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SYSTEMS","2023-06-27T14:56:04.786Z","2025-04-29T10:31:20.569Z","2025-12-16T12:45:43.926Z",331865261,"db6e4bdc-cba7-4734-b146-4b2a8beed01e",{"_uid":105,"component":106,"propCategory":107,"propMainContent":108,"propHeaderInformation":214},"06e42f0d-4bf6-4c09-87e6-6ba0cd5e3af5","Page_Detailseite_Explore","news",[109],{"_uid":110,"component":111,"propCredits":112,"propEntryInMainContent":124},"5af2cc2d-a177-4f15-8372-7af8f49ffa9b","Component_PageDetails_MainContent",{"type":113,"content":114},"doc",[115],{"type":116,"content":117},"paragraph",[118],{"text":119,"type":120,"marks":121},"This arts-based research project is funded by FWF PEEK DOI: 10.55776/AR 776","text",[122],{"type":123},"bold",[125,134,146,161,173,181,190,198,206],{"_uid":126,"component":127,"propRichtext":128},"5b9e0b12-a482-4a3e-b883-6f3674c76eef","Component_Nested_Richtext",{"type":113,"content":129},[130],{"type":116,"content":131},[132],{"text":133,"type":120},"The artist and researcher duo MUELLER-DIVJAK (Dr. Jeanette Müller and Dr. Paul Divjak), who conceived and initiated SENSING LIVING SYSTEMS, is working at the Angewandte Interdisciplinary Lab / University of Applied Arts (project leader: Mag. Alexandra Graupner) with international artists and systems scientists to form experiential spaces by artistic means (scenographies)  and to create sensory impressions that help us to better understand and resonate with living systems. ",{"_uid":135,"component":127,"propRichtext":136},"8ea43fd0-c3c6-4eaf-a50c-6cac26d2ddb5",{"type":113,"content":137},[138,142],{"type":116,"content":139},[140],{"text":141,"type":120},"During the project essential principles of living systems will be transformed into olfactory, auditory and tactile artworks / artefacts and used experimentally.",{"type":116,"content":143},[144],{"text":145,"type":120},"The result of SENSING LIVING SYSTEMS is supposed to be a multisensory scenography that can be utilized in different places and that enables an embodied learning experience for diverse users, so that they can perceive themselves as a living system, capable of taking action, embedded in living systems. This also in terms of a systemic change – on an individual, societal and structural level – for the implementation and achievement of the Sustainable Development Goals / SDGs, which represent a universal compass for the shaping of a life-affirming social, ecological and economic transformation of our world.",{"_uid":147,"component":127,"propRichtext":148},"885329f5-ae1d-4114-8016-ff4160e73fbc",{"type":113,"content":149},[150,157],{"type":151,"attrs":152,"content":154},"heading",{"level":153},4,[155],{"text":156,"type":120},"‘Through meditation and art, we can connect with our mother earth and reaffirm our cooperative nature, recognizing the environment as part of ourselves.’ ",{"type":116,"content":158},[159],{"text":160,"type":120},"(Sulak Sivaraksa – The Wisdom of Sustainability, 2009) ",{"_uid":162,"component":127,"propRichtext":163},"267950a3-9323-4ed9-94b7-2de762c49260",{"type":113,"content":164},[165,169],{"type":116,"content":166},[167],{"text":168,"type":120},"We live in a world that is permeated by systems, whether in nature, technology, business or society. A deep understanding of systems is crucial to solving complex problems, making better decisions, anticipating future developments, coping with change and creating a sustainable future. ",{"type":116,"content":170},[171],{"text":172,"type":120},"It is important to understand that everything in our world is part of a larger system and is interrelated, from biological cells, humans and animals to trees and governments. We have an innate ability to perceive systems and their interdependencies, but often unlearn this through linear thinking, fragmented perception and mechanistic world views. ",{"_uid":174,"component":127,"propRichtext":175},"2717ce63-0295-46d5-b643-d36658a29747",{"type":113,"content":176},[177],{"type":116,"content":178},[179],{"text":180,"type":120},"The project explores – with a special focus on the senses of smell, hearing and touch – how direct sensory experiences by staging olfactory, auditory and haptic artworks and stimuli artistically, i.e. by way of specially arranged spaces, can contribute to heightening our awareness of nature and to developing a deep understanding of living systems and imparting systems literacy. 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They are characterized by complex interactions and adaptive mechanisms. Their study allows for a better understanding of life on various levels and provides critical insights for addressing global challenges.",{"_uid":207,"component":127,"propRichtext":208},"87eaceee-c440-4513-b086-138f4d73d6f5",{"type":113,"content":209},[210],{"type":116,"content":211},[212],{"text":213,"type":120},"The SENSING LIVING SYSTEMS project is based on the General Systems Theory (GST), developed by by Austrian-American biologist Ludwig von Bertalanffy in the 1940s. GST is an interdisciplinary framework that seeks to identify common principles across all types of systems. It emphasizes a holistic approach, viewing systems as more than the sum of their parts, with a focus on the interactions and relationships between components. It applies to open (living) systems that interact with their environment, enabling self-organization, adaptation, and the pursuit of goals. 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",{"type":116,"attrs":342,"content":343},{"textAlign":34},[344],{"text":345,"type":120},"Living systems exist in constant exchange and ongoing interaction with their environments, continuously transforming themselves in the process. ",{"type":116,"attrs":347,"content":348},{"textAlign":34},[349],{"text":350,"type":120},"By listening also to the sounds of more-than-human nature, we may begin to perceive these dynamic relationships more consciously – and perhaps sense new forms of resonance, and connectedness.",{"_uid":352,"component":183,"propImage":353,"propAltText":357,"propCaption":358},"1c479fa0-442b-47c6-b4a1-f319aae5e91e",{"id":354,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":355,"copyright":21,"fieldtype":187,"meta_data":356,"is_external_url":37},153020951282589,"https://a.storyblok.com/f/98682/3024x4032/e0eac55746/twimr_1_-c-mueller-divjak.jpeg",{},"grey voting box standing in wooden cabin in cashier cabin","Installation view, main cabin, cashier hall, Otto Wagner-Postsparkasse",{"_uid":360,"component":127,"propRichtext":361},"bb5a7945-bff6-4078-8b02-1a47fdebe2ff",{"type":113,"content":362},[363,368,373],{"type":116,"attrs":364,"content":365},{"textAlign":34},[366],{"text":367,"type":120},"THE WORLD IN MY ROOM provides a scenographic listening laboratory, a space for pausing and perceiving reciprocal influences through sound.",{"type":116,"attrs":369,"content":370},{"textAlign":34},[371],{"text":372,"type":120},"The sounds originate from various contexts of the artistic research project SENSING LIVING SYSTEMS. They do not form a narrative, but an open, non-linear field of experience – a multi-layered acoustic space between inside and outside, near and far, the personal and the shared. THE WORLD IN MY ROOM explores listening as an embodied and relational practice. 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The main cabin in the former cashier hall of Otto Wagner Postsparkasse offers a special opportunity to give insights to processes and activities of SENSING LIVING SYSTEMS. For the first time, the historical cabin in the hall is used for ongoing artistic installations to make methods more visible, relatable and comprehensible for a public broad audience. 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They can be influenced in thriving directions if we try to understand their inner nature, their inherent rules, trying to understand them deeply, with all our senses. We can gently poke, stimulate them. We can rethink and shift our ideas about boundaries – and also enlarge our circles of empathy and care towards non-human and more-than-human nature.",{"_uid":497,"component":127,"propRichtext":498},"762ff308-fe3b-4b48-b2d8-4744deb8de82",{"type":113,"content":499},[500],{"type":116,"attrs":501,"content":502},{"textAlign":34},[503],{"text":504,"type":120,"marks":505},"This multisensory installation offers an instant sensual glimpse into the research process, and possibly pokes awareness concerning living systems.",[506],{"type":321,"attrs":507},{"class":323},{"_uid":509,"component":183,"propImage":510,"propAltText":514,"propCaption":21},"74d84eb0-7cfd-4e8e-8930-4d6aec1d30b2",{"id":511,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":512,"copyright":21,"fieldtype":187,"meta_data":513,"is_external_url":37},118334413519576,"https://a.storyblok.com/f/98682/2688x3181/9e1fb1a792/sls_nov_2.jpg",{},"Installation view, objects in the main counter of the cashier hall: Tree trunk standing on a pedestal",{"_uid":516,"component":127,"propRichtext":517},"52264cf8-c305-4353-9329-14829b669477",{"type":113,"content":518},[519],{"type":116,"attrs":520,"content":521},{"textAlign":34},[522,524,529],{"text":523,"type":120},"The staging of the so-called ’Poking Poles’ uses symbolic and written language as a means for data transfer. The words, phrases, and sentences inscribed on the surfaces of the artifacts, together with the fragile and ephemeral terms formed of powder on the floor, articulate and transmit findings that have emerged from the arts-based research project SENSING LIVING SYSTEMS. In particular, those from the workshops conducted in Europe and Southeast Asia, based on the ",{"text":525,"type":120,"marks":526},"General Systems Theory ",[527],{"type":528},"italic",{"text":530,"type":120},"(Bertalanffy, 1968). Branches, collected in the woods and coasts at Songkhla (Gulf of Thailand) as well as boughs from the Vienna woods (Wienerwald), have been plastered, and labeled with black permanent marker, and arranged as a kind of magic forest of experience.",{"_uid":532,"component":127,"propRichtext":533},"647233af-02c6-4c10-b7ef-9595260fcc19",{"type":113,"content":534},[535],{"type":116,"attrs":536,"content":537},{"textAlign":34},[538],{"text":539,"type":120},"Inside a hollow tree trunk you find inscribed essences of knowledge about living systems – quotations from systems scientists and members of our artistic research team. Visitors are invited to reach inside and take a note. They can get in touch with the artists via the QR code on the back of the note to share their experience.",{"_uid":541,"component":183,"propImage":542,"propAltText":546,"propCaption":21},"ab0ac8b9-0d2d-4bec-acf9-5a424f373f6d",{"id":543,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":544,"copyright":21,"fieldtype":187,"meta_data":545,"is_external_url":37},118334413421271,"https://a.storyblok.com/f/98682/2657x3515/d7301106e9/sls_nov.jpg",{},"Hand reaching into the hole of an empty tree trunk",{"_uid":548,"component":127,"propRichtext":549},"75569d25-e815-4898-8276-bdddfa52ad67",{"type":113,"content":550},[551],{"type":116,"attrs":552,"content":553},{"textAlign":34},[554],{"text":555,"type":120},"On the acoustic level, a barely perceptible sound can be heard. Composed of field recordings capturing the purring of two kittens (20–30 vibrations per second; 27–44 Hz) the origin of the vibration tones and their physiological circumstances have not yet been precisely explained scientifically. If we humans had the ability to purr, would we be able to sooth or eventually heal ourselves?",{"_uid":557,"component":127,"propRichtext":558},"b006a219-1677-4ab9-883d-b9bbf9bd4368",{"type":113,"content":559},[560],{"type":116,"attrs":561,"content":562},{"textAlign":34},[563,565,570],{"text":564,"type":120},"Olfactorily, the subtle aroma of Hedione",{"text":566,"type":120,"marks":567}," ",[568],{"type":569},"superscript",{"text":571,"type":120},"(Methyl dihydrojasmonate), an aroma-chemical reminiscent of Jasmine notes, often used in perfumery for its sparkling and enhancing effects, lingers in the air. Studies have shown that Hedione activates the human pheromone receptor VN1R1, and we suggest that it may hold the potential to evoke feelings of trust and connectedness.",{"_uid":386,"component":127,"propRichtext":573},{"type":113,"content":574},[575],{"type":116,"attrs":576,"content":577},{"textAlign":34},[578],{"text":393,"type":120},{"_uid":395,"component":127,"propRichtext":580},{"type":113,"content":581},[582],{"type":399,"content":583},[584],{"type":116,"content":585},[586],{"text":587,"type":120},"Since fall 2023 AIL is part of the research project SENSING LIVING SYSTEMS together with the artist duo MUELLER-DIVJAK. The Otto Wagner Cashier Hall offers a special opportunity to give insights to processes and activities of SENSING LIVING SYSTEMS. For the first time, the historical cabin in the hall is used for ongoing artistic installations to make methods more visible, relatable and comprehensible for a public audience. As the cabin is surrounded by a broad audience coming together in the cashier hall, it offers a chance to gather feedback and reactions to the project and the specific stages of studies that will be incorporated into the project outcome.",[589],{"_uid":408,"component":217,"propColor":590,"propSubheadline":412,"propPreviewImage":592,"propPreviewVideo":596,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":598,"propMetadescription":21,"propDescriptionShort":601},{"_uid":410,"color":591,"plugin":221},"#52e078",{"id":593,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":594,"copyright":21,"fieldtype":187,"meta_data":595,"is_external_url":37},108459557797000,"https://a.storyblok.com/f/98682/1920x2272/7e78f3a22b/img_7837-kopie.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":597},{},{"type":113,"content":599},[600],{"type":116},"Series of Scenographic Studies / Part VII, Nov 2025–Mar 2026","2025-11-02 10:00","poking-systems-celebrating-synfluence","program/poking-systems-celebrating-synfluence",-650,[],"03a52e5a-8cc5-482c-b39c-c2ed2328e106","2025-11-03T11:22:05.619Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":262,"etag":613,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":614,"x-amz-cf-id":615,"x-amz-cf-pop":61,"x-cache":265,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":616,"x-runtime":617,"x-xss-protection":68},"W/\"c1b05165bee1f23513a2f5daa93ca0df\"","1.1 5d232f4912a063134dc9f5c99ee35f6c.cloudfront.net (CloudFront)","zCOuODjp-kbMz7hkf107LnVw__vFIo9EsQdTV2BvrcRDMPqEblhCzQ==","a1da068a-8663-4d2f-9596-6233e067cf7d","0.034539",{"data":619,"headers":742},{"story":620,"cv":43,"rels":740,"links":741},{"name":621,"created_at":622,"published_at":623,"updated_at":624,"id":625,"uuid":626,"content":627,"slug":734,"full_slug":735,"sort_by_date":34,"position":253,"tag_list":736,"is_startpage":37,"parent_id":428,"meta_data":34,"group_id":737,"first_published_at":738,"release_id":34,"lang":41,"path":34,"alternates":739,"default_full_slug":34,"translated_slugs":34},"SΫS DANCE: Sound and scent installation","2025-06-10T11:09:57.027Z","2026-01-12T14:05:22.277Z","2026-01-12T14:05:22.290Z",685491301,"9b9675f7-49dd-4092-8930-f32f45288c33",{"_uid":278,"component":279,"propDateEnd":628,"propCategory":281,"propIsOnline":37,"propDateStart":21,"propMainContent":629,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":719,"propDateAndTimeOfOpening":733},"2025-10-31 17:00",[630],{"_uid":284,"component":111,"propCredits":631,"propEntryInMainContent":641},{"type":113,"content":632},[633,640],{"type":116,"content":634},[635],{"text":291,"type":120,"marks":636},[637,638],{"type":123},{"type":294,"attrs":639},{"color":296},{"type":116},[642,652,666,673,685,697,711],{"_uid":643,"component":127,"propRichtext":644},"386bc457-6143-475c-9413-f104a462ab3e",{"type":113,"content":645},[646],{"type":116,"content":647},[648],{"text":649,"type":120,"marks":650},"Please note: this installation and the cashier hall are closed in August. ",[651],{"type":528},{"_uid":653,"component":127,"propRichtext":654},"b9a7f5c0-ef95-416a-971d-7639b715a0fb",{"type":113,"content":655},[656],{"type":399,"content":657},[658,662],{"type":116,"content":659},[660],{"text":661,"type":120},"We are all living systems: sensitive beings embedded in and connected to other living Systems. The art-based research project SENSING LIVING SYSTEMS (SLS) explores how sensory experiences – especially through smell, touch and sound – can foster a deeper awareness of our interconnected world and provide an understanding of ­living, complex ­systems – whether in nature, society or art.",{"type":116,"content":663},[664],{"text":665,"type":120},"The work of the artist duo MUELLER-DIVJAK has given emergence to an as yet intangible being called SΫS. A mythological and at the same time contemporary real being, who has developed systems awareness. An embodiment that can cope with diverse developments and crises in the socio-, eco- and  techno-spheres and with a wide variety of people and entities – and takes great pleasure in life itself.",{"_uid":667,"component":183,"propImage":668,"propAltText":672,"propCaption":21},"ea208ea9-029b-4cdc-851e-4c2c2c024284",{"id":669,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":670,"copyright":21,"fieldtype":187,"meta_data":671,"is_external_url":37},23158521,"https://a.storyblok.com/f/98682/480x640/d91e2e1bc2/sys_dance.jpeg",{},"View into central counter at former Kassenhalle, disco ball with colorful lights.",{"_uid":674,"component":127,"propRichtext":675},"b68af522-7fbe-48fd-8eec-3fdbde643518",{"type":113,"content":676},[677,681],{"type":116,"content":678},[679],{"text":680,"type":120},"2,367 people took part in the scent-based vote which was the fifth installation in the Series of Scenographic Studies ‘Conception of SΫS – THE SMELL OF A MYSTERIOUS BEING’, primarily at AIL Vienna, but also at MIT Boston, the SAR Artistic Research Conference in Porto, the Austrian Embassy in Bangkok, the Songkhla Art Centre (TH) and other temporary voting booths. Visitors responded to the prompt: ‘Imagine a being that knows and feels everything about connectedness and interactions. How would it smell like?’ Voters were able to choose one of six specially composed smells.",{"type":116,"content":682},[683],{"text":684,"type":120},"The voting results are now presented in the sixth multisensory installation ‘SΫS DANCE’ – the SΫS dance floor – which smells and sounds like SΫS. The scent installation introduces the favourite of the international electorate. Informed by the latest advancements in generative AI, the sound artist collective of the SLS-research-team aka THE LIVING SYSTEMS meticulously experiments with the dynamic interplay between human and the machine, interrogating (co-)agency, and expanding arts-based research.",{"_uid":686,"component":127,"propRichtext":687},"185d1193-8926-46af-9b22-90ea14baa8ef",{"type":113,"content":688},[689,693],{"type":116,"content":690},[691],{"text":692,"type":120},"The lyrics of the four different tracks are based on poetic interpretations of systems theory and quotes from the Systems Awareness Conference at MIT (2025). The tracks, presented as house and electroclash artefacts in the staged mini club, take up the idea of emerging SΫS beings and explore spaces of (co-)existence. ",{"type":116,"content":694},[695],{"text":696,"type":120},"SΫS DANCE is an invitation to immerse yourself into scent and sound, into a human and not-just-human world – for a dance and embodied experience that celebrate connectedness and empathy. Get yourself connected!",{"_uid":386,"component":127,"propRichtext":698},{"type":113,"content":699},[700,703,707],{"type":116,"content":701},[702],{"text":393,"type":120},{"type":116,"content":704},[705],{"text":706,"type":120},"Special thanks to Michael Ellinger",{"type":116,"content":708},[709],{"text":710,"type":120},"Sounds and scents by MUELLER-DIVJAK",{"_uid":395,"component":127,"propRichtext":712},{"type":113,"content":713},[714],{"type":399,"content":715},[716],{"type":116,"content":717},[718],{"text":587,"type":120},[720],{"_uid":408,"component":217,"propColor":721,"propSubheadline":412,"propPreviewImage":723,"propPreviewVideo":727,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":729,"propMetadescription":21,"propDescriptionShort":732},{"_uid":410,"color":722,"plugin":221},"#d752e0",{"id":724,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":725,"copyright":21,"fieldtype":187,"meta_data":726,"is_external_url":37},23158558,"https://a.storyblok.com/f/98682/1920x2560/d53679760d/sys_dance_cover.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":728},{},{"type":113,"content":730},[731],{"type":116},"Series of Scenographic Studies / Part VI, Jun – Oct 2025 ","2025-09-01 09:00","sys-dance-sound-and-scent-installation","program/sys-dance-sound-and-scent-installation",[],"fb20bb0d-b944-4743-abad-12b5184dbe5f","2025-06-10T11:13:53.527Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":262,"etag":743,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":744,"x-amz-cf-id":745,"x-amz-cf-pop":61,"x-cache":265,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":746,"x-runtime":747,"x-xss-protection":68},"W/\"9fbc54db45cb2050590d334b80d9af37\"","1.1 01b09081d99761c658516f44f9a67b8a.cloudfront.net (CloudFront)","w7nWuqKH9t2152x8cefybN06kzZyq-yRSWEOPJEP3474FvElnvzLTQ==","0d0c27c0-69e0-40e6-8daf-4bbb905dd0c2","0.026138",{"data":749,"headers":850},{"story":750,"cv":43,"rels":848,"links":849},{"name":751,"created_at":752,"published_at":753,"updated_at":754,"id":755,"uuid":756,"content":757,"slug":841,"full_slug":842,"sort_by_date":34,"position":843,"tag_list":844,"is_startpage":37,"parent_id":428,"meta_data":34,"group_id":845,"first_published_at":846,"release_id":34,"lang":41,"path":34,"alternates":847,"default_full_slug":34,"translated_slugs":34},"Smell Talk Dance","2025-05-13T13:12:59.549Z","2026-01-12T13:07:46.003Z","2026-01-12T13:07:46.018Z",669749258,"eb61bdb2-fa90-4833-a1d7-80a2e3e84324",{"_uid":758,"component":279,"propDateEnd":759,"propCategory":281,"propIsOnline":37,"propDateStart":21,"propMainContent":760,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":818,"propDateAndTimeOfOpening":840},"eb9fce8b-521d-4940-9c14-f6658ffd9e8a","2025-06-12 18:00",[761],{"_uid":762,"component":111,"propCredits":763,"propEntryInMainContent":769},"cca1ffa8-b7e1-4a25-bfbf-67a34e2aab34",{"type":113,"content":764},[765],{"type":116,"content":766},[767],{"text":768,"type":120},"The artist and researcher duo MUELLER-DIVJAK (Dr. Jeanette Müller and Dr. Paul Divjak), who conceived and initiated SENSING LIVING SYSTEMS, is working at the Angewandte Interdisciplinary Lab / University of Applied Arts (project leader: Mag. Alexandra Graupner) with international artists and systems scientists to form experiential spaces by artistic means (scenographies) and to create sensory impressions that help us to better understand and resonate with living systems.",[770,776,795],{"_uid":771,"component":183,"propImage":772,"propAltText":21,"propCaption":21},"bbfcd08d-ea9b-4eef-ab30-24e2ddadde14",{"id":773,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":774,"copyright":21,"fieldtype":187,"meta_data":775,"is_external_url":37},22222665,"https://a.storyblok.com/f/98682/1600x1210/c778fc68e3/sys-dance-c-mueller-divjak.jpeg",{},{"_uid":777,"component":127,"propRichtext":778},"2ca24b67-f5c2-4a83-9e3c-e2630efc7462",{"type":113,"content":779},[780,785,790],{"type":116,"attrs":781,"content":782},{"textAlign":34},[783],{"text":784,"type":120},"We are all living systems: sensitive beings embedded in and connected to other living systems. The art-based research project SENSING LIVING SYSTEMS by artist duo MUELLER-DIVJAK, explores how sensory experiences – particularly through smell, touch and sound; can foster a deeper awareness of our interconnected world and provide an understanding of living, complex systems – whether in nature, society or art.",{"type":116,"attrs":786,"content":787},{"textAlign":34},[788],{"text":789,"type":120},"2,367 people took part in our scent-based polls during our fifth installation of our Series of Scenographic Studies ‘Conception of SΫS – THE SMELL OF A MYSTERIOUS BEING’, at AIL Vienna, MIT Boston, the SAR Artistic Research Conference in Porto, the Austrian Embassy in Bangkok and the Songkhla Art Centre (TH), among others. They responded to the prompt: “Imagine a being that knows and feels everything about connectedness and interactions. How would it smell like? – Please vote for a scent.”",{"type":116,"attrs":791,"content":792},{"textAlign":34},[793],{"text":794,"type":120}," ",{"_uid":796,"component":127,"propRichtext":797},"4b585838-a4f4-4a01-8bf5-592e0575aa19",{"type":113,"content":798},[799,804,809,814],{"type":116,"attrs":800,"content":801},{"textAlign":34},[802],{"text":803,"type":120},"With Smell Talk Dance MULLER-DIVJAK invites you to an evening of collective sensing, dialogue, and celebration. Alongside the presentation of the voting results, discover the various SYS-smells for the last time, join an experimental panel talk with the project team, and learn more about SENSING LIVING SYSTEMS and the SYS perspective. We invite you to smell, sense, ask questions, share your thoughts, dance and engage with the project, the multisensory installation, and the themes it raises. The emerging presence of SYS—the imagined being of embodied systems awareness—is both welcomed and anticipated.",{"type":116,"attrs":805,"content":806},{"textAlign":34},[807],{"text":808,"type":120}," In addition, the sixth part of the Series of Scenographic Studies ‘Sys Dance’ will be presented and ceremoniously opened with SYS-inspired tracks, a dance floor and a smellscape created from the favorite scents of the international electorate.",{"type":116,"attrs":810,"content":811},{"textAlign":34},[812],{"text":813,"type":120}," Let’s gather to smell, talk, and dance together!",{"type":116,"attrs":815,"content":816},{"textAlign":34},[817],{"text":794,"type":120},[819],{"_uid":820,"component":217,"propColor":821,"propSubheadline":823,"propPreviewImage":824,"propPreviewVideo":828,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":830,"propMetadescription":21,"propDescriptionShort":839},"d8ead459-0788-4245-bf1d-77f60e0a4d61",{"_uid":822,"color":722,"plugin":221},"abf41bca-3429-458d-908d-03335bf139b6","Scenographic Studies of the artistic research project SENSING LIVING SYSTEMS",{"id":825,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":826,"copyright":21,"fieldtype":187,"meta_data":827,"is_external_url":37},22222690,"https://a.storyblok.com/f/98682/1920x2539/8eae4873ba/sys-dance-c-mueller-divjak-kopie.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":829},{},{"type":113,"content":831},[832],{"type":116,"content":833},[834],{"text":835,"type":120,"marks":836},"More info about the research project",[837],{"type":235,"attrs":838},{"href":247,"uuid":248,"anchor":34,"target":238,"linktype":249},"Multisensory presentation and discussion","2025-06-12 16:30","smell-talk-dance","program/smell-talk-dance",-1130,[],"31e0810b-b68a-4cc8-b7d6-e6676b98767e","2025-05-13T13:19:06.769Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":851,"etag":852,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":744,"x-amz-cf-id":853,"x-amz-cf-pop":61,"x-cache":265,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":854,"x-runtime":855,"x-xss-protection":68},"Thu, 21 May 2026 13:51:50 GMT","W/\"6f85a234d9fb36053396b2cf944a3c56\"","HMiZy6L0jHHi9FjbxxmcUwpLlxAxidzOTz4b5nTP_l-wXMwGEAJXsw==","3cf2fb56-2318-4e7d-b976-9d27d2267b10","0.021838",{"data":857,"headers":1062},{"story":858,"cv":43,"rels":1060,"links":1061},{"name":859,"created_at":860,"published_at":861,"updated_at":862,"id":863,"uuid":864,"content":865,"slug":1053,"full_slug":1054,"sort_by_date":34,"position":1055,"tag_list":1056,"is_startpage":37,"parent_id":428,"meta_data":34,"group_id":1057,"first_published_at":1058,"release_id":34,"lang":41,"path":34,"alternates":1059,"default_full_slug":34,"translated_slugs":34},"Conception of SYS: THE SMELL OF A  MYTHOLOGICAL BEING","2025-02-03T09:57:41.825Z","2026-01-12T14:05:11.859Z","2026-01-12T14:05:11.873Z",619441602,"640c5a62-8d00-4628-b60b-1547d78fb8ad",{"_uid":278,"component":279,"propDateEnd":866,"propCategory":281,"propIsOnline":37,"propDateStart":21,"propMainContent":867,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":1037,"propDateAndTimeOfOpening":1052},"2025-05-30 16:00",[868],{"_uid":284,"component":111,"propCredits":869,"propEntryInMainContent":885},{"type":113,"content":870},[871,878],{"type":116,"content":872},[873],{"text":291,"type":120,"marks":874},[875,876],{"type":123},{"type":294,"attrs":877},{"color":296},{"type":116,"content":879},[880],{"text":301,"type":120,"marks":881},[882,883],{"type":123},{"type":294,"attrs":884},{"color":296},[886,895,907,913,925,931,957,978,1009,1019,1029],{"_uid":887,"component":127,"propRichtext":888},"ea24dd39-74d7-4ed3-b544-4a5a5aa0aabf",{"type":113,"content":889},[890,894],{"type":116,"content":891},[892],{"text":893,"type":120},"With this scenographic study the artists duo MUELLER-DIVJAK ask the ­visitors of the AIL and the Café Exchange:",{"type":116},{"_uid":896,"component":127,"propRichtext":897},"63a978c4-54fa-4993-ac17-1a58ab669420",{"type":113,"content":898},[899],{"type":116,"attrs":900,"content":901},{"textAlign":34},[902],{"text":903,"type":120,"marks":904},"What might a being smell like that can easily cope with the complexity of the world? What odors does its body exude? ",[905],{"type":321,"attrs":906},{"class":323},{"_uid":908,"component":183,"propImage":909,"propAltText":21,"propCaption":21},"4185ccc7-4904-42f3-988c-7442d8702e89",{"id":910,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":911,"copyright":21,"fieldtype":187,"meta_data":912,"is_external_url":37},20714069,"https://a.storyblok.com/f/98682/4284x5712/b671bbd627/img_5068.jpg",{},{"_uid":914,"component":127,"propRichtext":915},"966e9890-2093-4b58-9ad9-6354497f03cb",{"type":113,"content":916},[917,921],{"type":116,"content":918},[919],{"text":920,"type":120},"Human mammals smell differently depending on their emotions - when we are afraid we smell differently than when we are in a state of ecstasy. When we are ill or young, we smell differently than when we are old or angry. What we eat and drink, how we sleep and what we enjoy also contribute to our body odour. ",{"type":116,"content":922},[923],{"text":924,"type":120},"In the course of working on our arts-based research project SENSING LIVING SYSTEMS – Exploring the Potentials of Multisensory Scenography for Systems Awareness, which is about conveying an understanding of living, complex systems – whether in nature, society or art – a not yet tangible being emerges beyond cognitive over­load, which we call SYS.  ",{"_uid":926,"component":183,"propImage":927,"propAltText":21,"propCaption":21},"f7177cd4-a849-4d8a-97de-f6d921b6481c",{"id":928,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":929,"copyright":21,"fieldtype":187,"meta_data":930,"is_external_url":37},20717131,"https://a.storyblok.com/f/98682/2392x2781/0887eabe9f/image0.jpeg",{},{"_uid":932,"component":127,"propRichtext":933},"041c8a99-e506-4744-a0f1-b302a7597fcf",{"type":113,"content":934},[935,941,945,949,953],{"type":399,"content":936},[937],{"type":116,"content":938},[939],{"text":940,"type":120},"THE SYS (they / them)",{"type":116,"content":942},[943],{"text":944,"type":120},"A mythological and at the same time contemporary real being, a person who has developed ‘system awareness’ and is very much at home in a complex and challenging, constantly changing world – and enjoys it. ",{"type":116,"content":946},[947],{"text":948,"type":120},"An embodiment that copes with multiple developments and crises in the socio-, eco- and techno-sphere, and gets along with a wide variety of people and entities and contributes to the well-being of all beings. ",{"type":116,"content":950},[951],{"text":952,"type":120},"The SYS is a being that shows great joie de vivre and ­resilience. They are a fully ‘embodied’ being. They celebrate their body, they perceive very intensely with all their senses and trusts its sensory impressions. Their entire body serves as an instrument for perceiving the ­situations in which they find themself. They are fully aware that they are a sensitive living system that is undoubtedly embedded in and dependent on other living systems.  ",{"type":116,"content":954},[955],{"text":956,"type":120},"The SYS has developed a special sense for living systems and it is therefore not possible for them – or only possible with great overcome and effort, and associated with pain – to behave destructively and idiotically towards life and living systems. They have the impulse, a kind of instinct, to behave benevolently towards all living systems.",{"_uid":958,"component":127,"propRichtext":959},"1ec772db-735a-498e-8192-5fdf4fafe275",{"type":113,"content":960},[961],{"type":116,"content":962},[963,968,973],{"text":964,"type":120,"marks":965},"The PEEK research project ",[966],{"type":294,"attrs":967},{"color":21},{"text":98,"type":120,"marks":969},[970,971],{"type":528},{"type":294,"attrs":972},{"color":21},{"text":974,"type":120,"marks":975}," is working with international artists and systems scientists on the development of multisensory scenographies. Principles of living systems are translated into olfactory, auditory and tactile artworks/artefacts and are used experimentally. Created with artistic means the scenographies are supposed to provide sensory impressions helping for a better understanding and resonating with living systems. ",[976],{"type":294,"attrs":977},{"color":21},{"_uid":979,"component":127,"propRichtext":980},"b50e9e0a-f563-4058-a332-65a649dc8ee4",{"type":113,"content":981},[982],{"type":116,"content":983},[984,986,991,995,998,1000,1005],{"text":985,"type":120},"General Systems Theory emphasizes that systems should be analyzed as a whole to grasp the complex interplay of their parts. It provides a foundation for understanding life, social systems, and artistic processes as dynamic, interconnected entities. This interdisciplinary concept identifies common principles across all kinds of systems. The arts-based research project ",{"text":98,"type":120,"marks":987},[988,989],{"type":528},{"type":294,"attrs":990},{"color":21},{"text":566,"type":120,"marks":992},[993],{"type":294,"attrs":994},{"color":21},{"text":566,"type":120,"marks":996},[997],{"type":123},{"text":999,"type":120},"builds on this theory, in collaboration with the Bertalanffy Center for the Study of Systems Science ",{"text":1001,"type":120,"marks":1002},"(BCSSS)",[1003],{"type":294,"attrs":1004},{"color":21},{"text":1006,"type":120,"marks":1007},".",[1008],{"type":123},{"_uid":1010,"component":127,"propRichtext":1011},"6dec5f3a-46a9-47f4-805e-f2e35a830acc",{"type":113,"content":1012},[1013],{"type":399,"content":1014},[1015],{"type":116,"content":1016},[1017],{"text":1018,"type":120},"Artists / Researchers (core team): Jeanette Müller, Paul Divjak, Alexandra Graupner, Anna-Maria Irgang 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It is assumed that these effects are achieved by inhaling various secondary plant substances produced by trees. ",[1123],{"type":294,"attrs":1124},{"color":21},{"type":116,"content":1126},[1127,1132,1138],{"text":1128,"type":120,"marks":1129},"With the olfactory performance ",[1130],{"type":294,"attrs":1131},{"color":21},{"text":1133,"type":120,"marks":1134},"DRAWING TREES WITH SCENT",[1135,1136],{"type":528},{"type":294,"attrs":1137},{"color":21},{"text":1139,"type":120,"marks":1140},", the artist and research duo MUELLER-DIVJAK (Jeanette Müller & Paul Divjak), who are currently working together with Alexandra Graupner at the AIL on the art-based research project ‘Sensing Living Systems’ (FWF/PEEK AR776), are staging a temporary olfactory experimental set-up that creates ephemeral evidence. Visitors are invited to take their time, follow their nose and let a selected fragrance composition take effect on them. Delicate scents of tree species that are threatened with extinction due to commercial over-harvesting, uncontrolled deforestation, excessive habitat destruction and man-made changes in climatic conditions fill the 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THEORY – Shredding Cognitive Overload ","2024-10-02T13:13:49.866Z","2026-01-12T14:04:29.015Z","2026-01-12T14:04:29.029Z",557534063,"d3ee77ad-fecd-46bd-929e-3157a6dfb405",{"_uid":278,"component":279,"propDateEnd":1188,"propCategory":281,"propIsOnline":37,"propDateStart":21,"propMainContent":1189,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":1337,"propDateAndTimeOfOpening":1351},"2025-01-31 17:00",[1190],{"_uid":284,"component":111,"propCredits":1191,"propEntryInMainContent":1210},{"type":113,"content":1192},[1193,1200],{"type":116,"content":1194},[1195],{"text":291,"type":120,"marks":1196},[1197,1198],{"type":123},{"type":294,"attrs":1199},{"color":296},{"type":116,"content":1201},[1202,1204],{"text":1203,"type":120},"Special thanks to Taras Komisaruk and Michael Ellinger ",{"text":1205,"type":120,"marks":1206},"and the Archive of the BCSSS Bertalanffy Center for the Study of Systems 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Installation (paper, strings, scent, soundscape based on recordings by Ludwig von Bertalanffy)",{"_uid":1245,"component":127,"propRichtext":1246},"84b49f4f-7027-4553-a0c2-d9d8159f0880",{"type":113,"content":1247},[1248],{"type":116,"content":1249},[1250],{"text":1251,"type":120},"To truly understand living, complex systems – whether in nature, society, or art – we need a balance of analytical thinking and sensory, intuitive, multi-sensory experience. Texts and language alone are not enough.",{"_uid":1253,"component":127,"propRichtext":1254},"3bcff4f6-3d7f-47c4-bca7-fac93cd0c97c",{"type":113,"content":1255},[1256],{"type":116,"attrs":1257,"content":1258},{"textAlign":34},[1259],{"text":1260,"type":120,"marks":1261},"What if we could sense theory? If we could literally get in touch with it? Through our skin, our hands and feet, our noses and ears? What if we could acquire implicit knowledge, allowing us to grasp living systems without reading or thinking too much about them?",[1262],{"type":321,"attrs":1263},{"class":323},{"_uid":1265,"component":183,"propImage":1266,"propAltText":21,"propCaption":21},"af5e5a66-fae0-40a1-9a61-60b8a46d7407",{"id":1267,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1268,"copyright":21,"fieldtype":187,"meta_data":1269,"is_external_url":37},17832212,"https://a.storyblok.com/f/98682/768x1024/97a4ec5633/6492e780-60a3-4ed6-8112-e892c9f4d08e_1_105_c.jpeg",{},{"_uid":1271,"component":127,"propRichtext":1272},"fb3f831b-195e-4567-ad64-59b670361f38",{"type":113,"content":1273},[1274],{"type":116,"content":1275},[1276],{"text":1277,"type":120},"Do we value declarative knowledge too high? Are we too brainy and at the same time headless in the face of constant information overload?",{"_uid":1279,"component":127,"propRichtext":1280},"56685c39-81a0-4677-b6c8-348bcfc74978",{"type":113,"content":1281},[1282],{"type":116,"content":1283},[1284],{"text":1285,"type":120},"What do we have to unlearn? What do we have to let go of, to make wise, prosperous decisions? Intellect isn’t enough. Knowledge isn’t enough. Ambition isn’t enough. How do we enable ourselves to take compassionate, cooperative and caring actions that nurture both us and our world and our environments?",{"_uid":1287,"component":127,"propRichtext":1288},"6bbf7296-c7ea-4894-b07e-203f5ac9853f",{"type":113,"content":1289},[1290],{"type":116,"content":1291},[1292],{"text":1293,"type":120},"What learned knowledge, what deeply anchored beliefs, and cognitive convictions can (should) we shredder to experience ourselves as thriving living systems? And to flourish together with other living systems? Because, and this is not just theory: we can only live and survive embedded in other living systems.",{"_uid":1295,"component":183,"propImage":1296,"propAltText":21,"propCaption":21},"69433ac9-031e-4e47-ba62-8b35da1f7152",{"id":1297,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1298,"copyright":21,"fieldtype":187,"meta_data":1299,"is_external_url":37},17832211,"https://a.storyblok.com/f/98682/768x1024/18e6c3d204/70831c7b-6817-4f1a-84a0-ef6a1176dac2_1_105_c.jpeg",{},{"_uid":958,"component":127,"propRichtext":1301},{"type":113,"content":1302},[1303,1318,1323],{"type":116,"content":1304},[1305,1309,1314],{"text":964,"type":120,"marks":1306},[1307],{"type":294,"attrs":1308},{"color":21},{"text":98,"type":120,"marks":1310},[1311,1312],{"type":528},{"type":294,"attrs":1313},{"color":21},{"text":974,"type":120,"marks":1315},[1316],{"type":294,"attrs":1317},{"color":21},{"type":399,"content":1319},[1320],{"type":116,"content":1321},[1322],{"text":1018,"type":120},{"type":116},{"_uid":395,"component":127,"propRichtext":1325},{"type":113,"content":1326},[1327],{"type":399,"content":1328},[1329,1333],{"type":116,"content":1330},[1331],{"text":1332,"type":120},"The Otto Wagner Cashier Hall offers a special opportunity to give insights to processes and activities of SENSING LIVING SYSTEMS. For the first time, the historical cabin in the hall is used for ongoing artistic installations to make methods more visible, relatable and comprehensible for a public audience. ",{"type":116,"content":1334},[1335],{"text":1336,"type":120},"As the cabin is surrounded by visitors of the hall, Café Exchange, the AIL, and the colleagues from other institutions in the building (Academy of Science, FWF, JKU) offer a chance to gather feedback and reactions to the project and the specific stages of studies that will be incorporated into the project outcome.",[1338],{"_uid":408,"component":217,"propColor":1339,"propSubheadline":1041,"propPreviewImage":1341,"propPreviewVideo":1345,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1347,"propMetadescription":21,"propDescriptionShort":1350},{"_uid":410,"color":1340,"plugin":221},"#e07852",{"id":1342,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1343,"copyright":21,"fieldtype":187,"meta_data":1344,"is_external_url":37},17532026,"https://a.storyblok.com/f/98682/1920x2560/22f83c9d8d/img_8956.jpeg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":1346},{},{"type":113,"content":1348},[1349],{"type":116}," Series of Scenographic Studies / Part IV, Oct 2024–Jan 2025 ","2024-10-01 09:00","sensing-theory-shredding-cognitive-overload","program/sensing-theory-shredding-cognitive-overload",-680,[],"e2b4c892-57e9-4816-bb3e-2d3db19ca810","2024-05-22T10:52:33.711Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":851,"etag":1362,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":614,"x-amz-cf-id":1363,"x-amz-cf-pop":61,"x-cache":265,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":1364,"x-runtime":1365,"x-xss-protection":68},"W/\"cfef724e905da2f7719893e3c0aa079c\"","mIzL8j7p6c6C2cfZg3LrfbCD4UG2gFRrhdBZVh-gEu57iWPHn8uVXw==","44e44b74-7794-408c-b4ff-a6e5e9465ea1","0.032110",{"data":1367,"headers":1488},{"story":1368,"cv":43,"rels":1486,"links":1487},{"name":1369,"created_at":1370,"published_at":1371,"updated_at":1372,"id":1373,"uuid":1374,"content":1375,"slug":1479,"full_slug":1480,"sort_by_date":34,"position":1481,"tag_list":1482,"is_startpage":37,"parent_id":255,"meta_data":34,"group_id":1483,"first_published_at":1484,"release_id":34,"lang":41,"path":34,"alternates":1485,"default_full_slug":34,"translated_slugs":34},"HALLABUDDA Reenactment ","2024-08-23T07:49:56.896Z","2026-01-07T11:48:19.168Z","2026-01-07T11:48:19.180Z",539478625,"4b92647b-8382-4a05-a0fc-b6605924fe67",{"_uid":1376,"component":106,"propCategory":1078,"propMainContent":1377,"propHeaderInformation":1465},"c811617d-e344-4e09-9033-2702944100de",[1378],{"_uid":1379,"component":111,"propCredits":1380,"propEntryInMainContent":1388},"f3a12b4e-345f-4cfa-8aa1-7c57fb00a3d0",{"type":113,"content":1381},[1382],{"type":116,"content":1383},[1384],{"text":1385,"type":120,"marks":1386},"FWF PEEK-Project DOI: 10.55776/AR 776",[1387],{"type":123},[1389,1395,1403,1409,1417,1425,1431,1439,1447,1453],{"_uid":1390,"component":183,"propImage":1391,"propAltText":21,"propCaption":21},"0b541354-795d-4ebe-94ca-9a8ec1a41902",{"id":1392,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1393,"copyright":21,"fieldtype":187,"meta_data":1394,"is_external_url":37},17122815,"https://a.storyblok.com/f/98682/1998x2664/fd0df6ad8c/hallabudda3.jpeg",{},{"_uid":1396,"component":127,"propRichtext":1397},"7ad990ea-3646-4ab3-b8b9-e43e5b5be021",{"type":113,"content":1398},[1399],{"type":116,"content":1400},[1401],{"text":1402,"type":120},"As children, we often created spaces within rooms. We constructed areas under tables, between shelves, with boxes, blankets, colorful cloths, lamps, and all sorts of accessible materials, where we felt protected and inspired. In these places, we could play and whisper, dream and plan, shielded from the outside world. We could retreat there to be alone, find peace, read intently, or hatch new adventures with others to discover the world outside in our own way.",{"_uid":1404,"component":183,"propImage":1405,"propAltText":21,"propCaption":21},"772def87-d127-4753-9003-d70b548a34eb",{"id":1406,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1407,"copyright":21,"fieldtype":187,"meta_data":1408,"is_external_url":37},17122818,"https://a.storyblok.com/f/98682/2899x3723/4d2c96f614/hallabudda1.jpeg",{},{"_uid":1410,"component":127,"propRichtext":1411},"c3faaf14-0007-4420-b060-5f4b0ed5e05f",{"type":113,"content":1412},[1413],{"type":116,"content":1414},[1415],{"text":1416,"type":120},"When our friends Oksana Lemishka and Taras Komisaruk told us about their escape from the war in Ukraine to Austria, we fondly remembered these special spaces of protection and cosyness together. And Oksana surprised us with a word from her native language that describes these places: Halabuda.",{"_uid":1418,"component":127,"propRichtext":1419},"af04a029-9c23-4ae9-b2c8-0468b1fe4bd9",{"type":113,"content":1420},[1421],{"type":116,"content":1422},[1423],{"text":1424,"type":120},"A plan took shape: we wanted to build a \"Halabuda\" together with Oksana and Taras in our small studio and office at the university and see if it would affect our communication and well-being. The experiment led us to realize that just through the process of building and setting it up—trying out where to stretch ropes, gathering colorful cloths, securing a translucent sky, arranging carpets and boxes—we entered a sort of flow that deepened our communication. Then, sitting inside our colorful, temporary \"little house,\" we could speak more focused and openly with each other, listened to one another more intensely and patiently, and learned a lot from each other, from our different experiences, fields of knowledge, and life worlds. Our receptiveness was open, and we were ready—without ingrained attributions, without (often unconscious) mechanisms of exclusion, and beyond dichotomous ideas—to receive information and critically but kindly illuminate insights. And we had fun doing it. Simplicity in its most positive meaning guided us and our language / communication. Effortlessness and lightness, indeed a form of serious playfulness, characterized our conversations about social science theories as well as very personal experiences and insights. Our senses were as open as our minds, and the olfactory trials we conducted with scents we composed ourselves opened up exciting new considerations.",{"_uid":1426,"component":183,"propImage":1427,"propAltText":21,"propCaption":21},"43ad7b6c-3c11-4e74-afb9-f12664ede7dc",{"id":1428,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1429,"copyright":21,"fieldtype":187,"meta_data":1430,"is_external_url":37},17122817,"https://a.storyblok.com/f/98682/3024x4032/ca14a37664/hallabudda2.jpeg",{},{"_uid":1432,"component":127,"propRichtext":1433},"602db894-1a91-47c0-8dda-f87e9a234bd3",{"type":113,"content":1434},[1435],{"type":116,"content":1436},[1437],{"text":1438,"type":120},"A few months later, when it came time to prepare the transdisciplinary SENSING LIVING SYSTEMS symposium, where all the project-related artists and systems scientists from Europe and Southeast Asia would meet, get to know each other, exchange ideas, and also cooperate for the first time, we had the idea to relocate our experiment to the AIL hall. During the symposium, this resulted in three different HALLABUDDAs, which allowed our diverse team to unfold their potential and brought together the different thinking spaces and expertise. The video artists Zoe Gendron and Daniel Jamernik made a 30-minute contribution about this symposium, the artistic communication and cooperation methods applied, its results, and insights into our research project. As part of the \"Angewandte Festival\" at the end of June 2024, we wanted to present this film and thought about a suitable place. And what could be more comfortable, stimulating for the senses, inviting, and fitting than a HALLABUDDA?",{"_uid":1440,"component":127,"propRichtext":1441},"973ad12a-3063-4277-b7fc-43f8b900fe2e",{"type":113,"content":1442},[1443],{"type":116,"content":1444},[1445],{"text":1446,"type":120},"With the different materials and surfaces that encourage touch and the olfactory intervention, the HALLABUDDA also represents an installative prototype for a multisensory scenography for SENSING LIVING SYSTEMS.",{"_uid":1448,"component":183,"propImage":1449,"propAltText":21,"propCaption":21},"140c667d-99a4-49fa-b489-68e03ec7721a",{"id":1450,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1451,"copyright":21,"fieldtype":187,"meta_data":1452,"is_external_url":37},17122816,"https://a.storyblok.com/f/98682/3024x4032/44fc83b670/hallabudda4.jpeg",{},{"_uid":1454,"component":127,"propRichtext":1455},"de2c7774-daf2-4f74-9462-6fa38fdc2f0f",{"type":113,"content":1456},[1457],{"type":399,"content":1458},[1459,1462],{"type":116,"content":1460},[1461],{"text":1332,"type":120},{"type":116,"content":1463},[1464],{"text":1336,"type":120},[1466],{"_uid":1467,"component":217,"propColor":1468,"propSubheadline":1471,"propPreviewImage":1472,"propPreviewVideo":1474,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1476,"propMetadescription":21,"propDescriptionShort":1041},"e5381372-e05a-4459-8a6a-7bb6118a1bbe",{"_uid":1469,"color":1470,"plugin":221},"5f4e2772-fb07-48b6-a867-8ed80181c1fe","#db27ab","Series of Scenographic Studies / Part III, Jul–Sep 2024",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":1473},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":1475},{},{"type":113,"content":1477},[1478],{"type":116},"hallabudda-reenactment","explore/hallabudda-reenactment",-1060,[],"895d28eb-0cc6-45d1-a770-01fab9b7ae07","2024-08-27T11:52:15.466Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":851,"etag":1489,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":744,"x-amz-cf-id":1490,"x-amz-cf-pop":61,"x-cache":265,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":1491,"x-runtime":1492,"x-xss-protection":68},"W/\"506680be72d122bfb397d1247660d789\"","sFE1FqJAnaJkgeMaao-LWzpUd-_hh_6Z9ZuGAN8P8W61go9XLDqU-Q==","06e1c051-f538-4ae0-8181-c5c1f89dca62","0.021210",{"data":1494,"headers":1583},{"story":1495,"cv":43,"rels":1581,"links":1582},{"name":1496,"created_at":1497,"published_at":1498,"updated_at":1499,"id":1500,"uuid":1501,"content":1502,"slug":1575,"full_slug":1576,"sort_by_date":34,"position":1481,"tag_list":1577,"is_startpage":37,"parent_id":255,"meta_data":34,"group_id":1578,"first_published_at":1579,"release_id":34,"lang":41,"path":34,"alternates":1580,"default_full_slug":34,"translated_slugs":34},"Expanding System Boundaries","2024-08-23T07:46:38.407Z","2026-01-08T13:19:59.442Z","2026-01-08T13:19:59.456Z",539478147,"d7f5aca1-b74d-4d15-952d-b5f361263d37",{"_uid":1376,"component":106,"propCategory":1078,"propMainContent":1503,"propHeaderInformation":1563},[1504],{"_uid":1379,"component":111,"propCredits":1505,"propEntryInMainContent":1512},{"type":113,"content":1506},[1507],{"type":116,"content":1508},[1509],{"text":1385,"type":120,"marks":1510},[1511],{"type":123},[1513,1521,1527,1535,1544,1552],{"_uid":1514,"component":127,"propRichtext":1515},"d1baa5c5-1269-44bb-9862-15d2e8173b78",{"type":113,"content":1516},[1517],{"type":116,"content":1518},[1519],{"text":1520,"type":120},"Participatory observations, extensive literature research, expert interviews, and in-depth conversations with members of our Advisory Board led us to the assumption and realization that extending the boundaries of empathy significantly impacts the perception and activity of living systems. Empathy arises, among other things, through mirror neurons, which are activated when we see someone, for example, getting hurt. Auditory stimuli, specific sounds, frequencies, and melodies also trigger different emotions and sometimes memories, allowing us to transcend the boundaries of our current perception.",{"_uid":1522,"component":183,"propImage":1523,"propAltText":21,"propCaption":21},"eb42c5a5-676d-4361-8da5-276a7f363096",{"id":1524,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1525,"copyright":21,"fieldtype":187,"meta_data":1526,"is_external_url":37},17122830,"https://a.storyblok.com/f/98682/1200x1600/33b19f444e/tuntun2.jpeg",{},{"_uid":1528,"component":127,"propRichtext":1529},"425b830a-de7c-414c-88ce-54d8161739c7",{"type":113,"content":1530},[1531],{"type":116,"content":1532},[1533],{"text":1534,"type":120},"The composer and sound artist Tuntun Taratawan Krue-On, with whom we collaborated on our project-related exhibition and performance at the Songkhla Art Center in southern Thailand, recorded field sounds in the London Underground/Tube during her studies at Goldsmiths University. This period was marked by pandemic-related restrictions and great homesickness. She intertwined these recordings with the sounds of animals and plants, and images of a table in the garden of her home in Thailand.",{"_uid":1536,"component":127,"propRichtext":1537},"3edabf67-074a-4c05-8c20-769637567c36",{"type":113,"content":1538},[1539,1543],{"type":116,"content":1540},[1541],{"text":1542,"type":120},"We relocated this scene to the Art Cabin in the ticket hall in Vienna and found that the auditory stimuli transported a wide range of visitors into a different perception of the world, sometimes moving them to tears with acoustic memories. Questions were evoked and discussed – where do we feel at home and truly in the here and now, alive and capable of action? How does our ability to empathize change through acoustic impulses?",{"type":116},{"_uid":1545,"component":127,"propRichtext":1546},"62724e58-9d89-4aba-9e79-2a625dacb58a",{"type":113,"content":1547},[1548],{"type":116,"content":1549},[1550],{"text":1551,"type":120},"We collected comments and reactions from visitors and found that the boundaries between past and present, between presence and concentration in the now, and mental and emotional drifting in all directions, are sometimes as transparent and fragile as the glass separating the atmosphere in the SENSING LIVING SYSTEMS Art Cabin from the happenings in the ticket hall.",{"_uid":1454,"component":127,"propRichtext":1553},{"type":113,"content":1554},[1555],{"type":399,"content":1556},[1557,1560],{"type":116,"content":1558},[1559],{"text":1332,"type":120},{"type":116,"content":1561},[1562],{"text":1336,"type":120},[1564],{"_uid":1467,"component":217,"propColor":1565,"propSubheadline":1567,"propPreviewImage":1568,"propPreviewVideo":1570,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1572,"propMetadescription":21,"propDescriptionShort":1041},{"_uid":1469,"color":1566,"plugin":221},"#dc3a04"," feat. Tuntun Taratawan Krue-On:\n‘The Table’ from ‘What If It Was All A Dream?’ / Series of Scenographic Studies / Part II, Feb–Jun 2024",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":1569},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":1571},{},{"type":113,"content":1573},[1574],{"type":116},"expanding-system-boundaries","explore/expanding-system-boundaries",[],"8bf9eb8e-313f-4a88-9d92-97b55ee44c64","2024-08-27T11:52:06.558Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1584,"etag":1585,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":744,"x-amz-cf-id":1586,"x-amz-cf-pop":61,"x-cache":265,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":1587,"x-runtime":1588,"x-xss-protection":68},"Thu, 21 May 2026 13:51:51 GMT","W/\"8d6906f415e461fe46f80d8922c3ea5e\"","UWX0sODKB7C_llPs9COzVOM6nxecRU7nurn5exEIA56BTm3ToBsLqA==","09338007-909e-4f99-90b4-82ed85ade7ae","0.028628",{"data":1590,"headers":1734},{"story":1591,"cv":43,"rels":1732,"links":1733},{"name":1592,"created_at":1593,"published_at":1594,"updated_at":1595,"id":1596,"uuid":1597,"content":1598,"slug":1726,"full_slug":1727,"sort_by_date":34,"position":1481,"tag_list":1728,"is_startpage":37,"parent_id":255,"meta_data":34,"group_id":1729,"first_published_at":1730,"release_id":34,"lang":41,"path":34,"alternates":1731,"default_full_slug":34,"translated_slugs":34},"Am I a System? Where Are My Boundaries?","2024-08-23T07:42:24.420Z","2026-01-07T11:45:25.612Z","2026-01-07T11:45:25.626Z",539471036,"8195f8f6-3dbe-421d-88a2-bbad3b06e9da",{"_uid":1376,"component":106,"propCategory":1078,"propMainContent":1599,"propHeaderInformation":1714},[1600],{"_uid":1379,"component":111,"propCredits":1601,"propEntryInMainContent":1608},{"type":113,"content":1602},[1603],{"type":116,"content":1604},[1605],{"text":1385,"type":120,"marks":1606},[1607],{"type":123},[1609,1615,1645,1651,1663,1679,1689,1695,1703],{"_uid":1610,"component":183,"propImage":1611,"propAltText":21,"propCaption":21},"fca9a394-ecbd-4404-a8ad-0e6a1abf33e8",{"id":1612,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1613,"copyright":21,"fieldtype":187,"meta_data":1614,"is_external_url":37},17122822,"https://a.storyblok.com/f/98682/4032x3024/266f661111/soil1.jpeg",{},{"_uid":1616,"component":127,"propRichtext":1617},"cd625bc3-c0cc-4529-94bd-184bafdfbaa2",{"type":113,"content":1618},[1619,1623],{"type":116,"content":1620},[1621],{"text":1622,"type":120},"Through conversations and discussions with systems scientists, we identified three essential influencing factors of systems for our artistic research project SENSING LIVING SYSTEMS:",{"type":1624,"content":1625},"bullet_list",[1626,1633,1639],{"type":1627,"content":1628},"list_item",[1629],{"type":116,"content":1630},[1631],{"text":1632,"type":120},"The boundaries of a system, or the drawing of boundaries (set or assumed boundaries)",{"type":1627,"content":1634},[1635],{"type":116,"content":1636},[1637],{"text":1638,"type":120},"The entities of a system (participants, which can include institutions, natural forces, people, etc.)",{"type":1627,"content":1640},[1641],{"type":116,"content":1642},[1643],{"text":1644,"type":120},"Relations / connections",{"_uid":1646,"component":183,"propImage":1647,"propAltText":21,"propCaption":21},"1b77d7ea-d8cd-4cf5-82d2-3201f5e04d5c",{"id":1648,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1649,"copyright":21,"fieldtype":187,"meta_data":1650,"is_external_url":37},17122821,"https://a.storyblok.com/f/98682/4032x3024/1935a389cb/soil3.jpeg",{},{"_uid":1652,"component":127,"propRichtext":1653},"62ea2ab6-e452-419d-ade9-29f3a5ef9d7d",{"type":113,"content":1654},[1655,1659],{"type":116,"content":1656},[1657],{"text":1658,"type":120},"To understand and influence living systems, it is important to recognize that we are all living systems, which can only exist when embedded in others. The boundaries we perceive, how we set and define them, depend on individual and collective worldviews, necessities, and possibilities.",{"type":116,"content":1660},[1661],{"text":1662,"type":120},"With this scenographic study, we pose the question of observation in two ways in the space (at AIL/Post Office Savings Bank) and to its manifold visitors/users:",{"_uid":1664,"component":127,"propRichtext":1665},"67d40233-663d-43ed-9333-e37a8fd56656",{"type":113,"content":1666},[1667,1677,1678],{"type":399,"content":1668},[1669,1673],{"type":116,"content":1670},[1671],{"text":1672,"type":120},"1. Is the accumulated soil with components of natural and human-made objects a system? Part of a system? And where do observers place the boundaries?",{"type":116,"content":1674},[1675],{"text":1676,"type":120},"2. Do they see themselves as a system? With what limitations?",{"type":116},{"type":116},{"_uid":1680,"component":127,"propRichtext":1681},"56fe16ab-bead-4e64-b123-1249fe4c76f8",{"type":113,"content":1682},[1683,1687,1688],{"type":116,"content":1684},[1685],{"text":1686,"type":120},"We left open the possibility for visitors to change and influence the installative scenography by adding or removing objects, crossing, and blurring the set boundaries of the accumulated soil. Sprouting seeds and thriving plants could be watered, and dead ones buried as fertilizer for the growing ones.",{"type":116},{"type":116},{"_uid":1690,"component":183,"propImage":1691,"propAltText":21,"propCaption":21},"a78f1a98-bd15-4208-a5cc-178baaa8deb3",{"id":1692,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1693,"copyright":21,"fieldtype":187,"meta_data":1694,"is_external_url":37},17122823,"https://a.storyblok.com/f/98682/3906x2930/13992e155c/soil2.jpeg",{},{"_uid":1696,"component":127,"propRichtext":1697},"629e4ae3-ac9c-4d35-aca1-4891a8ec09e1",{"type":113,"content":1698},[1699],{"type":116,"content":1700},[1701],{"text":1702,"type":120},"In conversations with numerous recipients, we found that the objectification of the system concept, and the possibility of touching and smelling, are helpful for cognitive processes and finding language for system ideas. There were debates about whether the objects in the soil are connected and what relationship they can be seen to have with each other. Different narratives emerged, and the realization followed: boundary drawing is changeable and often based on collectively anchored stories and worldviews. Organismic worldviews are reinforced with conscious sensory perception of one's environment.",{"_uid":1454,"component":127,"propRichtext":1704},{"type":113,"content":1705},[1706],{"type":399,"content":1707},[1708,1711],{"type":116,"content":1709},[1710],{"text":1332,"type":120},{"type":116,"content":1712},[1713],{"text":1336,"type":120},[1715],{"_uid":1467,"component":217,"propColor":1716,"propSubheadline":1718,"propPreviewImage":1719,"propPreviewVideo":1721,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1723,"propMetadescription":21,"propDescriptionShort":1041},{"_uid":1469,"color":1717,"plugin":221},"#54de33","Series of Scenographic Studies / Part I, Oct–Dec 2023",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":1720},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":1722},{},{"type":113,"content":1724},[1725],{"type":116},"am-i-a-system-where-are-my-boundaries","explore/am-i-a-system-where-are-my-boundaries",[],"6f143787-4f09-4869-a696-5c9279c251c2","2024-08-27T11:53:04.602Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1735,"etag":1736,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":1737,"x-amz-cf-pop":61,"x-cache":265,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":1738,"x-runtime":1739,"x-xss-protection":68},"Thu, 21 May 2026 13:51:52 GMT","W/\"472b9bcc5a762c5efc62c856cddbdef5\"","PsP8LDFfvYGDphRS6yzjeMGYgC0YvGOC2YNRzsLTCt2J3MIRq0OGvw==","39e466e2-ea1a-4515-ba84-3e6391f1d4ae","0.034411",{"data":1741,"headers":1876},{"story":1742,"cv":43,"rels":1874,"links":1875},{"name":1743,"created_at":1744,"published_at":1745,"updated_at":1746,"id":1747,"uuid":1748,"content":1749,"slug":1867,"full_slug":1868,"sort_by_date":34,"position":1869,"tag_list":1870,"is_startpage":37,"parent_id":255,"meta_data":34,"group_id":1871,"first_published_at":1872,"release_id":34,"lang":41,"path":34,"alternates":1873,"default_full_slug":34,"translated_slugs":34},"Es geht ums Ganze ","2023-10-12T13:19:03.448Z","2026-01-15T08:00:21.281Z","2026-01-15T08:00:21.294Z",388110380,"032c0102-1cb4-4e83-8983-571666415a60",{"_uid":1750,"component":106,"propCategory":1078,"propMainContent":1751,"propHeaderInformation":1850},"25d27f1e-bac5-4f34-9412-3f676ffacdb1",[1752],{"_uid":1753,"component":111,"propCredits":1754,"propEntryInMainContent":1760},"bec6efa4-5cef-4921-ad2d-166c2ad09d51",{"type":113,"content":1755},[1756],{"type":116,"content":1757},[1758],{"text":1759,"type":120},"All images: MUELLER-DIVJAK",[1761,1767,1787,1793,1799,1825,1831,1837],{"_uid":1762,"component":183,"propImage":1763,"propAltText":21,"propCaption":21},"27a0e134-1b11-410b-ac67-0be3054743a1",{"id":1764,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1765,"copyright":21,"fieldtype":187,"meta_data":1766,"is_external_url":37},11859162,"https://a.storyblok.com/f/98682/5568x3712/dbad03589e/sls_european-researchers-night_0578-mueller-divjak.jpg",{},{"_uid":1768,"component":127,"propRichtext":1769},"d0593c3c-87a0-4490-bdec-8c97f33af997",{"type":113,"content":1770},[1771,1779],{"type":116,"attrs":1772,"content":1773},{"textAlign":34},[1774],{"text":1775,"type":120,"marks":1776},"Humans perceive the world only partially, not as a whole. And most of the time they rely mainly on their eyes as a first source of perception. ",[1777],{"type":321,"attrs":1778},{"class":323},{"type":116,"attrs":1780,"content":1781},{"textAlign":34},[1782],{"text":1783,"type":120,"marks":1784},"At the ‘It's all about the whole!’ workshop station, mainly hands and feet, noses and ears were used to explore different surroundings and ecosystems. 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With the hands-on / senses-on station",{"text":1814,"type":120,"marks":1815}," It's all about the whole!",[1816],{"type":528},{"text":1818,"type":120}," at the ",{"text":1820,"type":120,"marks":1821},"EUROPEAN RESEARCHERS NIGHT",[1822],{"type":528},{"text":1824,"type":120},", the team around Alexandra Graupner, Paul Divjak and Jeannette Mueller gave numerous visitors first insights into the olfactory and tactile approaches to the understanding of systems.",{"_uid":1826,"component":183,"propImage":1827,"propAltText":21,"propCaption":21},"03d93d42-18bc-4e41-aaa1-8d020d567b7f",{"id":1828,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1829,"copyright":21,"fieldtype":187,"meta_data":1830,"is_external_url":37},11746724,"https://a.storyblok.com/f/98682/5568x3712/294bf26e34/sls_european-researchers-night_0509-mueller-divjakjpg.jpg",{},{"_uid":1832,"component":183,"propImage":1833,"propAltText":21,"propCaption":21},"cab42ec0-9905-4056-a197-26d001407509",{"id":1834,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1835,"copyright":21,"fieldtype":187,"meta_data":1836,"is_external_url":37},11746730,"https://a.storyblok.com/f/98682/5568x3712/84632ce465/sls_european-researchers-night_0514-mueller-divjak.jpg",{},{"_uid":1838,"component":127,"propRichtext":1839},"3d6eba10-895e-452d-b8e3-93352268d58b",{"type":113,"content":1840},[1841],{"type":116,"content":1842},[1843,1844,1848],{"text":964,"type":120},{"text":1845,"type":120,"marks":1846},"Sensing Living Systems ",[1847],{"type":528},{"text":1849,"type":120},"explores human system awareness and analyses the way artistic presentations of olfactory, auditory and haptic artworks can create direct sensory stimuli that activate this sense of awareness. The results of this artistic research, which are jointly conducted by artists and system scientists, will lead to a multisensory scenography that allows a diverse set of users to have an embodied learning experience.",[1851],{"_uid":1852,"component":217,"propColor":1853,"propSubheadline":1856,"propPreviewImage":1857,"propPreviewVideo":1861,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1863,"propMetadescription":1866,"propDescriptionShort":21},"629d4c3e-e30d-4ab0-9d59-f773a55ffcbd",{"_uid":1854,"color":1855,"plugin":221},"4211c122-df82-402c-a065-7aaee8d26b37","#e0beeb","Workshop from the artistic research project Sensing Living Systems as part of Researchers Night, September 2023 ",{"id":1858,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1859,"copyright":21,"fieldtype":187,"meta_data":1860,"is_external_url":37},12157698,"https://a.storyblok.com/f/98682/1920x3072/11f90edc97/sls_european-researchers-night_0578-mueller-divjak-kopie.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":1862},{},{"type":113,"content":1864},[1865],{"type":116},"Sensing Living Systems, AIL, MUELLER-DIVJAK","workshop-view-es-geht-ums-ganze","explore/workshop-view-es-geht-ums-ganze",-790,[],"1e86e26d-fc56-4d9a-bb97-06fd2f9b479a","2023-10-16T13:55:44.609Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":1735,"etag":1877,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":436,"x-amz-cf-id":1878,"x-amz-cf-pop":61,"x-cache":265,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":1879,"x-runtime":1880,"x-xss-protection":68},"W/\"b2eba3f8d5dc05ba478913a14cfe0cbe\"","-619WxkTIHmRvAO-ScXdKYP4NxOC7mqGOp9V1sLMJdWGWY5wUeLISw==","3d4b7fde-3d5d-44c3-a417-6a085ba1eef1","0.032716",{"left":38,"top":38,"width":1882,"height":1883,"rotate":38,"vFlip":37,"hFlip":37,"body":1884},17.1886,11.668,"\u003Cpath d=\"M3.1879,7.0856,3.1872,4.5845l14.0014.0008v2.5Z\" style=\"fill:#0c1208\"/>\u003Cpath d=\"M0,11.5524.0007.1177,2.5017.1163,2.5,11.5538Z\" style=\"fill:#0c1208\"/>\u003Cpath d=\"M3.8543,3.9188l5.6222,6.2658L7.8825,11.78,1.9384,5.8334Z\" style=\"fill:#0c1208\"/>\u003Cpath d=\"M1.9384,5.8361,7.8825-.1107l1.594,1.5955L3.8543,7.7506Z\" style=\"fill:#0c1208\"/>",{"left":38,"top":38,"width":1886,"height":1883,"rotate":38,"vFlip":37,"hFlip":37,"body":1887},15.2502,"\u003Cpath d=\"M1.25,7.0852l-.0007-2.501L15.25,4.5849v2.5Z\" style=\"fill:#0c1208\"/>\u003Cpath d=\"M1.916,3.9185l5.6222,6.2658L5.9441,11.78,0,5.833Z\" style=\"fill:#0c1208\"/>\u003Cpath d=\"M0,5.8357,5.9441-.1111,7.5382,1.4845,1.916,7.75Z\" style=\"fill:#0c1208\"/>",{"left":38,"top":38,"width":1886,"height":1883,"rotate":38,"vFlip":37,"hFlip":37,"body":1889},"\u003Cpath d=\"M14.0007,4.5835l.0007,2.501L0,7.0838v-2.5Z\" style=\"fill:#0c1208\"/>\u003Cpath d=\"M13.3343,7.75,7.7121,1.4845,9.3061-.1111,15.25,5.8357Z\" style=\"fill:#0c1208\"/>\u003Cpath d=\"M15.25,5.833,9.3061,11.78l-1.594-1.5955,5.6222-6.2658Z\" style=\"fill:#0c1208\"/>",{"data":1891,"headers":2343},{"story":1892,"cv":43,"rels":2341,"links":2342},{"name":1893,"created_at":1894,"published_at":1895,"updated_at":1896,"id":1897,"uuid":1898,"content":1899,"slug":2334,"full_slug":2335,"sort_by_date":34,"position":2336,"tag_list":2337,"is_startpage":37,"parent_id":428,"meta_data":34,"group_id":2338,"first_published_at":2339,"release_id":34,"lang":41,"path":34,"alternates":2340,"default_full_slug":34,"translated_slugs":34},"Refractive Perspectives","2024-03-15T13:39:22.259Z","2026-01-13T11:18:15.362Z","2026-01-13T11:18:15.381Z",462134168,"d669a459-a7ff-437c-9246-6b675ce21b14",{"_uid":1900,"component":279,"propDateEnd":1901,"propCategory":1902,"propIsOnline":37,"propDateStart":1903,"propMainContent":1904,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":2309,"propDateAndTimeOfOpening":2333},"9b989fb3-bf77-4b1b-92f3-3ba40575f8af","2024-06-29 16:00","exhibition","2024-06-10 12:00",[1905],{"_uid":1906,"component":111,"propCredits":1907,"propEntryInMainContent":1913},"f572e281-66a6-41db-8ea2-56b77a7a11e8",{"type":113,"content":1908},[1909],{"type":116,"content":1910},[1911],{"text":1912,"type":120},"Image: Rimon Alyagon Darr, Laura Chalabi, Rebeka Csombordi, Stefan Gorka and David Ristić",[1914,1928,1942,1950,1977,1992,1998,2040,2046,2069,2122,2153,2170,2180,2223,2238,2267],{"_uid":1915,"component":127,"propRichtext":1916},"ecb19460-34bb-4152-aae3-d9531c0e3fd5",{"type":113,"content":1917},[1918],{"type":116,"attrs":1919,"content":1920},{"textAlign":34},[1921],{"text":1922,"type":120,"marks":1923},"What is light, and what is darkness? Do they reside within us or outside of us? While some cultures worship sun gods, others use sunlight to censor depictions of their deities. Is darkness a sanctuary or a breeding ground for fear and nightmares? Are nocturnal creatures inclined towards darkness by default, or is it a necessity for self-preservation? How do we acknowledge the presence of something unseen? 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Through their diverse reflections on the enigmatic ‘source of life’, the artists illuminate various facets of human experience and perception, inviting audiences to ponder the complexities of light and its profound significance.",{"_uid":1943,"component":127,"propRichtext":1944},"09442140-acca-4e7e-bee0-d0a927e24f8c",{"type":113,"content":1945},[1946],{"type":116,"content":1947},[1948],{"text":1949,"type":120},"The audience is presented with two distinct exhibition spaces, each weaving a unique narrative on light. One space offers a more abstract, interactive experience, engaging visitors in physical participation and emphasizing the sensory journey. It invites exploration, allowing individuals to determine the depth of their engagement and the insights they glean. This immersive experience can evoke playfulness, mystery, or even a sense of danger. In contrast, the second setting delves into introspection, exploring philosophical themes that serve as tools for personal reflection. 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purple seaweed Porphyra moves smoothly and gently in water. This algae is widespread and is used by the artists as a working material while at the same time setting the pace for the performance. Bioplastic, in the form of a soft, flexible substance, was created from a mixture of algae and glycerin. Wrinkled and porous lobes form a flat cast, reminiscent of human skin, a sentient organ that enables us to experience the world, to feel ourselves and others and connect.The artists sing into their own skins and use themselves as resonators. They become instruments, sometimes playing themselves, sometimes others. Fusion and fission alternate. (Text: Luka Jana Berchtold)",{"_uid":3919,"component":127,"propRichtext":3920},"50d6b2e1-2a41-4e78-b03f-2f8938a185b9",{"type":113,"content":3921},[3922],{"type":399,"content":3923},[3924,3933],{"type":151,"attrs":3925,"content":3926},{"level":2006,"textAlign":34},[3927],{"text":3928,"type":120,"marks":3929},"Magdalena Forster ",[3930,3931],{"type":528},{"type":321,"attrs":3932},{"class":323},{"type":116,"attrs":3934,"content":3935},{"textAlign":34},[3936],{"text":3937,"type":120},"is a performance artist, choreographer and trained healthcare nurse. Her works flirt with the potential of the unfinished and the indefinite, recoding a sense of anchoring and belonging. She turns to personal documentations, kinetic archives and memories. Her performances were supported and presented by Tanzquartier Vienna, Kunstraum Niederösterreich, BRUX Theater Innsbruck, Kunsthaus Zürich, Kunstraum Remise, Sonic Territories Festival Vienna and others. Magdalena Forster was recipient of scholarship programs from ATLAS Program at ImpulsTanz Festival and project funding from the City of Vienna, Innsbruck and Tyrol.",{"_uid":3939,"component":127,"propRichtext":3940},"cdeb5db4-0830-4893-9af0-f932fc1aaaf2",{"type":113,"content":3941},[3942],{"type":399,"content":3943},[3944,3953,3958],{"type":151,"attrs":3945,"content":3946},{"level":2006,"textAlign":34},[3947],{"text":3948,"type":120,"marks":3949},"Milena Georgieva ",[3950,3951],{"type":528},{"type":321,"attrs":3952},{"class":323},{"type":116,"attrs":3954,"content":3955},{"textAlign":34},[3956],{"text":3957,"type":120},"is a composer, transdisciplinary artist and performer, born in Sofia and based in Vienna. In her work she focuses on speculative world-making and on weaving intricate networks of meanings, which sprout out of research in sound, landscape theory, queer-feminism, education, practice sharing, body + identity politics. She investigates space as a construct – physical, virtual, public and intimate – from a critical and personal perspective, to synthesize an inter-self-&-site-specific narrative. In her compositions and live performances she seeks a fluid, unbound sense of sound and listening. She transgresses orthodox genre boundaries to activate complex and multidimensional bodies of sound.",{"type":116,"attrs":3959,"content":3960},{"textAlign":34},[3961],{"text":3962,"type":120},"Shows at Freies Theater Innsbruck, Tanzquartier Vienna, Kunsthaus Zürich, Technical Museum Vienna, Kunsthalle Vienna, Donaufestival, Wiener Festwochen, ImpulsTanz, Elevate Festival, Unsafe + Sounds, Goethe-Institut Bulgaria, Sofia City Art Gallery, among others. Grants by the City of Vienna (2022-2024) and the State of Austria (2023). Residencies by ImpulsTanz – Turbo (2023), Kulturtankstelle Linz (2017). Nomination for BAZA contemporary art prize (2019).",[3964],{"_uid":3965,"component":217,"propColor":3966,"propSubheadline":3969,"propPreviewImage":3970,"propPreviewVideo":3974,"propMakeTextWhite":3976,"propDescriptionLong":21,"propMetaInformation":3977,"propMetadescription":21,"propDescriptionShort":3988},"ac49e25b-24e2-47ff-9ffa-9a8620c07f65",{"_uid":3967,"color":3968,"plugin":221},"e9b8d725-8079-49d8-8d48-402df0e31131","#8b99b8","Porphyra by Magdalena Forster and Milena Georgieva ",{"id":3971,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":3972,"copyright":21,"fieldtype":187,"meta_data":3973,"is_private":37,"is_external_url":37},15293597,"https://a.storyblok.com/f/98682/1280x1920/2a39c7a0d4/ail_re-enchantment_100424_c_ruiz_cruz_webres_105a0035.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":3975},{},true,{"type":113,"content":3978},[3979],{"type":116,"content":3980},[3981],{"text":3982,"type":120,"marks":3983},"Part II",[3984],{"type":235,"attrs":3985},{"href":3986,"uuid":3987,"anchor":34,"target":238,"linktype":249},"/explore/performance-view-re-enchantment-spiritus","5e3da3b3-9ef7-4483-b5a6-86c761131d36","Part of the Topic Haunted – Persistence of the Past","performance-view-re-enchantment-porphyra","explore/performance-view-re-enchantment-porphyra",-950,[],"5a54ecd0-7f5d-42a5-98fb-2605f3835cd2","2024-04-16T11:50:54.425Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":3457,"etag":3999,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":436,"x-amz-cf-id":4000,"x-amz-cf-pop":61,"x-cache":265,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":4001,"x-runtime":4002,"x-xss-protection":68},"W/\"478ed6c153eb1ef8fa54a4a248e43300\"","gWIHqg1hqkIdM2NBTlIS2TTNAFkCYiZpOrXuzesLa5Z5tC688U3C2A==","10252c53-66f5-46f2-84d2-e09e13f9e01d","0.022883",{"data":4004,"headers":4199},{"story":4005,"cv":43,"rels":4197,"links":4198},{"name":4006,"created_at":4007,"published_at":4008,"updated_at":4009,"id":4010,"uuid":3627,"content":4011,"slug":4190,"full_slug":4191,"sort_by_date":34,"position":4192,"tag_list":4193,"is_startpage":37,"parent_id":255,"meta_data":34,"group_id":4194,"first_published_at":4195,"release_id":34,"lang":41,"path":34,"alternates":4196,"default_full_slug":34,"translated_slugs":34},"What haunts us?","2023-09-24T11:25:23.390Z","2025-12-16T12:49:29.242Z","2025-12-16T12:49:29.264Z",375430895,{"_uid":4012,"component":106,"propCategory":120,"propMainContent":4013,"propHeaderInformation":4174},"3bc41fab-2e89-42f1-a9d5-30ca26512a77",[4014],{"_uid":4015,"component":111,"propCredits":4016,"propEntryInMainContent":4019},"f56e13a6-2276-4638-a670-ad4ea5d92c9b",{"type":113,"content":4017},[4018],{"type":116},[4020,4053,4076,4084,4092,4104,4116,4125,4133,4145,4157,4165],{"_uid":4021,"component":127,"propRichtext":4022},"f55407e2-aa40-47a6-a2c0-f44fa3cae732",{"type":113,"content":4023},[4024],{"type":399,"content":4025},[4026,4035,4044],{"type":116,"attrs":4027,"content":4028},{"textAlign":34},[4029],{"text":4030,"type":120,"marks":4031},"Enter the Ghost, Exit the Ghost, ",[4032,4033],{"type":123},{"type":321,"attrs":4034},{"class":323},{"type":116,"attrs":4036,"content":4037},{"textAlign":34},[4038],{"text":4039,"type":120,"marks":4040},"Re-enter the Ghost.",[4041,4042],{"type":123},{"type":321,"attrs":4043},{"class":323},{"type":116,"attrs":4045,"content":4046},{"textAlign":34},[4047],{"text":4048,"type":120,"marks":4049},"(Hamlet in Derrida, 2004)",[4050,4051],{"type":123},{"type":321,"attrs":4052},{"class":323},{"_uid":4054,"component":127,"propRichtext":4055},"5d313e96-dde0-4b81-bd60-ef0a180d676b",{"type":113,"content":4056},[4057,4066],{"type":151,"attrs":4058,"content":4059},{"level":2006,"textAlign":34},[4060],{"text":4061,"type":120,"marks":4062},"Predictions and Prophecies",[4063,4064],{"type":123},{"type":321,"attrs":4065},{"class":323},{"type":399,"content":4067},[4068],{"type":116,"attrs":4069,"content":4070},{"textAlign":34},[4071],{"text":4072,"type":120,"marks":4073},"The future belongs to ghosts. (Jacques Derrida)",[4074,4075],{"type":123},{"type":528},{"_uid":4077,"component":127,"propRichtext":4078},"736cecc2-b018-4192-8bdf-e346cfb08015",{"type":113,"content":4079},[4080],{"type":116,"content":4081},[4082],{"text":4083,"type":120},"Visions of tomorrow are trending. In the face of burning political and especially ecological crises, thinking about the future has never been more relevant. The direction and research interests of Angewandte Interdisciplinary Lab have repeatedly highlighted issues concerning the future. And recently, the relatively new interdisciplinary field of futurology has been introduced at the university level. Scientifically, it deals with potential or probable future developments as well as with design options and their preconditions in the past and present. But what does it mean to think about the future, and how can we think about something that is yet to come? What can help us imagine what is imminent? Which means or methods are available to us, and what are the underlying belief systems or categories?",{"_uid":4085,"component":127,"propRichtext":4086},"4c78353b-6d68-46b1-b8b1-1f3b12b7b7a3",{"type":113,"content":4087},[4088],{"type":116,"content":4089},[4090],{"text":4091,"type":120},"Prognostics is one of the methodologies of futurology. New technologies, such as artificial intelligence, are capable of creating our own (self-fulfilling) prophecies. The computational or analytical process behind this technology is based on potentiality. That is, a possibility that can become reality, or a future being symptomatically haunted by traces of the past. Time is a fundamental component of the feedback loops of a recursive, self-referential and repetitive algorithm, which itself recalls and draws on data. In this sense, recursion is a computational process capable of initiating the unfolding of temporalities and being potentially infinite. Since the future is imminent in the present, it is virtually already here, but it is also the constructed necessity of an algorithmic prediction of the future. Accordingly, the data-generated multiple futures represent a rupture of linear temporality. In other words, time passes differently: It is bent or dispersed. ",{"_uid":4093,"component":127,"propRichtext":4094},"331f19f7-27e4-41c8-935e-5594b1e9fa53",{"type":113,"content":4095},[4096],{"type":151,"attrs":4097,"content":4098},{"level":2006,"textAlign":34},[4099],{"text":4100,"type":120,"marks":4101},"Hauntology & Historicity",[4102],{"type":321,"attrs":4103},{"class":323},{"_uid":4105,"component":127,"propRichtext":4106},"e0709c24-55dc-4158-92f7-5ee7233920e7",{"type":113,"content":4107},[4108],{"type":399,"content":4109},[4110],{"type":116,"content":4111},[4112],{"text":4113,"type":120,"marks":4114},"What haunts the digital cul-de-sacs of the twenty-first century is not so much the past as all the lost futures that the twentieth century taught us to anticipate. (Mark Fisher)",[4115],{"type":528},{"_uid":4117,"component":127,"propRichtext":4118},"4236ff8d-13f7-4c09-8140-8d83054c1937",{"type":113,"content":4119},[4120,4124],{"type":116,"content":4121},[4122],{"text":4123,"type":120},"The specter, as a symbol of the continuing effects of the past on the present and future, is the starting point for Jacques Derrida's theory of hauntology. The term itself plays on the words haunting and ontology, implying that phenomena are always characterized by different forms of absence. Hauntology can be regarded as a theory which assumes that distant forces are at work: phenomena that do not physically exist but nevertheless have an effect on the present. The figure of the specter marks a correlation or connection to something that is no longer there but still effective in virtual terms; and, at the same time, it is a link to what is yet to come and nevertheless something that already exists in the virtual. ",{"type":116},{"_uid":4126,"component":127,"propRichtext":4127},"3de16d19-3d30-4651-a893-01c1d3d451a0",{"type":113,"content":4128},[4129],{"type":116,"content":4130},[4131],{"text":4132,"type":120},"According to Mark Fisher, the past remains an effective virtuality while the possibility of the future is already present in the virtual sphere. In this sense, we escape a deterministic or automated future, rendering it speculative. Technologies are capable of creating multiple virtualities in space and time. Technologies consequently collapse spatial and temporal dimensions. Haunted by the future, this future thus becomes a virtuality that pervades the present, shapes future expectations and drives cultural production.  ",{"_uid":4134,"component":127,"propRichtext":4135},"a4a61e67-3fb1-4be7-b785-103cc52537a5",{"type":113,"content":4136},[4137],{"type":151,"attrs":4138,"content":4139},{"level":2006,"textAlign":34},[4140],{"text":4141,"type":120,"marks":4142},"Spook & Specters",[4143],{"type":321,"attrs":4144},{"class":323},{"_uid":4146,"component":127,"propRichtext":4147},"dcbd8989-e2b6-4936-ba35-5982ac01a5bc",{"type":113,"content":4148},[4149],{"type":399,"content":4150},[4151],{"type":116,"content":4152},[4153],{"text":4154,"type":120,"marks":4155},"Invisible things (are) not necesserily ‘not-there’. (Toni Morrison)",[4156],{"type":528},{"_uid":4158,"component":127,"propRichtext":4159},"88c3cd75-ec2f-4d6c-b3ae-324fa8e6cf08",{"type":113,"content":4160},[4161],{"type":116,"content":4162},[4163],{"text":4164,"type":120},"Feminist physicist Karen Barad also references Derrida in here materialist theory. Based on the principle of quantum mechanics, she states that phenomena are connected in spooky and complex ways and have an effect beyond the subatomic level. Objects are therefore not static things but dynamic processes which change as they interact and intra-act with other objects. Karen Barad calls this hauntological materialism. In different ways, our entangled inner actions therefore emulate the relationships between subatomic particles. We encounter our past lives and historical figures as ghosts that exert a haunting influence on the present. We encounter these ghosts from our past in 'a time out of joint’, as Derrida suggests by quoting Hamlet in 'Spectres of Marx’.",{"_uid":4166,"component":127,"propRichtext":4167},"f670c187-4edf-482c-a5f2-9d3591736f3a",{"type":113,"content":4168},[4169,4173],{"type":116,"content":4170},[4171],{"text":4172,"type":120},"In ‘Ghostly Matters’, sociologist Avery Gordon also makes haunting one of her research methods. According to Gordon, in order to explore social life, one* is forced to engage with all aspects of haunting. She challenges contemporary scientific methods that examine the relationship between knowledge, experience and power, and suggests an alternative approach: Haunting can describe the seething presence of what does not seem to be there. Gordon tracks down ghost stories to repair the damage caused by representational flaws in the current social situation – such as discriminatory exclusions – and to comprehend the conditions that underlie the creation of memory. Her aim is to establish a counter-memory, one that might help build a fairer future. ",{"type":116},[4175],{"_uid":4176,"component":217,"propColor":4177,"propSubheadline":4180,"propPreviewImage":4181,"propPreviewVideo":4183,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":4185,"propMetadescription":4188,"propDescriptionShort":4189},"72db10b4-f361-4ea3-a768-bbc49f2fcbce",{"_uid":4178,"color":4179,"plugin":221},"87a74e83-5beb-4f2c-a76f-1d7ea3b0cc41","#aadec2","A collection of thoughts and ideas revolving around the latest AIL Topic ‘Haunted. Persistence of the Past’: On hauntings of the future, virtualitites of the past, the seething presence of the seemingly non-existent, and predictions and prophecies. ",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":4182},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":4184},{},{"type":113,"content":4186},[4187],{"type":116},"die Angewandte, ail, haunted, topic","Text from Elisabeth Falkensteiner","haunted-thoughts","explore/haunted-thoughts",-750,[],"2f9ff7a3-70ea-41f9-b8ee-9bc5b782b508","2023-10-03T10:31:18.951Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":3457,"etag":4200,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":744,"x-amz-cf-id":4201,"x-amz-cf-pop":61,"x-cache":265,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":4202,"x-runtime":4203,"x-xss-protection":68},"W/\"a95921e3f0f3c9240001fbf7536e821c\"","ZLqtMSrhYQRtmnmcXNtqBEUVnbIquXnrFdj11odyV3kS7DXOI-Z8xA==","6ed062ec-f962-4638-aebc-4518b282e8d5","0.022975",{"data":4205,"headers":4327},{"story":4206,"cv":43,"rels":4325,"links":4326},{"name":4207,"created_at":4208,"published_at":4209,"updated_at":4210,"id":4211,"uuid":4212,"content":4213,"slug":4318,"full_slug":4319,"sort_by_date":34,"position":4320,"tag_list":4321,"is_startpage":37,"parent_id":428,"meta_data":34,"group_id":4322,"first_published_at":4323,"release_id":34,"lang":41,"path":34,"alternates":4324,"default_full_slug":34,"translated_slugs":34},"Sonic Specters with Richard Skelton, Jung An Tagen and Firmament","2023-12-13T07:27:50.679Z","2026-01-13T11:44:04.891Z","2026-01-13T11:44:04.926Z",418264477,"b6a2d5b1-6042-4c1e-b5ee-399544e8fc90",{"_uid":4214,"component":279,"propDateEnd":4215,"propCategory":4216,"propIsOnline":37,"propDateStart":21,"propMainContent":4217,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":4299,"propDateAndTimeOfOpening":4317},"be450536-86c8-46b7-a4d3-645f965ed834","2024-01-16 20:00","sound performance",[4218],{"_uid":4219,"component":111,"propCredits":4220,"propEntryInMainContent":4230},"e75588ea-c04e-499e-bb95-53ef06a93c30",{"type":113,"content":4221},[4222,4226],{"type":116,"content":4223},[4224],{"text":4225,"type":120},"Concept: Shilla Strelka, Elisabeth Falkensteiner ",{"type":116,"content":4227},[4228],{"text":4229,"type":120},"Photo JaT: Milica Balubdzic",[4231,4237,4245,4251,4263,4269,4285],{"_uid":4232,"component":183,"propImage":4233,"propAltText":21,"propCaption":21},"80e32029-c0e2-4169-8797-717dc1d055f7",{"id":4234,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4235,"copyright":21,"fieldtype":187,"meta_data":4236,"is_private":21,"is_external_url":37},13665184,"https://a.storyblok.com/f/98682/640x480/09ec79747a/firmament.jpg",{},{"_uid":4238,"component":127,"propRichtext":4239},"d8952b42-5653-4354-afbe-589728065846",{"type":113,"content":4240},[4241],{"type":116,"content":4242},[4243],{"text":4244,"type":120},"Firmament is the midst of the waters that divides the waters above from the waters below. It is the past of the traveler that he did not know he had: the foreignness of what you no longer are or no longer possess lies in wait for you in foreign, unpossessed places.",{"_uid":4246,"component":183,"propImage":4247,"propAltText":21,"propCaption":21},"3619e61f-db89-40a5-8cf3-75f6d291bb66",{"id":4248,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4249,"copyright":21,"fieldtype":187,"meta_data":4250,"is_private":21,"is_external_url":37},13535796,"https://a.storyblok.com/f/98682/3809x3809/47ca1e4fcc/skelton-2020-1.jpg",{},{"_uid":4252,"component":127,"propRichtext":4253},"e5940139-d22a-4320-a285-9f4e53debe7b",{"type":113,"content":4254},[4255,4259],{"type":116,"content":4256},[4257],{"text":4258,"type":120},"Richard Skelton is an English musician. Over the past seventeen years and over 50 albums & EPs, he has developed a signature sound, often comprised of strings, piano and other acoustic instrumentation. Since 2013 he has increasingly buried these organic sources in layers of detritus and static. The process, as he articulates it, is to use signal-degradation as a means of reflecting the processes of decay and transformation in the natural world. His music has been placed alongside giants of experimental music, such as Brian Eno, Harold Budd, Stars Of The Lid, William Basinski. A DIY advocate, most of his music has been self-released, either via Sustain-Release (2005-2011) or Corbel Stone Press (2009+). ",{"type":116,"content":4260},[4261],{"text":4262,"type":120},"Renown for his expressive and innovative use of acoustic instruments, his much-imitated treatment of strings — at once visceral and haunting — began in 2007 on the album ‘Box of Birch’, and was later developed on his trio of ground-breaking recordings, ‘Marking Time’ (2008), ‘Landings’ (2009) and ‘Verse of Birds’ (2011). His work has been lauded by Gramophone, Mojo, Q, Record Collector and The Quietus, among others, and in 2011 he was featured on the cover of The Wire magazine. 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Testing strategies of physical disorientation and forceful sonic phenomena, encouraging minds and bodies to calculate and intuit their own place in spacetime. It’s addictive music. Music in constant explosion. ",{"_uid":4286,"component":127,"propRichtext":4287},"f29d092f-443e-4546-a111-706ee3f2070e",{"type":113,"content":4288},[4289,4298],{"type":116,"content":4290},[4291],{"text":4292,"type":120,"marks":4293},"More about the series Sonic Specters",[4294],{"type":235,"attrs":4295},{"href":4296,"uuid":4297,"anchor":34,"target":238,"linktype":249},"/explore/sonic-specters-between-nostalgia-and-anticipation","a0ef9b8d-9ece-4e8c-8b34-61117b543976",{"type":116},[4300],{"_uid":4301,"component":217,"propColor":4302,"propSubheadline":4305,"propPreviewImage":4306,"propPreviewVideo":4310,"propMakeTextWhite":37,"propDescriptionLong":4312,"propMetaInformation":4313,"propMetadescription":4316,"propDescriptionShort":21},"ee16a0ca-5df3-4ccb-b5dd-7d81a851f13a",{"_uid":4303,"color":4304,"plugin":221},"d2fb0d15-18f1-405a-a666-54b8f5e84ed2","#cde052","Between Nostalgia and Anticipation",{"id":4307,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4308,"copyright":21,"fieldtype":187,"meta_data":4309,"is_external_url":37},10884126,"https://a.storyblok.com/f/98682/500x788/d4b567fe4d/shape_haunted.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":4311},{},"The sound performance series Sonic Specters is the first part of the program centering on AIL’s new topic: Haunted – Persistence of the Past. In cooperation with Struma+Iodine.",{"type":113,"content":4314},[4315],{"type":116},"Sound Performance, Haunted, Topic, die Angewandte ","2024-01-16 18:00","sonic-specters-04","program/sonic-specters-04",-310,[],"68013cee-9201-4344-804e-4a42ba7de364","2023-09-12T10:42:37.437Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":4328,"etag":4329,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":744,"x-amz-cf-id":4330,"x-amz-cf-pop":61,"x-cache":265,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":4331,"x-runtime":4332,"x-xss-protection":68},"Thu, 21 May 2026 13:52:20 GMT","W/\"eb04edb2ad885ae6b89e3626d02e55e2\"","guvuevVfnfhV91iEhgmE78xrJ-YFOnnxsghnRVIeklCgaqzP-2P2eQ==","70fbd263-d837-4ba4-8f57-25afec71ac55","0.029969",{"data":4334,"headers":4500},{"story":4335,"cv":43,"rels":4498,"links":4499},{"name":4336,"created_at":4337,"published_at":4338,"updated_at":4339,"id":4340,"uuid":4297,"content":4341,"slug":4491,"full_slug":4492,"sort_by_date":34,"position":4493,"tag_list":4494,"is_startpage":37,"parent_id":255,"meta_data":34,"group_id":4495,"first_published_at":4496,"release_id":34,"lang":41,"path":34,"alternates":4497,"default_full_slug":34,"translated_slugs":34},"Sonic Specters. Between Nostalgia and Anticipation","2023-09-19T11:43:22.428Z","2025-12-16T12:38:03.024Z","2025-12-16T12:38:03.050Z",372961541,{"_uid":4342,"component":106,"propCategory":107,"propMainContent":4343,"propHeaderInformation":4441},"5373ccd0-1036-440a-9c5c-a3aed89cdd1a",[4344],{"_uid":4345,"component":111,"propCredits":4346,"propEntryInMainContent":4356},"65787406-b8f7-495c-9825-1ef5bad041c8",{"type":113,"content":4347},[4348,4352],{"type":116,"content":4349},[4350],{"text":4351,"type":120},"The sound performance series Sonic Specters is the first part of the program centering on AIL’s new topic: Haunted – Persistence of the Past.",{"type":116,"content":4353},[4354],{"text":4355,"type":120},"Graphic Image: Lion Sauterleute",[4357,4379,4385,4393,4414],{"_uid":4358,"component":127,"propRichtext":4359},"d7fcce5f-9f26-4eb8-aa17-2c1bbacc2de7",{"type":113,"content":4360},[4361,4371],{"type":116,"attrs":4362,"content":4363},{"textAlign":34},[4364,4366,4369],{"text":4365,"type":120},"Eerie atmospheres and flickering sound traces created by past audio sources and the coming times – for each event of the new series ",{"text":4336,"type":120,"marks":4367},[4368],{"type":528},{"text":4370,"type":120}," two musicians track down what has ceased to exist and what is yet to come. ",{"type":116,"attrs":4372,"content":4373},{"textAlign":34},[4374],{"text":4375,"type":120,"marks":4376},"Oscillating between melancholic nostalgia and euphoric anticipation, linear concepts of time and space will be called into question. Does the past haunt the present and the future?",[4377],{"type":321,"attrs":4378},{"class":323},{"_uid":4380,"component":183,"propImage":4381,"propAltText":21,"propCaption":21},"dfd91397-487f-4326-985d-c42e57e8444d",{"id":4382,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4383,"copyright":21,"fieldtype":187,"meta_data":4384,"is_external_url":37},11148349,"https://a.storyblok.com/f/98682/1373x2283/227225677f/shape_03.jpg",{},{"_uid":4386,"component":127,"propRichtext":4387},"575ca545-bafd-48f3-bf59-f116250b1cc5",{"type":113,"content":4388},[4389],{"type":116,"content":4390},[4391],{"text":4392,"type":120},"Cultural philosopher Mark Fisher elaborated on Jacques Derrida's concept of hauntology, and paid particular attention to the question of time. In his theory, phenomena and forces act from a distance while the absence of existence is immanent to being: it is a legacy, a trace of what has been and what will be. The past remains an effective virtuality while the possibility of the future is already present in the virtual sphere. In this sense, we reject a deterministic and automated future, rendering it speculative. Technologies are capable of creating multiple virtualities in time and space. Technologies consequently collapse temporal and spatial dimensions. The future becomes a powerful and haunting experience: a virtuality that pervades the present, shapes expectations and drives cultural production.",{"_uid":4394,"component":127,"propRichtext":4395},"6091a3d0-38f6-45e3-abd7-6c92dc92375f",{"type":113,"content":4396},[4397,4406],{"type":116,"attrs":4398,"content":4399},{"textAlign":34},[4400,4404],{"text":4401,"type":120,"marks":4402},"Sonic Specters",[4403],{"type":528},{"text":4405,"type":120}," is concerned neither with resurrecting real events from the past nor with celebrating reactionary and romantic notions of nostalgia. Rather, its focus lies on lost futures, those that never materialized and remain specters. ",{"type":116,"attrs":4407,"content":4408},{"textAlign":34},[4409],{"text":4410,"type":120,"marks":4411},"In searching for those specters, we tap into areas of unfulfilled potential and circumvent repetitive behavior patterns.",[4412],{"type":321,"attrs":4413},{"class":323},{"_uid":4415,"component":127,"propRichtext":4416},"bbff88db-6cbc-4973-94fe-e3a2a4fcbd53",{"type":113,"content":4417},[4418,4426,4431,4436],{"type":116,"attrs":4419,"content":4420},{"textAlign":34},[4421],{"text":4422,"type":120,"marks":4423},"Program 2023: ",[4424],{"type":321,"attrs":4425},{"class":323},{"type":116,"attrs":4427,"content":4428},{"textAlign":34},[4429],{"text":4430,"type":120},"4 Oct 2023, 19:00 with KMRU and Inou Ki Endo & Misonica (DJ-set)",{"type":116,"attrs":4432,"content":4433},{"textAlign":34},[4434],{"text":4435,"type":120},"8 Nov, 19:00 with Perila and Afrodeo",{"type":116,"attrs":4437,"content":4438},{"textAlign":34},[4439],{"text":4440,"type":120},"15 Dec, 19:00 with Katatonic Silentio and 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View: Sonic Specters ","2023-10-09T07:55:23.163Z","2026-01-15T08:06:55.035Z","2026-01-15T08:06:55.049Z",385049987,"95caaa18-f073-4604-94d8-f19207a08bd6",{"_uid":4515,"component":106,"propCategory":1078,"propMainContent":4516,"propHeaderInformation":4602},"4e43a927-fc08-480e-8ede-456c1d6c5cd9",[4517],{"_uid":4518,"component":111,"propCredits":4519,"propEntryInMainContent":4540},"1e056973-ef7c-4525-94d4-c0775c9ac846",{"type":113,"content":4520},[4521,4529,4536],{"type":116,"content":4522},[4523,4525],{"text":4524,"type":120},"The sound performance series Sonic Specters is the first part of the program centering on AIL‘s new topic: ",{"text":4526,"type":120,"marks":4527},"Haunted – Persistence of the Past.",[4528],{"type":528},{"type":116,"content":4530},[4531,4534],{"text":4401,"type":120,"marks":4532},[4533],{"type":528},{"text":4535,"type":120}," is a cooperation with Struma+Iodine, curated by Shilla Strelka and Elisabeth 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Joseph Kamaru (KMRU) a Nairobi-born Berlin-based sound artist, sound is a sensorial medium through which social, material and conceptual interpretations are manifested in his works. KMRU carries with him a repository of listening experiences from Nairobi and beyond expanding his sonic practices, bringing an awareness of surroundings through creative compositions, installations and performances. He has earned international acclaim from his performances and releases, at the Barbican, Berlin Atonal, Présences électronique, and releases on Editions Mego, Subtext, Seil Records. KMRU has carved out a serious and definitive space on the list of essential authors in ambient experimental music – one of the most prolific and innovative artists in his field.",{"_uid":4567,"component":183,"propImage":4568,"propAltText":21,"propCaption":21},"8a8cbace-bbd5-427b-bede-db8e19761bab",{"id":4569,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4570,"copyright":21,"fieldtype":187,"meta_data":4571,"is_external_url":37},11644720,"https://a.storyblok.com/f/98682/1067x1600/5574fb9e3d/ail_sonic_specters_c_ruiz_cruz_13.jpg",{},{"_uid":4573,"component":127,"propRichtext":4574},"1cad376e-d711-450e-8fac-d57dcafe77b4",{"type":113,"content":4575},[4576,4580],{"type":116,"content":4577},[4578],{"text":4579,"type":120},"DJ-set by the curators Shilla Strelka and Elisabeth Falkensteiner aka Inou Ki Endo and Misonica ",{"type":116,"content":4581},[4582],{"text":4583,"type":120},"Inou Ki Endo's preference lies in infernal and cerebral sounds, obscure dilettantes and professional borderliners beyond the musical mainstream. Shilla Strelka is the artistic director of Unsafe+Sounds Festival, hosts concerts in Vienna under the name Struma+Iodine, and is active as a music journalist. As Inou Ki Endo, she is filtering communal sounds and rhythms from the past and the present, drawing from techno, industrial, ambient and noise.",{"_uid":4585,"component":183,"propImage":4586,"propAltText":21,"propCaption":21},"68b425a8-e9c4-4807-8709-28de590bf0e4",{"id":4587,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4588,"copyright":21,"fieldtype":187,"meta_data":4589,"is_external_url":37},11644741,"https://a.storyblok.com/f/98682/1067x1600/610bc3d795/ail_sonic_specters_c_ruiz_cruz_26.jpg",{},{"_uid":4591,"component":127,"propRichtext":4592},"8c8feac8-d6c2-404e-8b19-25941aa0a0b1",{"type":113,"content":4593},[4594,4598],{"type":116,"content":4595},[4596],{"text":4597,"type":120},"Misonica as a Dj is a strong selector across times and spaces, fusing hidden gems from all over the world and obscure vocal tracks into a coherent, punchy mix between Industrial and EBM, Tribal and Cosmic or experimental sounds.",{"type":116,"content":4599},[4600],{"text":4601,"type":120},"In her recently presented live sets, she works with field recordings, ambient noises and her voices. They engage with a larger narrative, and guide us into imaginary realms, opening auratic spaces that we can walk in.",[4603],{"_uid":4604,"component":217,"propColor":4605,"propSubheadline":4608,"propPreviewImage":4609,"propPreviewVideo":4613,"propMakeTextWhite":3976,"propDescriptionLong":21,"propMetaInformation":4615,"propMetadescription":4623,"propDescriptionShort":4624},"53abe3d7-e20c-4bd9-84f9-571d5e846369",{"_uid":4606,"color":4607,"plugin":221},"a3aaa8b4-fde9-41c8-bb25-f701791e73b7","#1433f2","Live Performance with KMRU and Inou Ki Endo & Misonica (DJ-Set), October 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","performance-view-sonic-specters-1","explore/performance-view-sonic-specters-1",-780,[],"688a7e11-e641-46f9-aeed-9ca57105f6a3","2023-10-09T08:26:38.188Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":4328,"etag":4635,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":59,"x-amz-cf-id":4636,"x-amz-cf-pop":61,"x-cache":265,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":4637,"x-runtime":4638,"x-xss-protection":68},"W/\"4cb528277f0f20ac674f27f54838aa7b\"","Y73EszDXMLTtcENIoJsCMCd3-iMy6hPqHA0YcnoKSN8lze-M_l3-bg==","c2538fa6-3d52-4266-8939-5ea85674ab13","0.035296",{"data":4640,"headers":4820},{"story":4641,"cv":43,"rels":4818,"links":4819},{"name":4642,"created_at":4643,"published_at":4644,"updated_at":4645,"id":4646,"uuid":4647,"content":4648,"slug":4811,"full_slug":4812,"sort_by_date":34,"position":4813,"tag_list":4814,"is_startpage":37,"parent_id":255,"meta_data":34,"group_id":4815,"first_published_at":4816,"release_id":34,"lang":41,"path":34,"alternates":4817,"default_full_slug":34,"translated_slugs":34},"Performance View: Phantom Voltage","2023-11-08T11:06:34.626Z","2026-01-15T07:47:40.164Z","2026-01-15T07:47:40.177Z",403305844,"8d9180c6-372b-48a3-afbc-ea4c68a1608f",{"_uid":4649,"component":106,"propCategory":1078,"propMainContent":4650,"propHeaderInformation":4793},"d2612d46-bc4a-48ce-82bb-bb1ea7ebf7ef",[4651],{"_uid":4652,"component":111,"propCredits":4653,"propEntryInMainContent":4671},"93251c05-e81f-4efa-81af-844f3b084de9",{"type":113,"content":4654},[4655,4659,4663,4667],{"type":116,"content":4656},[4657],{"text":4658,"type":120},"Production Konnektom | Co-production Wien Modern",{"type":116,"content":4660},[4661],{"text":4662,"type":120},"With the kind support of the City of Vienna, BMKÖS and SKE of Austro Mechana",{"type":116,"content":4664},[4665],{"text":4666,"type":120},"Cooperation Angewandte Interdisciplinary Lab of the University of Applied Arts Vienna",{"type":116,"content":4668},[4669],{"text":4670,"type":120},"All photos: Markus 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with the artists Christina Kubisch, Florian Kindlinger and Peter Kutin and Bernhard Günther (Artistic Director) ",{"_uid":4716,"component":127,"propRichtext":4717},"c68c99e7-7a5e-4ced-b00d-16458a594489",{"type":113,"content":4718},[4719],{"type":116,"content":4720},[4721],{"text":4722,"type":120},"Like an invisible architecture, the electromagnetic fields of electrical cables, radio signals, batteries, sensors, communication networks and other technical infrastructures penetrate and structure our everyday lives. Phantom Voltage gives this ephemeral spirit a sound body and visibility through installations, specially created instruments, and performative elements. Induction sensors translate electromagnetic fields into sound, light and noise, which enter into dialogue with one another. The cello acts as an analogue counterpoint to the electro-acoustic phantom sounds. In an experimental arrangement of corresponding objects, the performers create a sound landscape that is open to the audience.",{"_uid":4724,"component":127,"propRichtext":4725},"e7ebdcea-09e4-4d42-b12a-00c056709503",{"type":113,"content":4726},[4727,4742],{"type":399,"content":4728},[4729,4737],{"type":116,"attrs":4730,"content":4731},{"textAlign":34},[4732],{"text":4733,"type":120,"marks":4734},"‘I understood the silence of the ether. I never understood people‘s words.’",[4735],{"type":321,"attrs":4736},{"class":323},{"type":116,"attrs":4738,"content":4739},{"textAlign":34},[4740],{"text":4741,"type":120},"(Friedrich Hölderlin [1770–1843], Since I was a boy)",{"type":116,"attrs":4743,"content":4744},{"textAlign":34},[4745],{"text":4746,"type":120},"After Desert Bloom (2016, Karl Szcuka Prize as part of the Donaueschinger Musiktage) and Spectral City (including 2019 at the HeK Basel & at the ReiheM in Cologne), Florian Kindlinger, Christina Kubisch and Peter Kutin are now working together for the third time. For Phantom Voltage, the three artists have partly developed existing sound objects and installations, partly created new devices and woven them into an expansive composition that encompasses the audience.",{"_uid":4748,"component":127,"propRichtext":4749},"d358d2f3-537c-4175-a2e5-e12d0265cea9",{"type":113,"content":4750},[4751],{"type":116,"content":4752},[4753],{"text":4754,"type":120},"A limited edition of sounding latex objects created especially for Phantom Voltage by the visual artist Liesl Raff (in co-operation with Peter Kutin) will also be on display.",{"_uid":4756,"component":127,"propRichtext":4757},"d8c7ba2c-40d3-456c-ac52-75df108beb63",{"type":113,"content":4758},[4759],{"type":399,"content":4760},[4761,4765,4769,4773,4777,4781,4785,4789],{"type":116,"content":4762},[4763],{"text":4764,"type":120},"Peter Kutin | Light feedback systems, kinetic objects, dramaturgy",{"type":116,"content":4766},[4767],{"text":4768,"type":120},"Florian Kindlinger | Sound direction, live electronics, dramaturgy",{"type":116,"content":4770},[4771],{"text":4772,"type":120},"Christina Kubisch | Electromagnetic induction objects, live performance",{"type":116,"content":4774},[4775],{"text":4776,"type":120},"Mathias Lenz | Mechatronics, live performance",{"type":116,"content":4778},[4779],{"text":4780,"type":120},"Liesl Raff | latex objects",{"type":116,"content":4782},[4783],{"text":4784,"type":120},"Maiken Beer | Violoncello",{"type":116,"content":4786},[4787],{"text":4788,"type":120},"Anna Resch | Production, dramaturgy",{"type":116,"content":4790},[4791],{"text":4792,"type":120},"Sebastian Jobst | Production, dramaturgy",[4794],{"_uid":4795,"component":217,"propColor":4796,"propSubheadline":4799,"propPreviewImage":4800,"propPreviewVideo":4804,"propMakeTextWhite":3976,"propDescriptionLong":21,"propMetaInformation":4806,"propMetadescription":4809,"propDescriptionShort":4810},"03293b41-5640-4720-9f2d-04e3afdc3ae5",{"_uid":4797,"color":4798,"plugin":221},"04a6c0fd-45d1-4cbc-a5cc-9112cd094ca7","#212121","with Peter Kutin, Florian Kindlinger, Christina Kubisch / Part of Wien Modern, November 2023",{"id":4801,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4802,"copyright":21,"fieldtype":187,"meta_data":4803,"is_external_url":37},12533825,"https://a.storyblok.com/f/98682/1920x2881/ae284ab586/231106_2023-festivalgalerie_phantom-voltage_12_c_markus-sepperer-kopie.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":4805},{},{"type":113,"content":4807},[4808],{"type":116},"Wien Modern, Sound Performance ","Multimedia composition for electromagnetic fields, various kinetic sound and light objects and cello (2023 WP) ~60´. ","performance-view-phantom-voltage","explore/performance-view-phantom-voltage",-820,[],"713b4d21-471c-466f-ac77-2c484c6c3cd4","2023-11-15T10:43:46.031Z",[],[],[],{"cache-control":48,"connection":49,"content-encoding":50,"content-type":51,"date":4328,"etag":4821,"referrer-policy":54,"sb-be-version":55,"server":56,"transfer-encoding":57,"vary":58,"via":436,"x-amz-cf-id":4822,"x-amz-cf-pop":61,"x-cache":265,"x-content-type-options":63,"x-frame-options":64,"x-permitted-cross-domain-policies":65,"x-request-id":4823,"x-runtime":4824,"x-xss-protection":68},"W/\"48e058b5a1acb6670480612a04468ea6\"","WwnHsRhXiQZVJo-yU64L1LK3SUXU-Agc_mgxKVGHbp3qi54lYsn84w==","9af9f740-ff76-448d-93ea-9cf25466070a","0.030525",{"data":4826,"headers":4995},{"story":4827,"cv":43,"rels":4993,"links":4994},{"name":4828,"created_at":4829,"published_at":4830,"updated_at":4831,"id":4832,"uuid":4482,"content":4833,"slug":4988,"full_slug":4989,"sort_by_date":34,"position":4320,"tag_list":4990,"is_startpage":37,"parent_id":428,"meta_data":34,"group_id":4991,"first_published_at":4323,"release_id":34,"lang":41,"path":34,"alternates":4992,"default_full_slug":34,"translated_slugs":34},"Sonic Specters with Katatonic Silentio and dieb13","2023-08-21T09:38:17.366Z","2026-01-13T11:44:21.077Z","2026-01-13T11:44:21.101Z",357332447,{"_uid":4214,"component":279,"propDateEnd":4834,"propCategory":4216,"propIsOnline":37,"propDateStart":21,"propMainContent":4835,"propLocationLink":21,"propLocationName":21,"propHeaderInformation":4976,"propDateAndTimeOfOpening":4987},"2023-12-15 20:00",[4836],{"_uid":4219,"component":111,"propCredits":4837,"propEntryInMainContent":4840},{"type":113,"content":4838},[4839],{"type":116},[4841,4848,4885,4892,4966],{"_uid":4842,"component":183,"propImage":4843,"propAltText":21,"propCaption":4847},"51b397ff-3141-4d3c-9ef7-24ea109702f4",{"id":4844,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4845,"copyright":21,"fieldtype":187,"meta_data":4846,"is_external_url":37},11210365,"https://a.storyblok.com/f/98682/1393x1741/0e7eb2b330/katatonic-silentio-c-kevin-rashid-giaquinto-01.jpg",{},"Photo: Kevin Rashid Giaquinto",{"_uid":4849,"component":127,"propRichtext":4850},"4fad3399-ce52-483c-bfff-26682bbbff67",{"type":113,"content":4851},[4852,4860,4865,4870,4875,4880],{"type":116,"attrs":4853,"content":4854},{"textAlign":34},[4855],{"text":4856,"type":120,"marks":4857},"Katatonic Silentio",[4858],{"type":321,"attrs":4859},{"class":323},{"type":116,"attrs":4861,"content":4862},{"textAlign":34},[4863],{"text":4864,"type":120},"Mariachiara Troianiello, the Milan-based sound artist behind the moniker Katatonic Silentio, works at the crossroads of electronic music, performing arts and sound studies. Both as alive performer and an independent researcher, she seeks to bridge different spheres and approaches to sonic production.",{"type":116,"attrs":4866,"content":4867},{"textAlign":34},[4868],{"text":4869,"type":120},"Active as a DJ for more than 15 years, her sets adopt multiple forms, fluctuating between an analogue past and a technological, fast-paced future. At times, her sets focus on pure abstraction, consisting of ethereal soundscapes that seek to transcend the tangible through a mix of musique concrète, world, spoken word, ambient or dub. At others, they come across as concrete and club-oriented, crossing techno, broken beats or drum n bass.",{"type":116,"attrs":4871,"content":4872},{"textAlign":34},[4873],{"text":4874,"type":120},"Mariachiara views sound as a critical tool and has a genuine interest in exploring sonic possibilities and practices from both artistic and sociological perspectives. As an independent researcher, she is a member of the Scientific Advisory Board of USMARADIO: Interdepartmental Research Centre for Radiophonic Studies at the University of San Marino. In her undergraduate thesis in 2015, Mariachiara looked at the different notions of radio and broadcasting between underground and mainstream and the multiple performative possibilities of the medium itself – a topic she currently puts into practice through her project Expanded Radio Research Unit. As of now, she holds radio residencies on EOS and LYL.",{"type":116,"attrs":4876,"content":4877},{"textAlign":34},[4878],{"text":4879,"type":120},"Mariachiara also collaborates with Anonima/Luci, a light art collective with whom she develops installations that reconfigure architectural spaces by combining light and sound.",{"type":116,"attrs":4881,"content":4882},{"textAlign":34},[4883],{"text":4884,"type":120},"Together with choreographer and dancer Olimpia Fortuni, she performs ‘X’, an ongoing compositional study that draws on sound, movement and space.",{"_uid":4886,"component":183,"propImage":4887,"propAltText":21,"propCaption":4891},"f5e4f63e-2018-44dd-be15-fa98baf98459",{"id":4888,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4889,"copyright":21,"fieldtype":187,"meta_data":4890,"is_external_url":37},13117657,"https://a.storyblok.com/f/98682/5160x2653/d8de8cefe1/dieb13_at_10jahrecorvo_by_cristina_marx.jpg",{},"Photo: Cristina Marx",{"_uid":4893,"component":127,"propRichtext":4894},"41f53479-ddc2-441e-afd8-5f710c561644",{"type":113,"content":4895},[4896,4904,4909,4914,4919,4924,4937,4942,4953],{"type":116,"attrs":4897,"content":4898},{"textAlign":34},[4899],{"text":4900,"type":120,"marks":4901},"dieb13",[4902],{"type":321,"attrs":4903},{"class":323},{"type":116,"attrs":4905,"content":4906},{"textAlign":34},[4907],{"text":4908,"type":120},"Turntablist, hacker, filmmaker, autodidact, composer, collageur, conscientious copyright objector, since the late 1980ies dieb13 has explored the possibilities of vinyls, casettes, vinyls, harddisks, ip-protocols etc. as material for collages and compositions. Using various playing techniques and his own lathe cutter, he has pushed the development of turntables as instruments aside ‘classical dj techniques’ and developed his very unique style.",{"type":116,"attrs":4910,"content":4911},{"textAlign":34},[4912],{"text":4913,"type":120},"Since the 1990s, he’s been active in vienna’s electronic-, improvised and noise music scene but also in fields like contemporary composed music, free jazz or pop. Solo appearances as dieb12, dieb13, dieb14, bot, echelon, Dieter Bohlen...",{"type":116,"attrs":4915,"content":4916},{"textAlign":34},[4917],{"text":4918,"type":120},"Permanent collaborations include: RISC, efzeg, eRikm/dieb13, dieb13 vs. takeshi fumimoto, swedish azz, phil minton/dieb13, fake the facs, where is the sun, nu ensemble, crsp. Founder of the klingt.orgestra",{"type":116,"attrs":4920,"content":4921},{"textAlign":34},[4922],{"text":4923,"type":120},"Performances in more than 30 countries on four continents at various international festivals and locations including: Phonotaktik Wien & New York, Wien Modern, Donaufestival Krems, sonicacts Amsterdam, beyond innocence Osaka, LMC festival London, Huddersfield contemporary music festival, Kilbi Düdingen, Maerzmusik Berlin, Kammermusiktage Witten, Musiktage Donaueschingen, Piksel Bergen, CMMAS Morelia, trans art Bozen, great performers an ideas Colorado Springs, Bienale São Paulo.",{"type":116,"attrs":4925,"content":4926},{"textAlign":34},[4927,4929,4935],{"text":4928,"type":120},"Distributed by 1.8sec, absurd, amoebic, antifrost, charhizma, col legno, corvo, doc, Durian, en/of, editions mego, erstwhile, filmarchiv austria, for4ears, gruenrekorder, god rec., grob, hathut, index, interstellar, junkjet, loewenhertz, mego, mikroton, moka bar, nottwo, orf, panrec, ",{"text":4930,"type":120,"marks":4931},"pilot.fm",[4932],{"type":235,"attrs":4933},{"href":4934,"uuid":34,"anchor":34,"target":34,"linktype":239},"http://pilot.fm",{"text":4936,"type":120},", rhiz, sixpack, staalplaat, substance, transacoustic research, the manual, trost, unframed recordings.",{"type":116,"attrs":4938,"content":4939},{"textAlign":34},[4940],{"text":4941,"type":120},"music for theater-, dance-, opera-, film- and videoproductions and installations. 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Her sets are thick narratives drifting through rich sound palette imerging a listener into pretty personal trip. Constantly shifting moods and textures of mixes create comfort space for emotions to float, merge, evaporate and ride in a deep context.",{"type":116,"attrs":5044,"content":5045},{"textAlign":34},[5046],{"text":5047,"type":120},"Apart from sound practice and research Perila constructs intimate visual, textual, contextual, performative layers to affect a listener on many levels. Practice is aimed to challenge and overcome boundaries and share this expansion with the Other.",{"type":116,"attrs":5049,"content":5050},{"textAlign":34},[5051],{"text":5052,"type":120},"Stay in presence. 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Besides releasing music, Afrodeo has been hosting a thematic radio show called ",{"text":5068,"type":120,"marks":5069},"Sovyet Montajı",[5070],{"type":528},{"text":5072,"type":120}," since 2016.",{"_uid":4286,"component":127,"propRichtext":5074},{"type":113,"content":5075},[5076],{"type":116,"content":5077},[5078],{"text":4292,"type":120,"marks":5079},[5080],{"type":235,"attrs":5081},{"href":4296,"uuid":4297,"anchor":34,"target":238,"linktype":249},{"_uid":5083,"component":127,"propRichtext":5084},"81f12cd8-59f7-4fb0-af82-4e9603f888fb",{"type":113,"content":5085},[5086,5093],{"type":399,"content":5087},[5088],{"type":151,"attrs":5089,"content":5090},{"level":153},[5091],{"text":5092,"type":120},"Next date of Sonic Specters:",{"type":399,"content":5094},[5095,5099],{"type":116,"content":5096},[5097],{"text":5098,"type":120},"15 Dec, 19:00",{"type":116,"content":5100},[5101],{"text":5102,"type":120},"with Katatonic Silentio and dieb13",[5104],{"_uid":4301,"component":217,"propColor":5105,"propSubheadline":4305,"propPreviewImage":5107,"propPreviewVideo":5109,"propMakeTextWhite":37,"propDescriptionLong":5111,"propMetaInformation":5112,"propMetadescription":4316,"propDescriptionShort":21},{"_uid":4303,"color":5106,"plugin":221},"#52e0cd",{"id":4307,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":4308,"copyright":21,"fieldtype":187,"meta_data":5108,"is_external_url":37},{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":187,"meta_data":5110},{},"The sound performance series Sonic Specters is the first part of the program centering on AIL’s new topic: Haunted – Persistence of the Past. 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