxZZq4vg==","fe6646b7-75ef-4f55-aacf-54d14d7b5fb8","0.032992",{"data":11716,"headers":11963},{"story":11717,"cv":43,"rels":11961,"links":11962},{"name":11718,"created_at":11719,"published_at":11720,"updated_at":11721,"id":11722,"uuid":11723,"content":11724,"slug":11954,"full_slug":11955,"sort_by_date":34,"position":11956,"tag_list":11957,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":11958,"first_published_at":11959,"release_id":34,"lang":41,"path":34,"alternates":11960,"default_full_slug":34,"translated_slugs":34},"Alumni in Residence: Karina Fernandez","2026-01-19T11:42:40.265Z","2026-03-13T10:27:26.838Z","2026-03-13T10:28:13.520Z",135714243667921,"33d4c953-0686-4240-8a07-6f65d2d45a53",{"_uid":11725,"component":2699,"propCategory":2700,"propMainContent":11726,"propHeaderInformation":11935},"b827f3dd-3277-4be3-b400-792a6a1b3957",[11727],{"_uid":11728,"component":112,"propCredits":11729,"propEntryInMainContent":11748},"e352ec3b-f52f-4f84-8a06-a3db9ef1d7e7",{"type":114,"content":11730},[11731,11739],{"type":117,"attrs":11732,"content":11733},{"textAlign":34},[11734],{"text":11735,"type":129,"marks":11736},"www.karinafernandez.org",[11737],{"type":312,"attrs":11738},{"href":11735,"uuid":34,"anchor":34,"target":315,"linktype":485},{"type":117,"attrs":11740,"content":11741},{"textAlign":34},[11742],{"text":11743,"type":129,"marks":11744},"manuelapicallogil.com",[11745],{"type":312,"attrs":11746},{"href":11747,"uuid":34,"anchor":34,"target":34,"linktype":485},"https://manuelapicallogil.com/",[11749,11756,11765,11773,11794,11836,11884],{"_uid":11750,"component":2747,"propImage":11751,"propAltText":11755,"propCaption":11755},"33d99c85-0b6e-4032-824a-2d9c1a7a2c76",{"id":11752,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":11753,"copyright":21,"fieldtype":230,"meta_data":11754,"is_external_url":37},136456162226480,"https://a.storyblok.com/f/98682/3024x4032/a8c91577ae/bioplstk-and-fibers1.jpeg",{},"\"The Ne(x)st Evolution\" is a hybrid sculptural installation with soundscape, a material assemblage integrating organic debris, technological remnants and spatial sound to explore post-natural habitats. Photo: Karina Fernández",{"_uid":11757,"component":121,"propRichtext":11758},"65521159-22cc-44da-8901-9eae3cb8f3b7",{"type":114,"content":11759},[11760],{"type":117,"attrs":11761,"content":11762},{"textAlign":34},[11763],{"text":11764,"type":129},"Karina Fernandez develops installation-based, process-oriented works using biological materials and discarded matter to address environmental issues. Her practice explores the sensory clash between organic and synthetic elements through assemblage and time-based operations, that she describes as “neo-conglomerates” — a term rooted in classical geology and oriented toward contemporary sedimentation processes in which human-produced materials become part of the environment. Karina Fernandez previously earned degrees in Fine Arts and Visual Arts in Buenos Aires, and completed her diploma in the department of Digital Arts (Ruth Schnell) at the University of Applied Arts in Vienna in 2023.",{"_uid":11766,"component":2747,"propImage":11767,"propAltText":11771,"propCaption":11772},"bebeab13-26f9-49c7-9b4b-95bb47a83565",{"id":11768,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":11769,"copyright":21,"fieldtype":230,"meta_data":11770,"is_external_url":37},136456162226482,"https://a.storyblok.com/f/98682/2930x1755/344adfd35f/bonefire.jpg",{},"Bon(e)fire is a biomaterial based sculptural light object, combining translucent bioplastic, resin fragments and banana-fibre forms into a self-contained luminous installation","Bon(e)fire is a biomaterial based sculptural light object, combining translucent bioplastic, resin fragments and banana-fibre forms into a self-contained luminous installation. Photo: Tobias Zarfl",{"_uid":11774,"component":121,"propRichtext":11775},"028dab97-90f6-45e2-aaa0-31d1ba81b920",{"type":114,"content":11776},[11777],{"type":117,"attrs":11778,"content":11779},{"textAlign":34},[11780,11782,11786,11788,11792],{"text":11781,"type":129},"During the residency at AIL, Karina Fernandez develops ",{"text":11783,"type":129,"marks":11784},"House of Bioplastics ",[11785],{"type":132},{"text":11787,"type":129},"as a material-based research lab in which bioplastic mixtures, plant fibers, and light-based setups are systematically tested and translated into spatial prototypes. The project includes the production and comparative arrangement of material samplers, objects, and large-scale bioplastic sheets in back-lit displays, the further development of a large-scale version of her previous work ",{"text":11789,"type":129,"marks":11790},"Bon(e)fire,",[11791],{"type":132},{"text":11793,"type":129}," as well as workshops and informal get-togethers focused on knowledge exchange around bioplastic and fiber-based processes.",{"_uid":11795,"component":121,"propRichtext":11796},"9abdd592-7dc0-4635-b58c-f4e5b325ccc6",{"type":114,"content":11797},[11798,11803,11811,11819,11827,11832,11834],{"type":117,"attrs":11799,"content":11800},{"textAlign":34},[11801],{"text":11802,"type":129},"During the residency Karina will open the space for various occasions:",{"type":117,"attrs":11804,"content":11805},{"textAlign":34},[11806],{"text":11807,"type":129,"marks":11808},"Every Tuesday, 11:00 –13:00 ",[11809],{"type":350,"attrs":11810},{"class":352},{"type":117,"attrs":11812,"content":11813},{"textAlign":34},[11814],{"text":11815,"type":129,"marks":11816},"Every Thursday, 14:00–17:00",[11817],{"type":350,"attrs":11818},{"class":352},{"type":117,"attrs":11820,"content":11821},{"textAlign":34},[11822],{"text":11823,"type":129,"marks":11824},"Open Lab and Informal Get-Togethers",[11825],{"type":350,"attrs":11826},{"class":352},{"type":117,"attrs":11828,"content":11829},{"textAlign":34},[11830],{"text":11831,"type":129},"During her residency, Karina Fernandez opens her studio doors every Tuesday and Thursday to the public. In form of open lab moments and informal get-togethers Fernandez offers insights into ongoing experiments, spatial prototypes, and material processes, encouraging dialogue with visitors. ",{"type":117,"attrs":11833},{"textAlign":34},{"type":117,"attrs":11835},{"textAlign":34},{"_uid":11837,"component":121,"propRichtext":11838},"9967b9da-9862-44cb-be1a-8f43211097a1",{"type":114,"content":11839},[11840,11848,11856,11864,11875],{"type":117,"attrs":11841,"content":11842},{"textAlign":34},[11843],{"text":11844,"type":129,"marks":11845},"26 Mar, 14:00–17:00",[11846],{"type":350,"attrs":11847},{"class":352},{"type":433,"attrs":11849,"content":11850},{"level":435,"textAlign":34},[11851],{"text":11852,"type":129,"marks":11853},"Special Edition: House of Bioplastics ",[11854],{"type":350,"attrs":11855},{"class":352},{"type":433,"attrs":11857,"content":11858},{"level":435,"textAlign":34},[11859],{"text":11860,"type":129,"marks":11861},"with an activation by Manuela Picallo Gil",[11862],{"type":350,"attrs":11863},{"class":352},{"type":117,"attrs":11865,"content":11866},{"textAlign":34},[11867,11869,11873],{"text":11868,"type":129},"The intervention ",{"text":11870,"type":129,"marks":11871},"Manifesto on Fabrics",[11872],{"type":132},{"text":11874,"type":129}," reflects the working conditions of workers in the global textile industry as well as the ecological consequences of over exploitation/production and synthetic materials. Starting from production processes, Picallo Gil's work spans an arc from consumption and use to disposal and recycling.",{"type":117,"attrs":11876,"content":11877},{"textAlign":34},[11878,11882],{"text":11879,"type":129,"marks":11880},"Manuela Picallo Gil ",[11881],{"type":211},{"text":11883,"type":129},"(*1985, Eisenstadt) works transmedially, from drawing and painting to sound installations and participatory formats. She investigates social exclusion, memory, and identity through personal and collective narratives, reflecting on language, migration, media, and labor in the tension between rural and urban contexts. She is part of the collective CRAFT, member of VBKÖ, and her work has been presented in art and public spaces in Austria, Mexico, Germany, and Italy.",{"_uid":11885,"component":121,"propRichtext":11886},"3087f611-e9d7-4cd8-bb37-e5bc1843bbf9",{"type":114,"content":11887},[11888,11896,11904,11909,11925,11933],{"type":117,"attrs":11889,"content":11890},{"textAlign":34},[11891],{"text":11892,"type":129,"marks":11893},"19 Mar 2026, 15:00 – 18:00",[11894],{"type":350,"attrs":11895},{"class":352},{"type":117,"attrs":11897,"content":11898},{"textAlign":34},[11899],{"text":11900,"type":129,"marks":11901},"Bioplastic Workshop",[11902],{"type":350,"attrs":11903},{"class":352},{"type":117,"attrs":11905,"content":11906},{"textAlign":34},[11907],{"text":11908,"type":129},"A hands-on workshop focused on the production of bioplastic, introducing material recipes, testing methods, and ecological considerations. The workshop is open to students, beginners, colleagues, and curious visitors. ",{"type":117,"attrs":11910,"content":11911},{"textAlign":34},[11912,11914,11918],{"text":11913,"type":129},"Participation is limited. ",{"text":11915,"type":129,"marks":11916},"Please register via: ",[11917],{"type":132},{"text":11919,"type":129,"marks":11920},"nora.mayr@uni-ak.ac.at",[11921,11924],{"type":312,"attrs":11922},{"href":11923,"uuid":34,"anchor":34,"target":34,"linktype":485},"mailto:nora.mayr@uni-ak.ac.at",{"type":132},{"type":117,"attrs":11926,"content":11927},{"textAlign":34},[11928],{"text":11929,"type":129,"marks":11930},"Open Studio  28 Mar 2026, 12:00–17:00",[11931],{"type":350,"attrs":11932},{"class":352},{"type":117,"attrs":11934},{"textAlign":34},[11936],{"_uid":11937,"component":221,"propColor":11938,"propSubheadline":11941,"propPreviewImage":11942,"propPreviewVideo":11946,"propMakeTextWhite":2834,"propDescriptionLong":11948,"propMetaInformation":11949,"propMetadescription":11953,"propDescriptionShort":21},"2997469d-55c2-4bf6-bad2-380353df6ebc",{"_uid":11939,"color":11940,"plugin":225},"bef3fad7-216d-436f-b478-d18f1ec163e4","#8566ce","Karina Fernandez is alumni of the department of Digital Arts and will work at AIL from 2 Mar till 28 Mar 2026",{"id":11943,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":11944,"copyright":21,"fieldtype":230,"meta_data":11945,"is_external_url":37},136476690307125,"https://a.storyblok.com/f/98682/3024x4032/73a5de11ed/bioplstk-and-fibers_karina.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":11947},{},"Open Studio Day: 28 Mar 2026, 12:00–17:00",{"type":114,"content":11950},[11951],{"type":117,"attrs":11952},{"textAlign":34},"die Angewandte, AIL ","alumni-in-residence-karina-fernandez","explore/alumni-in-residence-karina-fernandez",-1550,[],"6717d199-cd07-4bc0-89a9-2b5f1919a35d","2026-01-21T15:21:12.621Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":7090,"etag":11964,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":11965,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":11966,"x-runtime":11967,"x-xss-protection":68},"W/\"656a3b5d3e63962542bc2ca30c032ea6\"","aKsQTBCoTz7hK-z3KocFXSyRoGl9lOR2riFtj_kSKvuBaZ96dqBDTg==","dd7e431b-ec54-4420-b05e-513e0ef56710","0.025550",{"data":11969,"headers":12136},{"story":11970,"cv":43,"rels":12134,"links":12135},{"name":11971,"created_at":11972,"published_at":11973,"updated_at":11974,"id":11975,"uuid":11976,"content":11977,"slug":12127,"full_slug":12128,"sort_by_date":34,"position":12129,"tag_list":12130,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":12131,"first_published_at":12132,"release_id":34,"lang":41,"path":34,"alternates":12133,"default_full_slug":34,"translated_slugs":34},"Alumni in Residence: Lena Michalik","2026-01-15T08:41:39.061Z","2026-03-02T12:10:01.907Z","2026-03-02T12:10:01.926Z",134254178585414,"06629bd9-c857-4709-a53b-3236dc7158f8",{"_uid":11725,"component":2699,"propCategory":2700,"propMainContent":11978,"propHeaderInformation":12111},[11979],{"_uid":11728,"component":112,"propCredits":11980,"propEntryInMainContent":12002},{"type":114,"content":11981},[11982,11993],{"type":117,"attrs":11983,"content":11984},{"textAlign":34},[11985,11987,11991],{"text":11986,"type":129},"Preview Image: Video still from ",{"text":11988,"type":129,"marks":11989},"Die Schneehäsin",[11990],{"type":132},{"text":11992,"type":129},", © Franz Ludwig",{"type":117,"attrs":11994,"content":11995},{"textAlign":34},[11996],{"text":11997,"type":129,"marks":11998},"lenamichalik.net",[11999],{"type":312,"attrs":12000},{"href":12001,"uuid":34,"anchor":34,"target":315,"linktype":485},"https://lenamichalik.net/homepage",[12003,12030,12037,12058,12065,12074,12105],{"_uid":12004,"component":121,"propRichtext":12005},"5db708ef-b9e5-449d-99db-2e5fa9db74a9",{"type":114,"content":12006},[12007],{"type":117,"attrs":12008,"content":12009},{"textAlign":34},[12010,12012,12016,12018,12022,12024,12028],{"text":12011,"type":129},"Lena Michalik is an interdisciplinary artist, educator, and researcher working between Vienna and Bolzano. In her work, she connects spatial practice with performance and poetry. As an alumna of the Master’s program ",{"text":12013,"type":129,"marks":12014},"Social Design – Arts as Urban Innovation",[12015],{"type":132},{"text":12017,"type":129},", the residency is not only a return to the University of Applied Arts Vienna, but also to the AIL. Her collective graduation project ",{"text":12019,"type":129,"marks":12020},"RE:SONANZ",[12021],{"type":132},{"text":12023,"type":129},", developed together with Leah Dorner, Maria Kanzler, and Stella Krausz, was shown in 2022 in the exhibition ",{"text":12025,"type":129,"marks":12026},"Sonic Sensibility",[12027],{"type":132},{"text":12029,"type":129}," in the spaces of Postsparkasse. For the project, the group received the graduation award from the federal state of Styria.",{"_uid":12031,"component":2747,"propImage":12032,"propAltText":21,"propCaption":12036},"fac14ec9-84d0-4b72-baa7-ecce14a7151e",{"id":12033,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12034,"copyright":21,"fieldtype":230,"meta_data":12035,"is_external_url":37},135731070637139,"https://a.storyblok.com/f/98682/1969x1430/7777f5a282/01_figurations_from_above.jpg",{},"Figurations from Above, artistic experiment from the PhD project “Poetics & the Porosity of Snow – Grasping Disappearance in a Heating Data Cloud.”, © Lena Michalik",{"_uid":12038,"component":121,"propRichtext":12039},"36c7064a-2a5d-4ba1-ad0a-b4977cd63d98",{"type":114,"content":12040},[12041],{"type":117,"attrs":12042,"content":12043},{"textAlign":34},[12044,12046,12050,12052,12056],{"text":12045,"type":129},"Michalik’s general interest lies in the becoming of space, its inherent power structures and the relations between entangled entities. With a critical view, she places artistic practices of embodiment in relation to technologies and explores what emerges in-between. Currently – as a PhD scholar in the program ",{"text":12047,"type":129,"marks":12048},"Experimental Research through Design, Art, and Technologies",[12049],{"type":132},{"text":12051,"type":129}," at the Free University Bozen-Bolzano – she is investigating Snow. Thus, in her practice based research project ",{"text":12053,"type":129,"marks":12054},"Poetry & Porosity of Snow – Grasping Disappearance in a Heating Data Cloud, ",[12055],{"type":132},{"text":12057,"type":129},"she is thinking with, caring for, and saying goodbye to suffering Bodies of Snow, in search of new intersectional feminist perspectives coming from the Alps.",{"_uid":12059,"component":2747,"propImage":12060,"propAltText":21,"propCaption":12064},"6eb972a5-16ac-49c0-bdfb-4d80eca7ed3d",{"id":12061,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12062,"copyright":21,"fieldtype":230,"meta_data":12063,"is_external_url":37},135731072963668,"https://a.storyblok.com/f/98682/1353x2105/7d84c1c383/03_-heat-mapping_cold_01.jpg",{},"[heat]mapping cold – leaving traces for what is melting, artistic experiment from the PhD project “Poetics & the Porosity of Snow – Grasping Disappearance in a Heating Data Cloud” © Lena Michalik",{"_uid":12066,"component":121,"propRichtext":12067},"894eb230-1794-4041-a5a9-90a6bfbae020",{"type":114,"content":12068},[12069],{"type":117,"attrs":12070,"content":12071},{"textAlign":34},[12072],{"text":12073,"type":129},"During her residency at the AIL, by thinking with snow, Michalik will inhabit the fluid and porous terrains between apparent dualisms such as urban and rural, tradition and progress, distance and proximity, up and down. She will attend to the embeddedness of her own body in the local water cycles by sensing and tracing upstream the currents to the porous Alpine Bodies of Snow. In doing so, she will critically confront technologies often used in snow hydrology, such as remote sensing and GIS, with the artistic means of figuration, poetry, and embodiment, testing whether such high-end technologies can contribute to one’s own abilities of situatedness and knowing place.",{"_uid":12075,"component":121,"propRichtext":12076},"43ab1fd7-3c8b-4b4f-bc3c-d92339faafe2",{"type":114,"content":12077},[12078,12086,12094],{"type":117,"attrs":12079,"content":12080},{"textAlign":34},[12081],{"text":12082,"type":129,"marks":12083},"Open Lab: Touch Point Snow ",[12084],{"type":350,"attrs":12085},{"class":352},{"type":117,"attrs":12087,"content":12088},{"textAlign":34},[12089],{"text":12090,"type":129,"marks":12091},"12 & 19 Mar 2026,  14:00 – 17:00",[12092],{"type":350,"attrs":12093},{"class":352},{"type":117,"attrs":12095,"content":12096},{"textAlign":34},[12097,12099],{"text":12098,"type":129},"During her residency Lena Michalik opens her temoporary studio at AIL for an open practice of remembering and sharing on two afternoons. Find more information about the event ",{"text":8154,"type":129,"marks":12100},[12101],{"type":312,"attrs":12102},{"href":12103,"uuid":12104,"anchor":34,"target":315,"linktype":2741},"/program/open-lab-touch-point-snow-1","cc9fc5f9-6003-4ccd-8141-ac83e9897dd0",{"_uid":12106,"component":2747,"propImage":12107,"propAltText":21,"propCaption":12064},"1500d39d-163e-4a6e-ac90-450144dd8b33",{"id":12108,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12109,"copyright":21,"fieldtype":230,"meta_data":12110,"is_external_url":37},135731086677077,"https://a.storyblok.com/f/98682/6016x4016/f3c88d0ee7/04_-heat-mapping_cold_02.jpg",{},[12112],{"_uid":11937,"component":221,"propColor":12113,"propSubheadline":12115,"propPreviewImage":12116,"propPreviewVideo":12120,"propMakeTextWhite":2834,"propDescriptionLong":12122,"propMetaInformation":12123,"propMetadescription":11953,"propDescriptionShort":21},{"_uid":11939,"color":12114,"plugin":225},"#2260f6","Lena Michalik is alumni of the department of Social Design and will work at AIL from 2 Mar till 28 Mar 2026",{"id":12117,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12118,"copyright":21,"fieldtype":230,"meta_data":12119,"is_external_url":37},135731066020945,"https://a.storyblok.com/f/98682/500x800/98875b8e6f/02_figur_dieschneehasin-kopie.png",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":12121},{},"Open Studio Day: 28 Mar 2026, 12:00 – 17:00",{"type":114,"content":12124},[12125],{"type":117,"attrs":12126},{"textAlign":34},"alumni-in-residence-lena-michalik","explore/alumni-in-residence-lena-michalik",-1540,[],"f2aa3739-7123-4efe-837f-177be176733b","2026-01-15T08:50:52.196Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":12137,"etag":12138,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":12139,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":12140,"x-runtime":12141,"x-xss-protection":68},"Thu, 21 May 2026 13:51:59 GMT","W/\"f57a632765d58c5aec6ce8d2c4dde2a8\"","D5kCQJPjeZ_HMHi-13cByZtvAaDwynu9qH3cd5ZcorOe0AyWEqZbGg==","496e8d9b-2a2b-4ff8-8d2f-1d31d8dbae82","0.032722",{"data":12143,"headers":12258},{"story":12144,"cv":43,"rels":12256,"links":12257},{"name":12145,"created_at":12146,"published_at":12147,"updated_at":12148,"id":12149,"uuid":12150,"content":12151,"slug":12249,"full_slug":12250,"sort_by_date":34,"position":12251,"tag_list":12252,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":12253,"first_published_at":12254,"release_id":34,"lang":41,"path":34,"alternates":12255,"default_full_slug":34,"translated_slugs":34},"Alumni in Residence: Conny Frischauf","2025-12-09T09:28:49.157Z","2025-12-22T10:31:00.771Z","2025-12-22T10:31:00.783Z",121171677865113,"c54f95b9-eac2-4be5-88b3-b45434341618",{"_uid":11725,"component":2699,"propCategory":2700,"propMainContent":12152,"propHeaderInformation":12225},[12153],{"_uid":11728,"component":112,"propCredits":12154,"propEntryInMainContent":12157},{"type":114,"content":12155},[12156],{"type":117},[12158,12166,12180,12188,12202,12210],{"_uid":12159,"component":2747,"propImage":12160,"propAltText":12164,"propCaption":12165},"77cabbcc-4e0c-4484-a689-184014f13a46",{"id":12161,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12162,"copyright":21,"fieldtype":230,"meta_data":12163,"is_external_url":37},123315936229078,"https://a.storyblok.com/f/98682/3599x2399/976fb56b93/connyfrischauf_2025_reading-excerpts-from-_the-echo-is-real_-during-medienfrische-residency-c-dominik-regele-2.jpg",{},"Artist Conny Frischauf kneeling on grey stones, looking at a sheet of paper in front of them.","Conny Frischauf, Reading excerpts from The Echo is Real during Medienfrische Residency, 2025. Photo:  Dominik Regele",{"_uid":11757,"component":121,"propRichtext":12167},{"type":114,"content":12168},[12169],{"type":117,"attrs":12170,"content":12171},{"textAlign":34},[12172,12174,12178],{"text":12173,"type":129},"Conny Frischauf is a sound and visual artist based in Vienna, Austria. They studied transdisciplinary arts (TransArts) at the University of Applied Arts Vienna, regularly perform, sound, conduct workshops and lectures, repair and build audio equipment, score films and performances, host, listen, write and walk. Since 2024, they have been running ",{"text":12175,"type":129,"marks":12176},"Sedimente",[12177],{"type":132},{"text":12179,"type":129},", a platform that slowly inter-layers through text, sound, space, and more.",{"_uid":12181,"component":2747,"propImage":12182,"propAltText":12186,"propCaption":12187},"4bad61c9-585e-4fcf-9d77-e161d57f5ad8",{"id":12183,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12184,"copyright":21,"fieldtype":230,"meta_data":12185,"is_external_url":37},123315936298711,"https://a.storyblok.com/f/98682/2880x1920/510c4320e8/two-trees-make-a-portal-c-nida-art-colony.JPG",{},"Three people hanging a sign saying \"Two Trees Make A Portal\" between two trees","Two Trees Make A Portal. Photo: Nida Art Colony",{"_uid":12189,"component":121,"propRichtext":12190},"53f11e9f-c996-4b9e-a52b-ece5d55ff1ec",{"type":114,"content":12191},[12192,12197],{"type":117,"attrs":12193,"content":12194},{"textAlign":34},[12195],{"text":12196,"type":129},"Conny Frischauf blends situated, sound, visual practice and research while focusing on spatial entanglements and related textures. Experimentally exploring exclusionary politics of language and narration, Conny is interested in decentralized forms of relationship, encounter, and resistance. Repeatedly and throughout different media such as sound, sculpture, text, installation, and video, they are interested in threshold areas, areas of transition, the invisible, and the unspeakable.",{"type":117,"attrs":12198,"content":12199},{"textAlign":34},[12200],{"text":12201,"type":129},"Their transdisciplinary work dwells between situated practice, research, archival, and artistic production, with a focus on sound and listening practices to understand complex conditions of place/space through non-linear approaches.",{"_uid":12203,"component":2747,"propImage":12204,"propAltText":12208,"propCaption":12209},"d6b9bb1f-3d43-4cf3-986c-9c746e012445",{"id":12205,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12206,"copyright":21,"fieldtype":230,"meta_data":12207,"is_external_url":37},123315937248985,"https://a.storyblok.com/f/98682/4288x2848/75604fb3f2/conny_frischauf_marija_jociute_2024-9.jpg",{},"one person standing at the shore of a river ","Photo: Marija Jociute",{"_uid":12211,"component":121,"propRichtext":12212},"256b5d99-dc0d-47dd-9e42-66386f6579d4",{"type":114,"content":12213},[12214],{"type":117,"attrs":12215,"content":12216},{"textAlign":34},[12217,12219,12223],{"text":12218,"type":129},"During their residency Conny will work on the long term work ",{"text":12220,"type":129,"marks":12221},"Dwin City",[12222],{"type":132},{"text":12224,"type":129}," which deals with the Danube river and its environments between Vienna and Bratislava. This work is about collective memory, heritage, and the spaces that are inhabited in between scientific or (art) historical narratives. Driven by the question of how to gain, produce, and share the notions of knowing, not knowing, being, and acknowledging, Conny presented a first sonic outcome in summer 2025 in Vienna. Within their residency at AIL, Conny will expand Dwin City into an installative-performative body of work by adding video and architectural elements.",[12226],{"_uid":11937,"component":221,"propColor":12227,"propSubheadline":12229,"propPreviewImage":12230,"propPreviewVideo":12234,"propMakeTextWhite":2834,"propDescriptionLong":12236,"propMetaInformation":12237,"propMetadescription":11953,"propDescriptionShort":21},{"_uid":11939,"color":12228,"plugin":225},"#df762e","Conny Frischauf is alumni of the department of TransArts and will work at AIL from 12 Jan till 12 Feb 2026",{"id":12231,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12232,"copyright":21,"fieldtype":230,"meta_data":12233,"is_external_url":37},123322799507881,"https://a.storyblok.com/f/98682/500x800/6715552106/conny_frischauf_marija_jociute_2024.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":12235},{},"Open Studio Day: 30 Jan 2026",{"type":114,"content":12238},[12239],{"type":117,"attrs":12240,"content":12241},{"textAlign":34},[12242],{"text":12243,"type":129,"marks":12244},"Sounds of the Living with Conny Frischauf",[12245],{"type":312,"attrs":12246},{"href":12247,"uuid":12248,"anchor":34,"target":315,"linktype":2741},"/program/sounds-of-the-living-conny-frischauf","4e9b01a3-f520-429f-9a43-187931d81b11","alumni-in-residence-conny-frischauf","explore/alumni-in-residence-conny-frischauf",-1560,[],"3c66457b-01a3-4379-beaf-b52632168e5d","2025-12-15T10:52:24.371Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":12137,"etag":12259,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":12260,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":12261,"x-runtime":12262,"x-xss-protection":68},"W/\"ea64ecdcfb60f114630e11fa1c9bdd82\"","bEqZQ8lMuEsZ3zYt0n_-FKLCRAA7Gucu4EpXdG66vsFP9sMK9oInsg==","a914a3eb-8ece-4ef4-accb-9a7c6c4117d3","0.032454",{"data":12264,"headers":12416},{"story":12265,"cv":43,"rels":12414,"links":12415},{"name":12266,"created_at":12267,"published_at":12268,"updated_at":12269,"id":12270,"uuid":12271,"content":12272,"slug":12407,"full_slug":12408,"sort_by_date":34,"position":12409,"tag_list":12410,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":12411,"first_published_at":12412,"release_id":34,"lang":41,"path":34,"alternates":12413,"default_full_slug":34,"translated_slugs":34},"Alumni in Residence: Jona Wolf","2025-07-29T12:11:38.436Z","2025-12-15T12:19:37.581Z","2025-12-15T12:19:37.601Z",74143737637980,"65a50f8b-7e84-4838-b66c-5d2f0b83a20a",{"_uid":12273,"component":2699,"propCategory":2700,"propMainContent":12274,"propHeaderInformation":12389},"7538dc6c-3787-4810-a5ff-2c97b8ad62e2",[12275],{"_uid":12276,"component":112,"propCredits":12277,"propEntryInMainContent":12280},"bef564c6-aa75-4c58-8539-4f68518b51b4",{"type":114,"content":12278},[12279],{"type":117},[12281,12288,12300,12312],{"_uid":12282,"component":2747,"propImage":12283,"propAltText":21,"propCaption":12287},"521fc5a9-850a-4d30-8805-baa07bed43e7",{"id":12284,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12285,"copyright":21,"fieldtype":230,"meta_data":12286,"is_external_url":37},76983021893440,"https://a.storyblok.com/f/98682/640x480/08829ff42c/gearup-6_jonawolf.jpeg",{},"Picture of a workshop part of Gear Up! - a project responding to the violations of the right to demonstrate in Berlin funded by Amnesty International",{"_uid":12289,"component":121,"propRichtext":12290},"8bfa88cb-e744-4b70-a635-175b70c622bb",{"type":114,"content":12291},[12292,12296],{"type":117,"content":12293},[12294],{"text":12295,"type":129},"Jona Wolf studied architecture in Studio Greg Lynn and Studio Wolf D. Prix, graduating in 2015. Using digital tools like 3D animation and CNC fabrication, they develop temporary spaces, objects and installations.",{"type":117,"content":12297},[12298],{"text":12299,"type":129},"Their practice focuses on re-imagining and transforming educational models and collaborative creation. They are actively engaged in community building and activism, with a focus on empowering marginalised groups and resistance to state oppression. Jona is part of The Palace Collective, which currently runs an urban community project in Berlin.",{"_uid":12301,"component":121,"propRichtext":12302},"17bb34a0-3672-44b6-8a52-8640354e5db4",{"type":114,"content":12303},[12304,12308],{"type":117,"content":12305},[12306],{"text":12307,"type":129},"During their residency at AIL, Jona will create a series of works exploring how cultural body norms and beauty standards reinforce the gender binary. The project aims to empower the gender fluidity of trans people while also raising awareness of how gender norms affect and restrict everyone in society.",{"type":117,"content":12309},[12310],{"text":12311,"type":129},"Throughout the residency, Jona is making the space as accessible as possible. They will activate it by screening films by other trans artists and hosting workshops.",{"_uid":12313,"component":121,"propRichtext":12314},"8fb033f7-3d98-4fe4-b9b0-7059156b852a",{"type":114,"content":12315},[12316,12323,12337,12351,12367,12381],{"type":117,"attrs":12317,"content":12318},{"textAlign":34},[12319],{"text":3617,"type":129,"marks":12320},[12321],{"type":350,"attrs":12322},{"class":352},{"type":117,"attrs":12324,"content":12325},{"textAlign":34},[12326,12328,12329,12331,12332,12334,12335],{"text":12327,"type":129},"30 Sep, 20:00 ",{"type":796},{"text":12330,"type":129},"Film Screening",{"type":796},{"text":12333,"type":129},"Mishaps in Spacetime, 2025, Dir: Caio Amado Soares",{"type":796},{"text":12336,"type":129},"Queendom, 2023, Dir: Agniia Galdanova",{"type":117,"attrs":12338,"content":12339},{"textAlign":34},[12340,12342,12343,12345,12346,12348,12349],{"text":12341,"type":129},"7 Oct, 16:00",{"type":796},{"text":12344,"type":129},"Workshop with Jona Wolf",{"type":796},{"text":12347,"type":129},"Rewriting Gender",{"type":796},{"text":12350,"type":129},"Please register via mail to alexandra.graupner@uni-ak.ac.at",{"type":117,"attrs":12352,"content":12353},{"textAlign":34},[12354,12356,12357,12358,12359,12361,12362,12364,12365],{"text":12355,"type":129},"20:00",{"type":796},{"text":12330,"type":129},{"type":796},{"text":12360,"type":129},"Gender Troublemakers, 1993, Dir: Mirha-Soleil Ross, Xanthra Phillippa",{"type":796},{"text":12363,"type":129},"Face/Off, 2024, incl. Q&A with director Adamska Elizaveta Rakhilkina",{"type":796},{"text":12366,"type":129},"Trans Hero, 2024, Dir: Evo Smilla S. Sidney, Sol Amanda Wendel",{"type":117,"attrs":12368,"content":12369},{"textAlign":34},[12370,12372,12373,12375,12376,12378,12379],{"text":12371,"type":129},"9 Oct, 20:00",{"type":796},{"text":12374,"type":129},"Performance ",{"type":796},{"text":12377,"type":129},"Becoming Laziza",{"type":796},{"text":12380,"type":129},"with Laziza Vuitton ",{"type":117,"attrs":12382,"content":12383},{"textAlign":34},[12384,12386,12387],{"text":12385,"type":129},"18 Oct, 11:00–20:00",{"type":796},{"text":12388,"type":129},"Open Studio Day",[12390],{"_uid":12391,"component":221,"propColor":12392,"propSubheadline":12395,"propPreviewImage":12396,"propPreviewVideo":12400,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":12402,"propMetadescription":12405,"propDescriptionShort":12406},"15869db7-00f0-4ba7-b4ad-0a4b83f279da",{"_uid":12393,"color":12394,"plugin":225},"c0a3cbc6-bf90-4399-b194-7015c20b2737","#75b300","Jona Wolf is alumni of the institute of architecture and will work at AIL from 24 Sep till 20 Oct 2025.",{"id":12397,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12398,"copyright":21,"fieldtype":230,"meta_data":12399,"is_external_url":37},81875099390380,"https://a.storyblok.com/f/98682/1920x2885/5b85f6e9f4/jonawolf_preview.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":12401},{},{"type":114,"content":12403},[12404],{"type":117},"die Angewandte, Alumni in Residence ","A workshop, performance, film screenings and open studio day will accompany this residency. ","alumni-in-residence-jona-wolf","explore/alumni-in-residence-jona-wolf",-1410,[],"3247c437-a421-4cb4-8911-93d9e8e75d02","2025-08-19T09:26:00.784Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":12137,"etag":12417,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":499,"x-amz-cf-id":12418,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":12419,"x-runtime":12420,"x-xss-protection":68},"W/\"b3713a59ab8c44cfbd22933c77b6a7f8\"","3rDU3NquEKwpE436WXX5Inj5AME_c7qK9It7KuqmAe9Vu0So4HuMNQ==","a229d451-615a-408b-aedf-e8f631177f6c","0.033262",{"data":12422,"headers":12569},{"story":12423,"cv":43,"rels":12567,"links":12568},{"name":12424,"created_at":12425,"published_at":12426,"updated_at":12427,"id":12428,"uuid":12429,"content":12430,"slug":12560,"full_slug":12561,"sort_by_date":34,"position":12562,"tag_list":12563,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":12564,"first_published_at":12565,"release_id":34,"lang":41,"path":34,"alternates":12566,"default_full_slug":34,"translated_slugs":34},"Alumni in Residence: Ramiro Wong","2025-03-10T13:10:43.709Z","2026-01-07T10:59:16.977Z","2026-01-07T10:59:16.992Z",637784688,"bfc159c2-9137-494a-815c-43e6ec4195ae",{"_uid":12431,"component":2699,"propCategory":2700,"propMainContent":12432,"propHeaderInformation":12543},"2847a3ad-308e-4a4f-8861-2462e8617b69",[12433],{"_uid":12434,"component":112,"propCredits":12435,"propEntryInMainContent":12438},"75d3256a-6e5a-4cc6-a4d3-4ab53a336ae6",{"type":114,"content":12436},[12437],{"type":117},[12439,12446,12459,12466,12472,12480,12504,12507,12517,12520,12530,12533],{"_uid":12440,"component":2747,"propImage":12441,"propAltText":21,"propCaption":12445},"556f994a-2081-48a8-a43d-8959186ce879",{"id":12442,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12443,"copyright":21,"fieldtype":230,"meta_data":12444,"is_external_url":37},21527672,"https://a.storyblok.com/f/98682/4480x6720/806b5b9d21/ramirowong_skulptur001.jpg",{},"a la mañana con_________, y a la tarde con_________, 2021. Photo: Werkstätte digitale Fotografie –dieAngewandte",{"_uid":12447,"component":121,"propRichtext":12448},"bca104c0-2e50-41b1-8c83-9a4abee73834",{"type":114,"content":12449},[12450],{"type":117,"content":12451},[12452,12454,12458],{"text":12453,"type":129},"Ramiro Wong (born in Lima, Peru in 1987) is a transdisciplinary and research-based artist. His work addresses political and socio-cultural questions of identity construction. Local narratives and individual experiences serve as the starting point for what he calls dynamics of displacement: a process in which identity is formed, understood and deconstructed in different historical and geographical contexts. Wong’s current work explores how these processes have been sustained by seemingly innocuous habits of consumption, reproduction and rebranding over the course of a 500-year-old tradition that the artist calls ",{"text":12455,"type":129,"marks":12456},"Aesthetics of Othering",[12457],{"type":132},{"text":3783,"type":129},{"_uid":12460,"component":2747,"propImage":12461,"propAltText":21,"propCaption":12465},"d442f068-3546-4708-a6f6-18203594abe1",{"id":12462,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12463,"copyright":21,"fieldtype":230,"meta_data":12464,"is_external_url":37},21527671,"https://a.storyblok.com/f/98682/2109x2953/8458d10560/ausstellungsansichten_-these-questions-pursue-me-as-much-as-i-pursue-them-_23-lea_sonderegger-8539.jpeg",{},"Notes on Displacement, 2023. Photo: Lea Sonderegger",{"_uid":12467,"component":2747,"propImage":12468,"propAltText":21,"propCaption":12465},"e0ce4c86-a210-4fe6-8e50-b5aee1a30f6b",{"id":12469,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12470,"copyright":21,"fieldtype":230,"meta_data":12471,"is_external_url":37},21527670,"https://a.storyblok.com/f/98682/2109x2953/b6b4626440/ausstellungsansichten_-these-questions-pursue-me-as-much-as-i-pursue-them-_23-lea_sonderegger-8534.jpeg",{},{"_uid":12473,"component":121,"propRichtext":12474},"7a76494a-9921-4539-8f6b-0ccd81ddb1f8",{"type":114,"content":12475},[12476],{"type":117,"content":12477},[12478],{"text":12479,"type":129},"Wong’s artistic approach is interested in translation, representation and the politics of invisibilisation as an integral part and narrative of installations and performances. Both in its temporal iteration and in its object-based effects, Wong’s work is not intended to illustrate circumstances but to stimulate actions that lead to a conversation in which participants witness each other’s experiences.",{"_uid":12481,"component":121,"propRichtext":12482},"b742a240-4faf-4faa-968c-e3a08354cb53",{"type":114,"content":12483},[12484,12494],{"type":117,"content":12485},[12486,12488,12492],{"text":12487,"type":129},"During the course of the AIL Artists in Residency Program, Wong will explore the themes of survival and resilience through ",{"text":12489,"type":129,"marks":12490},"Sonnet: An Installation in 14 Parts",[12491],{"type":132},{"text":12493,"type":129},". He will begin by researching the Peruvian Internal Armed Conflict (1980—2000) and gathering materials such as repurposed lead-acid car batteries to power lighting installations. ",{"type":117,"content":12495},[12496,12498,12502],{"text":12497,"type":129},"Experimentation will follow, as Wong tests different light sources and soundscapes, constructing small-scale models and refining the technical aspects of the work. As the residency progresses, he will assemble the final installation, integrating 14 pieces that narrate moments of endurance in broken systems. Through adjustments and feedback, the project will take its final shape, inviting dialogue on the intersections of history and contemporary struggles. The time at AIL will mark a crucial phase in the development of ",{"text":12499,"type":129,"marks":12500},"Sonnet,",[12501],{"type":132},{"text":12503,"type":129}," preparing it for future exhibitions and expanded iterations.",{"_uid":12505,"component":4788,"propVideoId":12506,"propVideoType":4925},"e0efc5f5-1aca-41f7-a2a9-a47f7ec7abeb","430266957",{"_uid":12508,"component":121,"propRichtext":12509},"da62b872-81c0-4da3-8943-3365dbd1f977",{"type":114,"content":12510},[12511],{"type":202,"content":12512},[12513],{"type":117,"content":12514},[12515],{"text":12516,"type":129},"Celebrations. Video Assamblage, 2020 ",{"_uid":12518,"component":4788,"propVideoId":12519,"propVideoType":4925},"fa2f6274-0f3c-41fa-907c-20f16a492b61","533559426",{"_uid":12521,"component":121,"propRichtext":12522},"010587ec-c9e7-4322-abdc-ddabf4e4e154",{"type":114,"content":12523},[12524],{"type":202,"content":12525},[12526],{"type":117,"content":12527},[12528],{"text":12529,"type":129},"What have I escaped? Where, anyway, would I go escape?* Installation/Performance, 2021",{"_uid":12531,"component":4788,"propVideoId":12532,"propVideoType":4925},"159a2518-5c71-431d-9737-295ac25f44bb","510729627",{"_uid":12534,"component":121,"propRichtext":12535},"c841b96a-d5f4-49bb-b07d-80262c19cddc",{"type":114,"content":12536},[12537],{"type":202,"content":12538},[12539],{"type":117,"content":12540},[12541],{"text":12542,"type":129},"Portfolio. Performance Installation/Video, 2021",[12544],{"_uid":12545,"component":221,"propColor":12546,"propSubheadline":12549,"propPreviewImage":12550,"propPreviewVideo":12554,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":12556,"propMetadescription":21,"propDescriptionShort":12559},"9e3a9cec-cfe9-4bd6-9587-df0820abf9d8",{"_uid":12547,"color":12548,"plugin":225},"52021034-ddc0-4f06-8b12-77929355f52d","#2965f2","Ramiro Wong is alumni of the department of TransArts and will work at AIL from 28 Mar till 25 Apr 2025.",{"id":12551,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12552,"copyright":21,"fieldtype":230,"meta_data":12553,"is_external_url":37},21297999,"https://a.storyblok.com/f/98682/1920x2885/172257e556/ramirowong_skulptur001-kopie.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":12555},{},{"type":114,"content":12557},[12558],{"type":117},"Open Studio: 24 Apr, 16:00–22:00","alumni-in-residence-ramiro-wong","explore/alumni-in-residence-ramiro-wong",-1260,[],"8cbee3df-15df-43aa-b10b-78b13db17d96","2025-03-10T13:17:25.870Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":12137,"etag":12570,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":12571,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":12572,"x-runtime":12573,"x-xss-protection":68},"W/\"48f849410d8b4b1118d1495680750c3e\"","Wwcufw8t6v_rPeKSbOmchm6bOgnQ6bg3N89ung08yFWg7ER1JEVduQ==","0160d0df-ce21-41a2-add0-12baecaaa8af","0.030274",{"data":12575,"headers":12715},{"story":12576,"cv":43,"rels":12713,"links":12714},{"name":12577,"created_at":12578,"published_at":12579,"updated_at":12580,"id":12581,"uuid":12582,"content":12583,"slug":12706,"full_slug":12707,"sort_by_date":34,"position":12708,"tag_list":12709,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":12710,"first_published_at":12711,"release_id":34,"lang":41,"path":34,"alternates":12712,"default_full_slug":34,"translated_slugs":34},"Alumni in Residence: Suchart Wannaset","2025-02-03T08:50:17.102Z","2026-01-07T11:03:44.758Z","2026-01-07T11:03:44.772Z",619403238,"02d4a6b2-b6ef-4468-927d-b353a63fbb31",{"_uid":12431,"component":2699,"propCategory":2700,"propMainContent":12584,"propHeaderInformation":12684},[12585],{"_uid":12434,"component":112,"propCredits":12586,"propEntryInMainContent":12598},{"type":114,"content":12587},[12588],{"type":117,"content":12589},[12590,12592,12596],{"text":12591,"type":129},"Since it’s beginning one of AIL’s aim is to foster connections beyond the University’s structure and therefore support Alumni of the University of Applied Arts Vienna. With the new ‘",{"text":12593,"type":129,"marks":12594},"AIL Residency Program",[12595],{"type":132},{"text":12597,"type":129},"’, starting 2025, the AIL promotes and makes visible the artistic work and interdisciplinary research of alumni of the University of Applied Arts outside the traditional exhibition scene. ",[12599,12606,12613,12620,12628,12635,12654,12661,12669,12676],{"_uid":12600,"component":2747,"propImage":12601,"propAltText":21,"propCaption":12605},"34c98a29-997a-4373-afd4-59ce4160ecbc",{"id":12602,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12603,"copyright":21,"fieldtype":230,"meta_data":12604,"is_external_url":37},20790147,"https://a.storyblok.com/f/98682/5056x3591/6a737cf1b8/3_stadtgalerie_lehen_flyer_seite_1.jpg",{},"hold the position to be bitten. durational performance documentation, Sweden fine art pigment print: 40x70cm, 2021 ",{"_uid":12447,"component":121,"propRichtext":12607},{"type":114,"content":12608},[12609],{"type":117,"content":12610},[12611],{"text":12612,"type":129},"Born in Thailand, Suchart Wannaset moved to Vienna at the age of 7. After graduating from ‘die Graphische’ school of media and photography in 2010, he attended a photography masterclass in Paris with Oliviero Toscani in 2011. In 2014 Wannaset decided to apply to the University of Applied Arts in Vienna to study Transmedia Art after being inspired by the work of Professor Brigitte Kowanz, who was the head of the department. He graduated in 2020 with a 57-minute, 3-channel diploma film shot in his birthplace. Suchart Wannaset's collective works with the Mai Ling collective and individual works have been shown at the Secession Vienna, Brunnenpassage, Tanzquartier Vienna, Parallel, the Austrian Sculpture Park Museum Joanneum, Belveder 21 and Stadtgalerie Salzburg, among others.",{"_uid":12614,"component":2747,"propImage":12615,"propAltText":21,"propCaption":12619},"599bf9e5-144a-4955-98c4-d18129e7239f",{"id":12616,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12617,"copyright":21,"fieldtype":230,"meta_data":12618,"is_external_url":37},20790145,"https://a.storyblok.com/f/98682/5711x3807/397473c2f3/2_dsc00259_pressure_suchartwannaset_doku.jpg",{},"Ausstellungsansicht: don't bite me. Stadtgalerie Salzburg, Lehen, 2024",{"_uid":12621,"component":121,"propRichtext":12622},"00fbe2eb-829c-497b-ad16-5fcaf45cd732",{"type":114,"content":12623},[12624],{"type":117,"content":12625},[12626],{"text":12627,"type":129},"Within his artistic practice Wannaset explores the multi-faceted relationship between culture and nature. The shaping of natural landscapes by humans has far-reaching consequences regarding the relationship to each other as well as changes and preservation. The search for nature and so-called ‘border zones’ is an essential part of Wannaset’s artistic work. His works address social, cultural, queer and ecological phenomena, the concepts of which he implements transmedially with the help of video, sculpture, performance and photography.",{"_uid":12629,"component":2747,"propImage":12630,"propAltText":21,"propCaption":12634},"18f048ae-f574-4fe6-8baf-39dec02e2548",{"id":12631,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12632,"copyright":21,"fieldtype":230,"meta_data":12633,"is_external_url":37},20790146,"https://a.storyblok.com/f/98682/3456x2160/95368c9aad/1_screenshot_video_pressure.jpg",{}," Pressure. Videostill, 2024 / 16:20min ",{"_uid":12636,"component":121,"propRichtext":12637},"444bdcd1-a4db-498a-8332-99481c4f5998",{"type":114,"content":12638},[12639],{"type":117,"content":12640},[12641,12643,12647,12649,12652],{"text":12642,"type":129},"During his AIL residency, Suchart Wannaset will continue developing his art project ",{"text":12644,"type":129,"marks":12645},"Pressure",[12646],{"type":132},{"text":12648,"type":129},", which sits at the intersection of art and science. Combining kinetic sculptures, video, and sound works, ",{"text":12644,"type":129,"marks":12650},[12651],{"type":132},{"text":12653,"type":129}," artistically explores and contributes to the little-known research on the effects of noise on insects – highlighting the harmful effects of noise and light pollution, along with habitat loss caused by suburban expansion in Vienna. ",{"_uid":12655,"component":2747,"propImage":12656,"propAltText":21,"propCaption":12660},"3d2ad724-cd36-41a0-a824-33cd007c8104",{"id":12657,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12658,"copyright":21,"fieldtype":230,"meta_data":12659,"is_external_url":37},20790148,"https://a.storyblok.com/f/98682/5906x3322/b7497afc50/4_3channel_suchartwannaset_still001_title.jpg",{},"Chasing Nature into Abstraction. Videostill, 3-channel Video, 57min, Thailand, 2020 ",{"_uid":12662,"component":121,"propRichtext":12663},"386ea54d-8096-4684-90a3-0752f315d108",{"type":114,"content":12664},[12665],{"type":117,"content":12666},[12667],{"text":12668,"type":129},"In the video, the artist searches for the pure insect sounds of his childhood, only to find that much has changed. His kinetic sculptures – anthropomorphic insects – add a heavy, imposing presence, symbolizing the exhaustion imposed on these creatures and their environment by human activity. A sound database, compiled during his field recordings, documents the seemingly endless search for undisturbed natural sounds.",{"_uid":12670,"component":2747,"propImage":12671,"propAltText":21,"propCaption":12675},"d16ba232-3dd8-4781-9498-96c94214a63b",{"id":12672,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12673,"copyright":21,"fieldtype":230,"meta_data":12674,"is_external_url":37},20792100,"https://a.storyblok.com/f/98682/5875x3917/a889a24815/suchart_wannaset_unser_gartenzaun_photo-clemens-stockner.jpg",{},"\"Unser Gartenzaun\" im Zuge einer Residency im Österreichischen Skulpturengarten in Premstätten bei Graz. Permanente Installation, Holzlatten lackiert, Metallgerüst. 2018",{"_uid":12677,"component":121,"propRichtext":12678},"9f764aa6-47da-4d95-a28c-121bb5630828",{"type":114,"content":12679},[12680],{"type":117,"content":12681},[12682],{"text":12683,"type":129},"Throughout the residency, Wannaset will further refine his large-scale insect sculptures and expand the research on his database of insect sound recordings. Additionally, he will make the database interactive, allowing studio visitors to create soundscapes using their smartphones.",[12685],{"_uid":12545,"component":221,"propColor":12686,"propSubheadline":12688,"propPreviewImage":12689,"propPreviewVideo":12693,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":12695,"propMetadescription":21,"propDescriptionShort":21},{"_uid":12547,"color":12687,"plugin":225},"#5eac1a","Suchart Wannaset is alumni of the department of Transmedia Art and will work at AIL from 24 Feb till 24 Mar 2025",{"id":12690,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12691,"copyright":21,"fieldtype":230,"meta_data":12692,"is_external_url":37},20791778,"https://a.storyblok.com/f/98682/1920x1080/b253441230/4_3channel_suchartwannaset_still001_title-kopie-2.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":12694},{},{"type":114,"content":12696},[12697],{"type":117,"content":12698},[12699],{"text":12700,"type":129,"marks":12701},"Open Studio",[12702],{"type":312,"attrs":12703},{"href":12704,"uuid":12705,"anchor":34,"target":315,"linktype":2741},"/program/ail-residency-program-2","f15d3306-24fb-4503-baf5-0f3c9dc0e7d6","alumni-in-residence-suchart-wannaset","explore/alumni-in-residence-suchart-wannaset",-1250,[],"7d90cb59-cf0f-41aa-bfde-e9454957a6a0","2025-02-12T10:43:12.977Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":12137,"etag":12716,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":12717,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":12718,"x-runtime":12719,"x-xss-protection":68},"W/\"ad292da4e11e720ade15d2f4cbe40bda\"","gy6QNY6at-YdhLyYKP7oQyBpMTJuOTLJyME5GJHX43XHPjd8QNXrOA==","96af4573-f4b4-4025-aa21-06b8b5b4bdc2","0.065136",{"data":12721,"headers":12895},{"story":12722,"cv":43,"rels":12893,"links":12894},{"name":12723,"created_at":12724,"published_at":12725,"updated_at":12726,"id":12727,"uuid":12728,"content":12729,"slug":12886,"full_slug":12887,"sort_by_date":34,"position":12888,"tag_list":12889,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":12890,"first_published_at":12891,"release_id":34,"lang":41,"path":34,"alternates":12892,"default_full_slug":34,"translated_slugs":34},"Alumni in Residence: Verena Tscherner","2025-01-09T13:21:28.510Z","2026-01-07T11:09:23.696Z","2026-01-07T11:09:23.708Z",606516502,"473442eb-54b3-4ac7-9f6e-7adc37303c5c",{"_uid":12431,"component":2699,"propCategory":2700,"propMainContent":12730,"propHeaderInformation":12856},[12731],{"_uid":12434,"component":112,"propCredits":12732,"propEntryInMainContent":12735},{"type":114,"content":12733},[12734],{"type":117},[12736,12747,12755,12771,12777,12785,12792,12798,12816,12833,12840,12846],{"_uid":12447,"component":121,"propRichtext":12737},{"type":114,"content":12738},[12739],{"type":117,"content":12740},[12741,12742,12745],{"text":12591,"type":129},{"text":12593,"type":129,"marks":12743},[12744],{"type":132},{"text":12746,"type":129},"’, starting 2025, the AIL promotes and makes visible the artistic work and interdisciplinary research of alumni of the University of Applied Arts outside the traditional exhibition scene. First artist in resident is Verena Tscherner, alumni of the department of Digital Arts. ",{"_uid":12748,"component":121,"propRichtext":12749},"fd82207f-680a-4a5f-8978-ac876854660f",{"type":114,"content":12750},[12751],{"type":117,"content":12752},[12753],{"text":12754,"type":129},"Born in Tyrol, Verena Tscherner came to Vienna shortly after graduating from high school. She studied at the University of Music and Performing Arts, Vienna (MDW), where she graduated in 2014. Afterwards she studied at the Friedl Kubelka School, School for Artistic Photography in Vienna, which she graduated in 2019 with a diploma. Then she studied digital art  with Univ.-Prof. Mag.art. Ruth Schnell and UBERMORGEN at the University of Applied Arts, Vienna, and graduated in June 2024. She lives and works as a freelance artist in Vienna.",{"_uid":12756,"component":121,"propRichtext":12757},"4ffef39c-c139-4bf3-be66-855baa7af231",{"type":114,"content":12758},[12759],{"type":117,"content":12760},[12761,12763,12769],{"text":12762,"type":129},"During her residency at AIL Verena Tscherner will produce a new installation for her upcoming exhibition at ",{"text":12764,"type":129,"marks":12765},"Frau* schafft Raum",[12766],{"type":312,"attrs":12767},{"href":12768,"uuid":34,"anchor":34,"target":315,"linktype":485},"https://frau-schafft-raum.at",{"text":12770,"type":129},". She will experiment with different breathing patterns of the deflateables. At the same time Tscherner will further work with directional speakers and wants to try different texts, voices, atmospherical sounds and music to see how these sounds may alter the room they are placed in. She will also have her first deflateable inhale deflate set up at her temporary studio at AIL. Tscherner is interested to open up a dialogue about contemporary art and how it affects the observer.",{"_uid":12772,"component":2747,"propImage":12773,"propAltText":21,"propCaption":21},"b7ec9b0c-01ef-419b-8263-4ebe145b650a",{"id":12774,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12775,"copyright":21,"fieldtype":230,"meta_data":12776,"is_external_url":37},20147620,"https://a.storyblok.com/f/98682/2480x3508/35bc0e18cd/07_ausstellung_rz_digital.jpg",{},{"_uid":12778,"component":121,"propRichtext":12779},"d0d08890-e4d6-4981-8ea1-3f30b2cbef8a",{"type":114,"content":12780},[12781],{"type":117,"content":12782},[12783],{"text":12784,"type":129},"Verena Tscherner experiments with the idea of the vacuum as a way to capture a moment, as a delay of decay, as „holding one‘s breath.“ The aspects of air and vacuum are increasingly gaining new, expanded meanings in her artistic process. inhale. deflate marked the beginning of her engagement with the genre of sculpture and spatial installation. In her diploma thesis entangle. deflate she combined 3D-printed objects with a large-scale deflateable and a sound installation. This large-scale deflateable is sculpturally placed in the space. It takes on an organic character as air is repeatedly added or removed from it using a timer. ",{"_uid":12786,"component":2747,"propImage":12787,"propAltText":21,"propCaption":12791},"e4811798-9af9-47bb-82bb-83dde6318651",{"id":12788,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12789,"copyright":21,"fieldtype":230,"meta_data":12790,"is_external_url":37},19757183,"https://a.storyblok.com/f/98682/1575x1575/e3edbd41ba/inhale-deflate_2_web.jpg",{}," inhale. deflate, Photos: Verena Tscherner ",{"_uid":12793,"component":2747,"propImage":12794,"propAltText":21,"propCaption":12791},"5e2c8258-22bf-44f4-b398-5db9df63f745",{"id":12795,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12796,"copyright":21,"fieldtype":230,"meta_data":12797,"is_external_url":37},19757182,"https://a.storyblok.com/f/98682/1575x1575/8eae9770c5/inhale-deflate_1_web.jpg",{},{"_uid":12799,"component":121,"propRichtext":12800},"fe15adac-67fe-495d-8f29-3e7be83c847b",{"type":114,"content":12801},[12802],{"type":202,"content":12803},[12804,12812],{"type":117,"content":12805},[12806,12810],{"text":12807,"type":129,"marks":12808},"inhale. deflate ",[12809],{"type":132},{"text":12811,"type":129},"is an artwork that explores the depths of human emotions while simultaneously raising the question of how deeply we can empathize with another person‘s perspective. It addresses the issue of social isolation and how to approach it in art, as well as how to convey it to someone who has rarely experienced this feeling. How can we grow together and develop more compassion for one another? Art has the power to communicate emotions in a very direct and",{"type":117,"content":12813},[12814],{"text":12815,"type":129},"intuitive way, while at the same time doing so in an entirely metaphorical manner. It asks questions and leaves all the answers to the viewer. It is unique, universal, independent, and at the same time individual.",{"_uid":12817,"component":121,"propRichtext":12818},"ebfdffd0-bec7-43bb-b0c9-3d6fa92500d2",{"type":114,"content":12819},[12820,12828],{"type":117,"attrs":12821,"content":12822},{"textAlign":34},[12823],{"text":12824,"type":129,"marks":12825},"Breathing as a connecting element. The individual breathes, the community breathes. In meditation, people consciously focus on breathing, a process that usually happens unconsciously. ",[12826],{"type":350,"attrs":12827},{"class":352},{"type":117,"attrs":12829,"content":12830},{"textAlign":34},[12831],{"text":12832,"type":129},"The deflateable consciously and unconsciously soothes the breathing of the viewers. A space for relaxed togetherness can emerge, a space for collective consciousness opens. The contents are absorbed emotionally and unconsciously into one‘s awareness, to then continue working in the subconscious, to be reflected upon alone or with others at the right moment. Deflateable, an object is deprived of air to allow it a kind of „exhale.“ As a result, the objects within begin to move, approaching the viewers, only to withdraw again. The sculpture is artificially „brought to life“ in order to connect with the viewer through their own empathy. A cycle of tension (vacuuming) and relaxation (letting go through stopping the vacuuming) emerges, imitating the living in order to turn the viewers‘ gaze inward. The body itself becomes an individual instrument of insight.",{"_uid":12834,"component":2747,"propImage":12835,"propAltText":21,"propCaption":12839},"221dfbd3-8892-49ed-b91b-6aa187e1d525",{"id":12836,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12837,"copyright":21,"fieldtype":230,"meta_data":12838,"is_external_url":37},19757180,"https://a.storyblok.com/f/98682/2362x1575/f22b01ecc4/entangle-deflate_1_web.jpg",{}," entangle. deflate, Photos: Tina Kult ",{"_uid":12841,"component":2747,"propImage":12842,"propAltText":21,"propCaption":12839},"59c2d894-db32-43e3-9df7-5c7e542db545",{"id":12843,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12844,"copyright":21,"fieldtype":230,"meta_data":12845,"is_external_url":37},19757179,"https://a.storyblok.com/f/98682/2362x1575/3798f58a95/entangle-deflate_2_web.jpg",{},{"_uid":12847,"component":121,"propRichtext":12848},"63c8498a-b377-4f2a-9c21-d779e8922225",{"type":114,"content":12849},[12850],{"type":202,"content":12851},[12852],{"type":117,"content":12853},[12854],{"text":12855,"type":129},"In 2020, the Canadian Women’s Foundation introduced the emergency signal for domestic violence. This hand signal consists of three consecutive gestures and can be discreetly used during face-to-face contact. The installation entangle. deflate engages the senses and draws the viewer’s attention to this issue, making its significance understandable on various levels. Each digital copy of a real hand forms an enclave, connected to all the others through an irregular alternation between air and vacuum. This creates a communal foundation for fostering solidarity.",[12857],{"_uid":12545,"component":221,"propColor":12858,"propSubheadline":12860,"propPreviewImage":12861,"propPreviewVideo":12865,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":12867,"propMetadescription":21,"propDescriptionShort":12885},{"_uid":12547,"color":12859,"plugin":225},"#6655f8","Verena Tscherner is alumni of the department of Digital Arts and will work at AIL from 10 Jan till 7 Feb 2025.",{"id":12862,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":12863,"copyright":21,"fieldtype":230,"meta_data":12864,"is_external_url":37},19856974,"https://a.storyblok.com/f/98682/1920x1920/b5b4a34d49/inhale-deflate_2_web-kopie.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":230,"meta_data":12866},{},{"type":114,"content":12868},[12869,12877],{"type":117,"content":12870},[12871],{"text":12700,"type":129,"marks":12872},[12873],{"type":312,"attrs":12874},{"href":12875,"uuid":12876,"anchor":34,"target":315,"linktype":2741},"/program/ail-residency-program-verena-tscherner","8b460a87-7566-4423-8855-4c39742656bc",{"type":117,"content":12878},[12879],{"text":12880,"type":129,"marks":12881},"deflate.at",[12882],{"type":312,"attrs":12883},{"href":12884,"uuid":34,"anchor":34,"target":315,"linktype":485},"https://deflate.at/","Please note the current open call for two more Residency slots. Deadline 25 Jan 2025 ","alumni-in-residence-verena-tscherner","explore/alumni-in-residence-verena-tscherner",-1270,[],"50ee9070-3be6-4a3a-b836-367ce66aa955","2025-01-09T13:24:07.640Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":12896,"etag":12897,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":12898,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":12899,"x-runtime":12900,"x-xss-protection":68},"Thu, 21 May 2026 13:52:00 GMT","W/\"bfe201351ffffd59fabe4225a6e2283e\"","5xZJmysp2u16Jmhkyus4AwGXBLBTByut918Mb-UL7UCcRYtUlp34xw==","89b5b20c-395e-4fe7-82a5-cb634ff7353e","0.039167",{"data":12902,"headers":13012},{"story":12903,"cv":43,"rels":13010,"links":13011},{"name":12904,"created_at":12905,"published_at":12906,"updated_at":12907,"id":12908,"uuid":12909,"content":12910,"slug":13003,"full_slug":13004,"sort_by_date":34,"position":13005,"tag_list":13006,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":13007,"first_published_at":13008,"release_id":34,"lang":41,"path":34,"alternates":13009,"default_full_slug":34,"translated_slugs":34},"AD LIB. experimental music settings","2022-02-14T17:43:18.306Z","2026-01-13T14:29:44.980Z","2026-01-13T14:29:44.993Z",108512976,"1550a0ec-df4e-45e4-ba94-aad460b65673",{"_uid":12911,"component":106,"propDateEnd":12912,"propCategory":12913,"propIsOnline":37,"propDateStart":21,"propMainContent":12914,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":12989,"propDateAndTimeOfOpening":13002},"ea7f12b7-07f4-4a8d-9d49-58922502f972","2018-02-27 18:00","alumni in residence",[12915],{"_uid":12916,"component":112,"propCredits":12917,"propEntryInMainContent":12923},"6411e7dd-6e69-4ce4-9e90-604e1c938e69",{"type":114,"content":12918},[12919],{"type":117,"content":12920},[12921],{"text":12922,"type":129},"Photos: Eva Weber",[12924,12931,12954,12961],{"_uid":12925,"component":2747,"propImage":12926,"propAltText":12929,"propCaption":12930},"2ea7fdc7-d1bb-4b17-bc29-c0bb9aff4471",{"id":12927,"alt":21,"name":21,"focus":34,"title":21,"filename":12928,"copyright":21,"fieldtype":230},3855222,"https://a.storyblok.com/f/98682/3024x4032/a9ededc29f/img_4320.jpg","Christoph Hudl in his setting","Christoph Hudl in his always changing basement setting",{"_uid":12932,"component":121,"propRichtext":12933},"28a55dae-9885-46a0-97aa-44d4f4fd9fde",{"type":114,"content":12934},[12935,12939],{"type":117,"content":12936},[12937],{"text":12938,"type":129},"In February 2018, AIL’s large basement area will turn into an interdisciplinary experimental setting for art, music and research in the context of AlumNights.",{"type":117,"content":12940},[12941,12943,12947,12949,12953],{"text":12942,"type":129},"You can be an integral part of this by either being an audience member or active participant at the ",{"text":12944,"type":129,"marks":12945},"AD LIB: EVENTS",[12946],{"type":132},{"text":12948,"type":129},". Based on specific parameters, you can choose your own session settings or register for specific games on the website ",{"text":12950,"type":129,"marks":12951},"adlib.at",[12952],{"type":132},{"text":3783,"type":129},{"_uid":12955,"component":2747,"propImage":12956,"propAltText":12959,"propCaption":12960},"564e6845-e5a8-45f3-be4e-8397af74647d",{"id":12957,"alt":21,"name":21,"focus":34,"title":21,"filename":12958,"copyright":21,"fieldtype":230},3855223,"https://a.storyblok.com/f/98682/3024x4032/6e7d353893/img_4502.jpg","People in big space with different music instruments","Final Open Session",{"_uid":12962,"component":121,"propRichtext":12963},"1bc87488-0c96-43ae-b65b-3a7b375aadda",{"type":114,"content":12964},[12965,12973,12981],{"type":433,"attrs":12966,"content":12967},{"level":435,"textAlign":34},[12968],{"text":12969,"type":129,"marks":12970},"Open Sessions",[12971],{"type":350,"attrs":12972},{"class":352},{"type":117,"attrs":12974,"content":12975},{"textAlign":34},[12976,12978,12979],{"text":12977,"type":129},"16 Feb, 19:00",{"type":796},{"text":12980,"type":129},"“Darkroom Session”",{"type":117,"attrs":12982,"content":12983},{"textAlign":34},[12984,12986,12987],{"text":12985,"type":129},"27 Feb, 19:00",{"type":796},{"text":12988,"type":129},"\u2028”                               ” \u2028Setting in progress",[12990],{"_uid":12991,"component":221,"propColor":12992,"propSubheadline":12995,"propPreviewImage":12996,"propPreviewVideo":12999,"propMakeTextWhite":37,"propDescriptionLong":13000,"propMetaInformation":21,"propMetadescription":13001,"propDescriptionShort":21},"5287224d-6a80-4bc8-bcc9-fbdcc0747017",{"_uid":12993,"color":12994,"plugin":225},"43c57c78-163d-4c73-8284-9b439b58006f","#52e0a7","Interdisciplinary experimental setting in the basement for art, music and research by Christoph Hudl",{"id":12997,"alt":21,"name":21,"focus":34,"title":21,"filename":12998,"copyright":21,"fieldtype":230},4465860,"https://a.storyblok.com/f/98682/1920x2560/cfa006aaca/adlib.jpg",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":230},"Hosted by ARTist – Alumniverein der Universität für angewandte Kunst","Christoph Hudl, Music, Research","2018-02-07 11:00","alumni-in-residence-ad-lib","program/alumni-in-residence-ad-lib",490,[],"4b819705-ea5b-4ac5-b24b-cd47ca031dc0","2022-02-14T17:52:25.167Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":12896,"etag":13013,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":13014,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":13015,"x-runtime":13016,"x-xss-protection":68},"W/\"2f4df5359cd13996f9d67f5b27c72891\"","0D2RU4pEik-_p4B1s0Y0t7AocLyPBp-hvMit_0FsWbrOyFa8LWhelA==","c7ba4c82-66ca-4162-acd5-aed19913dad5","0.049419",{"data":13018,"headers":13190},{"story":13019,"cv":43,"rels":13188,"links":13189},{"name":13020,"created_at":13021,"published_at":13022,"updated_at":13023,"id":13024,"uuid":13025,"content":13026,"slug":13181,"full_slug":13182,"sort_by_date":34,"position":13183,"tag_list":13184,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":13185,"first_published_at":13186,"release_id":34,"lang":41,"path":34,"alternates":13187,"default_full_slug":34,"translated_slugs":34},"Choreo-graphic Figures ","2022-01-04T15:02:35.380Z","2022-02-14T18:36:53.144Z","2022-02-14T18:36:53.174Z",95788167,"1f54d8a3-0159-4485-b04b-efdc368bd1d6",{"_uid":13027,"component":106,"propDateEnd":13028,"propCategory":12913,"propIsOnline":37,"propDateStart":21,"propMainContent":13029,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":13159,"propDateAndTimeOfOpening":13180},"94a72b7f-190b-4292-b5b8-3aace5485f94","2016-08-12 16:00",[13030],{"_uid":13031,"component":112,"propCredits":13032,"propEntryInMainContent":13041},"bb2a4498-7a7c-458f-a2f4-2abf4cbbe49b",{"type":114,"content":13033},[13034],{"type":117,"content":13035},[13036,13038,13039],{"text":13037,"type":129},"Photo 1: Choreo-graphic Figures",{"type":796},{"text":13040,"type":129},"Photo 2: Martina Lajczak",[13042,13048,13066,13072],{"_uid":13043,"component":2747,"propImage":13044,"propAltText":13047,"propCaption":21},"1dcab18a-0d45-460b-93bc-e773049d8e86",{"id":13045,"alt":21,"name":21,"focus":34,"title":21,"filename":13046,"copyright":21,"fieldtype":230},3592875,"https://a.storyblok.com/f/98682/1612x1076/fdd6482a56/01606_choreo-graphic-figures_summerlab_2016.png","performer on floor, sorting materials, holding sheets of paper",{"_uid":13049,"component":121,"propRichtext":13050},"fbef5b48-ee29-42f1-b75a-1d8d404de856",{"type":114,"content":13051},[13052,13056],{"type":117,"content":13053},[13054],{"text":13055,"type":129},"In conversation with ‘sputniks’ Alex Arteaga, Lilia Mestre, Christine de Smedt and guests, the lab will reflect on choreo-graphic qualities of translation processes, changes in perception and language forms. Expanding on previous research into forms of notation and ‘radical scores of attention’, the focus of this project will now be on experimental publication formats presented in different lectures, workshops and performances.",{"type":117,"content":13057},[13058,13060,13064],{"text":13059,"type":129},"In cooperation with AIL and ImPulsTanz Festival, the summer lab will take place in the context of the artistic research project ",{"text":13061,"type":129,"marks":13062},"Choreo-graphic Figures: Deviations from the Line",[13063],{"type":132},{"text":13065,"type":129}," by artist Nikolaus Gansterer, choreographer Mariella Greil and writer Emma Cocker. ",{"_uid":13067,"component":2747,"propImage":13068,"propAltText":13071,"propCaption":21},"ae2d94ad-a527-46a0-9934-10c9fa26f023",{"id":13069,"alt":21,"name":21,"focus":34,"title":21,"filename":13070,"copyright":21,"fieldtype":230},3592869,"https://a.storyblok.com/f/98682/801x1200/998536a2fb/laborplotzlichkeit_261016_martinalajczak-113.jpg","drawing materials sorted on floor",{"_uid":13073,"component":121,"propRichtext":13074},"3f69f99d-b743-49e1-907c-f79a279a4d79",{"type":114,"content":13075},[13076,13080,13085,13089,13093,13097,13101,13105,13110,13114,13118,13122,13126,13130,13134,13138,13143,13147,13151,13155],{"type":433,"attrs":13077,"content":13078},{"level":2758},[13079],{"text":3617,"type":129},{"type":433,"attrs":13081,"content":13082},{"level":2758},[13083],{"text":13084,"type":129},"FRIDAY LECTURES I",{"type":117,"content":13086},[13087],{"text":13088,"type":129},"22 July, 18:00",{"type":117,"content":13090},[13091],{"text":13092,"type":129},"two special guests of Intensive I will give public lectures at AILab, Vienna. Admission free.",{"type":117,"content":13094},[13095],{"text":13096,"type":129},"– Dieter Mersch: ‘Figuration/Defiguration. On the dialectics of Choreo-Graphy’",{"type":117,"content":13098},[13099],{"text":13100,"type":129},"– P. A. Skantze: ‘I’m A Strange Kind of In-Between Thing’",{"type":117,"content":13102},[13103],{"text":13104,"type":129},"Moderated by Chris Standfest (ImPulsTanz)+",{"type":433,"attrs":13106,"content":13107},{"level":2758},[13108],{"text":13109,"type":129},"FRIDAY LECTURES II",{"type":117,"content":13111},[13112],{"text":13113,"type":129},"29 July, 18:00",{"type":117,"content":13115},[13116],{"text":13117,"type":129},"two special guests of Intensive II will give public lectures at AILab, Vienna. Admission free.",{"type":117,"content":13119},[13120],{"text":13121,"type":129},"– Brandon LaBelle: ‘This Weakness That I Am’",{"type":117,"content":13123},[13124],{"text":13125,"type":129},"– Alva Noe: ‘Writing Ourselves’",{"type":117,"content":13127},[13128],{"text":13129,"type":129},"Moderated by Chris Standfest (ImPulsTanz),",{"type":117,"content":13131},[13132],{"text":13133,"type":129},"in conversation with the team and the guests of Choreo-graphic Figures research project.",{"type":117,"content":13135},[13136],{"text":13137,"type":129},"The PEEK-research project Choreo-graphic Figures by Emma Cocker, Nikolaus Gansterer and Mariella Greil is supported by the FWF Austrian Science Fund.",{"type":433,"attrs":13139,"content":13140},{"level":2758},[13141],{"text":13142,"type":129},"DURATIONAL PERFORMACE",{"type":117,"content":13144},[13145],{"text":13146,"type":129},"2 August, 16:00",{"type":117,"content":13148},[13149],{"text":13150,"type":129},"Choreo-graphic Figures: Body Diagrams",{"type":117,"content":13152},[13153],{"text":13154,"type":129},"Comprising performative, discursive and installation based elements, Choreo-graphic Figures: Body Diagrams unfolds as a six- hour durational Radical Score of Attention, where members of the public are invited to come and go, to dwell and linger.",{"type":117,"content":13156},[13157],{"text":13158,"type":129},"(Nikolaus Gansterer, Mariella Greil, Emma Cocker, Alex Arteaga, Lilia Mestre, Christine de Smedt, Jörg Piringer, Werner Moebius…)",[13160],{"_uid":13161,"component":221,"propColor":13162,"propSubheadline":13164,"propPreviewImage":13165,"propPreviewVideo":13168,"propMakeTextWhite":37,"propDescriptionLong":13169,"propMetaInformation":13170,"propMetadescription":21,"propDescriptionShort":21},"ad9d97b6-86ee-4960-8df9-ed83ea5a441c",{"_uid":13163,"color":2664,"plugin":225},"3a3a2a06-dbed-49aa-bc24-eb39e541c3bb","Summer Lab with artist Nikolaus Gansterer, choreographer Mariella Greil and writer Emma Cocker",{"id":13166,"alt":21,"name":21,"focus":34,"title":21,"filename":13167,"copyright":21,"fieldtype":230},3592860,"https://a.storyblok.com/f/98682/1920x1282/3e267eb7de/choreo-graphic-figures_summerlab_2016.png",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":230},"A cooperation of AIL and ImPulsTanz Festival in the context of the artistic research project Choreo-graphic Figures: Deviations from the Line \n",{"type":114,"content":13171},[13172],{"type":117,"content":13173},[13174],{"text":13175,"type":129,"marks":13176},"Choreo-graphic Figures",[13177],{"type":312,"attrs":13178},{"href":13179,"uuid":34,"anchor":34,"target":823,"linktype":485},"https://www.choreo-graphic-figures.net/","2016-07-06 10:00","choreo-graphic-figures-summerlab","program/choreo-graphic-figures-summerlab",910,[],"1ae264ea-b095-4914-93e9-c13ed25e6d31","2022-01-04T15:09:02.967Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":12896,"etag":13191,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":499,"x-amz-cf-id":13192,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":13193,"x-runtime":13194,"x-xss-protection":68},"W/\"16ecb4d89c1a0842691aa61d1698c137\"","zaeukVObWGDEO7Mz7ngOUIstyNpphe7xRbkXcltTLl6_sB0mIl7I9Q==","f939868e-c15f-4e9a-bc93-8a87c3eb7976","0.031296",{"data":13196,"headers":13269},{"story":13197,"cv":43,"rels":13267,"links":13268},{"name":13198,"created_at":13199,"published_at":13200,"updated_at":13201,"id":13202,"uuid":13203,"content":13204,"slug":13260,"full_slug":13261,"sort_by_date":34,"position":13262,"tag_list":13263,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":13264,"first_published_at":13265,"release_id":34,"lang":41,"path":34,"alternates":13266,"default_full_slug":34,"translated_slugs":34},"Alumni in Residence: HALL presents soft fizz","2022-01-11T13:56:42.280Z","2026-01-12T11:57:38.041Z","2026-01-12T11:57:38.053Z",97630835,"6e74ca27-bf85-4c11-899f-7320f8905eac",{"_uid":13205,"component":2699,"propCategory":4762,"propMainContent":13206,"propHeaderInformation":13248},"699c0ec2-c0a8-4df8-a2c1-5550a4148bf3",[13207],{"_uid":13208,"component":112,"propCredits":13209,"propEntryInMainContent":13221},"7aa5180b-f19d-46af-8817-f6f90940c9ab",{"type":114,"content":13210},[13211],{"type":117,"content":13212},[13213,13215],{"text":13214,"type":129},"Supported by ",{"text":13216,"type":129,"marks":13217},"ARTist –  graduate assocation of the University of Applied Arts Vienna",[13218],{"type":312,"attrs":13219},{"href":13220,"uuid":34,"anchor":34,"target":823,"linktype":485},"https://www.facebook.com/ARTistAlumni/",[13222,13225,13237],{"_uid":13223,"component":4788,"propVideoId":13224,"propVideoType":4925},"15fbef29-3e82-4860-911e-ecca5b6aeb36","423085555",{"_uid":13226,"component":121,"propRichtext":13227},"84e1f3ba-0594-45f7-ade0-999ca3f254b5",{"type":114,"content":13228},[13229],{"type":117,"content":13230},[13231,13235],{"text":13232,"type":129,"marks":13233},"HALL",[13234],{"type":132},{"text":13236,"type":129}," transfers the concept of their site-specific sound performance for the AIL to a video work. Step by step, the corners of an imaginary space are explored. Sound triggers images and actions generate sounds. Instruments, objects, light & fluids interrogate each other in the seminary-like concatenation of this probing.",{"_uid":13238,"component":121,"propRichtext":13239},"bcdf6b1e-4ad9-4dea-853f-b31a51bfb8a8",{"type":114,"content":13240},[13241],{"type":117,"content":13242},[13243,13246],{"text":13232,"type":129,"marks":13244},[13245],{"type":132},{"text":13247,"type":129}," combines visual and tonal strategies, deconstructs them and creates minimal performative sound settings from these fragments. Each performance is a new composition for the space in which it takes place. Synthesizers, rhythm machines, flame drones, flashes of light and fragments of speech, objects, smoke and silence combine to create a semi-narrative event.",[13249],{"_uid":13250,"component":221,"propColor":13251,"propSubheadline":13254,"propPreviewImage":13255,"propPreviewVideo":13256,"propMakeTextWhite":2834,"propDescriptionLong":21,"propMetaInformation":21,"propMetadescription":21,"propDescriptionShort":13259},"7fb61221-3472-45f9-977d-ae7de75efe69",{"_uid":13252,"color":13253,"plugin":225},"04bbcac4-b52b-48e7-aa0b-d8cde5ed5753","#5813e0","Launched in 2020 as part of AIL.alternate during Lockdown 01",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":230},{"id":13257,"alt":21,"name":21,"focus":34,"title":21,"filename":13258,"copyright":21,"fieldtype":230},3624210,"https://a.storyblok.com/f/98682/x/b394e0d7f8/hall.mp4","Video work by Benjamin Tomasi and Samuel Schaab aka HALL ","hall-presents-soft-fizz","explore/hall-presents-soft-fizz",520,[],"9c9fe120-1286-423e-8ff2-98a3c195f634","2022-01-24T09:44:04.000Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":12896,"etag":13270,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":13271,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":13272,"x-runtime":13273,"x-xss-protection":68},"W/\"3c4b020606fdb90c8e474306a41069a9\"","oFDf3tgpAtYC-uOsOUz8MWinEwyX5CTrbNs-zRud5wJgZK_FxeihtA==","8b597027-c2f3-4678-8adf-3de3aa9a0c48","0.017682",{"data":13275,"headers":13404},{"story":13276,"cv":43,"rels":13402,"links":13403},{"name":13277,"created_at":13278,"published_at":13279,"updated_at":13280,"id":13281,"uuid":13282,"content":13283,"slug":13396,"full_slug":13397,"sort_by_date":34,"position":35,"tag_list":13398,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":13399,"first_published_at":13400,"release_id":34,"lang":41,"path":34,"alternates":13401,"default_full_slug":34,"translated_slugs":34},"Exhibition View: Toxic Temple","2022-02-14T14:19:20.154Z","2026-01-12T11:20:25.390Z","2026-01-12T11:20:25.405Z",108429888,"8320635b-8f28-4cfe-88cb-550e3b5a7594",{"_uid":13284,"component":2699,"propCategory":3176,"propMainContent":13285,"propHeaderInformation":13383},"9c1beba9-6185-47bf-bda0-8455cb4eccad",[13286],{"_uid":13287,"component":112,"propCredits":13288,"propEntryInMainContent":13294},"bd003cb0-5157-4d98-af2e-74f98565a851",{"type":114,"content":13289},[13290],{"type":117,"content":13291},[13292],{"text":13293,"type":129},"Photos: Anna Lerchbaumer, Eva Weber, Eleni Boutsika Palles",[13295,13301,13306,13311,13316,13322,13327,13359,13367],{"_uid":13296,"component":2747,"propImage":13297,"propAltText":13300,"propCaption":21},"10c586be-e302-45c3-88ef-64e7d5608790",{"id":13298,"alt":21,"name":21,"focus":34,"title":21,"filename":13299,"copyright":21,"fieldtype":230},3937870,"https://a.storyblok.com/f/98682/5616x3744/870a417abb/20toxictemple_annalerchbaumer_200129-toxictemple-klein-7.jpg","installation view",{"_uid":13302,"component":2747,"propImage":13303,"propAltText":13300,"propCaption":21},"19110662-6866-42b5-ae40-aa47a0a4c2b4",{"id":13304,"alt":21,"name":21,"focus":34,"title":21,"filename":13305,"copyright":21,"fieldtype":230},3937874,"https://a.storyblok.com/f/98682/4296x2864/aa052e4813/20toxictemple_annalerchbaumer_200129-toxictemple-klein-8.jpg",{"_uid":13307,"component":2747,"propImage":13308,"propAltText":13300,"propCaption":21},"1ba82545-731c-4836-9710-d985914364b1",{"id":13309,"alt":21,"name":21,"focus":34,"title":21,"filename":13310,"copyright":21,"fieldtype":230},3937877,"https://a.storyblok.com/f/98682/4112x3088/f386ee0d5f/toxictemple_ansichten_eleniboutsika-palles_8.JPG",{"_uid":13312,"component":2747,"propImage":13313,"propAltText":13300,"propCaption":21},"9928faaa-d264-4b47-85ef-1b2a23f47bb0",{"id":13314,"alt":21,"name":21,"focus":34,"title":21,"filename":13315,"copyright":21,"fieldtype":230},3937884,"https://a.storyblok.com/f/98682/4112x3088/ca9d8b3d02/toxictemple_ansichten_eleniboutsika-palles_10.jpeg",{"_uid":13317,"component":2747,"propImage":13318,"propAltText":13321,"propCaption":21},"66f899df-6889-4445-b6bb-492ebc991706",{"id":13319,"alt":21,"name":21,"focus":34,"title":21,"filename":13320,"copyright":21,"fieldtype":230},3937887,"https://a.storyblok.com/f/98682/2624x3936/10b7d85922/tt_einweihung_evaweber62.JPG","opening performance",{"_uid":13323,"component":2747,"propImage":13324,"propAltText":13300,"propCaption":21},"911e1297-6fbb-48ad-9925-2b6d6f308633",{"id":13325,"alt":21,"name":21,"focus":34,"title":21,"filename":13326,"copyright":21,"fieldtype":230},3937890,"https://a.storyblok.com/f/98682/2624x3936/fafcfac39a/tt_einweihung_evaweber16.JPG",{"_uid":13328,"component":121,"propRichtext":13329},"246b0e3b-1604-4791-b2ed-55d46a997379",{"type":114,"content":13330},[13331,13339,13344,13349,13354],{"type":117,"attrs":13332,"content":13333},{"textAlign":34},[13334],{"text":13335,"type":129,"marks":13336},"Leached soils, acidified seas, polluted atmospheres. We are haunted by the repressed. We can no longer escape its poison. LET’S GET SICK WITH IT!",[13337],{"type":350,"attrs":13338},{"class":352},{"type":117,"attrs":13340,"content":13341},{"textAlign":34},[13342],{"text":13343,"type":129},"A shrine for the inner contradictions, absurdities and risks we are indulging into on a daily basis. A solidarization with the facts.",{"type":117,"attrs":13345,"content":13346},{"textAlign":34},[13347],{"text":13348,"type":129},"We enter wastelands instead of unspoiled soil and let the artifacts speak for themselves. Colourful assemblages of things that connect the known cosmos, shaky grounds of new divinity and acrid smells that carry us into the sublime. Landfills are the new temples. In a sadistic manner we inhale the here and now. Transformative forces are released. Free radicals. Rituals to unmask the chaos beneath the smooth surface.",{"type":117,"attrs":13350,"content":13351},{"textAlign":34},[13352],{"text":13353,"type":129},"What changes when we religiously worship the power of toxicity? Can a cosmic connection be achieved in our time of disaster through a cult of pollution?",{"type":117,"attrs":13355,"content":13356},{"textAlign":34},[13357],{"text":13358,"type":129},"In a processual exhibition, Anna Lerchbaumer and Kilian Jörg venerate the beauty of the oil stains, the sublimity of technoscrap, the enlightenment of radioactivity and the transcendence of extinction. Perhaps our new gods will be smelly zombies. LET`S MEET AT THE END OF THE WORLD and let’s dance in the intoxication of poisoning!",{"_uid":13360,"component":121,"propRichtext":13361},"5e0c2d99-bfaf-42b5-8b80-96c232101a7e",{"type":114,"content":13362},[13363],{"type":117,"content":13364},[13365],{"text":13366,"type":129},"Kilian Jörg is a philosopher and artist, nomadically traveling between Vienna, Berlin and Brussels. He is the founder of the collective philosophy unbound and is mainly concerned with ecological epistemology, as well as the transdisciplinary interfaces between philosophy and art. Latest publications: with Jorinde Schulz: The Club Machine (Berghain), Textem 2018; Backlash - Essays on the Resilience of Modernity, Textem Spring 2020.",{"_uid":13368,"component":121,"propRichtext":13369},"a3701e11-5320-45e6-881f-b5545713a719",{"type":114,"content":13370},[13371,13375,13379],{"type":117,"content":13372},[13373],{"text":13374,"type":129},"Sound and video artist Anna Lerchbaumer ( *1989 in Innsbruck, Austria) takes a humorous as well as critical approach to our technological developments. Anna creates sound performances and expansive installations in which sculptural aspects play an important role. She spans a field between visual art, music and performance. Objects become instruments, balloons become performers, and field recordings become spatial installations.",{"type":117,"content":13376},[13377],{"text":13378,"type":129},"An examination of the monstrous hopes we project into new technologies and an exploration of the artistic possibilities they offer. It makes the poetic audible and visible in the everyday and the inconspicuous. A change of perspective, a desecration of electrical devices and a way to loop around the big findings.",{"type":117,"content":13380},[13381],{"text":13382,"type":129},"Shaped by country air, technology and culture in constant exchange with friends, things and artists as well as a member of Anulla. Her work has been shown at the Galaxy Museum in China, Headquarters and Krinzinger Projects in Vienna, among others.",[13384],{"_uid":13385,"component":221,"propColor":13386,"propSubheadline":13389,"propPreviewImage":13390,"propPreviewVideo":13393,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":21,"propMetadescription":13394,"propDescriptionShort":13395},"da0e3e25-7b9d-4c97-97fb-b65b433eda94",{"_uid":13387,"color":13388,"plugin":225},"d64ac5f3-215a-4787-ae74-384d32434e07","#2bfeba","A processual exhibition by Kilian Jörg and Anna Lerchbaumer from 2020",{"id":13391,"alt":21,"name":21,"focus":34,"title":21,"filename":13392,"copyright":21,"fieldtype":230},3938073,"https://a.storyblok.com/f/98682/1920x3357/7c7c5a01d1/20toxictemple_annalerchbaumer_200129-toxictemple-klein-8.jpg",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":230},"Toxic Temple, Kilian Jörg, Anna Lerchbaumer","Alumni in Residence / Hosted by ARTist – Alumniverein der Universität für angewandte Kunst Wien","exhibition-view-toxic-temple","explore/exhibition-view-toxic-temple",[],"1db2345e-4346-4e91-a00a-54c061479789","2022-02-24T16:05:53.587Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":12896,"etag":13405,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":13406,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":13407,"x-runtime":13408,"x-xss-protection":68},"W/\"b84bd78d3ab4168756199fc5e4c52ac3\"","RfrUosDmN6SZJgpoWRygDWcWJn69gF6xUfgMq19wQiAbKFz5J4_3Ag==","0769e6da-5cca-4edf-a633-254e4e4bcdd4","0.022100",{"data":13410,"headers":13613},{"story":13411,"cv":43,"rels":13611,"links":13612},{"name":13412,"created_at":13413,"published_at":13414,"updated_at":13415,"id":13416,"uuid":13417,"content":13418,"slug":13604,"full_slug":13605,"sort_by_date":34,"position":13606,"tag_list":13607,"is_startpage":37,"parent_id":243,"meta_data":34,"group_id":13608,"first_published_at":13609,"release_id":34,"lang":41,"path":34,"alternates":13610,"default_full_slug":34,"translated_slugs":34},"May I introduce: Alien! ","2021-02-22T14:42:06.754Z","2022-03-02T11:43:03.017Z","2022-03-02T11:43:03.042Z",38559297,"16f13d05-000b-48cd-a969-fe551a5e0b00",{"_uid":13419,"component":106,"propDateEnd":13420,"propCategory":108,"propIsOnline":2834,"propDateStart":13421,"propMainContent":13422,"propLocationLink":13549,"propLocationName":13550,"propHeaderInformation":13551,"propDateAndTimeOfOpening":13603},"b8369c12-d2cd-419b-aa00-0c8431c77ff2","2020-07-22 23:59","2020-06-22 00:00",[13423],{"_uid":13424,"component":112,"propCredits":13425,"propEntryInMainContent":13466},"3c84fe61-9992-427e-837d-aa0fcde7ed8d",{"type":114,"content":13426},[13427,13451,13462],{"type":117,"content":13428},[13429,13433,13435,13441,13443,13449],{"text":13430,"type":129,"marks":13431},"May I introduce: Alien!",[13432],{"type":132},{"text":13434,"type":129}," is a project by ",{"text":13436,"type":129,"marks":13437},"Alexandra Fruhstorfer",[13438],{"type":312,"attrs":13439},{"href":13440,"uuid":34,"anchor":34,"target":823,"linktype":34},"https://www.instagram.com/alexandrafruhstorfer/",{"text":13442,"type":129}," and ",{"text":13444,"type":129,"marks":13445},"Lena Violetta Leitner",[13446],{"type":312,"attrs":13447},{"href":13448,"uuid":34,"anchor":34,"target":823,"linktype":34},"https://www.instagram.com/lenaviolettaleitner/",{"text":13450,"type":129}," in collaboration with Angewandte Innovation Lab in AIL.alternate mode. ",{"type":117,"content":13452},[13453,13455,13461],{"text":13454,"type":129},"It was featured as a part of the ",{"text":13456,"type":129,"marks":13457},"Angewandte Festival",[13458],{"type":312,"attrs":13459},{"href":13460,"uuid":34,"anchor":34,"target":823,"linktype":485},"https://angewandtefestival.at/",{"text":3783,"type":129},{"type":117,"content":13463},[13464],{"text":13465,"type":129},"Alexandra Fruhstorfer and Lena Violetta Leitner are alumni of Angewandte. ",[13467,13472,13484,13530],{"_uid":13468,"component":2747,"propImage":13469,"propAltText":21,"propCaption":21},"6c1a80bd-8a30-40d0-922a-082c07e5ce7b",{"id":13470,"alt":21,"name":21,"focus":34,"title":21,"filename":13471,"copyright":21,"fieldtype":230},1999851,"https://a.storyblok.com/f/98682/1604x1056/bf799fc2f9/exhibition-may-i-introduce-alien",{"_uid":13473,"component":121,"propRichtext":13474},"fb7e2a4d-c267-4495-bbc6-94e2c8dcb380",{"type":114,"content":13475},[13476,13480],{"type":117,"content":13477},[13478],{"text":13479,"type":129},"We share with you why migrated plants have to register at the integration centre and why it is a scandal that depressed orangutans do not possess e-cards. And that our houses are not equipped barrier-free for raccoons and pigs is simply outrageous!",{"type":117,"content":13481},[13482],{"text":13483,"type":129},"In our exhibition we build entanglements across the borders",{"_uid":13485,"component":121,"propRichtext":13486},"3442e57d-a0be-4733-afe4-9a820d39802a",{"type":114,"content":13487},[13488,13498,13502,13511,13520],{"type":117,"content":13489},[13490,13492,13496],{"text":13491,"type":129},"The exhibition was accompanied by a series of online talks, ",{"text":13493,"type":129,"marks":13494},"AILien Talk zwischen Wissenschaft und Kunst",[13495],{"type":132},{"text":13497,"type":129},".  All talks were held in English.",{"type":117,"content":13499},[13500],{"text":13501,"type":129},"Watch the talks here:",{"type":117,"content":13503},[13504],{"text":13505,"type":129,"marks":13506},"Von träumenden Fischen im Reagenzglas…",[13507,13510],{"type":312,"attrs":13508},{"href":13509,"uuid":34,"anchor":34,"target":823,"linktype":485},"https://youtu.be/bo87HEVSUho",{"type":132},{"type":117,"content":13512},[13513],{"text":13514,"type":129,"marks":13515},"Von Frauchen zu Herrchen – wer ist hier das Haustier?",[13516,13519],{"type":312,"attrs":13517},{"href":13518,"uuid":34,"anchor":34,"target":823,"linktype":485},"https://youtu.be/1Tnw7-lEdUk",{"type":132},{"type":117,"content":13521},[13522,13529],{"text":13523,"type":129,"marks":13524},"Serbische Affen und Japanische Knöteriche – hier spricht man Deutsch!",[13525,13528],{"type":312,"attrs":13526},{"href":13527,"uuid":34,"anchor":34,"target":823,"linktype":485},"https://youtu.be/1u_GOeXpoIA",{"type":132},{"type":796},{"_uid":13531,"component":121,"propRichtext":13532},"531674d5-8dc5-4269-835f-2281c9e854a3",{"type":114,"content":13533},[13534,13539,13544],{"type":433,"attrs":13535,"content":13536},{"level":2758},[13537],{"text":13538,"type":129},"An Online Exhibition ",{"type":433,"attrs":13540,"content":13541},{"level":2758},[13542],{"text":13543,"type":129},"Whether Bacteria, plants, humans or other animals – aliens welcome!",{"type":433,"attrs":13545,"content":13546},{"level":2758},[13547],{"text":13548,"type":129},"Open to all species.","https://mayiintroduce-alien.com/","mayiintroduce-alien.com",[13552],{"_uid":13553,"component":221,"propColor":13554,"propSubheadline":13557,"propPreviewImage":13558,"propPreviewVideo":13561,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":13562,"propMetadescription":21,"propDescriptionShort":13543},"5462314d-2ea3-4b2e-ab9f-62fdda9bcf7c",{"_uid":13555,"color":13556,"plugin":225},"6b31e11f-2d81-4901-a161-74467b0bb5c4","#e05281","Depressed monkeys and sensitive dodos",{"id":13559,"alt":21,"name":21,"focus":34,"title":21,"filename":13560,"copyright":21,"fieldtype":230},1849541,"https://a.storyblok.com/f/98682/1600x1062/fcba4b297f/ail-ailien-talk-zwischen-wissenschaft-und-kunst-serbische-affen-und-japanische-knoteriche-hier-spricht-man-deutsch-event-image.jpg",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":230},{"type":114,"content":13563},[13564],{"type":117,"content":13565},[13566,13568,13574,13576,13581,13582,13588,13589,13594,13595,13601],{"text":13567,"type":129},"Our interactive exhibition invites you to explore our ALIEN universe! Take a look at the projects of contributing artists ",{"text":13569,"type":129,"marks":13570},"Solmaz Farhang",[13571],{"type":312,"attrs":13572},{"href":13573,"uuid":34,"anchor":34,"target":823,"linktype":34},"https://mayiintroduce-alien.com/artists/solmazFarhang",{"text":13575,"type":129},", ",{"text":13436,"type":129,"marks":13577},[13578],{"type":312,"attrs":13579},{"href":13580,"uuid":34,"anchor":34,"target":823,"linktype":34},"https://mayiintroduce-alien.com/artists/alexandraFruhstorfer",{"text":13575,"type":129},{"text":13583,"type":129,"marks":13584},"Ege Kökel",[13585],{"type":312,"attrs":13586},{"href":13587,"uuid":34,"anchor":34,"target":823,"linktype":34},"https://mayiintroduce-alien.com/artists/egeKoekel",{"text":13575,"type":129},{"text":13444,"type":129,"marks":13590},[13591],{"type":312,"attrs":13592},{"href":13593,"uuid":34,"anchor":34,"target":823,"linktype":34},"https://mayiintroduce-alien.com/artists/violettaLeitner",{"text":13442,"type":129},{"text":13596,"type":129,"marks":13597},"Andrea Palašti",[13598],{"type":312,"attrs":13599},{"href":13600,"uuid":34,"anchor":34,"target":823,"linktype":34},"https://mayiintroduce-alien.com/artists/andreaPalasti",{"text":13602,"type":129}," through different lenses of observation.","2020-06-22 09:00","may-i-introduce-alien","program/may-i-introduce-alien",2140,[],"511cf377-e177-436c-961f-cbacec75167e","2021-03-02T17:37:20.000Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":2946,"etag":13614,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":618,"x-amz-cf-id":13615,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":13616,"x-runtime":13617,"x-xss-protection":68},"W/\"4c575314badf00249d72336450b7105e\"","XUIJgFkaF-zPVmmCIs0ZVsflpb6mqvI_m-gxN-bZDIMszeqvUV9j0A==","744dac8f-803e-42dd-b070-15960df5c986","0.032944",{"data":13619,"headers":13749},{"story":13620,"cv":43,"rels":13747,"links":13748},{"name":13621,"created_at":13622,"published_at":13623,"updated_at":13624,"id":13625,"uuid":13626,"content":13627,"slug":13740,"full_slug":13741,"sort_by_date":34,"position":13742,"tag_list":13743,"is_startpage":37,"parent_id":2843,"meta_data":34,"group_id":13744,"first_published_at":13745,"release_id":34,"lang":41,"path":34,"alternates":13746,"default_full_slug":34,"translated_slugs":34},"Exhibition View: Print Weekend III ","2022-02-14T15:25:23.547Z","2026-01-12T11:18:27.663Z","2026-01-12T11:18:27.677Z",108487844,"bdf47689-72e9-42da-af10-93ea66e690e2",{"_uid":13628,"component":2699,"propCategory":3176,"propMainContent":13629,"propHeaderInformation":13717},"0562c5df-ea1c-4a0e-88fc-51c44ed58180",[13630],{"_uid":13631,"component":112,"propCredits":13632,"propEntryInMainContent":13646},"65ebbe09-febe-4a9d-8b55-12337b4e61b6",{"type":114,"content":13633},[13634,13638,13642],{"type":117,"content":13635},[13636],{"text":13637,"type":129},"Curated by: Soybot ",{"type":117,"content":13639},[13640],{"text":13641,"type":129},"Concept and project management: Eva Weber",{"type":117,"content":13643},[13644],{"text":13645,"type":129},"Photos: Ludschi",[13647,13653,13659,13665,13671,13677,13683,13689,13705],{"_uid":13648,"component":2747,"propImage":13649,"propAltText":13652,"propCaption":21},"231d375c-eaa1-4902-a9cd-af53b045585b",{"id":13650,"alt":21,"name":21,"focus":34,"title":21,"filename":13651,"copyright":21,"fieldtype":230},4190909,"https://a.storyblok.com/f/98682/2048x1365/d8b107135a/img_7075ludschi_printweekend.jpg","entrance with open book boards",{"_uid":13654,"component":2747,"propImage":13655,"propAltText":13658,"propCaption":21},"e3aa79ac-d7d3-4453-a288-389185f01bb0",{"id":13656,"alt":21,"name":21,"focus":34,"title":21,"filename":13657,"copyright":21,"fieldtype":230},4190906,"https://a.storyblok.com/f/98682/1365x2048/84ce03955f/img_7045ludschi_printweekend.jpg","Wall with posters and prints",{"_uid":13660,"component":2747,"propImage":13661,"propAltText":13664,"propCaption":21},"3aec8d7d-405d-409a-acdd-d8d17b837f5c",{"id":13662,"alt":21,"name":21,"focus":34,"title":21,"filename":13663,"copyright":21,"fieldtype":230},4190901,"https://a.storyblok.com/f/98682/1024x1536/8c58a8ffd5/img_6996ludschi_printweekend.jpg","Huge publication by Max Freund",{"_uid":13666,"component":2747,"propImage":13667,"propAltText":13670,"propCaption":21},"317bfbc8-8662-4bf1-8359-83e429ee5634",{"id":13668,"alt":21,"name":21,"focus":34,"title":21,"filename":13669,"copyright":21,"fieldtype":230},4190911,"https://a.storyblok.com/f/98682/2048x1365/b249b92d25/img_7088ludschi_printweekend.jpg","full house and lots of discussions",{"_uid":13672,"component":2747,"propImage":13673,"propAltText":13676,"propCaption":21},"c67503bb-b3c1-43e3-97f7-f5503855f0c5",{"id":13674,"alt":21,"name":21,"focus":34,"title":21,"filename":13675,"copyright":21,"fieldtype":230},4190917,"https://a.storyblok.com/f/98682/2048x1365/563459e5f8/img_7068ludschi_printweekend.jpg","sellers reading their books",{"_uid":13678,"component":2747,"propImage":13679,"propAltText":13682,"propCaption":21},"f4690622-3178-46b8-a579-82752d5901c6",{"id":13680,"alt":21,"name":21,"focus":34,"title":21,"filename":13681,"copyright":21,"fieldtype":230},4190919,"https://a.storyblok.com/f/98682/2048x1365/afcdb90fc2/img_7064ludschi_printweekend.jpg","many guests in the space",{"_uid":13684,"component":2747,"propImage":13685,"propAltText":13688,"propCaption":21},"71aa3249-6965-4929-91d8-1a4460868828",{"id":13686,"alt":21,"name":21,"focus":34,"title":21,"filename":13687,"copyright":21,"fieldtype":230},4190923,"https://a.storyblok.com/f/98682/1365x2048/cad3bdb49a/img_7067ludschi_printweekend.jpg","seller behind his desk",{"_uid":13690,"component":121,"propRichtext":13691},"b5787793-a2d8-46cb-b271-eea94a728897",{"type":114,"content":13692},[13693,13700],{"type":433,"attrs":13694,"content":13695},{"level":435,"textAlign":34},[13696],{"text":8065,"type":129,"marks":13697},[13698],{"type":350,"attrs":13699},{"class":352},{"type":117,"attrs":13701,"content":13702},{"textAlign":34},[13703],{"text":13704,"type":129},"Döner Club, Franz the lonely Austrionaut, House Books, Hurrican Press, Kudla Werkstatt, Look back and laugh, MCSV, Poverty, Riso Paradiso, Soybot, uganda maszage books, Zina, and many more.",{"_uid":13706,"component":121,"propRichtext":13707},"c4c3a58d-b4bb-4ddb-96a6-e5319a5ad6ea",{"type":114,"content":13708},[13709,13713],{"type":117,"content":13710},[13711],{"text":13712,"type":129},"Print Weekend III: In Austria±s talent-crushing-machinery Vienna, we will host a special event on 24–25 Mar 2018. The focus will be on self-help comics and coaching illustrations. Together, we will immerse ourselves in the cozy world of color gradients, lost between self-publishing therapy and cosmic bodies, grasping for a sense of self, drinks included.",{"type":117,"content":13714},[13715],{"text":13716,"type":129},"UFO tourism and Riso print self-help group Soybot Brittenau will curate – boys and girls, prints and pleasure. Come and join us!",[13718],{"_uid":13719,"component":221,"propColor":13720,"propSubheadline":13723,"propPreviewImage":13724,"propPreviewVideo":13727,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":13728,"propMetadescription":13738,"propDescriptionShort":13739},"01ff5bcd-b490-4efb-ad66-5d03ac77abc0",{"_uid":13721,"color":13722,"plugin":225},"59076e91-acb6-4439-92c6-e363b5ca2cae","#66afe6","Self-Publishing Fair from 2018",{"id":13725,"alt":21,"name":21,"focus":34,"title":21,"filename":13726,"copyright":21,"fieldtype":230},4190844,"https://a.storyblok.com/f/98682/1646x2881/11d2e62b77/img_7054ludschi_printweekend-kopie.jpg",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":230},{"type":114,"content":13729},[13730],{"type":117,"content":13731},[13732],{"text":13733,"type":129,"marks":13734},"About Soybot",[13735],{"type":312,"attrs":13736},{"href":13737,"uuid":34,"anchor":34,"target":823,"linktype":485},"http://soybot.org/","Soybot, Print Weekend, Self Publishing","Hosted and curated by Micro-publishing house Soybot ","exhibition-view-print-weekend-iii","explore/exhibition-view-print-weekend-iii",60,[],"7b5610c0-72cc-445c-a17e-1864ee70baff","2022-03-31T09:50:45.561Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":2946,"etag":13750,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":13751,"x-amz-cf-pop":61,"x-cache":1071,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":13752,"x-runtime":13753,"x-xss-protection":68},"W/\"12e1513960eb873eceb3cfdae3f44810\"","Pl71RMAVYqyDOQTx_qF_Rv6xKmi9rLBrV_tpKqpdkraULbFiLERtQw==","79e261fa-ff85-4d80-bcc0-9e440c0e507a","0.030772",{"left":38,"top":38,"width":13755,"height":13756,"rotate":38,"vFlip":37,"hFlip":37,"body":13757},17.1886,11.668,"\u003Cpath d=\"M3.1879,7.0856,3.1872,4.5845l14.0014.0008v2.5Z\" style=\"fill:#0c1208\"/>\u003Cpath d=\"M0,11.5524.0007.1177,2.5017.1163,2.5,11.5538Z\" style=\"fill:#0c1208\"/>\u003Cpath d=\"M3.8543,3.9188l5.6222,6.2658L7.8825,11.78,1.9384,5.8334Z\" style=\"fill:#0c1208\"/>\u003Cpath d=\"M1.9384,5.8361,7.8825-.1107l1.594,1.5955L3.8543,7.7506Z\" style=\"fill:#0c1208\"/>",{"left":38,"top":38,"width":13759,"height":13756,"rotate":38,"vFlip":37,"hFlip":37,"body":13760},15.2502,"\u003Cpath d=\"M1.25,7.0852l-.0007-2.501L15.25,4.5849v2.5Z\" style=\"fill:#0c1208\"/>\u003Cpath d=\"M1.916,3.9185l5.6222,6.2658L5.9441,11.78,0,5.833Z\" style=\"fill:#0c1208\"/>\u003Cpath d=\"M0,5.8357,5.9441-.1111,7.5382,1.4845,1.916,7.75Z\" style=\"fill:#0c1208\"/>",{"left":38,"top":38,"width":13759,"height":13756,"rotate":38,"vFlip":37,"hFlip":37,"body":13762},"\u003Cpath d=\"M14.0007,4.5835l.0007,2.501L0,7.0838v-2.5Z\" style=\"fill:#0c1208\"/>\u003Cpath d=\"M13.3343,7.75,7.7121,1.4845,9.3061-.1111,15.25,5.8357Z\" style=\"fill:#0c1208\"/>\u003Cpath d=\"M15.25,5.833,9.3061,11.78l-1.594-1.5955,5.6222-6.2658Z\" style=\"fill:#0c1208\"/>",1779371536659]