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","2024-09-20T15:12:15.962Z","2025-12-15T12:34:46.387Z","2025-12-15T12:34:46.415Z",551576820,"bf4cebc0-f86b-4448-8d2a-3b4e46a1d880",{"_uid":105,"component":106,"propCategory":107,"propMainContent":108,"propHeaderInformation":1398},"070ebd8a-b2ef-4a5b-8715-6a219cb327d6","Page_Detailseite_Explore","news",[109],{"_uid":110,"component":111,"propCredits":112,"propEntryInMainContent":121},"3435ecfd-965c-446a-97c5-433b6b197845","Component_PageDetails_MainContent",{"type":113,"content":114},"doc",[115],{"type":116,"content":117},"paragraph",[118],{"text":119,"type":120},"Preview image: Performance by Team Tool Time (Paul Divjak & Wolfgang Schlögl) from the opening night. Photo: Lea Dörl","text",[122,144,149,160,349,363,371,1235,1238,1262,1269,1292,1295,1307,1310,1328,1335,1367,1379],{"_uid":123,"component":124,"propRichtext":125},"ed8bf9bd-f743-4baf-95cb-dcf8b7833dcf","Component_Nested_Richtext",{"type":113,"content":126},[127],{"type":116,"content":128},[129,131,142],{"text":130,"type":120},"With the AIL, ",{"text":132,"type":120,"marks":133},"the Angewandte",[134,140],{"type":135,"attrs":136},"link",{"href":137,"uuid":34,"anchor":34,"target":138,"linktype":139},"https://www.dieangewandte.at/en","_self","url",{"type":141},"italic",{"text":143,"type":120}," has created a unique platform that provides insights into diverse projects and stimulating endeavors, behind which there are exciting and often unexpected things to discover. Over the past 10 years the relationship between art and science and the potential of interdisciplinarity has been explored, and artistic research of the University of Applied Arts Vienna has been made accessible to a wide audience. Together we look back on ten years in which very different formats have been tried out and successfully implemented. ",{"_uid":145,"component":146,"propVideoId":147,"propVideoType":148},"d506b9c8-2d17-40f9-8899-297401cc09f4","Component_Nested_Video","184496833","vimeo",{"_uid":150,"component":124,"propRichtext":151},"e04293c4-8e06-4f19-8b2e-7d6761cea5cd",{"type":113,"content":152},[153],{"type":154,"content":155},"blockquote",[156],{"type":116,"content":157},[158],{"text":159,"type":120},"‘A whole array of interests and expectations is inscribed in academic and artistic processes. But does living up to them constitute a so-called success or achievement? Are there any alternatives, can we expect the unexpected? Self-reflection, self-denial, withdrawal? Focus? Distraction? Might it be for this reason that it’s all about creating a new place of possibilities, as inclusive as possible but as restrictive as need be? Let’s (still) be surprised, let’s take the risk of innovation, let’s expect the unexpected.’ ",{"_uid":161,"component":124,"propRichtext":162},"2eab9c3d-c1df-4f08-a063-59377fdc5ef5",{"type":113,"content":163},[164,345],{"type":116,"content":165},[166,168,337,339,343],{"text":167,"type":120},"These were the introductory words at the opening of the AIL on October 20, 2014. Ten years ago AIL ",{"text":169,"type":120,"marks":170},"opened",[171],{"type":135,"attrs":172},{"href":173,"uuid":174,"anchor":34,"target":138,"linktype":175,"story":176},"/explore/opening-of-angewandte-innovation-lab-in-2014","feee32ca-4396-41ad-9519-2c62db318dd9","story",{"name":177,"created_at":178,"published_at":179,"updated_at":180,"id":181,"uuid":174,"content":182,"slug":329,"full_slug":330,"sort_by_date":34,"position":331,"tag_list":332,"is_startpage":37,"parent_id":333,"meta_data":34,"group_id":334,"first_published_at":335,"release_id":34,"lang":41,"path":34,"alternates":336,"default_full_slug":34,"translated_slugs":34,"_stopResolving":326},"Opening of Angewandte Innovation Lab in 2014","2022-01-11T20:27:25.768Z","2026-01-12T12:01:56.177Z","2026-01-12T12:01:56.190Z",97911534,{"_uid":183,"component":106,"propCategory":184,"propMainContent":185,"propHeaderInformation":312},"25031b4b-6471-45cd-b51c-9dd3fa7d7ef5","video",[186],{"_uid":187,"component":111,"propCredits":21,"propEntryInMainContent":188},"97a4a84e-2431-426c-b9f9-1ed1c4ca6f0a",[189,192,195,198,227,235,254,258,260,302],{"_uid":190,"component":146,"propVideoId":191,"propVideoType":148},"df7cf91b-71ff-4510-b91e-7ed116242ad7","113259316",{"_uid":193,"component":146,"propVideoId":194,"propVideoType":148},"2fa9c788-5fda-4222-adb3-5465ed271913","113391892",{"_uid":196,"component":146,"propVideoId":197,"propVideoType":148},"83605225-8745-4253-b4de-785837551a80","113615064",{"_uid":199,"component":124,"propRichtext":200},"d7e2f6d3-57c2-4355-a312-47642f7c72ee",{"type":113,"content":201},[202,212,217,222],{"type":116,"attrs":203,"content":204},{"textAlign":34},[205],{"text":206,"type":120,"marks":207},"Surprise! Bliss or sorrow?",[208],{"type":209,"attrs":210},"styled",{"class":211},"h3",{"type":116,"attrs":213,"content":214},{"textAlign":34},[215],{"text":216,"type":120},"In any case, new things take you by surprise; but what might be original here could be totally dull some place else. There is nothing absolute about innovation. So, let’s focus on a concrete vision of the new and its specific meaning in a given social context.",{"type":116,"attrs":218,"content":219},{"textAlign":34},[220],{"text":221,"type":120},"What can the new and innovative look like for different sectors? Is it feasible to imagine an economics of the new? Is it all about being faster, higher and newer? Is it all about being more original? What’s the price one has to pay? In short: Is innovation a loaded term that only implies competition, something one really doesn’t want to be part of? ",{"type":116,"attrs":223,"content":224},{"textAlign":34},[225],{"text":226,"type":120},"Indeed, a whole array of interests and expectations is inscribed in academic and artistic processes. But does living up to them constitute a so-called success or achievement? Are there any alternatives, can we expect the unexpected? Self-reflection, self-denial, withdrawal? Focus? Distraction? Might it be for this reason that it’s all about creating a new place of possibilities, as inclusive as possible but as restrictive as need be? Let’s (still) be surprised, let’s take the risk of innovation, let’s expect the unexpected.",{"_uid":228,"component":124,"propRichtext":229},"59b5c1fa-91dc-40db-8519-188f850241e1",{"type":113,"content":230},[231],{"type":116,"content":232},[233],{"text":234,"type":120},"The exhibition illustrates the potential that lies in connections between different forms of knowledge and different media and materializations. Works will be shown by artists currently or previously affiliated with the University of Applied Arts Vienna. Curated by Eva Maria Stadler and Brigitte Felderer.",{"_uid":236,"component":124,"propRichtext":237},"f245bf14-d66a-4e9c-ad82-a14fa412f173",{"type":113,"content":238},[239,249],{"type":240,"attrs":241,"content":243},"heading",{"level":242,"textAlign":34},2,[244],{"text":245,"type":120,"marks":246},"Artists:",[247],{"type":209,"attrs":248},{"class":211},{"type":116,"attrs":250,"content":251},{"textAlign":34},[252],{"text":253,"type":120},"Henning Bohl, Ernst Caramelle, Nikolaus Gansterer, Brigitte Kowanz, Dorit Margreiter/Anette Baldauf, Oswald Oberhuber, Niki Passath, Lukas Posch, Johannes, Porsch ft. Tanja Widmann, Florian Pumhösl, Nicole Six & Paul Petritsch, Constanze Schweiger, Peter Weibel, Anna Zwingl, Artist books by Agnes Fuchs, Franz Graf, Ferdinand Schmatz and Heimo Zobernig (Angewandte Library)",{"_uid":255,"component":146,"propVideoId":256,"propVideoType":257},"f25127c2-ae60-4ec6-96cd-2e5c89b41f78","czQUUu2iu5I","youtube",{"_uid":259,"component":146,"propVideoId":147,"propVideoType":148},"4d3f2ec7-f3e6-4598-9086-14e7d02dd72e",{"_uid":261,"component":124,"propRichtext":262},"3e2edc18-90fc-4258-ac28-778074d5f36f",{"type":113,"content":263},[264,268,272,276,286,290,294,298],{"type":116,"content":265},[266],{"text":267,"type":120},"Program of the Opening Night:",{"type":116,"content":269},[270],{"text":271,"type":120},"Empfang (Marcel Mohab & Georg Klüver­ Pfandtner)",{"type":116,"content":273},[274],{"text":275,"type":120},"Begrüßungsworte von Rektor Gerald Bast und von Stadtrat für Kultur und Wissenschaft Mailath­ Pokorny",{"type":116,"content":277},[278,280,284],{"text":279,"type":120},"Eröffnung der Ausstellung ",{"text":281,"type":120,"marks":282},"Korrelation ",[283],{"type":141},{"text":285,"type":120},"von Eva Maria Stadler und Brigitte Felderer",{"type":116,"content":287},[288],{"text":289,"type":120},"Gespräche in der AIL Lounge unter der Moderation von Susanne Pöchacker",{"type":116,"content":291},[292],{"text":293,"type":120},"Team Tool Time (Paul Divjak & Wolfgang Schlögl)",{"type":116,"content":295},[296],{"text":297,"type":120},"maschek.redet.drüber",{"type":116,"content":299},[300],{"text":301,"type":120},"Barbetrieb von If dogs run free",{"_uid":303,"component":124,"propRichtext":304},"f061ae6a-8dbb-4f39-8387-d5a3f2ba1324",{"type":113,"content":305},[306],{"type":240,"attrs":307,"content":309},{"level":308},4,[310],{"text":311,"type":120},"Angewandte Innovation Lab residet at Franz-Josefs-Kai 3 from 2014 till 2021 and is now located in the heart of former Postsparkasse, Georg-Coch-Platz 2 in 1010 Vienna.",[313],{"_uid":314,"component":315,"propColor":316,"propSubheadline":320,"propPreviewImage":321,"propPreviewVideo":323,"propMakeTextWhite":326,"propDescriptionLong":21,"propMetaInformation":21,"propMetadescription":327,"propDescriptionShort":328},"328864db-1f11-404c-b3a8-dd788ebf6f40","Component_HeaderInformation",{"_uid":317,"color":318,"plugin":319},"d2a95610-a47f-48fe-9be5-056e255d4571","#7e75e5","native-color-picker","In October 2014 AIL opened at Franz-Josefs-Kai 3, where it resided until early 2021. [AIL was renamed to Angewandte Interdisicplinary Lab in 2022]",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":322},"asset",{"id":324,"alt":21,"name":21,"focus":34,"title":21,"filename":325,"copyright":21,"fieldtype":322},3626842,"https://a.storyblok.com/f/98682/x/06b77e531e/opening.mp4",true,"Die Angewandte, Artistic Research","There is nothing absolute about innovation. So, let’s focus on a concrete vision of the new and its specific meaning in a given social context","opening-of-angewandte-innovation-lab-in-2014","explore/opening-of-angewandte-innovation-lab-in-2014",590,[],29265108,"adc37179-5be5-4d4d-abd3-587a1b87269d","2022-01-19T12:59:57.748Z",[],{"text":338,"type":120}," at Franz Josefs Kai 3 under the name",{"text":340,"type":120,"marks":341}," Angewandte Innovation Laboratory ",[342],{"type":141},{"text":344,"type":120},"with the intention of creating a unique place of connection that makes art visible as a driving force for innovation, to provide insight into the activities of the University of Applied Arts Vienna, to foster the  link between art and science; between inside and outside. This intention has always been reflected in a diverse program. Like a laboratory, theses have been put to the test, and exhibitions have often reflected processes or even changed with their duration. ",{"type":116,"content":346},[347],{"text":348,"type":120},"Sometimes the AIL, with its ambitious and unique undertaking, was not easy to grasp: a satellite that flies into other institutions, explores, mediates, collects information, opens to the outside, connects inside – at the same time a magnifying glass, a petri dish, a color palette, a growing toolbox, a lounge, a white board, a White Cube. ",{"_uid":350,"component":124,"propRichtext":351},"6117a3b5-ea6b-4b1e-8f56-22571ce6a9b0",{"type":113,"content":352},[353],{"type":116,"attrs":354,"content":355},{"textAlign":34},[356],{"text":357,"type":120,"marks":358},"Neither a museum, nor a gallery – think of AIL as a stage for ideas and formats, a flexible organism",[359,361],{"type":360},"bold",{"type":209,"attrs":362},{"class":211},{"_uid":364,"component":124,"propRichtext":365},"8e3d0a98-5fb9-4ed8-88ec-b9cee578c8ac",{"type":113,"content":366},[367],{"type":116,"content":368},[369],{"text":370,"type":120},"Since its inception, the AIL has presented a variety of formats, bringing into the building collaborative partners from academia and other disciplines. The aim has been to provide insights and connections through a range of multidisciplinary exhibitions, curated talks and discussions, symposia, lectures, concerts and performances, as well as public experiments and informal gatherings, exploring crucial and forward-looking issues. ",{"_uid":372,"component":124,"propRichtext":373},"9a41d300-0a59-4847-ad6e-d2110401ab1c",{"type":113,"content":374},[375],{"type":116,"content":376},[377,379,384,386,392,394,567,569,865,867,976,978,1107,1109,1233],{"text":378,"type":120},"Looking through the dense program of the last 10 years, it seems impossible to make an eloquent summary or overview. You can find most of AIL's talks on ",{"text":380,"type":120,"marks":381},"Vimeo",[382],{"type":135,"attrs":383},{"href":26,"uuid":34,"anchor":34,"target":138,"linktype":139},{"text":385,"type":120},", or dive deeper into the past and ",{"text":387,"type":120,"marks":388},"EXPLORE HERE",[389],{"type":135,"attrs":390},{"href":391,"uuid":34,"anchor":34,"target":138,"linktype":139},"https://ail.angewandte.at/explore",{"text":393,"type":120}," from ",{"text":395,"type":120,"marks":396},"exhibition views",[397],{"type":135,"attrs":398},{"href":399,"uuid":400,"anchor":34,"target":138,"linktype":175,"story":401},"/explore/exhibition-view-threads-of-life","045c0818-7b0b-4bf7-889b-bb96d6d1d375",{"name":402,"created_at":403,"published_at":404,"updated_at":405,"id":406,"uuid":400,"content":407,"slug":560,"full_slug":561,"sort_by_date":34,"position":562,"tag_list":563,"is_startpage":37,"parent_id":333,"meta_data":34,"group_id":564,"first_published_at":565,"release_id":34,"lang":41,"path":34,"alternates":566,"default_full_slug":34,"translated_slugs":34,"_stopResolving":326},"Exhibition View: Threads of Life","2023-06-20T11:09:48.955Z","2023-06-26T13:11:33.584Z","2023-06-26T13:11:33.646Z",327836549,{"_uid":408,"component":106,"propCategory":409,"propMainContent":410,"propHeaderInformation":543},"699f73e8-c49d-4643-8ebf-7881cd4b74da","image",[411],{"_uid":412,"component":111,"propCredits":413,"propEntryInMainContent":419},"38a3d936-ee26-4a7e-8932-e75e98c9bfc1",{"type":113,"content":414},[415],{"type":116,"content":416},[417],{"text":418,"type":120},"Photos: Paul Pibernig",[420,428,436,465,472,478,486,493,500,507,514,521,528,535],{"_uid":421,"component":124,"propRichtext":422},"3bae075f-cc41-4a9e-a7f2-2333e6f033ca",{"type":113,"content":423},[424],{"type":116,"content":425},[426],{"text":427,"type":120},"About the multifaceted relationship between textiles, medicine and the arts. Presentation of historical and artistic positions that enter into a dialogue and generate productive tensions.",{"_uid":429,"component":430,"propImage":431,"propAltText":21,"propCaption":435},"dbb27cb8-ec39-49e0-9f1f-5c27bd2f60fb","Component_Nested_Image",{"id":432,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":433,"copyright":21,"fieldtype":322,"meta_data":434,"is_external_url":37},9916132,"https://a.storyblok.com/f/98682/3000x2000/6ba7a257cf/23-06-15_threads-of-life-doku_c-paul-pibernig-web-19.jpg",{},"Installation view. The exhibition took place in the right space of AIL.",{"_uid":437,"component":124,"propRichtext":438},"50ef2635-f951-48ca-a697-809fb6d844cd",{"type":113,"content":439},[440,443,447,451,455],{"type":116,"content":441},[442],{"text":245,"type":120},{"type":116,"content":444},[445],{"text":446,"type":120},"Sonja Bäumel, Pascale Maxime Ballieul, Camille Borchert, Ida Flora Frantal, Raja Goltz, Barbara Graf, Ruth Anderwald + Leonhard Grond, Elizabeth McGlynn, Ute Neuber, Katharina Sabernig, Hannah Schwab, Yuliia Strykovska, Leo Ruben Enosch Zellweger",{"type":116,"content":448},[449],{"text":450,"type":120},"Curatorial team:",{"type":116,"content":452},[453],{"text":454,"type":120},"Monika Ankele (Medical University of Vienna), Barbara Graf (University of Applied Arts Vienna), Katrin Pilz (Ludwig Boltzmann Institute for Digital History, Vienna), Monika Pietrzak-Franger (University of Vienna), Barbara Putz-Plecko (University of Applied Arts Vienna), Katharina Sabernig (University of Applied Arts Vienna), Georg Vasold (University of Vienna).",{"type":116,"content":456},[457,459,463],{"text":458,"type":120},"The curatorial team is part of the transdisciplinary working group ",{"text":460,"type":120,"marks":461},"History of Medicine and Medical/Health Humanities",[462],{"type":141},{"text":464,"type":120}," of the Austrian Academy of Sciences.",{"_uid":466,"component":430,"propImage":467,"propAltText":21,"propCaption":471},"349c1aa0-c846-4c09-8401-62930feb64b2",{"id":468,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":469,"copyright":21,"fieldtype":322,"meta_data":470,"is_external_url":37},9916145,"https://a.storyblok.com/f/98682/3000x2000/d743775d6b/23-06-15_threads-of-life-doku_c-paul-pibernig-web-35.jpg",{},"Exhibition view at AIL",{"_uid":473,"component":430,"propImage":474,"propAltText":21,"propCaption":21},"3823e30e-4444-46d9-af84-eba81a3a1da3",{"id":475,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":476,"copyright":21,"fieldtype":322,"meta_data":477,"is_external_url":37},9916881,"https://a.storyblok.com/f/98682/3000x2000/4512f29677/23-06-15_threads-of-life-doku_c-paul-pibernig-web-83.jpg",{},{"_uid":479,"component":124,"propRichtext":480},"5646ca95-b7fb-42b9-b9b9-e9b2da2afde3",{"type":113,"content":481},[482],{"type":116,"content":483},[484],{"text":485,"type":120},"Selected Work: ",{"_uid":487,"component":430,"propImage":488,"propAltText":21,"propCaption":492},"7b003304-0eca-489c-bccd-5b49acb198dc",{"id":489,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":490,"copyright":21,"fieldtype":322,"meta_data":491,"is_external_url":37},9916485,"https://a.storyblok.com/f/98682/3000x2000/36a89f499f/23-06-15_threads-of-life-doku_c-paul-pibernig-print-127.jpg",{},"Katharina Sabernig, Darm, 2016",{"_uid":494,"component":430,"propImage":495,"propAltText":21,"propCaption":499},"f3eea821-20c2-4e85-816a-7a2b6152cc35",{"id":496,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":497,"copyright":21,"fieldtype":322,"meta_data":498,"is_external_url":37},9916464,"https://a.storyblok.com/f/98682/2000x3000/8bf87c35d8/23-06-15_threads-of-life-doku_c-paul-pibernig-print-86.jpg",{},"Camille Borchert, Schnittstelle, 2022",{"_uid":501,"component":430,"propImage":502,"propAltText":21,"propCaption":506},"e274095f-8b33-4594-956d-a947841b6d0a",{"id":503,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":504,"copyright":21,"fieldtype":322,"meta_data":505,"is_external_url":37},9916332,"https://a.storyblok.com/f/98682/3000x2000/985708c1ec/23-06-15_threads-of-life-doku_c-paul-pibernig-print-46.jpg",{},"Barbara Graf, Tuch 7 – Naht, 2014",{"_uid":508,"component":430,"propImage":509,"propAltText":21,"propCaption":513},"e087b357-0191-4379-af86-f0e82dbcec7b",{"id":510,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":511,"copyright":21,"fieldtype":322,"meta_data":512,"is_external_url":37},9916524,"https://a.storyblok.com/f/98682/2000x3000/dc8532b0a2/23-06-15_threads-of-life-doku_c-paul-pibernig-print-103.jpg",{},"Barbara Graf, Ohrobjekt mit Tasche, 2005",{"_uid":515,"component":430,"propImage":516,"propAltText":21,"propCaption":520},"74a9f19c-0fea-4eff-b77f-a023ff1cf7ea",{"id":517,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":518,"copyright":21,"fieldtype":322,"meta_data":519,"is_external_url":37},9916604,"https://a.storyblok.com/f/98682/3000x2000/d7096738d1/23-06-15_threads-of-life-doku_c-paul-pibernig-web-76.jpg",{},"Ruth Anderwald + Leonhard Grond, Dizzy Dress, 2023",{"_uid":522,"component":430,"propImage":523,"propAltText":21,"propCaption":527},"914a9b5e-8f8d-4868-934e-5c801ea6d23f",{"id":524,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":525,"copyright":21,"fieldtype":322,"meta_data":526,"is_external_url":37},9916761,"https://a.storyblok.com/f/98682/3000x2000/327745400d/23-06-15_threads-of-life-doku_c-paul-pibernig-web-89.jpg",{},"Pascale Maxime Ballieul, Making Kin with My Fictional Queer Ancestor: Being It Being They Being the Thing Being Frankenstein Being the Monster, or \"Oh Jesus Chris, Lucifer is a Faggot!\", 2020",{"_uid":529,"component":430,"propImage":530,"propAltText":21,"propCaption":534},"6d01cb41-13bf-4c78-ad39-a69744ca3420",{"id":531,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":532,"copyright":21,"fieldtype":322,"meta_data":533,"is_external_url":37},9916557,"https://a.storyblok.com/f/98682/3000x2000/59ebf3286c/23-06-15_threads-of-life-doku_c-paul-pibernig-print-45.jpg",{},"Sonja Bäumel, Textured Self, 2011",{"_uid":536,"component":124,"propRichtext":537},"875d4b2a-c8ce-4246-b1f9-7e6987fca6c7",{"type":113,"content":538},[539],{"type":116,"content":540},[541],{"text":542,"type":120},"Although textiles have been indispensable to medicine since time immemorial, their role in this context has been understudied so far. From the surgical thread, wound dressings, wipes, pads, and protective clothing to the hospital bed, the practices of healing are unimaginable without them. But the relationship between textiles in the arts, wellbeing and health is much broader. It includes, but is not restricted to, the use of such techniques as knitting, crocheting, weaving or braiding in the development of cardiovascular grafts or surgical meshes. The use of textiles is also ambivalent. They have found use in psychiatric institutions for the bodily restraint of patients, but patients also used them for designing their environment and creating body wrappings as survival strategies. Textiles can also be a source of ill-health: Beyond the addition of harmful substances during their production, textiles have been used in fashion for centuries to shape, deform and discipline the body according to ideals of beauty. Practitioners from the fields visual arts and artistic research reflect on this complicated relationship in manifold ways. Artists use fabrics to evoke the vulnerability of the human body, its ongoing decay and imminent death, and also to highlight the complexity of interhuman relationships. They draw attention to (self-)care, understanding the human anatomy, perceiving one’s own corporeality, and to the ways in which textiles can become an existential embodiment. Beyond the metaphorical “Threads of Life”, suturing connects the craft of surgery with that of tailoring. The exhibition spotlights the multifaceted relationships between textiles, medicine and the arts. It brings historical objects and contemporary artistic positions into a dialogue that generates productive tensions.",[544],{"_uid":545,"component":315,"propColor":546,"propSubheadline":549,"propPreviewImage":550,"propPreviewVideo":554,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":556,"propMetadescription":21,"propDescriptionShort":559},"b7b9ea59-3765-49e4-8845-1ebcef01b9e4",{"_uid":547,"color":548,"plugin":319},"9da0c2f5-3c41-4424-b9ca-619b1d5af150","#51b4f6","Textiles in Medicine and the Arts ",{"id":551,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":552,"copyright":21,"fieldtype":322,"meta_data":553,"is_external_url":37},9866053,"https://a.storyblok.com/f/98682/2126x1595/137d512e80/barbara-graf_fussbandage.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":322,"meta_data":555},{},{"type":113,"content":557},[558],{"type":116},"Some insights from our current exhibition still on till 14 Jul 2023","exhibition-view-threads-of-life","explore/exhibition-view-threads-of-life",-630,[],"ea5e696a-4c23-4d5a-b814-a01be7b2815c","2023-06-26T13:08:34.052Z",[],{"text":568,"type":120}," to ",{"text":570,"type":120,"marks":571},"interviews",[572],{"type":135,"attrs":573},{"href":574,"uuid":575,"anchor":34,"target":138,"linktype":175,"story":576},"/explore/conceptual-joining-backstage-report","d59b62b8-df4f-43f5-9020-97dc09791b06",{"name":577,"created_at":578,"published_at":579,"updated_at":580,"id":581,"uuid":575,"content":582,"slug":858,"full_slug":859,"sort_by_date":34,"position":860,"tag_list":861,"is_startpage":37,"parent_id":333,"meta_data":34,"group_id":862,"first_published_at":863,"release_id":34,"lang":41,"path":34,"alternates":864,"default_full_slug":34,"translated_slugs":34,"_stopResolving":326},"Conceptual Joining: Backstage Report","2022-01-10T15:16:45.082Z","2026-01-12T11:56:38.899Z","2026-01-12T11:56:38.923Z",97221528,{"_uid":583,"component":106,"propCategory":120,"propMainContent":584,"propHeaderInformation":837},"408b55c1-06bb-4e1f-835e-26c68e65dd61",[585],{"_uid":586,"component":111,"propCredits":587,"propEntryInMainContent":632},"127bde36-a78f-4d82-9a09-c8fc3f64c01b",{"type":113,"content":588},[589,599,603,611,615,619,623,624,631],{"type":116,"content":590},[591,593,597],{"text":592,"type":120},"The artistic research project ",{"text":594,"type":120,"marks":595},"Conceptual Joining",[596],{"type":141},{"text":598,"type":120}," investigates wood constructions in a series of structural and spatial experiments. By combining the intelligence of traditional craftsmanship with the potential of computational techniques different design methods and techniques are developed.",{"type":116,"content":600},[601],{"text":602,"type":120},"The exhibition focuses on two projects that explore the relationship between material, structure and space. Branch Formations is about utilizing naturally grown wood elements as components of a spatial framework. In Interlocking Spaces joining principles, derived from traditional Japanese Architecture, are expanded by digital systematics, forming complex configurations. The working process and results of 2.5 years of research are presented. Full scale installations, models, videos and Augmented Reality allow for an interactive experience of an architectural speculation.",{"type":116,"content":604},[605,607,609],{"text":606,"type":120},"Projektteam:",{"type":608},"hard_break",{"text":610,"type":120},"Leitung: Christoph Kaltenbrunner",{"type":116,"content":612},[613],{"text":614,"type":120},"Forschungsteam: Lukas Allner, Daniela Kröhnert, Philipp Reinsberg, Mechthild Weber",{"type":116,"content":616},[617],{"text":618,"type":120},"MentorInnen: Karin Raith, Anja Jonkhans und Clemens Preisinger",{"type":116,"content":620},[621],{"text":622,"type":120},"Ein Projekt gefördert von österreichischer Wissenschaftsfonds (FWF) / PEEK Programm",{"type":116},{"type":116,"content":625},[626,628,629],{"text":627,"type":120},"All Photos: Conceptual Joining",{"type":608},{"text":630,"type":120},"Questions by Eva Weber ",{"type":116},[633,639,652,671,677,687,705,711,721,735,741,751,765,771,777,787,797,803,813],{"_uid":634,"component":430,"propImage":635,"propAltText":638,"propCaption":21},"b5f0420e-fba7-4d45-98ff-a55493675a2a",{"id":636,"alt":21,"name":21,"focus":34,"title":21,"filename":637,"copyright":21,"fieldtype":322},3618469,"https://a.storyblok.com/f/98682/2000x757/78dffdc687/01_branch_conncetion_principle.jpg","figure of stacking system",{"_uid":640,"component":124,"propRichtext":641},"0299aa5b-08b1-4819-9871-52f2c7418f2d",{"type":113,"content":642},[643],{"type":116,"content":644},[645,647,650],{"text":646,"type":120},"Das Forschungsteam von ",{"text":594,"type":120,"marks":648},[649],{"type":141},{"text":651,"type":120}," zeigte im Winter 2019 in Form einer Ausstellung im AIL ihre Arbeit und Ergebnisse, im Rahmen dessen haben wir Daniela Kröhnert and Lukas Allner gebeten uns einige Hintergründe und Erfahrungen zum Projekt zu beleuchten:",{"_uid":653,"component":124,"propRichtext":654},"e31c55c7-2775-41f6-afb7-35883ec3147f",{"type":113,"content":655},[656,664],{"type":116,"attrs":657,"content":658},{"textAlign":34},[659],{"text":660,"type":120,"marks":661},"Wir haben im Grunde untersucht wie das Wesen des Materials Holz raum- und strukturbildend erlebbar wird. Unsere Überlegungen begannen im Detail, in Prinzipien und Systemen zunächst losgelöst von einem konkreten Gebrauchszweck. ",[662],{"type":209,"attrs":663},{"class":211},{"type":154,"content":665},[666],{"type":116,"attrs":667,"content":668},{"textAlign":34},[669],{"text":670,"type":120},"Wir wollen mit den entstandenen Experimenten Spekulationen über eine materialorientierte Architektur anregen, die auf eine mögliche Funktion und Deutung aus dem sich ergebenden Potential verweisen.",{"_uid":672,"component":430,"propImage":673,"propAltText":676,"propCaption":21},"9d0e8c76-e4aa-44e8-b6af-44406f993627",{"id":674,"alt":21,"name":21,"focus":34,"title":21,"filename":675,"copyright":21,"fieldtype":322},3618479,"https://a.storyblok.com/f/98682/650x366/063d061b40/conjoin02.jpg","Team at work",{"_uid":678,"component":124,"propRichtext":679},"f075a5c4-23ff-4af3-aa74-433bc58b0bea",{"type":113,"content":680},[681],{"type":116,"content":682},[683],{"text":684,"type":120,"marks":685},"Wie setzt sich euer Team zusammen, wer kommt aus welchem Kontext?",[686],{"type":141},{"_uid":688,"component":124,"propRichtext":689},"a6943f7c-c59f-40b6-9280-6a66c5d7b56a",{"type":113,"content":690},[691],{"type":154,"content":692},[693,697,701],{"type":116,"content":694},[695],{"text":696,"type":120},"Wir sind alle Architekten, mit verschiedenen Hintergründen und Expertisen, zum Beispiel ist Philipp Reinsberg auch Zimmermann und Daniela Kröhnert Spezialistin für CNC Fabrikation. Unsere Mentoren sind Professor*innen und Unterrichtende an der Angewandten in verschiedenen Bereichen mit weiteren Kompetenzen zum Beispiel als Ingenieur*innen, Industriedesigner und Wissenschaftler*innen.",{"type":116,"content":698},[699],{"text":700,"type":120},"Unser Team wird angeleitet von Prof. Christoph Kaltenbrunner, momentan Professor am Institut für Kunstpädagogik und leitet die Abteilung Darstellung, Architektur und Environment und vereint den Architekten, Produktdesigner und Maschinenbauer in einer Person.",{"type":116,"content":702},[703],{"text":704,"type":120},"Das Forschungsteam sind Lukas Allner, Daniela Kröhnert, Philipp Reinsberg und Mechthild Weber, alle studierte Architekt*innen, mit unterschiedlichen Vorausbildungen und Spezialisierungen. Philipp ist gelernter Zimmerer, Daniela Spezialistin in Digitaler Fabrikation, Lukas Stärken liegen vor allem im Entwurf und der konzeptionellen Entwicklung unserer Experimente und sorgt für eine kohärente Umsetzung der Forschungsagenda, Mechthild ist Expertin wenn es darum geht die komplexen Prozesse in der Bauausführung mit der Kunst zu verbinden und steuert unsere Forschungsagenda indem sie für den Wissensaustausch zwischen allen Beteiligten (auch Forschungspartner*innen) sorgt. Zusätzlich werden wir betreut durch die Mentor*innen, Prof. Karin Raith und Anja Jonkhans aus der Abteilung Baukontruktion des Instituts für Architektur und Clemens Preisinger, Bauingenieur und Entwickler der parametrischen Tragwerkssoftware Karmaba3D.",{"_uid":706,"component":430,"propImage":707,"propAltText":710,"propCaption":21},"6c7e0bb5-ca1a-4e4b-881e-40a500d4af3c",{"id":708,"alt":21,"name":21,"focus":34,"title":21,"filename":709,"copyright":21,"fieldtype":322},3618486,"https://a.storyblok.com/f/98682/650x325/6de50b3f8b/conjoin04.jpg","workshop in the woods",{"_uid":712,"component":124,"propRichtext":713},"4196cc05-0ad3-470c-be50-1976442e77ab",{"type":113,"content":714},[715],{"type":116,"content":716},[717],{"text":718,"type":120,"marks":719},"Wie entsteht so ein Forschungs-Projekt?",[720],{"type":141},{"_uid":722,"component":124,"propRichtext":723},"23784e67-7704-4b8e-b7c8-234aa991988e",{"type":113,"content":724},[725],{"type":154,"content":726},[727,731],{"type":116,"content":728},[729],{"text":730,"type":120},"Es gibt vom österreichischen Wissenschaftsfond (FWF) ein Förderprogramm zu künstlerischer Grundlagenforschung (PEEK). Es werden Projekte von 2,5 Jahren Dauer gefördert. Das Tolle an diesem Programm ist die vollkommen ergebnisoffene Ausschreibung, als Forschende*r ist man also sehr frei in der Untersuchung von Fragestellungen. Wir haben uns als Gruppe von befreundeten ehemaligen Kommiliton*innen, zunächst zu dritt zusammengefunden, als wir die Themenstellung für den Förderungsantrag entwickelten, kamen die weiteren Team-Mitglieder dazu.",{"type":116,"content":732},[733],{"text":734,"type":120},"Der Ausgangspunkt war eine weitergeleitete Anfrage, ein Projektkonzept zu einem innovativen Klebstoff zu entwickeln. Durch die Auseinandersetzung mit dem Zusammenfügen von verschiedenen Materialien / Teilen (per Verklebung) kamen wir sehr schnell auf das Material Holz. Uns faszinierten einerseits die komplexen Materialeigenschaften und -formen, andererseits die vielfältige Kultur der Fügemethoden in der Handwerks- und Baukunst.",{"_uid":736,"component":430,"propImage":737,"propAltText":740,"propCaption":21},"15bb58e1-746f-4252-b717-d5eaa6e2cb6f",{"id":738,"alt":21,"name":21,"focus":34,"title":21,"filename":739,"copyright":21,"fieldtype":322},3618482,"https://a.storyblok.com/f/98682/650x365/2f4336745f/conjoin03.jpg","excursion to Japan",{"_uid":742,"component":124,"propRichtext":743},"34d79954-b4ce-4372-8438-a41b1861ab00",{"type":113,"content":744},[745],{"type":116,"content":746},[747],{"text":748,"type":120,"marks":749},"Ihr habt zur Recherche eine Exkursion nach Japan gemacht, was ist euch besonders in Erinnerung geblieben?",[750],{"type":141},{"_uid":752,"component":124,"propRichtext":753},"64d00cee-80ec-46b5-b2e5-a3b3fbb071c2",{"type":113,"content":754},[755],{"type":154,"content":756},[757,761],{"type":116,"content":758},[759],{"text":760,"type":120},"Besonders beeindruckend war wie gleichzeitig uralte Tradition und High Tech überall präsent sind. Die Einzigartigkeit der zeitgenössischen japanischen Architektur kommt auch daher, dass traditionelle mit futuristischen Ansätzen sich zu etwas Neuartigem verbinden.",{"type":116,"content":762},[763],{"text":764,"type":120},"Ein besonderes Erlebnis war wie traditionelle Zeder-Bäume aufwändig gezüchtet werden, um perfekt gerade Stämme zu bilden, diese Wälder wirken wie riesige Säulenhallen. Noch extremer ist die Kunst des “Daisugi”, einer speziellen Baumzucht, in der oben auf einer Art Mutterbaum gerade gewachsene Nebentriebe als Pfetten (eine Form von Dachlatten) für Teehäuser im spezifischen Sukiya-Stil wachsen gelassen werden. Herr Iwai, der allerletzte, der dieses Handwerk noch betreibt, hat uns großzügig in sein schönes uraltes Holzhaus zu einem traditionellen Tee eingeladen und Einblick in das alltägliche japanische Leben in einem Bergdorf nördlich von Kyoto gegeben. Überhaupt ist die Liebe zum Detail und zur Perfektion in allem spürbar.",{"_uid":766,"component":430,"propImage":767,"propAltText":770,"propCaption":21},"ae45de9a-7bc1-4614-9e41-244f83009e7b",{"id":768,"alt":21,"name":21,"focus":34,"title":21,"filename":769,"copyright":21,"fieldtype":322},3618491,"https://a.storyblok.com/f/98682/1920x1080/d7ed568eb1/conjoin06.jpg","preparing the wood",{"_uid":772,"component":430,"propImage":773,"propAltText":776,"propCaption":21},"eefd915f-00ae-4980-a4aa-e147ebfd7a1f",{"id":774,"alt":21,"name":21,"focus":34,"title":21,"filename":775,"copyright":21,"fieldtype":322},3618488,"https://a.storyblok.com/f/98682/650x433/316e5122da/conjoin05.jpg","augmented reality in the exhibition",{"_uid":778,"component":124,"propRichtext":779},"3bcbe045-b66c-4dad-b0ec-ad624459fcb2",{"type":113,"content":780},[781],{"type":116,"content":782},[783],{"text":784,"type":120,"marks":785},"Welches Potential seht ihr in der Verbindung von Handwerk und neuer Technik?",[786],{"type":141},{"_uid":788,"component":124,"propRichtext":789},"548fcc40-28e0-492b-988b-6fae23147228",{"type":113,"content":790},[791],{"type":154,"content":792},[793],{"type":116,"content":794},[795],{"text":796,"type":120},"Wir glauben dass mit den Möglichkeiten von Computern und Technologie mit hoher Irregularität und Komplexität umgegangen werden kann. Es ist nicht mehr unbedingt notwendig in gleichförmigen Standards zu denken, individuelle Realisierungen von Räumen und Objekten als Unikate sind möglich. Durch Technologie wird ein neuer Zugang zu Material und Handwerkskunst möglich.",{"_uid":798,"component":430,"propImage":799,"propAltText":802,"propCaption":21},"74c35672-c49b-427f-ae46-92ee5cdf7deb",{"id":800,"alt":21,"name":21,"focus":34,"title":21,"filename":801,"copyright":21,"fieldtype":322},3618475,"https://a.storyblok.com/f/98682/2000x1209/9f13951148/04_robotic.jpg","robot and graphic working with wood",{"_uid":804,"component":124,"propRichtext":805},"1ac71c7f-5613-48cb-b83b-a63092c1bf4b",{"type":113,"content":806},[807],{"type":116,"content":808},[809],{"text":810,"type":120,"marks":811},"Daniela hatte mir im Vorfeld von \"Robotic Production der Branch Formation\" und \"Augmented Reality Programmierung\" geschrieben – Worum geht es hier genau, wie sieht der Arbeitsprozess aus?",[812],{"type":141},{"_uid":814,"component":124,"propRichtext":815},"c255782a-8d4f-452c-9693-2337a7639096",{"type":113,"content":816},[817,821,825,829,833],{"type":116,"content":818},[819],{"text":820,"type":120},"Im Holzbau werden immer öfter computergesteuerte Maschinen und automatisierte Prozesse eingesetzt, diese ermöglichen eine komplexe Bearbeitung mit hoher Präzision. Solche CNC Maschinen, wie etwa eine automatische “Abbundanlage” werden dazu verwendet vorgefertigte Holzbalken herzustellen, die auf der Baustelle ohne grossen Aufwand montiert werden. Hauptsächlich werden so konventionelle (\"konservative\") Satteldächer hergestellt, wir sehen aber ein großes Potential für komplexe erlebbare Architekturen, die sich so realisieren lassen. Über die Dauer des Projektes haben wir verschiedene Prototypen von irregulären Stabstrukturen umgesetzt, einige davon sind in unserer Ausstellung zu sehen.",{"type":116,"content":822},[823],{"text":824,"type":120},"Heterogene Werkstücke wie Astgabeln lassen sich schwer mit herkömmlichen Maschinen bearbeiten, es gibt keine geraden Flächen oder gleiche Teile. Für diese Herausforderung ist die räumliche 7-Achs-Bearbeitung mit einem Roboterarm besonders interessant. Diese Maschinen kennt man vielleicht von vollautomatisierten Produktionsstraßen in der Autoindustrie, wo diese Roboter komplexe Arbeitsabläufe präzise ausführen. An den Arm können viele verschiedene Werkzeuge montiert werden.",{"type":116,"content":826},[827],{"text":828,"type":120},"Die Angewandte besitzt eine solche Maschine, wir haben für dieses Projekt eine spezielle Vorrichtung entwickelt, auf der Äste eingespannt werden. Nach einigen Versuchen hat sich ein Ablauf etabliert indem jedes Teil über drei Referenzpunkt eingemessen wird, wodurch die digitale 3D Geometrie mit dem physischen Objekt synchronisiert wird, anschließend wird mit einer Kettensäge bearbeitet. Vorrausgesetzt alle Dateien sind erstellt, dauert die Bearbeitung für ein Teil inklusive Befestigung und Einmessen 30 bis 40 min, der Roboter wird von einer Person bedient.",{"type":116,"content":830},[831],{"text":832,"type":120},"Als Alternative haben wir ein Verfahren entwickelt, in dem wir mit Hilfe einer Augmented Reality Anwendung auf einem Smartphone Äste von Hand bearbeiten können. Mit sogenannten AR Apps lassen sich virtuelle Informationen mit der physischen Umgebung überlagern. In unserem Fall haben wir dieses Werkzeug dazu genutzt virtuelle Umrisslinien der Verbindungsdetails auf die physischen Elemente zu projizieren, nachzuzeichnen und schließlich mit einfachen Handwerkzeugen (Handsäge, etc.) auszuschneiden. Dieser Prozess war sehr interessant für uns, weil wir darin das Potential sehen durch Computer Software mit einfachen, leicht verfügbaren Werkzeugen ein hochkomplexes Projekt zu realisieren.",{"type":116,"content":834},[835],{"text":836,"type":120},"Ähnliche AR Anwendungen haben wir auch verwendet, um die großen Gesamtstrukturen zusammenzusetzen und aufzubauen. Es gab keinerlei physische Pläne oder Zeichnungen, lediglich eine virtuelle Bauanleitung fuer ein 3D Puzzle.",[838],{"_uid":839,"component":315,"propColor":840,"propSubheadline":843,"propPreviewImage":844,"propPreviewVideo":845,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":846,"propMetadescription":21,"propDescriptionShort":857},"f0b8615d-c9c2-4934-90c0-b0b9667a6b0c",{"_uid":841,"color":842,"plugin":319},"150b4cb6-44f7-499c-8d04-06f8f7412134","#eecc3b","From our Newsletter 2019 (Interview in German) ",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":322},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":322},{"type":113,"content":847},[848],{"type":116,"content":849},[850],{"text":851,"type":120,"marks":852},"About the project",[853],{"type":135,"attrs":854},{"href":855,"uuid":34,"anchor":34,"target":856,"linktype":139},"https://conceptual-joining.com/","_blank","Daniela Kröhnert and Lukas Allner giving us insights in their research project and experiences","conceptual-joining-backstage-report","explore/conceptual-joining-backstage-report",460,[],"1e7a5738-bf81-42f6-bee8-6fe45e8fefc8","2022-01-26T12:23:03.328Z",[],{"text":866,"type":120}," and ",{"text":868,"type":120,"marks":869},"podcast",[870],{"type":135,"attrs":871},{"href":872,"uuid":873,"anchor":34,"target":138,"linktype":175,"story":874},"/explore/toxic-temple","017ac890-e010-485d-a0ed-250249f98080",{"name":875,"created_at":876,"published_at":877,"updated_at":878,"id":879,"uuid":873,"content":880,"slug":969,"full_slug":970,"sort_by_date":34,"position":971,"tag_list":972,"is_startpage":37,"parent_id":333,"meta_data":34,"group_id":973,"first_published_at":974,"release_id":34,"lang":41,"path":34,"alternates":975,"default_full_slug":34,"translated_slugs":34,"_stopResolving":326},"In Conversation with TOXIC TEMPLE","2020-12-03T17:08:48.370Z","2026-01-12T12:30:40.873Z","2026-01-12T12:30:40.888Z",29794587,{"_uid":881,"component":106,"propCategory":868,"propMainContent":882,"propShortdescription":21,"propHeaderInformation":950},"3b571332-9b18-4e52-b097-77ea55e04a14",[883],{"_uid":884,"component":111,"propCredits":885,"propEntryInMainContent":899},"1392a86e-8d2d-4ff2-a85e-7bc3b6aa90ba",{"type":113,"content":886},[887],{"type":116,"content":888},[889,893,895],{"text":890,"type":120,"marks":891},"This exhibition was supported by  ARTist –  graduate association of the University of Applied Arts, and was realized on February 2020 with three ",[892],{"type":141},{"text":894,"type":120}," performative evenings",{"text":896,"type":120,"marks":897}," at the AIL.",[898],{"type":141},[900,905],{"_uid":901,"component":902,"propAudioSrc":903,"propAudioType":904},"cbf25c28-0cfa-40d6-836a-ae1b249e3a89","Component_Nested_Audio","https://soundcloud.com/ailvienna/podcast-toxic-temple","soundcloud",{"_uid":906,"component":124,"propRichtext":907},"3ded342a-6320-4a06-ad4c-ec91ab2d210d",{"type":113,"content":908},[909,920,928,945],{"type":116,"attrs":910,"content":911},{"textAlign":34},[912,914,918],{"text":913,"type":120},"Elisabeth Falkensteiner in conversation with Anna Lerchbaumer and Kilian Jörg about their ongoing project ",{"text":915,"type":120,"marks":916},"Toxic Temple",[917],{"type":141},{"text":919,"type":120}," – about sensuality and religion, communication with the afterlife, ecological disaster scenarios, the dystopia of extinction, the end of the Anthropocene, a possible other world and about the favourite object of the exhibition.",{"type":116,"attrs":921,"content":922},{"textAlign":34},[923],{"text":924,"type":120,"marks":925},"Push the button and play! Have fun listening! ",[926],{"type":209,"attrs":927},{"class":211},{"type":116,"attrs":929,"content":930},{"textAlign":34},[931,933,937,939,943],{"text":932,"type":120},"The exhibition ",{"text":934,"type":120,"marks":935},"TOXIC TEMPLE",[936],{"type":141},{"text":938,"type":120}," was on view at AIL from 6 to 26 February 2020 and is part of the ",{"text":940,"type":120,"marks":941},"Alumni in Residence",[942],{"type":141},{"text":944,"type":120}," series, which explores artistic research ideas by graduates.",{"type":116,"attrs":946,"content":947},{"textAlign":34},[948],{"text":949,"type":120},"Anna Lerchbaumer and Kilian Jörg are alumni of the University of Applied Arts 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this might be an opening for us: if we think about technologies as being a part of us, as reflections of ourselves, then we can finally engage with them properly.",[1044],{"type":209,"attrs":1045},{"class":211},{"type":116,"attrs":1047,"content":1048},{"textAlign":34},[1049],{"text":1050,"type":120},"At the heart of machine learning, which mostly catches our eye in the form of algorithmic recommender systems, is the simple logic of sifting through big chunks of data and turning them into information. This requires a particular logic or pattern that reflects our social behavior. After all, it is not the technologies that are male and white but the ideas they are fed. ",{"_uid":1052,"component":124,"propRichtext":1053},"1f7a0569-fa22-4ecf-8b6b-0476947e1ca1",{"type":113,"content":1054},[1055],{"type":116,"content":1056},[1057],{"text":1058,"type":120},"[…] algorithms learn from our data and therefore adopt everything that is part of it, including our racist, sexist, classist and ableist prejudices as well as heteronormative concepts. We are thus confronted with self-fulfilling prophecies, which are then relabeled as objective decision-making processes.’*",{"_uid":1060,"component":124,"propRichtext":1061},"1fec342c-33d9-4c00-a6c1-c0ca9795cdeb",{"type":113,"content":1062},[1063,1069],{"type":154,"content":1064},[1065],{"type":116,"content":1066},[1067],{"text":1068,"type":120},"Together with the department of Media Theory, we present lectures, talks and performances, mainly from the field of digital cultures, circling around the topic of ‘Decolonizing Technology’",{"type":154,"content":1070},[1071],{"type":116,"content":1072},[1073],{"text":1074,"type":120}," With Wendy Chun, Nishant Shah, Hito Steyerl, Ramon Amaro, Tiara Roxanne, Katharina Klappheck, Mary Maggic, Tung-Hui Hu",{"_uid":1076,"component":124,"propRichtext":1077},"0764d9a0-d316-4b89-9bda-ddcf7b8702ff",{"type":113,"content":1078},[1079],{"type":154,"content":1080},[1081],{"type":116,"content":1082},[1083],{"text":1084,"type":120,"marks":1085},"*Excerpts from the Interview with Clemens Apprich, head of the Department of Media Theory, find the whole Interview below ",[1086],{"type":141},[1088],{"_uid":1089,"component":315,"propColor":1090,"propSubheadline":1093,"propPreviewImage":1094,"propPreviewVideo":1095,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1096,"propMetadescription":21,"propDescriptionShort":1099},"36fbaf06-8a50-474f-9406-6c031d36c58a",{"_uid":1091,"color":1092,"plugin":319},"8542d844-9414-4301-a5dc-0c9112e09651","#e78ae3","What does it mean to decolonize technology, and how can it be that technology generates a colonizing practice in the first place?",{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":322},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"filename":21,"copyright":34,"fieldtype":322},{"type":113,"content":1097},[1098],{"type":116},"‘Obviously, no technological innovation will be able to solve our social problems.’ (from our Interview with Clemens Apprich)","decolonizing-technology","explore/decolonizing-technology",-390,[],"d0deaa88-c0e6-4c29-992c-c29ccdae7216","2022-09-16T06:58:28.000Z",[],{"text":1108,"type":120}," to the latest ",{"text":107,"type":120,"marks":1110},[1111],{"type":135,"attrs":1112},{"href":1113,"uuid":1114,"anchor":34,"target":138,"linktype":175,"story":1115},"/explore/angewandte-publications-at-ail","2b4b6424-89e0-4c3a-ac4c-3f44297bc76c",{"name":1116,"created_at":1117,"published_at":1118,"updated_at":1119,"id":1120,"uuid":1114,"content":1121,"slug":1226,"full_slug":1227,"sort_by_date":34,"position":1228,"tag_list":1229,"is_startpage":37,"parent_id":333,"meta_data":34,"group_id":1230,"first_published_at":1231,"release_id":34,"lang":41,"path":34,"alternates":1232,"default_full_slug":34,"translated_slugs":34,"_stopResolving":326},"Angewandte Publications at AIL","2024-09-02T11:25:39.334Z","2026-01-07T11:41:27.070Z","2026-01-07T11:41:27.082Z",542776964,{"_uid":1122,"component":106,"propCategory":107,"propMainContent":1123,"propHeaderInformation":1209},"a1c78f68-9bde-497a-904c-22b44568f679",[1124],{"_uid":1125,"component":111,"propCredits":1126,"propEntryInMainContent":1129},"c15cf886-d36b-40d9-957d-34162c5ad3c2",{"type":113,"content":1127},[1128],{"type":116},[1130,1136,1162,1173,1179,1185],{"_uid":1131,"component":430,"propImage":1132,"propAltText":21,"propCaption":21},"3ae97bf8-5cf8-4b05-a4af-87a545e8bbf1",{"id":1133,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1134,"copyright":21,"fieldtype":322,"meta_data":1135,"is_external_url":37},17516849,"https://a.storyblok.com/f/98682/1920x2560/7ee5ec1d25/img_8937.jpeg",{},{"_uid":1137,"component":124,"propRichtext":1138},"4a08aa0e-9c88-499c-b603-0474e6dd4cd7",{"type":113,"content":1139},[1140],{"type":116,"content":1141},[1142,1149,1154,1156],{"text":1143,"type":120,"marks":1144},"A selection of publications from the arts and sciences by the University of Applied Arts Vienna is now at display at counter 9/10 of Kassenhalle and give you insights into the manifold acitivities. 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",[1202],{"type":1146,"attrs":1203},{"color":21},{"text":1205,"type":120,"marks":1206},"A space, designed for money transactions, is now being given a new lease of life as a public place of exchange. We think these times call for a space to get together, mix up ideas, put heads together, get in contact and exchange thoughts, knowledge, visions and utopias. 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",[1291],{"type":141},{"_uid":1293,"component":146,"propVideoId":1294,"propVideoType":148},"a46d2415-45a8-4319-b76f-939855c52586","351015892",{"_uid":1296,"component":124,"propRichtext":1297},"f5a79de8-d66a-46ff-86a2-45d3b70a8009",{"type":113,"content":1298},[1299],{"type":154,"content":1300},[1301],{"type":116,"content":1302},[1303],{"text":1304,"type":120,"marks":1305},"Post Doc Janina Loh giving us insight into her research and rich field of knowledge: When we think about the digital future as well as new values, the feminist view must not be missing. Where do patriarchal inscriptions, gender identities or stereotyping hide in the field of artificial intelligence and future technologies? (June 2019, in German) ",[1306],{"type":141},{"_uid":1308,"component":146,"propVideoId":1309,"propVideoType":148},"943d6765-5297-4f2d-b556-3dfedf80d8c3","792896736",{"_uid":1311,"component":124,"propRichtext":1312},"5a0095a7-80cd-414d-95b0-4b4a30a99812",{"type":113,"content":1313},[1314],{"type":154,"content":1315},[1316],{"type":116,"attrs":1317,"content":1318},{"textAlign":34},[1319,1321,1326],{"text":1320,"type":120},"In 2022/23 together with the department of Media Theory, AIL present lectures, talks and performances, mainly from the field of digital cultures, circling around the ",{"text":994,"type":120,"marks":1322},[1323],{"type":135,"attrs":1324},{"href":1325,"uuid":34,"anchor":34,"target":138,"linktype":139},"https://ail.angewandte.at/explore/decolonizing-technology",{"text":1327,"type":120}," of ‘Decolonizing Technology’. Disability can be seen as a condition of possibility for AI is the main argument of the lecture by political scientist Katharina Klappheck followed by a dialogue with Katta Spiel (January 2023, in German)",{"_uid":1329,"component":430,"propImage":1330,"propAltText":21,"propCaption":1334},"fbb7761e-a11c-4ada-a82a-ad79c0511881",{"id":1331,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1332,"copyright":21,"fieldtype":322,"meta_data":1333,"is_external_url":37},17673840,"https://a.storyblok.com/f/98682/2048x1365/7d8b999dca/20220628_leafabienne_day-1_sonic-sensibility-224.jpg",{},"AIL with Café Exchange at the center of Otto Wagner Postsparkasse during Angewandte Festival 2022. Photo: Lea Dörl ",{"_uid":1336,"component":124,"propRichtext":1337},"0ac6e0b8-3fed-41db-b47f-b87cb59f4066",{"type":113,"content":1338},[1339,1347,1352],{"type":116,"attrs":1340,"content":1341},{"textAlign":34},[1342],{"text":1343,"type":120,"marks":1344},"Constant change ",[1345],{"type":209,"attrs":1346},{"class":211},{"type":116,"attrs":1348,"content":1349},{"textAlign":34},[1350],{"text":1351,"type":120},"In spring 2021, after seven years at the Franz Josefs Kai 3, AIL moved to the former Postsparkasse – a historic landmark designed by architect Otto Wagner – thus joining other departments of the University of Applied Arts Vienna and a newly emerging neighborhood comprising several research institutions from the field of art and science. The new location provides the opportunity to further expand and strengthen networks for interdisciplinary work and research on an area of about 300 square meters, divided into three rooms on the mezzanine floor, with Café Exchange and the former Kassenhalle (banking hall) as its centerpiece.",{"type":116,"attrs":1353,"content":1354},{"textAlign":34},[1355,1357,1360,1362],{"text":1356,"type":120},"Furthermore AIL relaunched as ",{"text":18,"type":120,"marks":1358},[1359],{"type":141},{"text":1361,"type":120}," in 2022 to put interdisciplinarity at the forefront as its main approach and way of acting and thinking. What innovation and interdisciplinary have in common is breaking new ground, finding new approaches, creating connections where you might not expect them. It is and remains the aim of the AIL to promote critical and creative thinking. ",{"text":1363,"type":120,"marks":1364},"These times call for a space to get together, mix up ideas, put heads together, get in contact and exchange thoughts, knowledge, visions and utopias.",[1365],{"type":1146,"attrs":1366},{"color":1198},{"_uid":1368,"component":124,"propRichtext":1369},"259e52d1-5444-4a58-ab2b-d24261aa8909",{"type":113,"content":1370},[1371],{"type":116,"attrs":1372,"content":1373},{"textAlign":34},[1374],{"text":1375,"type":120,"marks":1376},"A big thank you to all colleagues, artists, researchers, scientists, partners and guests who have been part of the last 10 years and who have accompanied and shaped the idea and vision of the AIL with their curiosity, energy, flexibility and openness.",[1377],{"type":209,"attrs":1378},{"class":211},{"_uid":1380,"component":124,"propRichtext":1381},"16450e3c-1929-4dcf-bdf2-4a9c752193dc",{"type":113,"content":1382},[1383],{"type":154,"content":1384},[1385,1393],{"type":116,"attrs":1386,"content":1387},{"textAlign":34},[1388],{"text":1389,"type":120,"marks":1390},"Hip hip hurra! ",[1391],{"type":209,"attrs":1392},{"class":211},{"type":116,"attrs":1394,"content":1395},{"textAlign":34},[1396],{"text":1397,"type":120},"(October 2024)",[1399],{"_uid":1400,"component":315,"propColor":1401,"propSubheadline":1404,"propPreviewImage":1405,"propPreviewVideo":1409,"propMakeTextWhite":37,"propDescriptionLong":21,"propMetaInformation":1411,"propMetadescription":21,"propDescriptionShort":21},"79c88597-7911-4434-a6df-144e390a3e59",{"_uid":1402,"color":1403,"plugin":319},"2dc5e205-fce1-42c5-a82c-727fdcb990a9","#f44500","Collecting futures since 2014",{"id":1406,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1407,"copyright":21,"fieldtype":322,"meta_data":1408,"is_external_url":37},17761367,"https://a.storyblok.com/f/98682/1920x3071/b302595c28/eng141020_ail-eriffnung_small-135.jpg",{},{"id":34,"alt":34,"name":21,"focus":34,"title":34,"source":34,"filename":21,"copyright":34,"fieldtype":322,"meta_data":1410},{},{"type":113,"content":1412},[1413],{"type":116,"content":1414},[1415],{"text":1416,"type":120,"marks":1417},"(Text in German)",[1418],{"type":135,"attrs":1419},{"href":1420,"uuid":1421,"anchor":34,"target":138,"linktype":175,"story":1422},"/explore/10-jahre-ail","596132ac-8b9a-41b6-804d-397a174d780a",{"name":1423,"created_at":1424,"published_at":1425,"updated_at":1426,"id":1427,"uuid":1421,"content":1428,"slug":1754,"full_slug":1755,"sort_by_date":34,"position":1756,"tag_list":1757,"is_startpage":37,"parent_id":333,"meta_data":34,"group_id":1758,"first_published_at":1759,"release_id":34,"lang":41,"path":34,"alternates":1760,"default_full_slug":34,"translated_slugs":34,"_stopResolving":326},"10 Jahre AIL","2024-10-16T12:27:18.421Z","2025-12-15T12:34:04.473Z","2025-12-15T12:34:04.555Z",564315599,{"_uid":105,"component":106,"propCategory":107,"propMainContent":1429,"propHeaderInformation":1734},[1430],{"_uid":110,"component":111,"propCredits":1431,"propEntryInMainContent":1437},{"type":113,"content":1432},[1433],{"type":116,"content":1434},[1435],{"text":1436,"type":120},"Vorschaubild: Performance am Eröffnungsabend von Team Tool Time (Paul Divjak & Wolfgang Schlögl). Foto: Lea Dörl",[1438,1452,1453,1462,1489,1501,1508,1563,1564,1595,1599,1630,1631,1657,1658,1674,1678,1705,1717],{"_uid":123,"component":124,"propRichtext":1439},{"type":113,"content":1440},[1441],{"type":116,"content":1442},[1443,1450],{"text":1444,"type":120,"marks":1445},"Die Angewandte",[1446,1449],{"type":135,"attrs":1447},{"href":1448,"uuid":34,"anchor":34,"target":138,"linktype":139},"https://www.dieangewandte.at/",{"type":141},{"text":1451,"type":120}," hat mit dem AIL eine einzigartige Plattform geschaffen, das Einblicke in vielfältige Projekte und anregende Bestrebungen ermöglicht, hinter denen es Spannendes und oft Unerwartetes zu entdecken gibt. In den letzten 10 Jahren wurde die  Beziehung zwischen Kunst und Wissenschaft, das Potential von Interdisziplinarität ausgelotet und die künstlerische Forschung der Universität für angewandte Kunst Wien einem breiten Publikum zugänglich gemacht. Gemeinsam blicken wir auf ein Jahrzehnt zurück, in dem ganz unterschiedliche Formate erprobt und erfolgreich umgesetzt wurden. ",{"_uid":145,"component":146,"propVideoId":147,"propVideoType":148},{"_uid":150,"component":124,"propRichtext":1454},{"type":113,"content":1455},[1456],{"type":154,"content":1457},[1458],{"type":116,"content":1459},[1460],{"text":1461,"type":120},"\"Wissenschafts- und Kunstprozesse sind eingebettet in Interessen und Erwartungen, aber macht deren Erfüllung sodann den sogenannten „Erfolg“ aus? Was sind die Alternativen, kann man das Unerwartete erwarten? Besinnung, Entsagung, Rückzug? Konzentration? Zerstreuung? Geht es eventuell gerade deshalb um die Schaffung eines neuen Entfaltungsraumes, so offen wie möglich so eng wie nötig? Lassen wir uns (noch) überraschen, gehen wir das Risiko der Innovation ein, erwarten wir das Unerwartete.\"",{"_uid":161,"component":124,"propRichtext":1463},{"type":113,"content":1464},[1465,1481,1485,1488],{"type":116,"content":1466},[1467,1469,1474,1476,1479],{"text":1468,"type":120},"Dies waren die einleitenden Worte bei der Eröffnung des AIL am 20. Oktober 2014. Vor zehn Jahren ",{"text":1470,"type":120,"marks":1471},"eröffnete",[1472],{"type":135,"attrs":1473},{"href":173,"uuid":174,"anchor":34,"target":138,"linktype":175},{"text":1475,"type":120}," das AIL am Franz Josefs Kai 3 unter dem Namen",{"text":340,"type":120,"marks":1477},[1478],{"type":141},{"text":1480,"type":120},"mit der Intention, einen einzigartigen Ort der Verbindung zu schaffen. Ein Ort, der Kunst als Motor für Innovation begreift und sichtbar macht, vertiefende Einblicke in die Aktivitäten der Universität für angewandte Kunst Wien gibt, der Verbindung zwischen Kunst und Wissenschaft, zwischen Innen und Außen fördert. Diese Vision hat sich konsequent in einem vielfältigen und dynamischen Programm manifestiert. Wie in einem Labor wurden Thesen auf den Prüfstand gestellt, Ausstellungen stellten oftmals Prozesse dar oder veränderten sich mit ihrer Dauer. ",{"type":116,"content":1482},[1483],{"text":1484,"type":120},"Manches Mal war das AIL mit seinem ehrgeizigen und einzigartigen Vorhaben nicht leicht zu fassen: ein Satellit der Universität, der in andere Institutionen fliegt, erforscht, vermittelt, Informationen sammelt, sich nach außen öffnet, nach innen verbindet – gleichzeitig eine Lupe, eine Petrischale, eine Farbpalette, ein wachsender Werkzeugkasten, eine Lounge, ein White Board, ein White Cube.",{"type":116,"content":1486},[1487],{"type":608},{"type":116},{"_uid":350,"component":124,"propRichtext":1490},{"type":113,"content":1491},[1492],{"type":116,"attrs":1493,"content":1494},{"textAlign":34},[1495],{"text":1496,"type":120,"marks":1497},"Weder ein Museum noch eine Galerie – das AIL ist eine Bühne für Ideen und Formate, ein flexibler Organismus",[1498,1499],{"type":360},{"type":209,"attrs":1500},{"class":211},{"_uid":364,"component":124,"propRichtext":1502},{"type":113,"content":1503},[1504],{"type":116,"content":1505},[1506],{"text":1507,"type":120},"Seit der Gründung hat das AIL eine Vielzahl von Formaten präsentiert und hatte vielfältige Kooperationspartner*innen aus der Wissenschaft und anderen Disziplinen zu Gast. Multidisziplinäre Ausstellungen, kuratierte Gespräche und Diskussionen, Symposien, Vorträge, Konzerte und Performances sowie öffentliche Experimente und informelle Zusammenkünfte verfolgten stets das Ziel Einblicke und Verbindungen zu schaffen, um wichtige und zukunftsweisende Themen zu untersuchen.",{"_uid":372,"component":124,"propRichtext":1509},{"type":113,"content":1510},[1511],{"type":116,"content":1512},[1513,1515,1519,1521,1526,1528,1533,1535,1540,1542,1547,1549,1554,1556,1561],{"text":1514,"type":120},"Angesichts des dichten Programms der letzten 10 Jahre, ist es nur schwer möglich eine adäquate  Zusammenfassung zu erstellen. Wer tiefer eintauchen möchte: AIL-Vorträge gibt es auf ",{"text":380,"type":120,"marks":1516},[1517],{"type":135,"attrs":1518},{"href":26,"uuid":34,"anchor":34,"target":138,"linktype":139},{"text":1520,"type":120}," und  ",{"text":1522,"type":120,"marks":1523},"HIER",[1524],{"type":135,"attrs":1525},{"href":391,"uuid":34,"anchor":34,"target":138,"linktype":139},{"text":1527,"type":120}," gibt es eine breite Sammlung von ",{"text":1529,"type":120,"marks":1530},"Ausstellungsansichten",[1531],{"type":135,"attrs":1532},{"href":399,"uuid":34,"anchor":34,"target":138,"linktype":139},{"text":1534,"type":120}," bis zu ",{"text":1536,"type":120,"marks":1537},"Interviews",[1538],{"type":135,"attrs":1539},{"href":574,"uuid":34,"anchor":34,"target":138,"linktype":139},{"text":1541,"type":120}," und ",{"text":1543,"type":120,"marks":1544},"Podcast-Episoden",[1545],{"type":135,"attrs":1546},{"href":872,"uuid":34,"anchor":34,"target":138,"linktype":139},{"text":1548,"type":120},", von ",{"text":1550,"type":120,"marks":1551},"Themenbündeln",[1552],{"type":135,"attrs":1553},{"href":983,"uuid":34,"anchor":34,"target":138,"linktype":139},{"text":1555,"type":120}," bis zu den neuesten ",{"text":1557,"type":120,"marks":1558},"Nachrichten",[1559],{"type":135,"attrs":1560},{"href":1113,"uuid":34,"anchor":34,"target":138,"linktype":139},{"text":1562,"type":120}," aus dem AIL Kosmos. ",{"_uid":1236,"component":146,"propVideoId":1237,"propVideoType":148},{"_uid":1239,"component":124,"propRichtext":1565},{"type":113,"content":1566},[1567],{"type":154,"content":1568},[1569],{"type":116,"content":1570},[1571,1575,1577,1581,1589,1591],{"text":1572,"type":120,"marks":1573},"AIL der ersten Stunden:",[1574],{"type":141},{"text":1576,"type":120}," Ein Programm aus ",{"text":1578,"type":120,"marks":1579},"Performances, Gesprächen und Diskussionen wurde von Performer Daniel Aschwanden und Medienkünstler*in Conny Zenk in ihrem ",[1580],{"type":141},{"text":1582,"type":120,"marks":1583},"Projekt",[1584,1588],{"type":135,"attrs":1585},{"href":1586,"uuid":1587,"anchor":34,"target":138,"linktype":175},"/explore/bastardcrowd-mobile-talks","084d3deb-d001-4cef-ab4c-4fb8497bd6cc",{"type":141},{"text":1590,"type":120}," ",{"text":1592,"type":120,"marks":1593},"[Bastard] Crowd mobile kuratiert und so die Art und Weise wie neue Interface-Kulturen die traditionelle Kommunikation beeinflussen, reflektiert. Das erscheint umso länger her, wenn wir an die neuesten Entwicklungen rund um KI denken. ",[1594],{"type":141},{"_uid":1263,"component":430,"propImage":1596,"propAltText":21,"propCaption":1598},{"id":1265,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1266,"copyright":21,"fieldtype":322,"meta_data":1597,"is_external_url":37},{},"Johan Lorbeer, Tarzan / Standbein. Eröffnungs-Performance der Vienna Biennale 2015 am Oskar Kokoschka-Platz. Photo: eSeL",{"_uid":1270,"component":124,"propRichtext":1600},{"type":113,"content":1601},[1602],{"type":154,"content":1603},[1604],{"type":116,"content":1605},[1606,1610,1612,1616,1617,1621,1626],{"text":1607,"type":120,"marks":1608},"Erste Ausgabe der Vienna Biennale 2015:",[1609],{"type":141},{"text":1611,"type":120}," Die Bedeutung der ",{"text":1613,"type":120,"marks":1614},"Kunst im öffentlichen Raum für das Funktionieren der Demokratie wurde untersucht",[1615],{"type":141},{"text":1234,"type":120},{"text":1618,"type":120,"marks":1619},"Brauchen wir eine neue Ausgabe von ",[1620],{"type":141},{"text":1282,"type":120,"marks":1622},[1623,1625],{"type":135,"attrs":1624},{"href":1286,"uuid":34,"anchor":34,"target":138,"linktype":139},{"type":141},{"text":1627,"type":120,"marks":1628},"?",[1629],{"type":141},{"_uid":1293,"component":146,"propVideoId":1294,"propVideoType":148},{"_uid":1296,"component":124,"propRichtext":1632},{"type":113,"content":1633},[1634],{"type":154,"content":1635},[1636],{"type":116,"content":1637},[1638,1642,1643,1647,1648,1652,1653],{"text":1639,"type":120,"marks":1640},"Post-Doc Janina Loh gibt uns Einblick in ihre Forschung und ihr reiches Wissensgebiet:",[1641],{"type":141},{"text":1590,"type":120},{"text":1644,"type":120,"marks":1645},"Wenn wir über die digitale Zukunft und neue Werte nachdenken, darf der feministische Blick nicht fehlen.",[1646],{"type":141},{"text":1590,"type":120},{"text":1649,"type":120,"marks":1650},"Wo verstecken sich patriarchale Einschreibungen, Geschlechteridentitäten oder Stereotypisierungen im Bereich der künstlichen Intelligenz und Zukunftstechnologien?",[1651],{"type":141},{"text":1590,"type":120},{"text":1654,"type":120,"marks":1655},"(Juni 2019, in deutscher Sprache)",[1656],{"type":141},{"_uid":1308,"component":146,"propVideoId":1309,"propVideoType":148},{"_uid":1311,"component":124,"propRichtext":1659},{"type":113,"content":1660},[1661],{"type":154,"content":1662},[1663],{"type":116,"content":1664},[1665,1667,1672],{"text":1666,"type":120},"2022/23 präsentiert das AIL gemeinsam mit dem Fachbereich Medientheorie Vorträge, Gespräche und Performances, die in dem AIL ",{"text":1668,"type":120,"marks":1669},"Topic",[1670],{"type":135,"attrs":1671},{"href":1325,"uuid":34,"anchor":34,"target":138,"linktype":139},{"text":1673,"type":120}," „Decolonizing Technology“ gebündelt werden. Behinderung als Möglichkeitsbedingung für KI ist das Hauptargument des Vortrags der Politikwissenschaftler*in Katharina Klappheck, gefolgt von einem Dialog mit Katta Spiel (Januar 2023, in deutscher Sprache)",{"_uid":1329,"component":430,"propImage":1675,"propAltText":21,"propCaption":1677},{"id":1331,"alt":21,"name":21,"focus":21,"title":21,"source":21,"filename":1332,"copyright":21,"fieldtype":322,"meta_data":1676,"is_external_url":37},{},"AIL mit Café Exchange im Zentrum der Otto Wagner Postsparkasse während des Angewandten Festivals 2022. Foto: Lea Dörl ",{"_uid":1336,"component":124,"propRichtext":1679},{"type":113,"content":1680},[1681,1689,1694],{"type":116,"attrs":1682,"content":1683},{"textAlign":34},[1684],{"text":1685,"type":120,"marks":1686},"Stetige Veränderung ",[1687],{"type":209,"attrs":1688},{"class":211},{"type":116,"attrs":1690,"content":1691},{"textAlign":34},[1692],{"text":1693,"type":120},"Nach sieben Jahren am Franz Josefs Kai 3 übersiedelt das AIL im Frühjahr 2021 in die ehemalige Postsparkasse – ein historisches Baudenkmal des Architekten Otto Wagner – und schließt sich damit anderen Abteilungen der Universität für angewandte Kunst Wien und einer neu entstehenden Nachbarschaft aus mehreren Forschungseinrichtungen aus dem Bereich Kunst und Wissenschaft an. Der neue Standort bietet die Möglichkeit, die Netzwerke für interdisziplinäres Arbeiten und Forschen auf einer Fläche von rund 300 Quadratmetern, aufgeteilt auf drei Räume im Hochparterre, mit dem Café Exchange und der ehemaligen Kassenhalle als Herzstück, weiter auszubauen und zu stärken.",{"type":116,"attrs":1695,"content":1696},{"textAlign":34},[1697,1699,1703],{"text":1698,"type":120},"Darüber hinaus stellt sich das AIL im Jahr 2022  unter dem Namen ",{"text":1700,"type":120,"marks":1701},"Angewandte Interdisciplinary Lab ",[1702],{"type":141},{"text":1704,"type":120},"neu vor. Interdisziplinarität als zentraler Ansatz und Handlungs- und Denkweise wird fortan noch mehr in den Vordergrund gerückt. Innovation und Interdisziplinarität vereint, dass sie neue Wege beschreiten, neue Ansätze finden, und Verbindungen geschaffen werden, wo sie vielleicht nicht zu erwarten sind. Es ist und bleibt das Ziel des AILs, kritisches und kreatives Denken zu fördern. Mehr denn je braucht es einen Raum, um zusammenzukommen, Ideen zu mischen, Köpfe zusammenzustecken, Kontakte zu knüpfen und Gedanken, Wissen, Visionen und Utopien auszutauschen.",{"_uid":1706,"component":124,"propRichtext":1707},"d1086107-bc97-423f-ae8c-c7f8b0b378f4",{"type":113,"content":1708},[1709],{"type":116,"attrs":1710,"content":1711},{"textAlign":34},[1712],{"text":1713,"type":120,"marks":1714},"Ein großes Dankeschön an alle Kolleg*innen, Künstler*innen, Forscher*innen, Wissenschaftler*innen, Partner*innen und Gäste, die Teil der letzten 10 Jahre waren und die neugierig, energiegeladen, flexibel und offen die Idee und Vision des AILs begleitet und geprägt 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